net art

Mez has been writing mezangelle / code poetry / netwurks on mail lists and the web since the 1990s. Trauma Wien Art Club has released a new book of Mez' mezangelles from 2003-2011 called "human readable messages - mezangelle 2003-2011" The book will be available at the Trauma Wien site, and also be on amazon in January 2012 (technically December 31st, but with the time difference in Australia, check in January) For those who can't wait (like me), it's also available from Lulu. There's a preview of the book on the Lulu page, including the table of contents. There are mezangelles with titles such as, "_Sub.Mission[s]_", "_Squashed Tele.biology_", "_Dream Fullscreen_" and many more.

Florian Cramer has described mezangelle as (from netwurker.de) :

[quote]As florian cramer says: “The beauty of "mezangelle" is that it uses elements of programming language syntax as material, i.e. reflecting formal programming language without being one. For the reader of mez's "netwurks", it remains all the more an open question whether the "mezangelle" para-code of parentheses and wildcard characters only mimics programming languages or is, at least partially, the product of programmed text filtering.”. Jim Andrews asserts that: “The term 'code poetry' has been used in connection with Mez's writing…as in using the devices often found in computer languages (like deep bracketing) and applying them meaningfully to natural language. These devices, in computer languages, are often used to represent data structures in code (like trees or other 'graphs') and also manage processes on these data structures (like insertion/deletion/tree balancing). Mez takes these ways of representing often non-linear structures and introducing/managing process in these structures and applies/deranges them in natural language--there is little computer language in her work. Like the text contains its own neath text.” les schaffer’s take on mezangelle is “mez's style is just the most delightful play on coding. I think of her as a cross between James Joyce and... Larry Wall – author of the Perl programming language and a linguist by training.....". [/quote]

SCANZ 2009: Raranga tangata
The Weaving Together of People

Solar Circuit Aotearoa New Zealand (SCANZ) is the interCreate Research Centre's major project, a two week residency for artists, producers, writers, theorists and curators will be held in New Plymouth New Zealand from January 26th to February 8th 2009. Project partners are the Govett-Brewster Art Gallery and Puke Ariki integrated library and museum.

Raranga tangata refers to the weaving together of people, a phrase used to describe the internet and adopted by Sally Jane Norman and Sylvia Nagl in their work. The aim for SCANZ 2009 is to weave an enduring fabric of people and technology, located in this place: Taranaki, Aotearoa New Zealand, Pacific Ocean.

Residency
January 26th–February 8th

Symposium
February 7th–8th

Residency
January 26th–February 8th

The residency themes are Environmental Response and Participate/Display. Occurring along side the residency are a two day symposium (February 7 and 8), presentation evening & opening event (February 7), and curatorial workshop.

Open Humanities Press is an international open access publishing collective in critical and cultural theory.

Open Humanities Press journals are fully peer reviewed, scholarly publications that have been chosen by OHP's editorial advisory board for their outstanding contribution to contemporary theory.

OHP's journals are independent, published under open access licences and free of charge to readers and authors alike.

A grassroots response to the crisis in scholarly publishing in the humanities, Open Humanities Press is an international open access publishing collective whose mission is to make leading works of contemporary critical thought freely available worldwide.

visit http://openhumanitiespress.org for more details and to see their included publications

no-org.net is a Jerusalem art network, launched in December 2003. It serves a platform for experimental projects in the area of netbased and digital art and for the exchange of independent information on contemporary art.

(H)earat Shulaym (Note in the Margin) is an Independent Journal of Contemporary Art and Literature published by the group of artists Sala-Manca. The purpose of the magazine is to temporaly shift the gaze of the "reader" from the dominant culture, which, for the group members is mostly a marginal culture. The aim is to expose works from artists from different fields that were conceptualized far from main existing trends. This magazine is published without advertisments and without any official support.

The aim of (H)Earat Shulaym – Journal for Contemporary Art and Heara (comment) events (multidisciplinary events for contemporary art) is to meet new trends on art, artists and public, through the creation of new ways of art exhibition and creation from those that the artistic mainstream institutions propose. The development of this independent work in Jerusalem is a step of the process of deconstructing the centralist Israeli Art map and in the creation of new centers that are independent from the traditional art centers and institutions. In these two projects more than 160 artists took part and more than 230 art works were shown and published.

turbulance has been commissioning net art projects since 1996. the website contains documentation and information about upcoming and past projects. visit http://turbulence.org/ for more details