call for submissions

Digital Culture Fund call announced

The Australia Council's Digital Culture Fund initiative supports artistic projects exploring liveness, connectivity and participation made possible with new digital platforms.

This is an exciting Australia Council initiative open to artists from all artforms, so please promote to your networks.

We encourage proposals for innovative digital culture projects with:

· Artists and audiences co-creating new forms of live experience

· Experimentation across platforms and to engage diverse communities with creative practice

· Inventive strategies for live collaboration, presentation and distribution of artwork.

Australasian Sound Recordings Association Conference
http://www.asra.asn.au
1-3 September 2010, hosted by the State Library of Victoria

Outside the Circle sound culture beyond the mainstream

'Outside the Circle' will explore the development and growth of sound cultures that began life outside of commercial and mainstream circles. The conference aims to provide a forum for discussions concerning collections, recordings, research and technology based on alternative perspectives and paradigms. We hope to learn more about the individuals and groups working on the ‘outside’ as well as their unusual uses of recorded sound. How is material generated from these alternative sources collected, preserved and accessed? What impact might this have on curatorial policy?

CALL OUT FOR SUBMISSIONS FOR "THE SOUND OF RED EARTH" COMPILATION
http://soundofredearth.tumblr.com/artist-submissions

Kaldor Public Art Projects are currently seeking submissions from sound artists and musicians for a free, digital compilation to be released later this year. The compilation is aimed at framing Stephen Vitiello’s work from ‘The Sound Of Red Earth‘ in a wider context, one that seeks to explore the prevalent themes of isolation, remoteness, distance, nature, environment and ‘earth’ through sound and music.

Binaural/Nodar (PT) announces:

MAGAIO VOICESCAPES
The rural voice: sacrality, leisure and work

Nodar Artist Residency Program for 2011
Open call for the presentation of art projects

Application Submission period:
May 1, 2010 – September 30, 2010

Artistic Disciplines:
Sound Poetry; Vocal Performance; Sound Art; Phonography; Acoustic,
Electroacoustic or Electronic Composition / Improvisation; Radio Art; Video
Performance

The application is open to art projects centred in the human voice,
which work with issues such as the origin, meaning and relationship with the
sacred (reconnected to its ancestral meaning of mystery and symbol), the
voice as a pivotal element of rituals, customs and superstitions, able to

"DJ Culture": special issue for Dancecult: Journal of Electronic Dance Music Culture
Call for Participation

We are guest editing a special issue on DJ culture for Dancecult (http://dj.dancecult.net) scheduled for possible publication in 2011. This is a call for submissions for an interdisciplinary collection of original articles, “from the floor” essays, artwork, and electronic multimedia on DJ culture. The issue addresses itself specifically to the relations of pleasure and power that intersect in the space between the DJ, the dance floor and the rest of the club world. Multimedia submissions are encouraged, including copyright permitted photographs, links on Youtube, Soundcloud, etc.

Artist in residence Call for Proposals
http://nimk.nl/eng/artist-in-residence-call-for-proposals

Funware Shared Artist in Residence:
Netherlands Media Art Institute, Amsterdam (NL)
BALTAN Laboratories, Eindhoven (NL)
Piksel, Bergen (NO)

CALL

BALTAN, NIMk and Piksel have launched an open call for proposals as part of the exhibition project Funware. We are looking for interesting new software art projects that can be developed in the period of June – November 2010 through a shared residency. The new work developed during the residency will be presented in the Funware exhibition at MU in Eindhoven, at HMKV in Dortmund and as part of the Piksel festival 2010.

This residency is a collaboration between three labs, based on a desire to investigate the ways and potential of working within a network of labs that support the exchange and sharing of resources and knowledge. The form of this collaboration aims to provide the most specific and relevant support to artists working on art and technology projects in residence. Knowing the capacities and competences of each lab/organisation, the residency exchange will offer targeted support (in the form of resources, space, technical support, local context and time) to be provided at different stages of the research and development of the project specific to each organisation. Off- and online dissemination of form and content via this partnership and the building of structural relationships are crucial to the collaboration.

FUNWARE

Funware, conceptualised by Olga Goriunova (runme.org), is an exhibition about the fun in software. Making and using what has become known as software is experimental, humorous, and eventful. However improbable it might sound for today’s all encompassing dullness of forms, databases, schedules and processors, “fun” has informed and guided the development of software from its very inception. The rise of net art and the changes the Internet and desktop computers brought to culture gave rise to software art at the turn of the millennia. Performed by amateurs, artists, alternative coders or professional programmers for “fun”, software art as an aesthetic practice questions, tangles and experiments with the materiality of software has subsequently lost its visibility again, as attention is turned to the social web and software applications for third generation mobile phones, which all harness some of the energies constitutive of aesthetic software. Funware reflects on the history of engagement with software, that demonstrates its non-industrial, non-professional, non-commercial, or non-academic character.

The exhibition demonstrates the trajectory of humour and affect as constitutional to software and computing. The exhibition aims to make such an ‘obscure’ technological object as software, open, palpable and approachable, bridging a gap between ‘serious’ production such as technology and ‘non-serious’ production such as different forms of art. The exhibition has a few distinct threads: games; ASCII; code art; a few vectors of AI; computers in popular culture; spyware, conceptual software, hardware modification, hacker/virus approaches, sound, software modification, pranks, participatory web. And as software is intertwined with the hardware it runs upon and the networks that construct the society in which it rules, the exhibition features a lot of projects dealing explicitly with computer hardware or the materiality of hardwareas well as engaging projects experimenting with sound.

Call for Expressions of Interest _
http://www.intercreate.org/view/eco-sapiens

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\\\\\\\ \ \ \ \ \ \ \ \ SCANZ 2011: Eco sapiens

Extinction or adaptation? Evolution or Revolution? What are we facing?

The complexity and urgency of the crises of today calls for us to
engage together in new ways. Deep shifts in our consciousness may be
required for long-term cultural changes to occur. This is a call for
expressions of interest from people who are concerned with these issues.

A symposium followed by a residency is to be held late January to
early February 2011 in New Plymouth, Aotearoa New Zealand. Initial
expressions of interest are due 21 November, 2009.

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The SCANZ 2011: Eco sapiens symposium will be an event involving
individuals from a number of different worlds (e.g scientists,
artists, social activists and community change agents, cultural
commentators, educators, tangata whenua). Our primary aim is to
facilitate connections and foster innovative, and practical solutions
to the issues we are facing. Accordingly, a mixture of presentations,
discussions, informal exchanges and workshops are planned. Roger
Malina will be presenting from France on 'Open observatories', and Te
Huirangi Waikerepuru will speak on Maori conceptions of environment.
The symposium will inspire and inform the residency that follows, and
also provide opportunities for people to collaborate on projects
beyond SCANZ.

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//////////////// / Residency

The SCANZ 2011: Eco sapiens two week residency is designed for those
individuals or groups who would like to work on creative, poetically
pragmatic or provocative projects which raise awareness of the issues
that confront us, generate connections between people, and with their
natural environment, and which grapple with the challenges of
individual and collective evolution.

Interdisciplinary approaches and the involvement of diverse groups is
welcomed. Residency projects can take place in a wirelessly networked
botanic garden, along the coastline and with communities. Networked,
DIY, or otherwise actively and openly distributed concepts are also
encouraged. Project participants are not necessarily required to be in
New Plymouth. Residency projects that are shortlisted will be included
in funding applications.

read more for details or visit http://www.intercreate.org/view/eco-sapiens