'publish'

In 1998, M/C - A Journal of Media and Culture was devised by David Marshall as an online publishing project for a new media culture honours course at the University of Queensland. The journal was intended as an open-access, scholarly intervention in and forum for debates surrounding media and culture with a strong desire to cross between the academic and the popular. This year, M/C Journal celebrates its tenth anniversary, and in this special issue we ask: what is the face of publishing today?

Open Humanities Press is an international open access publishing collective in critical and cultural theory.

Open Humanities Press journals are fully peer reviewed, scholarly publications that have been chosen by OHP's editorial advisory board for their outstanding contribution to contemporary theory.

OHP's journals are independent, published under open access licences and free of charge to readers and authors alike.

A grassroots response to the crisis in scholarly publishing in the humanities, Open Humanities Press is an international open access publishing collective whose mission is to make leading works of contemporary critical thought freely available worldwide.

visit http://openhumanitiespress.org for more details and to see their included publications

(H)earat Shulaym (Note in the Margin) is an Independent Journal of Contemporary Art and Literature published by the group of artists Sala-Manca. The purpose of the magazine is to temporaly shift the gaze of the "reader" from the dominant culture, which, for the group members is mostly a marginal culture. The aim is to expose works from artists from different fields that were conceptualized far from main existing trends. This magazine is published without advertisments and without any official support.

The aim of (H)Earat Shulaym – Journal for Contemporary Art and Heara (comment) events (multidisciplinary events for contemporary art) is to meet new trends on art, artists and public, through the creation of new ways of art exhibition and creation from those that the artistic mainstream institutions propose. The development of this independent work in Jerusalem is a step of the process of deconstructing the centralist Israeli Art map and in the creation of new centers that are independent from the traditional art centers and institutions. In these two projects more than 160 artists took part and more than 230 art works were shown and published.

Journal of Interdisciplinary Music Studies is a biannually published, refereed journal. The journal covers the studies of music sciences, together with the studies of music and sound in the disciplines of humanities, social sciences, cognitive sciences, medical and engineering sciences. Our aim is to establish a wide range of interdisciplinary platform for the scholars studying on music and sound.

Radical Musicology is a peer-reviewed online journal produced in the International Centre for Music Studies at Newcastle University (UK). It was established to provide a forum for progressive thinking across the whole field of musical studies, and encourages work that draws on any and all relevant discipinary and interdisciplinary prespectives.

PixelPress' intent is to encourage documentary photographers, writers, filmmakers, artists, human rights workers and students to explore the world in ways that take advantage of the new possibilities provided by digital media. They seek a new paradigm of journalism, one that encourages an active dialogue between the author and reader and, also, the subject.

seminar attempts a departure from the usual journal. Problems, national and international, are posed and discussed. Each issue deals with a single problem. Those who hold different and at times opposing viewpoints express their thoughts.

Vectors maps the multiple contours of daily life in an unevenly digital era, crystallizing around themes that highlight the social, political, and cultural stakes of our increasingly technologically-mediated existence. As such, the journal will speak both implicitly and explicitly to key debates across varied disciplines, including issues of globalization, mobility, power, and access. Operating at the intersection of culture, creativity, and technology, the journal focuses on the myriad ways technology shapes, transforms, reconfigures, and/or impedes social relations, both in the past and in the present. This investigation at the intersection of technology and culture is not simply thematic. Rather, Vectors is realized in multimedia, melding form and content to enact a second-order examination of the mediation of everyday life. Utilizing a peer-reviewed format and under the guidance of an international board, Vectors will feature submissions and specially-commissioned works comprised of moving- and still-images; voice, music, and sound; computational and interactive structures; social software; and much more. Vectors doesn't seek to replace text; instead, we encourage a fusion of old and new media in order to foster ways of knowing and seeing that expand the rigid text-based paradigms of traditional scholarship. In so doing, we aim to explore the immersive and experiential dimensions of emerging scholarly vernaculars. Visit the Vectors Journal website @ http://www.vectorsjournal.org

CTHEORY is an international peer-reviewed journal of theory, technology, and culture, publishing articles, interviews, event-scenes and reviews of key books.

visit http://www.ctheory.net/ for more