new media
IMAGE RADIO 2008 - Eindhoven - New media in public space - Call for artists
C a l l f o r A r t i s t s - Exploring Your Invisible Paradise! 30-10 till 02-11-2008
DEADLINE EXTENDED - Submit your work until 9th of June 2008
Take this opportunity to participate in the 2nd edition of Image Radio – a young festival for new ideas in digital culture, taking place in Eindhoven, Netherlands.
The festival is also an experiment, critical reflection, and preview of how new media in public space impact our cultural, social and physical surroundings. The increase of display devices, data clouds, sensor networks, particularly in urban centers, provides a new medium. Public space becomes a playground in which dynamic and manipulative data influence our perception. Potential applications are shown in experimental installations. Theory, discussion and exchange on these topics are facilitated in the seminar program and symposium.
Video Vortex 3 Ankara (Turkey) Edition - Call for participation
On October 10-11 2008, Bilkent University Department of Communication and Design, in cooperation with the Institute of Network Cultures, will organise the 3rd Video Vortex event in Ankara, Turkey. Video Vortex 3 Ankara Edition will feature a two-day international conference, evening program, live performances and new media art exhibition.
Open Humanities Press - Free / Libre Theory
Open Humanities Press is an international open access publishing collective in critical and cultural theory.
Open Humanities Press journals are fully peer reviewed, scholarly publications that have been chosen by OHP's editorial advisory board for their outstanding contribution to contemporary theory.
OHP's journals are independent, published under open access licences and free of charge to readers and authors alike.
A grassroots response to the crisis in scholarly publishing in the humanities, Open Humanities Press is an international open access publishing collective whose mission is to make leading works of contemporary critical thought freely available worldwide.
visit http://openhumanitiespress.org for more details and to see their included publications
Live Feeding 5 March
LIVE FEEDING is a one-night occurrence of audio-visual performance and installation under the stars. The Old Melbourne Gaol exercise yard will become a site of convergence for local AV practitioners and merry makers.
To kick the evening off, we would like to invite you to play with our overhead projectors, get acquainted over drinks and enjoy a
BBQ until the sun sets, when the performance and installation programs will come to life!
Artists: Philip Samartzis + Marcia Jane; Rosalind Hall + Marco Cher-Gibard; Helmet Head (Anthony Magen + Rod Cooper); Xenosine AV;
Marden; Christina Tester; Melody Henderson; Idora Alhabshi, Lisa Shingles.
Proceedings begin: Wednesday 5 March 2008 at 7pm
Location: RMIT City Campus, Alumni and Belvedere Courtyards (behind
the Old Melbourne Gaol). Entry via LaTrobe St then Bowen St, then
between buildings 1 & 3, map: http://tinyurl.com/2dfqx3
Bring: things (overhead transparencies + objects) for freeform
participatory projected fun!
Live Feeding is brought to you by Stream, RMIT Orientation Committee
and RMIT Union Arts.
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STREAM is a RMIT Union Arts collective who are passionate about live
audiovision.
If you're interested in becoming a member or finding out what's
happening, visit or write to us at http://www.streamcollective.org /
streamcollective@gmail.com
- Stream Collective's blog
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recent book purchases
I can't stop buying books. I really need to but just haven't been able to manage it. I forgot to bring my library card to Auckland and Parsons Books was having a sale so I couldn't resist. last time I bought a book there it cost $150 - this time I bought 4 books for less than $150 so, at least I'm getting better value for money now. I'll probably be hit with excess baggage costs though...
Nam June Paik: Global Groove 2004
- this is a great collection of Nam June Paik's works and writings and includes some letters to John Cage.

did I mention that Brisbane's new GOMA - Gallery of Modern Art, has one of his video pieces "TV Cello" on display.
http://www.flickr.com/photos/aliak_com/tags/namjunepaik/

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Relational Aesthetics by Nicolas Bourriaud
- I haven't started this one properly yet, but it looks like it'll be an interesting essay. it's based on a collection of editorial entries from "Documents sur l'Art" magazine that were first published in 1992.

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"How to look at a painting" by Justin Paton
- Justin Paton is speaking at the upcoming Auckland Writers and Readers Festival, and he's a NZ author so I thought I'd give it a try. I haven't started it yet though.

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Dark Fiber: Tracking Critical Internet Culture (Electronic Culture: History, Theory, and Practice) by Geert Lovink
- I've read many of Geert Lovink's writings on various maillists and website publications such as Sarai Reader so I thought I'd take a read of his book on Internet Culture.

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The Bone People by Keri Hume
- this wasn't from Parsons but I bought it last time I left Auckland and read most on the plane back to Sydney then finished it whilst I was there. amazing characters - they haunt you for a while afterwards. I still think of them now and then. a really simple story, about the lives of a couple of families in NZ. Keri Hume won the Booker Prize for this book in the early 90s and since I tend to enjoy reading Booker Prize winning books I thought I'd try an earlier one as I've mostly only read more recent winning titles. well worth the read!

amazon.com book page (though my copy has a different cover image so is probably a different edition)
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this one's a magazine, but it was priced like a book and has been capturing my attention as much as a book, so..
Archis VOLUME magazine - Issue 2006 # 4
- it's an architecture magazine but includes articles about projects & urban issues from around the world as well as upcoming conferences and calls for works / request for comments about certain global issues.
http://www.c-lab.columbia.edu/

- kathy's blog
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Translocations 1: New media practices in the urban context (Delhi)
Workshop @ Sarai: FLOSS Fellowships Final Presentations
Translocations 1: New media practices in the urban context
17th and 24th November 2006,Seminar Room, Sarai-CSDS
Facilitated by Tapio Makela, researcher and artist in residence at Sarai
This workshop looks at new media practices in urban contexts.
The introductory session will take place at SARAI/CSDS seminar room on Friday, November 17th 11.00-13.00/14.00-16.00.
Second session on November 24th, same time.
Translocations 1: New media practices in the urban context (Delhi)
Workshop @ Sarai: FLOSS Fellowships Final Presentations
Translocations 1: New media practices in the urban context
17th and 24th November 2006,Seminar Room, Sarai-CSDS
Facilitated by Tapio Makela, researcher and artist in residence at Sarai
This workshop looks at new media practices in urban contexts.
The introductory session will take place at SARAI/CSDS seminar room on Friday, November 17th 11.00-13.00/14.00-16.00.
Second session on November 24th, same time.
This is Not Art & Electrofringe festivals 2003 - video
slideshow video of photos taken during the 2003 This is Not Art and Electrofringe festivals in Newcastle, Australia 01-06 October 2003
http://www.thisisnotart.org has info about this year's festival
http://www.massarcade.com/electrofringe has the 2003 electrofringe website - you can find the program on this site
http://flickr.com/photos/aliak_com/tags/tina2003/ has photos of the event
- kathy's blog
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Sarai i-Fellows 2006 Delhi
music is Indian Summer by Big Bud
I went along to the Sarai Independent Fellows 2006 workshops last weekend (26-27/08) @ Sarai, CSDS, New Delhi. I missed the first two days sessions, but here is a slideshow video of some of the saturday & sunday sessions. it was really interesting - both the presentations and the discussions afterwards. some sessions were in Hindi so I couldn't follow as easily. there were a wide range of projects though - art, music, urban issues. hopefully they'll link to some of the full papers on the sarai.net website. it was a great way to get another insight into life and goings on in India and related places.
photos @ http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006
- kathy's blog
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Pixelpress
PixelPress' intent is to encourage documentary photographers, writers, filmmakers, artists, human rights workers and students to explore the world in ways that take advantage of the new possibilities provided by digital media. They seek a new paradigm of journalism, one that encourages an active dialogue between the author and reader and, also, the subject.
CRIT - Collective Research Initiatives Trust (India)
CRIT (Collective Research Initiatives Trust) is a group of architects, scholars, technicians and artists who have worked together over the past seven years in Mumbai. Their collective was established in early 2003 with the aim of undertaking research, pedagogy and intervention on urban spaces and contemporary cultural practices in the Mumbai Metropolitan Region. CRIT regards this vast urban realm as its laboratory and terrain for articulating a critical urbanism. Our understanding of urbanism is based on the recognition that everyday exchange between disciplines and across sectors is the basic condition of metropolitan environments, and that collective research is essential to transforming urban spaces and civic life.
ARTWALK K Road
originally posted on Stealth board - New Zealand thread @ http://www.stealthmag.com/board/viewthread.php?tid=3418
ok, these links aren't all strictly hip hop, but some of the galleries do show some graf, and if you're visiting NZ/Auckland, it's worth checking them out.
in the galleries, there's usually an "Artwalk K Road" brochure created by the K Road Business Association - this is where all these links & descriptions come from. (typos & errors below are mine)
K Road = Karangahape Road, I'll use the abbreviation to save more typos
- AliaK's blog
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Nigah Media Collective
Nigah was created in 2003 when a group of Delhi-based people got together to articulate diverse understandings of politics and social activism, and of issues around gender and sexuality. It has since evolved into an attempt to use different forms of media to initiate discussions around issues of gender and sexuality, replacing the silence around these issues with progressive and inclusive debate.
turbulence - net art since 1996
turbulance has been commissioning net art projects since 1996. the website contains documentation and information about upcoming and past projects. visit http://turbulence.org/ for more details
Carnival of e-Creativity & Change-agents Conclave (India)
CeC & CaC is The Carnival of e-Creativity & Change-agents Conclave - the first in a series of public events deploying an exploratory and widely-inclusive canvas of participation & content from India and the world. The forum aims to address the Creative Empowerment of Individuals by the burgeoning spread of Technology across multiple streams of Creative Human Endeavour. visit http://www.theaea.org/cec_cac for more details
colours of Auckland countryside

click on the image to goto the video player page
I've been spending the Christmas break learning more about interactive quicktime, max/msp and isadora for creating music and video and publishing them on the net. Below is the first piece I've created. I went a bit overboard on the effects in Isadora but it's an original piece and I learnt from it so I'm happy with it overall from a learning experience point of view.
How I created it:
- first I took videos with my dvd camera
- then I used DVDx to convert the .vob files to mpeg2 files which quicktime could open. when I installed winamp a couple of weeks ago, I noticed it can display video now also, though strangely, sometimes the winamp videos were upside down whilst they played correctly orientated in quicktime. (perhaps I used strange setting whilst encoding?)
- then I imported the video into isadora, and patched up a storm whilst trying out some of the effects
- I can only save 5sec clips from isadora as I'm using the trial version whilst I work out if I'll use it regularly in future. I'm hoping to learn how to do similar tasks in jitter (max component) as I'll have more control of what I'm doing, even though it's very quick and easy to get things done in isadora without having to know the code. still yet to decide on this.
- once I had the processed video clips, I opened them in quicktime again and joined them together - hence the rough edits
- then I made a couple of text tracks in quicktime and added these in. I tried out the eZediaQTI app whilst learning about the text tracks but decided on doing them manually in quicktime and editing the controls with notepad.
- next, I opened the gps data music patch I made in max/msp and ran it with the soundwalk recordings I made the other week whilst at Mission Beach in Auckland. unfortunately, the mic was picking up a lot of noise from the wind blowing past the mic pickup so there's a lot of distortion. I filtered some of this out in audacity and flattened the audio into one track.
- then I added the audio track to the video with text quicktime movie
- then uploaded the finished piece to archive.org using ourmedia and viewed source on the movie's ourmedia page & copied the quicktime player code here
well, I'm sure there's a quicker way of doing it! which requires less processing and time, but this was an exercise in creating an original piece from start to finish. as you can tell, I'm not a designer or very good programmer either, but I'm happy to finish number one. here's hoping the subsequent efforts will improve and be done more efficiently. I could have used the original unprocessed videos but they seemed a little plain. need to find the right balance I guess..
here's a screen shot of the isadora patch:

- kathy's blog
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Banff Centre REFRESH! media art, science & technology conference - recorded sessions online
In September / October 2005, the Banff Centre hosted the recent REFRESH! conference, The First International Conference on the Histories of Media Art, Science and Technology. "Refresh! discussed questions of historiography, methodology and the role of institutions of media art. The conference contained key debates about the function of inventions, artistic practice in collaborative networks, the prominent role of sound during the last decades, and emphasized the importance of intercultural and pop culture themes in the Histories of Media Art. Readings of new media art histories vary richly depending on cultural contexts. This event called upon scholarship from a strongly international perspective. Refresh! represented and addressed the wide array of disciplines involved in the emerging field of Media Art. Beside Art History these included the Histories of Sciences and Technologies, Film-, Sound-, Media-, Visual-, and Theatre Studies, Architecture, and Visual Psychology, just to name a few." If you missed the face-to-face conference, visit the website to listen to the recorded sessions. http://www.banffcentre.ca/bnmi/programs/archives/2005/refresh/lisiten.asp
critical issues in multimedia e-book
I've started reading the Interactive Convergence : Critical Issues in Multimedia e-book and so far it's providing some more useful names of other books/reports to chase up. The first chapter is about the different new media university courses in the UK. pasting snippets here as I come across things to follow up or ideas to think about.
Chapter 1
Locating Interactive Media Production
(page 2)
A few media/cultural studies writers began to look at the social
and cultural impact of new media, Sherry Turkle (1985) Second Self:
Computers and the Human Spirit; Carolyn Marvin (1988) When Old
Technologies were new; Philip Hayward (1990) Culture, Technology and
Creativity in the Late Twentieth Century; Jay Bolter, (1991) Writing
Space: The Computer, Hypertext, and the History of Writing; Philip
Hayward and Tana Wollen, eds. (1993) Future Visions: New technologies
of the Screen and Roger Silverstone (1994) Consuming Technologies:
Media and Information in Domestic Spaces
This paragraph has an interesting point.. there's not many books or published educational materials for teaching 'new media' - I suppose the plethora of academic papers are not used for this purpose??
(page 9-10)
8. Maintaining curriculum integrity - quality teaching resources
There are other difficulties facing interactive media course designers
within any academic context. There is an impoverished supply of good
academic sources and few records of the historical development of design
for CD-ROM or the web. Compared with the sources we can draw on for
the teaching of video and film production for example, good books in the
field of interactive-media production are rare. A simple request to fellow
course leaders of interactive media in 7 different institutions for their
favourite production books, revealed that we are resourceful when it
comes to choosing teaching materials but also that most of our books were
over 4 years old and some were very old indeed. This is their list:
- kathy's blog
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KISSS exhibition @ Concial Gallery, Melbourne
KISSS - Kinship International Strategy on Surveillance and Suppression, is a touring exhibition of products, process and residues from the meta-performance project KISSS. A Conical Exchange Project with Elastic Residency (UK) : Responding to political, social and personal issues around surveillance and suppression, KISSS incorporates the individual and collaborative practices of artists, writers and curators. OPENING FRIDAY 28 from 6 - 8.30pm, KISSS will be held from OCTOBER 28 - NOVEMBER 13. A free forum will take place on Saturday 29 October with Joanna Callaghan & Deej Fabyc in collaboration with local artists. All welcome. Interested parties are invited to participate - please contact Conical at info@conical.org.au. Read more or visit http://www.elastic.org.uk or http://www.conical.org.au for more information
ctheory
CTHEORY is an international peer-reviewed journal of theory, technology, and culture, publishing articles, interviews, event-scenes and reviews of key books.
visit http://www.ctheory.net/ for more







