experimental

‘THE SOUND OF RED EARTH’ compilation - submissions wanted

CALL OUT FOR SUBMISSIONS FOR "THE SOUND OF RED EARTH" COMPILATION
http://soundofredearth.tumblr.com/artist-submissions

Kaldor Public Art Projects are currently seeking submissions from sound artists and musicians for a free, digital compilation to be released later this year. The compilation is aimed at framing Stephen Vitiello’s work from ‘The Sound Of Red Earth‘ in a wider context, one that seeks to explore the prevalent themes of isolation, remoteness, distance, nature, environment and ‘earth’ through sound and music.

Gökhan Okur on the Streaming Festival

This months program is a collection of five animations made by artist Gökhan Okur.
Working mainly as an illustrator, Okur experimented by adding time to his illustrations.

Transitory Life - A Retrospective, Songs and Stories - by Laurie Anderson

Transitory Life - A Retrospective, Songs and Stories. By Laurie Anderson
http://www.sydneyoperahouse.com/whatson/laurie_anderson_a_transitory_lif...

'This is a great chance for me to put together a couple of decades of my favourite stories and songs. They tell a whole different story.' Laurie Anderson

Transitory Life is a solo retrospective performance by Laurie Anderson drawing on her life’s work. The collection of songs and stories includes pieces from Anderson’s acclaimed solo shows The Speed of Darkness, Happiness, The End of the Moon and Homeland.

Autechre in Sydney - my experiences

I received a last min ticket from @artsdigitalera (tx!) so didn't arrive until about 10pm. rob hall was playing. I liked his set - thought it was quite varied, so there was something for everyone. it seemed to be a mixed, older crowd so I liked that too. I thought he was playing tracks going backwards in time. dubstep -> tech -> breakbeat -> acid house etc so I liked that too.

went downstairs to the side of the stage to hear Autechre. I found myself standing, swaying more like it, in the spot where all the speaker air aligned and it was sending electric shocks through my arms, legs and face - cheeks & nose. lips were vibrating. base of my throat was constricting - I could feel this when I moved to other places, but not the feelings in the rest of my body. I could feel puffs of air going up my jeans and jumper sleeves, and with every beat of the heavy bass it was giving me a shock. it felt like a tens machine had been hooked up to the line out and was sending pulses into the floor & conducting through my shoes with every beat. I showed a few other people the spot and they felt it too. one girl told me it sounded better up the front, in front of the speaker, but that was too loud so I moved back to the other spot where it was less loud (if that's possible). at times it made me feel a bit sick. my nose was running. I had to keep moving away, but I had to keep moving back too. it was the most physiological reaction to a music performance I'd ever felt at a gig (& prob in my life, let alone at a gig) I was thinking that some of those frequencies must be borderline legal?? my friend's dave & murray mentioned there was a band that plays tones/frequencies that cause adverse bodily functions. I just kept thinking of an old Get Smart episode where they'd played tones to blow up or interrogate one of the russian spies - or something like that, I forget the actual details, but I remember seeing an old ep like that when I was a child and wondering how sound could do that.

http://blip.tv/file/3686967 has a video taken throughout the night. ~ 1min of rob hall & ~ 5mins of autechre. it's from my phone cam so not the best quality, and autechre played in the dark, except for the lights of the bar, which I filmed to get some focus. it seemed to me like they were doing a southern cross constellation tour - playing under the constellation glow of the apple logos and desk monitor lights. from the side I could faintly see one of the guys from the glow of light from his mac book pro.

so, for a performance I didn't think I'd get to see as I hadn't pre-planned getting a ticket, it was a great night - a very physical performance/experience for me. I slept & dreamt so well afterwards too.

I had hoped to make it to Graham St John's book launch in st peters though I missed that. there were so many things on last night - it was one of those nights with too much choice so I almost stayed home, except for the ticket offer that made me leave the house.

I have some of Autechre's early albums (1990s vintage) - might need to check out their new one too

-- posted as an email reply to autechre thread on clan-l

TOY DEATH

TOY DEATH
performance art / experimental music

Re-purposing children’s electronic toys and assuming toy-like characters, Toydeath create live music with sounds coerced solely from tortured electronic toys and accompanied by hilarious costumed antics. Using circuit-bending techniques, each instrument is a hand-crafted modified toy capable of extraordinary sonic possibilities. Audiences are exposed to a barrage of hyperactive hootenanny as Toydeath unleash the contents of a toy box six year olds would kill for. Formed in 1995, this Sydney-based trio have appeared at major Australian music festivals including the Big Day Out, Field Day and The Great Escape, and performed in Japan, China, South Korea, Austria, Italy, Portugal, Germany, Belgium and the Netherlands.

Also playing | DJ Manila Vice

Website: www.toydeath.com

Event Information:

Auraltered State #3 Featuring Holy Balm, Purple Duck and Pimmon

The performance space in association with dualpLOVER invites you to Auraltered State #3 the third of a series of eight free concerts to be conducted across 2010 focussing on the music of New South Wales as heard through the ears of Lucas Abela. These performances will cross a wide spectrum of music from the state, focused on presenting evenings of contrasting music’s from some of our more irreverent, innovative, unusual and original artists from now, then and the future. All shows will be held at the new Performance Space Clubhouse, situated in bay #12 which has a limited capacity of 100 patrons so please come early. This series has been kindly supported by the NSW ministry of the arts.

29th May
PERFORMANCE SPACE CLUBHOUSE
CARRIAGEWORKS 245 WILSON STREET EVELEIGH
DOORS 7:30PM MUSIC 8PM SHARP – 11PM
FREE ENTRY *LIMITED CAPACITY*
ALL AGES (BAR SERVICES AVAILABLE FOR 18+ IN CARRIGEWORKS FOYER STRICTLY NO BYO)

http://www.facebook.com/event.php?eid=393176710916

read more for artist bios

1/4 inch with JULIAN KNOWLES, FUKNO, HINTERLANDT

JULIAN KNOWLES, FUKNO, HINTERLANDT
___________________________________________________

:::::::::::::: SATURDAY THE 29TH MAY 8PM ::::::::::::::::

:::::::::::: IC CAMPUS NORTH WOLLONGONG ::::::::::::::

:::::::::::::::: THE DIGITAL MEDIA CENTER :::::::::::::::::::

:::::::::::::::::::::::::::::$10 @ the Door:::::::::::::::::::::::::::

http://www.facebook.com/event.php?eid=122122994479489

A strange location for a gig, but hey who's complaining. A seriously diverse line up, a kick ass PA, free bus to the door and probably the most left of field event in Wollongong you'll find on a Saturday night. Are you ready to go nuts!!!!

Julian Knowles (QLD), Hinterlandt (GER, SYD), FUKNO (GONG)

$10 on the door. 8pm till late.

Get on the guest list by hitting the attend button and receive discounted entry. Everyone likes a bargain. Sign me up SGT. Cycle!

How do you expect me to get to the gig? Directions on how to get to the IC Campus:

http://www.innovationcampus.com.au/getting-to-ic/

and a map here in PDF format of the Innovations Campus.:

http://www.uow.edu.au/content/groups/public/@web/@bg/documents/doc/uow07...

::Julian Knowles:: [ QLD ]

Julian Knowles is an Australian composer and performer, specialising in new and emerging technologies. His creative work spans the fields of composition for theater, dance, film and television, electronic music, sound and new media arts, popular music and record production. Since the mid-1980s, he has established himself as a prominent artist in the area of electronic and new music, achieving significant critical recognition for his performances and recordings.

His current musical output seeks to hybridise popular music structures in experimental electronic music contexts.

http://www.myspace.com/julianknowles

::FUKNO:: [ Wollongong, NSW ]

Cut and paste electronics, harsh noise, gabba, and karaoke.
FUKNO aka Guy Sterling is/has been banging his head against harsh noise, cut and paste/sample based electronics, performance and a variety of print based art forms including self publishing/zines for about 15 years. Working in collaborative groups and independently under pseudonyms including 7U?, Rank Sinatra, Dj Rainbow Ejaculation, rev777?, someguy, Count Zoloft, YSL, FUKNO, System Corrupt, Goulburn Poultry Fanciers Society, no frills and Victime de Mode. And will continue to so until he either falls over or starts receiving arts grants

http://www.667u.com/
http://www.667u.com/fuckno/htm
Contact:sevenuy[at]hotmail[dot]com(replace [at] with @ etc)

::HINTERLANDT:: [ SYD ]

Hinterlandt was founded by Jochen Gutsch in Australia in 2002 as an experimental music project. It relocated to Germany in 2004, before re-relocating to Sydney in 2010. Hinterlandt is known for long compositions that swing back and fourth between beauty, noise, rhythms, ambiances, melodies, silence and guitar feedbacks.

Hinterlandt has taken on many guises and is known to constantly change shape and colour. Live performances were played in various formats in Cologne, London, Rome, Sydney, Hamburg, Melbourne, Lisbon, Helsinki, Berlin, Amsterdam, and many other places.

www.hinterlandt.net

::News:: for anyone that reads this far down... well done :-)

August - Alex White and Anna Chase
September - 2 Very Special Guests!

DJ smallCOCK's Vinyl Arcade

“a ludic, tactile experience of noise art your grandmother would queue to have a go at” - Dan Mackinlay, Realtime.

Calling all racers, dualpLOVER, NIME and the Australia Council for the arts invites you to sign up for The Vinyl Arcade time-trails and compete within our participatory play-set, a kinetic sound and video installation combining vinyl fetishism, video arcade mystique and the machismo of motor sports into a in a video racing game played within a real world setting!

Imagine racing remote control cars with audio pick-ups attached to their chassis through a course constructed from a mass of disused vinyl records. Using vintage video arcade consoles and immersive video projections of the cars P.O.V. competitors will not only control the movements of the vehicles but also the parameters of the resulting sounds they create.

MAGAIO VOICESCAPES : The rural voice: sacrality, leisure and work (Nodar Artist Residency)

Binaural/Nodar (PT) announces:

MAGAIO VOICESCAPES
The rural voice: sacrality, leisure and work

Nodar Artist Residency Program for 2011
Open call for the presentation of art projects

Application Submission period:
May 1, 2010 – September 30, 2010

Artistic Disciplines:
Sound Poetry; Vocal Performance; Sound Art; Phonography; Acoustic,
Electroacoustic or Electronic Composition / Improvisation; Radio Art; Video
Performance

The application is open to art projects centred in the human voice,
which work with issues such as the origin, meaning and relationship with the
sacred (reconnected to its ancestral meaning of mystery and symbol), the
voice as a pivotal element of rituals, customs and superstitions, able to

Sound Series #2 Broadcast

Sound Series is a monthly night of sound-based performance and installation at Hardware Gallery on Enmore Rd.

#2 Broadcast will feature:
Scissor Lock
Broken chip
Domeyko/Gonzalez
Justice Yeldham
Tony Osborne
Adrian Clement
+ visuals by
Joel Burrows
Caroline de Dear

Join the facebook group if you'd like an invite to the next one! or rsvp to the facebook event

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