bookmarking Brian Eno - His Music and the Vertical Color of Sound - by Eric Tamm - sounds interesting to read once I get through current booklist

Brian Eno - His Music and the Vertical Color of Sound-Eric Tamm

the guys at Sticky sent an invitation to join the We Make Zines NING group today. We Make Zines is a online community for zine makers and zine readers. the discussions are all about the zines and issues involved with making them & distributing them. this year I want to try this - maybe take some thoughts / notes from my little notebooks and make a zine. or some thoughts from this blog - though even the blog is mostly project listings, not my own thoughts. maybe time for a shift.. am I too old to make a zine?? hopefully not.. I want to (if I ever get round to it) put some of the info & interviews from brisbane dance parties archive site into a zine (hopefully a collection of them) too - then possibly a book later on. I like reading the zines from the Sticky subscription - they seem to be from a range of people - different ages & backgrounds. I like the letter ones - reminds me of the letter writing I used to do whilst growing up. these days I manage a few postcards to friends whilst overseas - it's nice getting messages in the mail, and I think the kids love them. I wondered about a video zine too - maybe stored on USB memory sticks or dvds. I posted a 'video zines' message to the artists in the cloud group - sounds like people are interested to try it out too.

today I watched a video Senthil Kumar posted a video on WADI facebook group called "Arjuna the Archer : AD 2008" - it was based on the techniques of Patta Chitra Katha

I wanted to find out more about this artform and technique, so I googled (without much luck, due to googling the wrong things) and asked the Sarai reader list and received lots of helpful information from many people. after reading about it, it reminds me a bit of the multi-media of a few hundred years ago. multiple paintings / panels on scrolls are read and music played whilst they're read, so there's a mixture of images, music, text, written / spoken word. the artists travel to different villages - equivalent to the communication methods / networks of today transmitting the multimedia messages & works. originally the works were made on cloth using vegetable based paints but these days modern paints are used and most works are done on paper. I hope the traditional methods are not lost completely! the style of painting comes from Orissa and West Bengal. modern artists use both traditional, classical topics as well as current topics & stories - they are trying out new variations of the art too, to keep the method alive and to learn new techniques & skills.

I wrote a blog post (ongoing) about Patta Chitra Katha @ http://www.aliak.com/content/patta-chitra-katha-traditional-folk-art-sto...

VloMo08 - day16

http://vimeo.com/2260235

VloMo08 : day16 - Patta Chitra Katha - traditional folk art of storytelling using visual language from kath on Vimeo.

Senthil Kumar posted a video on WADI facebook group called "Arjuna the Archer : AD 2008"

he's also posted it to youtube :
http://in.youtube.com/watch?v=h-UPtfEkl_o

there's now a facebook page for Patta Chitra Katha

I wanted to find out more about this artform and technique, so I googled (without much luck, due to googling the wrong things) and asked the Sarai Reader list and received lots of helpful information from many people. after reading about it, it reminds me a bit of an equivalent to multi-media, or even video blogging from a few hundred years ago. multiple paintings / panels on scrolls (equating to video frames?) are read and music played whilst they're read, so there's a mixture of images, music, text, written / spoken word. the artists travel to different villages - equivalent to the communication methods / networks of today transmitting the multimedia messages & works. originally the works were made on cloth using vegetable based paints but these days modern paints are used and most works are done on paper. I hope the traditional methods are not lost completely! the style of painting comes from Orissa, West Bengal & Bangladesh. modern artists use both traditional, classical topics as well as current topics & stories - they are trying out new variations of the art too, to keep the method alive and to learn new techniques & skills.

I made a video for VloMo08 day16 explaining how I found out information about Patta Chitra Katha :

VloMo08 : day16 - Patta Chitra Katha - traditional folk art of storytelling using visual language from kath on Vimeo.

read more for information about this special artform ...

looking for digital arts, new media & urban research projects or exhibitions in mumbai - I'm only here for 2 weekends so might not make it to any festivals. here's some I found so far - some are past projects & some are not strictly mumbai based but I came across them whilst following links for mumbai related items

:::

Comet Media & COSMOS
a non profit group working in educational communication & new media. they have festivals, projects & publications
http://www.cometmedia.org
http://groups.google.com/group/cosmos_mumbai
upcoming events
aliak.com Comet & Cosmos page

:::

Digital artists - THE WEBMUSEUM CYBERCULTURE RESEARCH LIBRARY page
http://www.lastplace.com/page177.htm

:::

CRIT
http://crit.org.in

The Tract House is a "spread-the-word" project that debuted at the Contemporary Museum in Baltimore on May 31, 2008. The Tract House tracts were written by friends, neighbors, acquaintances, visitors to this website, and friends of friends. While most popular tracts are religious, The Tract House tracts can be nearly anything— manifestos, diatribes, stories, rants, poems, or lyrics. They can be about whatever the writer finds pressing, whether it be something personal, professional, political, domestic, local, or global. Gallery visitors are encouraged to peruse the many tracts and take home what they wish. Visitors of this website are encouraged to print the tracts on their home printers. It is hoped that the tracts will educate, activate, infuriate, obfuscate, titillate, inspire, upset, and irritate.

Alternative Media in Brisbane by Stephen Stockwell is a paper available on Griffith Uni website. It lists some of the more underground publications in Brisbane from 1965-1985

crowdsourcing is defined by Jeff Howe from wired.com on his site http://crowdsourcing.typepad.com as "Crowdsourcing is the act of taking a job traditionally performed by a designated agent (usually an employee) and outsourcing it to an undefined, generally large group of people in the form of an open call." [The White Paper Version] and [The Soundbyte Version] "The application of Open Source principles to fields outside of software.". He coined the term then later wrote a book about the subject : Crowdsourcing: Why the Power of the Crowd Is Driving the Future of Business.

I visited the Sticky Institute in Melbourne yesterday and bought a few zines and recorded a video asking the team a few basic questions about zines. The store has a wide selection of zines, and there's a membership / mail list where you can sign up and receive zines in the mail. If you're a zine-writer, you can contact the store and have them stock your zines. Their website also includes an impressive "Zineopedia" of Melbourne based zines which is a great resource for anyone wanting to find out more about zines. Though the best way would be to visit the store if you're in Melbourne, their website if you're not in Melbourne, or a local zine-festival and buy & read some zines. Or even better, start your own!

visit http://www.stickyinstitute.com for more details
store details :
Sticky Institute
Degraves St Subway
Shop 10 Campbell Arcade Melbourne
stickyshop @ gmail.com (remove the spaces)
(if you're not from Melbourne like me, it's opposite the train station on Flinders St, about half way (Flinders between Swanston & Elizabeth) - go downstairs towards the station subway and you'll see it)

PO Box 310 Flinders Lane Vic Australia 8009

One of the zines I bought was the "Anyone can.. " zine (anyone can make a zine) which launched the same day by the City Library Street Press. The City Library Street Press are quite active, having a few projects on the go and regular meetings at the library for zinesters and writers to get involved with. The "Anyone can.." zine also includes a MAP of Melbourne city showing writers & zinester spots of interest eg libraries, stores, artist spaces.

I also bought Anna Poletti's book "Intimate Ephemera : Reading Young Lives in Australian Zine Culture" whilst at Sticky. I've been to some of her panel sessions at the National Young Writers Festival in Newcastle & Critical Animals as part of This is Not Art (TiNA) over the years, so was glad to find her PhD book in the store too. The book is also available as an e-book (pdf) or d-book (pod / print on demand) from Melbourne University Publishing e-store

I haven't finished the book yet, but here's one passage about what a zine is [pg 11-12] :

"Personal zines do not share many of the characteristics of he texts that make up the bulk of sources studied in literary or cultural studies and, more specifically, scholarship on auto/biography. Of central importance to these non-traditional texts is the fact that sines are not mass-produced; they are not published by a professional publishing house, and thus not 'sanctioned as significant by [their] status as a mass produced commodity' (Huff 510). Moreover, zines are not easily available, do not participate in standardised modes of presentation and distribution, and are not well recognised within literary communities or among the reading (most commonly constituted as 'book-buying') public. Zines are homemade, ephermeral and amateur. They circulate among communities of readers through the mail, in out-of-the-way spaces, and are passed around hand-to-hand among social groups. They are also non-traditional because of the modes of emplotment that characterise them; in the case of personal zines, we find a unique mixture of established modes of life writing, such as the diary, alongside zine-specific narratives such as cut'n'paste collage. These material and textual idiosyncranasies challenge the literary critic to practise 'connected reading', which Gillian Whitlock describes as a practice which 'pulls at the loose threads of autobiography, and uses them to make sutures between, across and among autobiographical narratives' (Intimate Empire 204)".

I also like this definition by Richard A Stoddart and Teresa Kiser in Poletti's book [pg 27]
"Zines are a written product of the human need for self-expression. Beyond that, zines are hard to define."

on page 7-8, Poletti gives Duncombe's list for a 'zine taxonomy'. I thought this was very similar to the original definitions of video blogs when they'd first started (video blogs came after zines of course!) - my attempt was this video blog mind map before I realised it was crazy to try and define all the combinations - a simple all encompassing definition of 'video on a blog' was more appropriate, and did it matter anyway.. every now and then the videoblogging list starts up a new 'what is a video blog' thread - I suppose it is the same for all sub-communities that are less commonly known / new. the response below also reminds me of the videoblogging list arguments towards a simpler definition (or no definition), and at least a step away from a taxonomy.

"genres of zines: fanzines (broken down into subcategories by subject, that is music and sports), political zines, personal zines, scene zines (covering local and community events in the zinester's area), network zines (which review zine publications), fringe culture zines (covering UFOs, conspiracy theories and so on), religious zines, vocational zines (detailing 'life on the job'), health zines, sex zines, travel zines, comix, literary zines, art zines and 'the rest'"

... "the collapse of Duncombe's taxonomy into 'the rest - a large category' underscores the futility of attempting to solidify or organise a definition of zines based on their content. As Kirsty Leishman argues: 'Duncombe's work reveals that zines are ill contained and thus it is useful because it relieves subsequent researchers from pursuing such an arduous, yet futile, endeavour'(7)."

'publish'

In 1998, M/C - A Journal of Media and Culture was devised by David Marshall as an online publishing project for a new media culture honours course at the University of Queensland. The journal was intended as an open-access, scholarly intervention in and forum for debates surrounding media and culture with a strong desire to cross between the academic and the popular. This year, M/C Journal celebrates its tenth anniversary, and in this special issue we ask: what is the face of publishing today?

Open Humanities Press is an international open access publishing collective in critical and cultural theory.

Open Humanities Press journals are fully peer reviewed, scholarly publications that have been chosen by OHP's editorial advisory board for their outstanding contribution to contemporary theory.

OHP's journals are independent, published under open access licences and free of charge to readers and authors alike.

A grassroots response to the crisis in scholarly publishing in the humanities, Open Humanities Press is an international open access publishing collective whose mission is to make leading works of contemporary critical thought freely available worldwide.

visit http://openhumanitiespress.org for more details and to see their included publications

dpwolf has finished his thesis - you can download it from his site - it's called Vidgets: The Development and Use of Interactive, Network Based Video Works by David Wolf (dpwolf)

I've downloaded it but haven't finished reading it yet. he makes cool live video performances using isadora and quartz composer and the music is made with controllers and max / msp. I'd been to a workshop of his the previous year and that's how I started trying out isadora. (obviously he's more advanced than me ;)

I noticed page 138 has a photo which looks like a capture from a video I took of his & Somaya's performance at electrofringe 2006. I thought I had a photo but can't find it but I have a video. and the other photographer in the room was on the other side of the room as I recall. small world.

The SALA-MANCA GROUP is a group of independent Jerusalem-based artists that creates in different fields: performance, video, installation & new media since 2000. Sala-manca's works deal with poetics of translation (cultural, mediatic and social), with textual, urban and net contexts and with the tensions between low tech and high tech aesthetics, as well as social and political issues.

no-org.net is a Jerusalem art network, launched in December 2003. It serves a platform for experimental projects in the area of netbased and digital art and for the exchange of independent information on contemporary art.

The Digital Artists Handbook is an up to date, reliable and accessible source of information that introduces you to different tools, resources and ways of working related to digital art. The goal of the Handbook is to be a signpost, a source of practical information and content that bridges the gap between new users and the platforms and resources that are available, but not always very accessible. The Handbook will be slowly filled with articles written by invited artists and specialists, talking about their tools and ways of working. Some articles are introductions to tools, others are descriptions of methodologies, concepts and technologies. When discussing software, the focus of this Handbook is on Free/Libre Open Source Software. The Handbook aims to give artists information about the available tools but also about the practicalities related to Free Software and Open Content, such as collaborative development and licenses. All this to facilitate exchange between artists, to take away some of the fears when it comes to open content licenses, sharing code, and to give a perspective on various ways of working and collaborating. -- info via the DAH index page

TechGnosis maillist website
“Reality is that which, when you stop believing in it, doesn't go away."
-Philip K. Dick-
VISIT TECHGNOSIS AT: http://techgnosis.info
SUBSCRIBE to TechGnosis List: http://groups.yahoo.com/group/TechGnosis/join

http://www.maybelogic.org
http://www.maybelogic.net

http://edge.org/

http://www.techgnosis.com - Erik Davis' site

http://www.undergrowth.org

http://www.barrelfullofmonkeys.org

http://www.entheo.net/ - entheogenesis Australia 2007 conference

http://www.docquan.com/lib_dead.html - an online collection / library of interesting books

e/i magazine was a print magazine from 2003 - 2006. from 2007 onwards, it has become an online magazine only. the publisher describes the magazine as "e/i was an attempt to establish on the newsstand what I hoped would be the most comprehensive, definitive, intelligently written and artfully designed magazine covering all manners of music electronic, experimental and otherwise. Our editorial mandate was to shatter genre margins while encompassing the past, the present and the future, extolling a broad swathe of artists who challenged the very notions of sound and vision." these days you can join their mail list and every 2 weeks or so you'll receive an email listing the latest reviews and news which are available on the site.

PDF Mags is a site listing hundreds of free arts and music pdf magazines / zines. they also have a calls for submissions listings area so you can find out where to have your work published

online music magazine and proponent of proper booth plurality

last year I was asked (albeit last minute!) if I'd like to contribute to a book tentatively called Videoblogging Hacks so I wrote up the following rather quickly and sent it off. I'd been playing with creating html links and href tracks previously and I think I'd mentioned it on the videoblogging yahoogroups list. anyway, the book was published and is now available from various online stores.

the book is called Videoblogging and the authors names are Jay Dedman, Joshua Paul. I received a copy and had a quick look through it on my last trip home to Sydney - it's a very throrough book! so grab a copy if you get the chance.

my section was cut/edited quite a bit. I was surprised it made it all. so below is what I sent through - I need to find the images and post/links them also. it's a useful reference for me also, but most of the info below is already available on the internet.

I did find it hard to locate information at the time, so this was a way of bringing it altogether in one place as a reference.

attached are the doc and rtf versions - hopefully the images show up in them. I can't see them here on the mac but perhaps I don't have the correct viewer installed.

there's a couple of other good books on videoblogging also along with the one mentioned above :

Videoblogging by Jay Dedman, Joshua Paul

Secrets of Videoblogging by Michael Verdi, Ryanne Hodson, Diana Weynand, and Shirley Craig
( this one's available on safari techbooks online if you have a login there )

Videobloggin g for Dummies by Stephanie Cottrell Bryant

---

Creating Clickable Hyperlinks in QuickTime video movies.
-- Kath O'Donnell

Everybody knows that html links, or hyperlinks make the internet go 'round. Wouldn't it be cool to include clickable links in the video files you create and publish also. Think of the possibilities! Depending on what your video content is, the links could enhance the viewers experience whilst watching your video and allow them to gain more information or visit your homepage once they've finished watching your video. Clickable links turn your video file into an interactive video.

Including hyperlinks in your video using Quicktime is a simple step involving adding a text track and HREF codes or adding a HREFTrack, but surprisingly few people use this feature. More advanced options include being able to display the clicked link into specified html frames or windows, or even sending JavaScript code or parameters to JavaScript scripts on your website. SMIL movie files can also be used to create links, though if you decide to use this method, you need to be aware of the different ways SMIL files can be played on a computer ie it may be played in a non-QuickTime Player so could behave differently to what you expect. For this reason, this guide concentrates on creating clickable links using text tracks in QuickTime PRO.

Journal of Interdisciplinary Music Studies is a biannually published, refereed journal. The journal covers the studies of music sciences, together with the studies of music and sound in the disciplines of humanities, social sciences, cognitive sciences, medical and engineering sciences. Our aim is to establish a wide range of interdisciplinary platform for the scholars studying on music and sound.

Radical Musicology is a peer-reviewed online journal produced in the International Centre for Music Studies at Newcastle University (UK). It was established to provide a forum for progressive thinking across the whole field of musical studies, and encourages work that draws on any and all relevant discipinary and interdisciplinary prespectives.

click here or on the image to play the quicktime movie

slideshow video of photos taken during the 2003 This is Not Art and Electrofringe festivals in Newcastle, Australia 01-06 October 2003

http://www.thisisnotart.org has info about this year's festival

http://www.massarcade.com/electrofringe has the 2003 electrofringe website - you can find the program on this site

http://flickr.com/photos/aliak_com/tags/tina2003/ has photos of the event

click here or on the image to play the quicktime movie

music is Indian Summer by Big Bud

I went along to the Sarai Independent Fellows 2006 workshops last weekend (26-27/08) @ Sarai, CSDS, New Delhi. I missed the first two days sessions, but here is a slideshow video of some of the saturday & sunday sessions. it was really interesting - both the presentations and the discussions afterwards. some sessions were in Hindi so I couldn't follow as easily. there were a wide range of projects though - art, music, urban issues. hopefully they'll link to some of the full papers on the sarai.net website. it was a great way to get another insight into life and goings on in India and related places.

photos @ http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006

http://ifellows2006.wordpress.com

http://www.sarai.net

Founded in 1958 and inaugurated in 1962, the India International Centre is a premier non-official organisation in the capital, playing a unique cultural and intellectual role in the life of the citizens. The Centre has been likened to a Triveni providing three streams of activities--intellectual stream through seminars, symposia, meetings, discussions and its Library and publications; cultural stream, through its series of cultural events like music, dance, films, etc. and social stream through its hostel and catering facilities where people meet and mingle together.