Call for Expressions of Interest _
http://www.intercreate.org/view/eco-sapiens

/
\\\\\\\ \ \ \ \ \ \ \ \ SCANZ 2011: Eco sapiens

Extinction or adaptation? Evolution or Revolution? What are we facing?

The complexity and urgency of the crises of today calls for us to
engage together in new ways. Deep shifts in our consciousness may be
required for long-term cultural changes to occur. This is a call for
expressions of interest from people who are concerned with these issues.

A symposium followed by a residency is to be held late January to
early February 2011 in New Plymouth, Aotearoa New Zealand. Initial
expressions of interest are due 21 November, 2009.

\
//////////////// / Symposium

The SCANZ 2011: Eco sapiens symposium will be an event involving
individuals from a number of different worlds (e.g scientists,
artists, social activists and community change agents, cultural
commentators, educators, tangata whenua). Our primary aim is to
facilitate connections and foster innovative, and practical solutions
to the issues we are facing. Accordingly, a mixture of presentations,
discussions, informal exchanges and workshops are planned. Roger
Malina will be presenting from France on 'Open observatories', and Te
Huirangi Waikerepuru will speak on Maori conceptions of environment.
The symposium will inspire and inform the residency that follows, and
also provide opportunities for people to collaborate on projects
beyond SCANZ.

\
//////////////// / Residency

The SCANZ 2011: Eco sapiens two week residency is designed for those
individuals or groups who would like to work on creative, poetically
pragmatic or provocative projects which raise awareness of the issues
that confront us, generate connections between people, and with their
natural environment, and which grapple with the challenges of
individual and collective evolution.

Interdisciplinary approaches and the involvement of diverse groups is
welcomed. Residency projects can take place in a wirelessly networked
botanic garden, along the coastline and with communities. Networked,
DIY, or otherwise actively and openly distributed concepts are also
encouraged. Project participants are not necessarily required to be in
New Plymouth. Residency projects that are shortlisted will be included
in funding applications.

read more for details or visit http://www.intercreate.org/view/eco-sapiens

We are living in an age of excess and indifference, of prosthetic augmentation and extended operational systems. The dead, the near dead, the undead and the yet to be born are existing simultaneously. This is the age of the cadaver, the comatose and the chimera. The cadaver can now be preserved indefinitely with plastination. The comatose body can be sustained on a life-support system. Cryogenically suspended bodies await possible reanimation. Chimera is the body that performs with mixed realities. A biological body, augmented with technology and telematically performing with virtual systems. The chimera is an alternate embodiment.

Roll up fine citizens, roll up yer sleeves, roll up in yer beat up mazda, it's time for Ripped - A night of performance, textures, noises, hypercolours, and beats.

This Ripped features:
Cleptoclectics
Too Many Force Fields
Toydeath
Loom
Svelt

Ripped @ Red Rattler Theatre, 8th May
6 Faversham St, Marrickville

Also featuring will be The MashTable (new and weirder Dubtable, will possibly feature some gabba). See http://www.dubtable.net

Dress code? It would be encouraged to show up "Ripped", but that's a dubious promotion, so perhaps you should show up "torn" instead.

~~~~ BYO ~~~~ !!! The Red Rattler hasn't got their liquor license yet, so bring your own grog. Entry is $10/$7

Announcing Synaesthesia, Art, Science & Technology Discussion Group on the Leonardo Education Forum (LEF)

Following the Synaesthesia Discussion on YASMIN Discussions List, during the month of February 2009, we wish to inform you that this discussion will continue on the Leonardo Education Forum on the topic of Synaesthesia, Art, Science & Technology.

To join the discussion, please register at: http://forum.lefnet.org/node/26

This Discussion Group invites comments on Synaesthesia, Art / Science topics as well as announcements on art projects, research and relevant events.

The LEF Synaesthesia Discussion Group is part of the Leonardo Synesthesia and Intersenses Special Project launched in 1999 by Jack Ox and Jacques Mandelbrojt (www.leonardo.info/isast/spec.projects/synesthesia/synesthesia.html) and is currently moderated by Veroniki Korakidou, PhD Candidate - Research Associate at the University of Athens NT Lab, Communication and Media Department.

Electrofringe is now calling for proposals for the 2009 festival. We are looking for creative expressions from artists, sound artists, performers, media makers, digital filmmakers, researchers, cross-artform practitioners, curators, producers, writers, experimenters, enthusiasts and anyone who doesn't fit these boxes.

Electrofringe is a five-day festival of electronic arts and culture held from the 1st - 5th October 2009 in Newcastle, Australia. Electrofringe is part of a group of festivals collected together under the This Is Not Art umbrella. Electrofringe is committed to fostering creative and innovative use and re-use of technology and electronic artforms, while focusing on artistic development and skills exchange.

continuing on from magic squares - video project? blog post - my summary of urls & excerpts to follow from the YASMIN Cybernetics Serendipity Redux discussion in 2008

:::

Nicolas Schoffer - one of the first artist to talk in public about Cybernetics and art. Nicolas Schoffer wikipedia page (english) -- via jnm - jean noel montagne

:::

from the work of Vladimir Bonacic, shown in Zagreb in 1968 "Vladimir Bonacic - the early works, Zagreb 1968-197" by darko fritz :

SCANZ 2009: Raranga tangata
The Weaving Together of People

Solar Circuit Aotearoa New Zealand (SCANZ) is the interCreate Research Centre's major project, a two week residency for artists, producers, writers, theorists and curators will be held in New Plymouth New Zealand from January 26th to February 8th 2009. Project partners are the Govett-Brewster Art Gallery and Puke Ariki integrated library and museum.

Raranga tangata refers to the weaving together of people, a phrase used to describe the internet and adopted by Sally Jane Norman and Sylvia Nagl in their work. The aim for SCANZ 2009 is to weave an enduring fabric of people and technology, located in this place: Taranaki, Aotearoa New Zealand, Pacific Ocean.

Residency
January 26th–February 8th

Symposium
February 7th–8th

cicada is a collection of artists who work with landscape - urban, natural, constructed and imagined... a combination of results occur, including site-specific installations, performances and interactive pieces... cicada also make other bits of sound+image works for theatre, dance and performance projects... and occational urban gifts of unexpected enlightenment...

Cicada projects have included :
* Mob - an installation exploring the crowd as a discrete organism.
* Saltmilk and other wonders - work resulting from a residency in the West Australian wheat town of Kellerberrin.
* Amensal - an interactive street level installation, a purely negative urban symbiosis.
* Re_Squared - an immersive outdoor audio visual performance celebrating moments of discovered beauty in the city.

visit http://www.cicada.tv for more details

Senthil Kumar posted a video on WADI facebook group called "Arjuna the Archer : AD 2008"

he's also posted it to youtube :
http://in.youtube.com/watch?v=h-UPtfEkl_o

there's now a facebook page for Patta Chitra Katha

I wanted to find out more about this artform and technique, so I googled (without much luck, due to googling the wrong things) and asked the Sarai Reader list and received lots of helpful information from many people. after reading about it, it reminds me a bit of an equivalent to multi-media, or even video blogging from a few hundred years ago. multiple paintings / panels on scrolls (equating to video frames?) are read and music played whilst they're read, so there's a mixture of images, music, text, written / spoken word. the artists travel to different villages - equivalent to the communication methods / networks of today transmitting the multimedia messages & works. originally the works were made on cloth using vegetable based paints but these days modern paints are used and most works are done on paper. I hope the traditional methods are not lost completely! the style of painting comes from Orissa, West Bengal & Bangladesh. modern artists use both traditional, classical topics as well as current topics & stories - they are trying out new variations of the art too, to keep the method alive and to learn new techniques & skills.

I made a video for VloMo08 day16 explaining how I found out information about Patta Chitra Katha :

VloMo08 : day16 - Patta Chitra Katha - traditional folk art of storytelling using visual language from kath on Vimeo.

read more for information about this special artform ...

looking for digital arts, new media & urban research projects or exhibitions in mumbai - I'm only here for 2 weekends so might not make it to any festivals. here's some I found so far - some are past projects & some are not strictly mumbai based but I came across them whilst following links for mumbai related items

:::

Comet Media & COSMOS
a non profit group working in educational communication & new media. they have festivals, projects & publications
http://www.cometmedia.org
http://groups.google.com/group/cosmos_mumbai
upcoming events
aliak.com Comet & Cosmos page

:::

Digital artists - THE WEBMUSEUM CYBERCULTURE RESEARCH LIBRARY page
http://www.lastplace.com/page177.htm

:::

CRIT
http://crit.org.in

I visited the Sticky Institute in Melbourne yesterday and bought a few zines and recorded a video asking the team a few basic questions about zines. The store has a wide selection of zines, and there's a membership / mail list where you can sign up and receive zines in the mail. If you're a zine-writer, you can contact the store and have them stock your zines. Their website also includes an impressive "Zineopedia" of Melbourne based zines which is a great resource for anyone wanting to find out more about zines. Though the best way would be to visit the store if you're in Melbourne, their website if you're not in Melbourne, or a local zine-festival and buy & read some zines. Or even better, start your own!

visit http://www.stickyinstitute.com for more details
store details :
Sticky Institute
Degraves St Subway
Shop 10 Campbell Arcade Melbourne
stickyshop @ gmail.com (remove the spaces)
(if you're not from Melbourne like me, it's opposite the train station on Flinders St, about half way (Flinders between Swanston & Elizabeth) - go downstairs towards the station subway and you'll see it)

PO Box 310 Flinders Lane Vic Australia 8009

One of the zines I bought was the "Anyone can.. " zine (anyone can make a zine) which launched the same day by the City Library Street Press. The City Library Street Press are quite active, having a few projects on the go and regular meetings at the library for zinesters and writers to get involved with. The "Anyone can.." zine also includes a MAP of Melbourne city showing writers & zinester spots of interest eg libraries, stores, artist spaces.

I also bought Anna Poletti's book "Intimate Ephemera : Reading Young Lives in Australian Zine Culture" whilst at Sticky. I've been to some of her panel sessions at the National Young Writers Festival in Newcastle & Critical Animals as part of This is Not Art (TiNA) over the years, so was glad to find her PhD book in the store too. The book is also available as an e-book (pdf) or d-book (pod / print on demand) from Melbourne University Publishing e-store

I haven't finished the book yet, but here's one passage about what a zine is [pg 11-12] :

"Personal zines do not share many of the characteristics of he texts that make up the bulk of sources studied in literary or cultural studies and, more specifically, scholarship on auto/biography. Of central importance to these non-traditional texts is the fact that sines are not mass-produced; they are not published by a professional publishing house, and thus not 'sanctioned as significant by [their] status as a mass produced commodity' (Huff 510). Moreover, zines are not easily available, do not participate in standardised modes of presentation and distribution, and are not well recognised within literary communities or among the reading (most commonly constituted as 'book-buying') public. Zines are homemade, ephermeral and amateur. They circulate among communities of readers through the mail, in out-of-the-way spaces, and are passed around hand-to-hand among social groups. They are also non-traditional because of the modes of emplotment that characterise them; in the case of personal zines, we find a unique mixture of established modes of life writing, such as the diary, alongside zine-specific narratives such as cut'n'paste collage. These material and textual idiosyncranasies challenge the literary critic to practise 'connected reading', which Gillian Whitlock describes as a practice which 'pulls at the loose threads of autobiography, and uses them to make sutures between, across and among autobiographical narratives' (Intimate Empire 204)".

I also like this definition by Richard A Stoddart and Teresa Kiser in Poletti's book [pg 27]
"Zines are a written product of the human need for self-expression. Beyond that, zines are hard to define."

on page 7-8, Poletti gives Duncombe's list for a 'zine taxonomy'. I thought this was very similar to the original definitions of video blogs when they'd first started (video blogs came after zines of course!) - my attempt was this video blog mind map before I realised it was crazy to try and define all the combinations - a simple all encompassing definition of 'video on a blog' was more appropriate, and did it matter anyway.. every now and then the videoblogging list starts up a new 'what is a video blog' thread - I suppose it is the same for all sub-communities that are less commonly known / new. the response below also reminds me of the videoblogging list arguments towards a simpler definition (or no definition), and at least a step away from a taxonomy.

"genres of zines: fanzines (broken down into subcategories by subject, that is music and sports), political zines, personal zines, scene zines (covering local and community events in the zinester's area), network zines (which review zine publications), fringe culture zines (covering UFOs, conspiracy theories and so on), religious zines, vocational zines (detailing 'life on the job'), health zines, sex zines, travel zines, comix, literary zines, art zines and 'the rest'"

... "the collapse of Duncombe's taxonomy into 'the rest - a large category' underscores the futility of attempting to solidify or organise a definition of zines based on their content. As Kirsty Leishman argues: 'Duncombe's work reveals that zines are ill contained and thus it is useful because it relieves subsequent researchers from pursuing such an arduous, yet futile, endeavour'(7)."

On October 10-11 2008, Bilkent University Department of Communication and Design, in cooperation with the Institute of Network Cultures, will organise the 3rd Video Vortex event in Ankara, Turkey. Video Vortex 3 Ankara Edition will feature a two-day international conference, evening program, live performances and new media art exhibition.

Video makers, media activists, software developers and artists from 15 countries across the Asia-Pacific will be gathering in Sukabumi, West Java from May 19-25 for an online video skills camp. The goal of the camp is to bring together open source software programmers, video makers and media activists to develop the strategic use of online video distribution for social justice and media democracy.

TX-AP is a joint initiative between media activists in Australia and Indonesia. It is organised collaboratively by EngageMedia (Australia), a video sharing website and free software development, training and networking project and Ruangrupa (Indonesia) a non-profit artist initiative supporting the development of art in the cultural context through events, exhibitions, research and documentation. 50 specially invited media activists and artists will be coming to Indonesia to attend the workshop and share their skills and ideas.

The camp will provide a unique opportunity for artists, video makers, software developers and activists to collaborate and share skills in a global context where on-line video communication skills have become an increasingly important strategy for activists.

Read more for details or visit http://transmission.cc/txap

** NEW THURSDAY CLUBS: CHANGES and UPDATES **

Supported by the Goldsmiths DIGITAL STUDIOS and the Goldsmiths GRADUATE
SCHOOL

6pm until 8pm, Seminar Rooms at Ben Pimlott Building (Ground Floor,
right), Goldsmiths, University of London, New Cross, SE14 6NW

FREE, ALL ARE WELCOME

** PLEASE NOTE THAT THE DATE FOR ELENA COLOGNI'S CLUB SESSION HAS BEEN
CHANGED FROM THE 28th of FEBRUARY TO THE 6th of MARCH **

--

*28 FEBRUARY with RAYMOND HARMON
:
Painting in Light: Experimental Film and the Advent of Improvisational
Cinema*

The traditional model for cinematic expression is as a controlled
environment moving forward in a linear direction. From its inception the
art of filmmaking has been dominated by a single form of chronological
development. Each film exists as a series of frames that are static at the
start of the film.

Improvisation, a language largely defined within the practice of music, is

LIVE FEEDING is a one-night occurrence of audio-visual performance and installation under the stars. The Old Melbourne Gaol exercise yard will become a site of convergence for local AV practitioners and merry makers. To kick the evening off, we would like to invite you to play with our overhead projectors, get acquainted over drinks and enjoy a BBQ until the sun sets, when the performance and installation programs will come to life! Artists: Philip Samartzis + Marcia Jane; Rosalind Hall + Marco Cher-Gibard; Helmet Head (Anthony Magen + Rod Cooper); Xenosine AV; Marden; Christina Tester; Melody Henderson; Idora Alhabshi, Lisa Shingles. Proceedings begin: Wednesday 5 March 2008 at 7pm

The program MediaArtHistories starts this November for the second time and is currently accepting applications. MAH conveys the most important developments of contemporary art through a network of renowned international theorists, artists and curators like: Steve DIETZ, Erkki HUHTAMO, Lev MANOVICH, Christiane PAUL, Paul SERMON, Edward SHANKEN, Jens HAUSER, Christa SOMMERER; Gerfried STOCKER, Knowbotic Research, Charlie GERE, Oliver GRAU and many others. Using online databases and other modern aids, knowledge of computer animation, net art, interactive, telematic and genetic art as well as the most recent reflections on nano art, CAVE installations, augmented reality and wearables are introduced. Historical derivations that go far back into art and media history are tied in intriguing ways to digital art. Important approaches and methods from Image Science, Media Archaeology and the History of Science & Technology will be discussed. visit the MediaArtHistories website for more information and to apply

the empyre list is discussing Second Life this month, and different Australian and international digital media artists are showing their work. Blakkbyrd sent through some SL articles and links

For all of the Fellowships we are seeking applications from artists, hackers, designers, engineers and creative technologists to come to Eyebeam for a year to undertake new research and develop new work. The ideal Fellow has experience working with and making innovative technological art and/or creative technology projects and has a passion for collaborative development. Fellows will bring this experience and working approach to their own independent projects, projects initiated by other Residents or Fellows and projects conceived collaboratively during the Fellowship period.

Read more for details or visit
http://www.eyebeam.org/production/production.php?page=felcall

If you have any questions, please email fellowshipinfo@eyebeam.org or visit the online application page @ http://www.eyebeam.org/production/onlineapp/

Well, i hope that got you interested...

Bowerbird Two, a live electronic music and media arts performance featuring Brisbane finest and guests.

The second edition of the Streaming Festival ended on the 28th of October 2007.

The festival broadcasted four programs; documentary, fiction, animation and art plus three special programs.
Composed by the KAN festival was a special program presenting a select number of films including films from Agnieszka Smoczynska, Anna Maszczynska and Anna Pankiewicz.

CultureTV brought a special program with selected international video art works. Including works from Pipilotti Rist, Grimanesa Amoros, Gaelle Denis and Bathtime in Clerkenwell by Alex Budovsky.
Visit : www.culturetv.tv

Isfth broadcasted in a special program films from James Harvey, The City of Photographers by Sebastian Moreno and four recent works from Dré Didderiëns www dredidderiens nl. This program was curated by Mak Kapetanovic.

We screened 18 hours of independent films from more than 100 filmmakers from over 20 different countries. The Festival was proud to present these films and their makers to you.

Finding my old bookmark files has made me nostalgic for the early computing days when everything was new and exciting and full of possibilities. One of my favourite magazines back in the early 90s was Mondo 2000. It was hard to get - only a few places in Brisbane stocked it, actually only two that I recall and even then it was occasional. By the time I got round to subscribing to the magazine it had finished being published and I lost my subscription renewal to the cause so to speak. At the time, it was cutting edge and the full gloss images and interviews with leading thinkers made it a great read. R.U. Sirius who was the editor of the mag has a podcast these days and can be found around mondoglobo.net. Here's a collection of links to mondo 2000 stuff:

mondo articles from the well (link updated : original link broken 25/09/2008 : http://www.well.com:70/1/Publications/MONDO )

freeNRG : notes from the edge of the dance floor - AliaK

AliaK spoke with Graham St John regarding his new book about Australian electronic music community, travelling sound systems and DiY party culture.

GRAHAM ST JOHN : EDITOR AND COMPILER OF "freeNRG : notes from the edge of the dance floor" @ FRIGID (HOPETOUN HOTEL, SYDNEY)
SUNDAY 17 MARCH