yesterday, @DustForEyes posted an "AR scratching" video by vanderlin to stealth board & twitter. it's tagged with tags such as AR, augmented reality, opencv, and openframeworks, so I googled some of these. the AR markers seem like the fiducial markers found in reactable - note there's going to be a performance / demo of one of these called dubtable at ripped next week which would be cool to check out.

Liquid Architecture 10 : Festival of Sound Arts is a landmark occasion for the festival and for sound culture in Australia. Celebrating its tenth consecutive year, the Liquid Architecture sound festival runs for four weeks and goes to seven cities across Australia, presenting an exciting program of contemporary sound arts. With a decade of experience to draw upon, the diverse program features live events and installations showcasing the highest quality sound work in an intense focused listening environment, privileging our most unsung sense: listening.

The breadth of diversity of artists and artistic practices includes meticulous recorded work, improvised instrumental performance, new sound for screen work, radical uses of digital technology, inventive self-made sound making devices and historically informed practices.
-- info via Liquid Architecture website

events will be held in June & July in different cities across Australia - Brisbane, Sydney, Castlemaine, Perth, Bendigo, Melbourne, and Cairns - visit the festival website for more details

Leonardo/OLATS, co sponsor of YASMIN, is pleased to announce

Cybernetics Serendipity Redux
http://www.media.uoa.gr/yasmin/viewtopic.php?t=4385 (ed: discussion link seems to be broken now 15/02/2009)
http://www.media.uoa.gr/yasmin_oldarchives - has archive of yasmin mail list
http://www.media.uoa.gr/yasmin - new Yasmin list

A moderated discussion on YASMIN
Beginning September 1 2008

Discussion On YASMIN, led by Ranulph Glanville.
Moderators Ranulph Glanville, Paul Brown, Paul Pangaro

40 years ago, Jasia Reichart's exhibition "Cybernetic Serendipity" showed that cybernetics, computing and art had arrived.

40 years later, while computers and art remain, cybernetics has nearly vanished, although there is a reviving interest in art.

The phone chat is split into two parts & hosted on archive.org

part 1 archive.org page, where you can select the format to listen or download the mp3 via direct link

part 2 archive.org page, where you can select the format to listen / download or download the mp3 via direct link

I had written a profile for Robin on www.pulseradio.net years ago, but unfortunately I don't have a copy any more.

dpwolf has finished his thesis - you can download it from his site - it's called Vidgets: The Development and Use of Interactive, Network Based Video Works by David Wolf (dpwolf)

I've downloaded it but haven't finished reading it yet. he makes cool live video performances using isadora and quartz composer and the music is made with controllers and max / msp. I'd been to a workshop of his the previous year and that's how I started trying out isadora. (obviously he's more advanced than me ;)

I noticed page 138 has a photo which looks like a capture from a video I took of his & Somaya's performance at electrofringe 2006. I thought I had a photo but can't find it but I have a video. and the other photographer in the room was on the other side of the room as I recall. small world.

I've been trying out some processing apps - Substrate is one of my favourites. written by j.tarbell from complexification.net. it creates a generative image from colours in a specified source image using a simple algorithm.

I used this photo of Auckland countryside as the source image. here's the results:

http://complexification.net/gallery/machines/substrate/ for j.tarbell's amazing works.

The First International Art Tech Media Congress has been set up in order to reflect upon and analyse questions currently being raised about art and new technological media within an international context.

artechmedia.net is calling on all creatives of the world to participate. Submissions will be accepted from the following categories:

A
- Video art
- Net-art
- 2D & 3D Computer Animation
- Blog, videoblog
- Creation for mobile platforms
- Digital Music
- Videodance

B
- Digital Communities
- Geospatial storytelling
- Artificial Life, Software art, Transgenic art, Generative art

read more for more information or visit www.artechmedia.net

Watch the video

a chat with Richie, from Melbourne band / crew WD40, who builds sound toys and instruments for outdoor parties and festivals - for both kids and adults. he discusses his thoughts on the importance of play. midway through some people walk past and one starts playing a piano down the other end of the room so there was a nice chat about instruments and the piano Richie has at home.

Watch the video

part of a performance by Jasch - generative audio and video soundscapes to immerse yourself in

sunday 01/10/2006, Electrofringe 2006, Newcastle, Australia

http://www.jasch.ch/

http://www.thisisnotart.org/

http://www.thisisnotart.org/Members/ben/jasch-codespace/

Codespace integrates realtime drawing and motion-images with electronic sounds that evoke an abstract place where organical and crystalline shapes pulsate and flow. Generative (rule-based) processes or algorithms and realtime action by the artist are applied to basic shapes which in conjuction with finely graded colours comprise a rich palette of textures and shapes. empty dark space is inhabited by fast moving abstract shapes, structures with an architectural quality develop over extended periods of time. The piece evolves from dark and minimalist atmospheres to abstract densities, like a digital painting performed before the viewer's eyes. Memory of the images accumulates, obtaining qualities like a painting or etching. Reduction and concentration of elements helps to maintain the crucial focus, build the tension and give insights into the enigmatic and invisible world built of code.

Watch the video

part of Lloyd Barrett's panel session at Electrofringe 2006 in Newcastle, sunday 01/10/2006.

http://www.thisisnotart.org

http://www.thisisnotart.org/Members/ben/lloyd-barrett-mis-en-scene/

Combining schizophonic computer rendered soundscapes with graphical abstractions Mise En Scene is an exploration of film sound - in particular the importance of incidental sound in the creation of effective and diverse virtual environments. Using abstract methods of translating appropriated video and sound Mise En Scene demonstrates the very human ability to make sense out of nonsense when within a set of guidelines and expectations. Mise En Scene ultimately focuses on the creation of scenes from a variety of visual and sonic signifiers, the end result being akin to a strange dream open to interpretation.

Impromptu is a programming language based on scheme which can be used for live programming purposes eg live coding of music. visit http://impromptu.moso.com.au for more details

AdaptiveMusic.net is a research community exploring computational arts practices, in particular the development of adaptive music environments. The community is based at the Queesland University of Technology at Kelvin Grove, Brisbane, Australia.

Runtime// Live Computational Arts Symposium
A day of presentations, demos and discussions about algorithmic sound and image performance.

Saturday July 8 2006, 10 am - 4 pm

Venue: Queensland University of Technology

Vade's blog also mentions a Processing workshop he went to - Daniel Shiffman's workshop pages has tutorials and examples for Processing. his website is http://shiffman.net/ - check the examples here also.

Shiffman teaches java programming :

beginners course info

advanced sessions

the class delicious links are @ http://del.icio.us/tag/natureofcode/

& class wiki is @ http://www.shiffman.net/coursewiki/

NYU colab site has some good info & links on multimedia, processing, max/msp, gps and more
http://colab.hunter.cuny.edu/colabcms/news.php

STEIM (the studio for electro-instrumental music) is the only independent live electronic music centre in the world that is exclusively dedicated to the performing arts. The foundation's artistic and technical departments supports an international community of performers and musicians, and a growing group of visual artists, to develop unique instruments for their work. STEIM invites these people for residencies and provides them with an artistic and technical environment in which concepts can be given concrete form. It catalyzes their ideas by providing critical feedback grounded in professional experience. These new creations are then exposed to a receptive responsive niche public at STEIM before being groomed for a larger audience.

Finding my old bookmark files has made me nostalgic for the early computing days when everything was new and exciting and full of possibilities. One of my favourite magazines back in the early 90s was Mondo 2000. It was hard to get - only a few places in Brisbane stocked it, actually only two that I recall and even then it was occasional. By the time I got round to subscribing to the magazine it had finished being published and I lost my subscription renewal to the cause so to speak. At the time, it was cutting edge and the full gloss images and interviews with leading thinkers made it a great read. R.U. Sirius who was the editor of the mag has a podcast these days and can be found around mondoglobo.net. Here's a collection of links to mondo 2000 stuff:

mondo articles from the well (link updated : original link broken 25/09/2008 : http://www.well.com:70/1/Publications/MONDO )

_grau is a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally. various real sources where distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds... The living paintings (Tableaux Vivants) of growing structures branch out over 10:01 minutes (a reference to the binary system by Gottfried Wilhelm Leibniz, where he ascribes 1 to god and 0 to the devil) without ever reaching pure black or white respectively. Every element originates from real experiences and is adapted from my sketches, my own body fragments or scientific visualization methods. For example the first, still colored seconds are the prismatic halos of the collision fading into gray ("grau" in german)... The musical framework connects the memories born out of the dramatic moment to clusters. These are unleashed from the image flux partially - to ease the desired, free associations of the beholder... The Kunst Film Biennale judges assigned the movie _grau by robert seidel an honorary award at KunstFilmBiennale 2004, because of the technological mastership which is used to show never seen phenomena in the borderland of science and aesthetics. director, producer, animator: robert seidel. music: heiko tippelt, philipp hirsch. visit http://www.grau1001.de/ for more details or to download the video or purchase the dvd

I went to 2005 electrofringe a few weeks ago in Newcastle, Australia. I haven't finished going over my notes or posting some of the links to the artist's projects, but one of the workshops I went to was on Quartz Composer hosted by dpwolf. The software runs on a MAC, which unfortunately I don't have. :( perhaps if we get a project bonus this year I might be able to save up for one so I can try the software (and also max / msp }. anyway, I also came across the name dpwolf on the videoblogging mail list and low and behold it's the same person. he seems to do some work with Adrian Miles, who does some great projects with video and interactive quicktime and media in general. small world. I'd love to do the course Adrian teaches but can't afford to give up work to do it fulltime. due to excessive work commitments, I had to drop the Internet Communication course I was doing at CQU. now that I've finally upgraded my (this) site and moving most of my projects online (so as not to be so dependant on my laptop in case of travelling without it), I'd like to experiment more with blogging, videoblogging, podcasting and digital art and music projects (in addition to listing other people's projects on the site), hence, why the blog posts here have now become more personal. I've been reading about and been across these media for a while but haven't had much time to play myself, so that's the goal for the next year (& hopefully continuing onwards).

Music generated from pictures. visit http://www.synestesia.com/ for more details

"Hive Networks" is a cross-disciplinary research and development project into embedded devices and ubiquitous networked computing, defined as 'multi-faceted transformative devices' - tools that enable users to manage space, time and the boundaries around the self in new and previously unthinkable ways.

Cellular automata resource site

a course on cybernetics

A talk and software demonstration prepared for a Lecture Series of the Digital Arts & New Media Program, University of California Santa Cruz - April 25, 2005

Do we really attain interaction with today's computers [HCI] or just interaction through computers

words in pictures based on search

After creating Montage-a-google, several people wrote to me suggesting I make a game based on the same technology. Montage-a-google is a simple web app that uses Google's image search to generate a large gridded montage of images based on keywords (search terms) entered by the user. Guess-the-google reverses this process by picking the keywords for you, the player must then guess what keyword made up the image - it's surprisingly addictive.