networked spaces

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IMAGE RADIO 2008 - Eindhoven - New media in public space - Call for artists

C a l l f o r A r t i s t s - Exploring Your Invisible Paradise! 30-10 till 02-11-2008

DEADLINE EXTENDED - Submit your work until 9th of June 2008

Take this opportunity to participate in the 2nd edition of Image Radio – a young festival for new ideas in digital culture, taking place in Eindhoven, Netherlands.

The festival is also an experiment, critical reflection, and preview of how new media in public space impact our cultural, social and physical surroundings. The increase of display devices, data clouds, sensor networks, particularly in urban centers, provides a new medium. Public space becomes a playground in which dynamic and manipulative data influence our perception. Potential applications are shown in experimental installations. Theory, discussion and exchange on these topics are facilitated in the seminar program and symposium.

Netaudio'08: call for entries

Netaudio, the Offline Festival for Online Music comes back to London after a great festival in Berlin in 2007

Netaudio'08 will take place from 22nd to 25th October 2008 at Shunt, a extensive labyrinth of tunnels underneath London Bridge Station.

Over four nights we will celebrate the creative output of networked musicians and online communities with talks, workshops, showcases and performances. Parts of Netaudio'08 will be programmed through an open call for entries. With this call we would like to give you the chance to put our attention to your creative activities related to the festival theme.

Call for entries runs in 3 strands: performance, installation and conference. For more information and to download the entry forms please visit: http://www.netaudiolondon.cc/blog/137/call-for-entries

the human network

I've just been reading articles on the human network blog by Mark Pesce. all have been interesting, particularly the Unevenly Distributed : Production Models for the 21st Century where he talks about the death of television and film industries in their current distribution method. also mentioned were the examples of Ronda Byrne's online / streaming version of The Secret and the success it has brought her. as well as the "League of Peers" movie Steal this Film - Part 1 which is a documentary about file sharing and the troubles faced by Sweden's leading BitTorrent site The Pirate Bay.

THURSDAY CLUBS @ Goldsmiths - experimental cinema + more (UK)

** NEW THURSDAY CLUBS: CHANGES and UPDATES **

Supported by the Goldsmiths DIGITAL STUDIOS and the Goldsmiths GRADUATE
SCHOOL

6pm until 8pm, Seminar Rooms at Ben Pimlott Building (Ground Floor,
right), Goldsmiths, University of London, New Cross, SE14 6NW

FREE, ALL ARE WELCOME

** PLEASE NOTE THAT THE DATE FOR ELENA COLOGNI'S CLUB SESSION HAS BEEN
CHANGED FROM THE 28th of FEBRUARY TO THE 6th of MARCH **

--

*28 FEBRUARY with RAYMOND HARMON
:
Painting in Light: Experimental Film and the Advent of Improvisational
Cinema*

The traditional model for cinematic expression is as a controlled
environment moving forward in a linear direction. From its inception the
art of filmmaking has been dominated by a single form of chronological
development. Each film exists as a series of frames that are static at the
start of the film.

Improvisation, a language largely defined within the practice of music, is

2007 ANAT emerging technologies mentorship - call for applications

ANAT is calling for applications from young and emerging practitioners working with distributed, portable, online, wearable, mobile and emerging platforms to undertake a three-month mentorship with an established practitioner of their choice.

Managed by ANAT, the mentorship is a part of the Australian Government's Young & Emerging Artists Initiative through the Australia Council, its arts funding and advisory body.

The mentorship provides an opportunity to explore new artistic directions, to expand technical skills and increase knowledge of networks, debates and business practice. Applicants are invited to select a mentor and develop a program of activity spanning a three-month period. The mentorship may be largely a program of skills, development however applicants are encouraged to explore programs which incorporates critical investigation and dialogue, business skills development as well as marketing and exhibition opportunities. Utilising emerging technologies the mentor may be accessed locally, nationally or internationally. Additionally the successful applicant will maintain a blog for the duration of the mentorship hosted on the ANAT server.

read more or visit the ANAT emerging technologies mentorship website

identity 2.0

I've been watching the identity 2.0 presentations from 2005 oscon and web 2.0 conferences. I'd been meaning to watch more of the presentations from these conferences but hadn't got round to it yet. I came across this again via another site, presentation zen blog, which was talking about different styles of presentations - Dick Hardt from sxip.com (pronounced skip) was recommended as having good presentation style. He in turn borrowed this style from Lawrence Lessig, the well known copyright lawyer and advocate. They both use many slides with short phrases or single words, with a scattering of images and are displayed with a fast pace. It does make the presentation more interesting! - well compared to the traditional powerpoint style anyway. This topic has been on my mind recently - not presentations per se, but events and conferences - as the iDC mail list has been having interesting discussions about the different styles of presentations at digital arts / music / new media conferences. Mostly the conversations have been regarding providing remote connections and contributions for people to attend the conferences remotely either during the conference or after it. Discussions on presentation style came up - different ideas, particularly wrt academics presenting papers and just reading them to the audience when they may have been available prior to the conference, then running out of time for questions. Anyway, I find it interesting as I'm not able to attend all the conferences I'd like to, though I try to attend as many as feasible, but it's really handy to be able to watch a video or listen to audio of the presentations after the conference. I find most of the larger IT based American conferences have video lectures / presentations available - perhaps this is because they have deals with ISPs and video production / distribution people. I think videoblogging could help with this as there's many more people recording video these days, but I suppose it won't be videoblogging as such, but using videobloggers to apply their skills to provide documentation and video on the web. Really useful for online education also!

read more for links used in this post

gps artist - Iain Mott "sound mapping"

Sound Mapping: an assertion of place *
* Proceedings of Interface '97
This paper proposes an argument for the role of sound installation in addressing the physical relationship between music and the general public. The focus of the discussion is on an outdoor interactive music event titled Sound Mapping, which explores the issues raised. Sound Mapping is a site specific algorithmic composition to be staged in the Sullivan's Cove district of Hobart. Sound Mapping uses four mobile sound-sources each carried by a member of the public. These sound sources are played with respect to geographical location and participant interactions using a system of satellite and motion sensing equipment in combination with sound generating equipment and computer control. The project aims to assert a sense of place, physicality and engagement to reaffirm the relationship between art and the everyday activities of life.

Raqs Media Collective

Raqs Media Collective - excerpt from Wikipedia entry
http://en.wikipedia.org/wiki/Raqs_Media_Collective

Raqs Media Collective is a group of three media practitioners - Jeebesh Bagchi (New Delhi, 1965), Monica Narula (New Delhi, 1969) and Shuddhabrata Sengupta (New Delhi, 1968) - based in New Delhi. Raqs is best known for its contribution to contemporary art, and has presented work at most of the major international shows, from Documenta to the Venice Biennale; but the collective is active in an unusually wide range of domains, and it is perhaps this breadth that gives their work its originality and scope.

C A M E R A O B S C U R A : film + video screenings

| | | | |||| C A M E R A O B S C U R A |||| | | | |
film + video screenings

First monday of every month at Lanfranchi's Memorial Discoteque. Level 2. 144 Cleveland st. Darlington. 7:30 pm. Free. Popcorn.

Monthly screenings with a simple goal of showing interesting and experimental film and video works in an appropriate setting, comfortable seating - 5.1audio - large scale projection - free

D I S O R I E N T A T I O N : live electronic audiovisual

D I S O R I E N T A T I O N
live electronic audiovisual performance

Wednesday July 9 : featuring Pimmon + Hinterlandt + Ueda
@ Lanfranchis Memorial Discotheque
Lvl 2, 144 Cleveland St, Chippendale

DISORIENTATION is a monthly series of events, aiming to bring together both well-known and emerging artists working in audio or audiovisual performance.

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