music artists
Kristian Thomas' "Kristian Thomas inanace child"
wow, Kristain Thomas' "Kristian Thomas inanace child" song is gorgeous - so lush and haunting. it's on his myspace page & is even downloadable
http://www.users.on.net/~mumfords is his website
http://www.users.on.net/~mumfords/industree/industree-indexv3_1.htm is the IndusTREE website
Kristian used to run events / projects under the PSP name.
- kathy's blog
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Liquid Architecture 8
Listen. Deeply.
from Liquid Architecture's About page
Liquid Architecture, Australia's premier sound-arts festival, celebrates its eighth consecutive year with concerts, artist talks, workshops, forums, live performances, exhibitions, installations, audio-visuals and recorded work. Featuring our most imaginative musicians, composers, film-sound designers and media artists in a sense-specific feast for the ears.
What is 'Sound Art'?
JUSTICE YELDHAM : BIRTHDAYS LP Launch : 25th May : Toff In Town (Melbourne)
Fresh from North American tour and LOAD records showcase at SXSW Lucas Abela is launching his new JUSTICE YELDHAM LP; BIRTHDAYS. The record consists of two live sets by the maverick amplified-glass player recorded during his & Keg's recent tour of Europe.
Side A was captured in Marseille on the eve of Justice's 35th birthday while side B was recorded on Kegs birthday in Porto, and to top off the birthday cheer Keg also drew the cover illustration as a gift for Justice's Birthday. The record has been collaboratively released in an edition of 600 copies across the world by Anarchymoon Recordings (North America), Turgid Animal (Europe) & All Thumbs Press (Australia). Of which only 25 or so are in the country as All Thumbs copies practically sold out during the aforementioned tour and will only be available at the show.
His sets have been described as "a trumpet player trapped in a two dimensional universe". By pressing his face and lips against the glass whist employing various vocal techniques ranging from throat singing to raspberries, he turns disguarded household windows into crude musical instruments. Resulting in a wide variety of cacophonous noises that are strangely controlled and oddly musical.
Justice Yeldham is the latest alter-ego of Australian sound performer Lucas Abela, whose past sonic experiments were conducted under monikers like A Kombi, Dj Smallcock & Peeled Hearts Paste. Initially classed as an experimental turntablist, although his early work rarely resembled anything in the field. Early feats, saw him stab vinyl with Kruger style stylus gloves, bound on electro acoustic trampolines, drag race the popemobile across Sydney Harbour Bridge, perform deaf defying duet duels with amplified samurai swords, hospitalised by high powered turntables constructed from sewing machine motors, record chance John Peel sessions with the Flaming Lips, & be Otomo Yoshihides' favourite entry into his Ground Zero remix competition; 'Consummation' even though instead of sampling the CD he destroyed it using amplified skewers!
He also founded and runs dualpLOVER (recording label, cd/dvd replicators, distributor and promoter of gigs and tours). Principally a live audio artist he's been performing professionally for the past 14 years, ever since Oren Ambarchi and Robbie Avenaim stumbled across his late night radio performances in 1994 and asked him to play their 2nd What is Music? Festival. Since he's toured the world extensively, performing in 35 coutries.
also appearing are MC PURPLE DUCK, Curse Ov Dialect with an all new show and the always entertaining Hi-God people + dj hate.
read more for details & set times
Uganda & Sira events for feb 2008
so I don't forget ... here's the events coming up at Uganda & Sira. I went to Music House today and bought some more Israeli / Jerusalem based music. the guy in the store told me about Uganda and Sira, a couple of places in Jerusalem where you can see / hear live electronic & experimental music.
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Sira events :

- AliaK's blog
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JOHN FOXX & LOUIS GORDON Australia Tour 2008
JOHN FOXX & LOUIS GORDON Australia Tour 2008
As founder and former front man of Ultravox! until 1979, and subsequently via his solo projects, John Foxx's work has helped pave the way for a generation of electronic musicians. His debut album, 1980's Metamatic, is today regarded of one of the most pioneering albums in electronic music and created a new wave blueprint for the likes of The Human League, Gary Numan, Duran Duran and, in more recent years, The Faint to follow. Metamatic hit a cultural vein again 20 years later when Ladytron, Adult, Tiga and co were drawn to its minimalist, analogue approach.
The Necks FREE workshop and solo performances
The necks workshop / solo performances
The Necks FREE workshop and solo performances.
This Thursday the 28th of February Chris Abraham, Tony Buck, and Lloyd Swanton from Australian group, The Necks will host a workshop presented by vitamin s in association with alt music and the audio foundation.
The workshop will begin at 7 p.m. at the silo theatre, - (lower Greys Ave - Auckland city(and yes, the Bar will be open)) - and following the workshop Chris, Tony, and Lloyd will perform a number of solos.
This is a great opportunity to get an insight into the process of improvisation and performance both as a collective and as individuals.
The format for the vitamin s workshops offers all those who attend the chance not only benefit from the host's presentation, but also have the chance to play, interact, discuss and get feedback drawing from their knowledge and experience. These workshops are very much a dialogue between all those who attend.
FracturedSpaces - looking for demos / artists for cd release
FracturedSpaces would like it to be known that it is looking to release its first CD within the next four months, To that end I am looking for quality established bands/artists with a recording already finished, and who have no label as yet, to submit demos/samples with a view to possible release. I am
looking for works within the following genres only please, at least initially:
Drone
Drone doom metal
Dark ambient
Experimental
Noise
Industrial/Death Industrial
For fuller details please email:
simonjay704 AT hotmail.com
I look forward to hearing from potential collaborators!
Regards
Simon Marshall-Jones|FracturedSpacesRecords
DREAMLAND RECORDINGS
www.dreamlandrecordings.com
STRING THEORY guitar compilation available now. AUD $16.00
All other releases AUD $11.00 Postage Paid. Pay Pal available.
The Brisbane Sound - Curated by David Pestorius
The Brisbane Sound - Curated by David Pestorius
http://www.ima.org.au/pages/whats-on.php
The Brisbane Sound will map cross-pollination between the indie and experimental music scenes and the art scene in Brisbane during the post-punk years, 1978–1983.
"Everything's Broken" new release from Undecisive God
"Everything's Broken" is the new CD from Undecisive God. It contains new works from the last 3 years, featuring further exploration of turntable/broken record preparations, extended guitar techniques, field recordings and mixer feedback pieces.
To hear a sample track, go to http://www.myspace.com/undecisivegod
Since 1990, Undecisive God has been pushing the limits of the guitar as an instrument. "Everything's Broken" is the latest step in this strange journey.
Available from http://ShameFileMusic.com for AU$10ppd (US$8ppd), or for a trade of your own music.
Clinton
Shame File Music - specialising in Australian experimental
http://ShameFileMusic.com
THE KADIMA MUSICIANS COLLECTIVE
THE KADIMA MUSICIANS COLLECTIVE is in the vanguard of creative improvised music in Israel. Focusing on fringe artists and their work, KADIMA supports and develops the rich cultural mix of Israeli artistic life.
KADIMA includes a recording label and recording facilities in Jerusalem. It promotes and co-produces studio releases and concerts, and helps develop and connect musicians in the field of free improvisation and creative music.
KADIMA was founded and is led by Jean Claude Jones, bassist and educator, and one of the pioneers of Israeli jazz.
Interval
Interval
Interval is an experimental music label interested in the gap between objects, the idea of silence, the love for the uncharted t
http://www.myspace.com/intervalrecordings
http://www.interval-recordings.com
tel aviv
experimental, ambient, electronic
yes
http://www.interval-recordings.com - see the releases page
Interval is an experimental music label interested in the gap between objects, the idea of silence, the love for the uncharted terrains that comes before and after the notes.
[sydney] Mars Hill Cafe hosts local music competition

Mars Hill Cafe in Parramatta will be organising and hosting a local music competition that will allow up and coming and established local music acts to perform several acts each in the popular Church Street cafe. They will compete for the chance to record a 3-track EP recording session with 2 tracks from the competition and a third recorded studio style in the performance space. Supported by a grant recently awarded to Mars Hill Cafe by the Parramatta City Council, the 10 best acts from the competition will be recorded and released on a compilation album later in the year.
Local Musicians (from any suburbs covered by Parramatta Council) are encouraged to apply. Styles included will be: Singer/Songwriters, Folk, Acoustic Rock, Jazz, Blues, Rock, Acoustic and Country. Applications for the competition will be taken throughout August and single-song auditions will be held on the 25th of August. Each artist chosen for the competition will perform 3 songs each for the final competition on the 23rd of September. Mars Hill Cafe is a popular Parramatta music and arts venue, located at 331 Church Street. Further information about the competition and details on how to apply can be found on the website www.marshillcafe.com.au
phone interview with Mark from NZ KOG label - 30/10/2003
KOG 30/10/2003 phone interview with Mark from KOG label.
this is the full transcript for reference. so excuse the ums & ahhs & spelling / transcription errors and incoherency on my part.. I had a shorter, edited version on Pulse Radio site a few years back but I've lost the copy and the content's changed on their site now.
Ouija
Hi New "Ouija" Member available for gigs
- Nias-LA2's blog
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Ben Byrne
Ben Byrne
laptop musician, curator, radio producer & writer
http://aliasfrequencies.org/bb
sydney
yes
Alistair Riddell
Alistair Riddell
composer, "Hypersense Complex"
http://www.arrowtheory.com
sydney
yes
Cyberwlf
Cyberwlf
psytrance party and internet radio dj
http://www.myspace/cyberwlf
http://www.PsyKeOut.net
Sydney
Psychedelic Trance
yes
A fan of all that is dark, twisted, and psychedelic. Cyberwlf constantly seeks out the latest and most innovative in dark psychedelic night music, always looking to take his sound to the next level and push new boundaries.
From regular party goer turn DJ/Promoter/Organiser/Radio show host, Cyberwlf has been listening to electronic music since the late 80s. Natural progression lead him to discovering Goa-trance and then later on PsyTrance as well. Being a fan of Industrial, Metal, and Alternative music, Dark Psychedelic Trance became an instant love for him, and a passion he has spent many years exploring.
Nabi Records, who I am the Australasian representitive for! A label which has been pushing the edges of the dark psychedelic trance genre in recent years now. Also worth mentioning is the Australian artist Melbourne, Pondscum.
I actually didn't want to DJ, and had originally wanted to start an electro-industrial band. The guitar and keyboard needed to even get this started never happened, and through just being a general music fanatic, I ended up being offered and took up my own show on the Internet Radio station PulseRadio.net. This gave me the skills and understanding of track selection, flow, and later the technical
One where keeping the music fresh, interesting, and challenging are key factors. Always seeking new sounds to explore, with a major orientation towards dark, twisted, and psychedelic trance music.
Could mention many names, but it wouldn't change what I am about.
Even though it allows some underground genres room to grow, the more commercial and bland genres have become more and more popular, and it kills musical innovation, as dance music shifts more towards being pop music. Underground styles of music have had their venues pulled from under them so vendors could use the venues for more commercially viable genres. I can only hope this changes.
DRM is a flawed system, it more often than not shows an ineptitude of the people who create these standards to understand the practical and legitimate uses of the technology.
Filesharing can be as good as it can be bad, underground artists can hit the big time through their music being illegally traded, but it's no good when hard working artists are constantly robbed of their earnings due to people being too tightass to spend a couple of dollars on music they obviously get a lot of value out of.
New and interesting music, solid outdoor parties with quality production.
Most outdoor psy-trance parties around Sydney/Newcastle in Australia.
I hope to take on equally twisted/psychedelic yet uplifting morning sounds, as well as find a solid transition sound.
Indigenous Hip Hop - documentation project / radio
Frank T.G aka Honesty is working on a project to document Indigenous Hip Hop in Australia and to feature them on a Koori radio program based in Marrickville. below is an email sent via the octapod list if anyone can assist. click on the read more link for more details or email deadly_buda@hotmail.com
Scope
Scope
Scope
http://www.mp3.com/scope1
Perth
Yes
yes
yes
I've always been interested in music. I think I had three piano lessons and that was enough, I hated it! I much preferred experimenting on my own with piano. My first experience with synths was with a Roland JX3P and an old analogue mono synth. The sounds amazed me, I would just sit and press buttons and twiddle knobs for hours. I've had a passion for computers since my introduction to them when I was about 10, so it was kind of natural to merge music and computing together.
I always start an idea with beats. Getting those right by themselves is really important to me, beats have to be able to work on their own. I'll play with different patterns and juggle hits around until all they all sit well with each other. Using mathematical rules on beats can yield interesting results, experimentation with hit placement and velocity creates interesting rhythms that can kind of roll over each other.
It's difficult to pin one person down and and say 'They're my favourite artist'. I like most of the Reprazent stuff, Guidance Records, Wicked Beats Sound System, Luke Slater, Freq Nasty, LTJ Bukem, Blueboy, Photek, Thievery Corporation, Curtis Mayfield among heaps of others.
Really helpful people musically? Lo-Key Fu and Jase From Outta Space - two good friends of mine. Paul Gamblin who dj's here in Perth has always been supportive, too. Big respect to him. Also Audio Cephlon, Smoulder, B-Jam, Sardi, Krank, Greg Packer, Echoic, Static, The Sirius Project, Elemental - all quality Perth producers as well as everyone else too numerous to mention.
Every now and then I'll do a live set somewhere, but not that often. My most recent tracks can be heard or downloaded from www.mp3.com/scope1 which is my website. I get rotation on RTR-FM, a Perth community radio station which supports underground music.
Slower, clean cut breakbeat made from fresh, tight drum sounds and quite minimal in content. I don't know what it's called but it's really focused. Literally every sound has kind of like a function, there's nothing extraneous except for the occasional vocal going into a breakdown.
The one thing that will be certain about dance music is that it will always be made for the dancefloor. It seems to be mostly accidents that end up spawning new sounds and genres, which is exciting because it means it can't be predicted. Who can predict the result of an accident? The constant flow of new equipment and technology will I think continue to play a part in how and what is made. Element
IF? Records return to Melbourne (albeit briefly!) in 2007
IF? RECORDS: IFFY BUSINESS INDEED
Since its inception in Australia in 1995, IF? Records has worked with a plethora of talented people, most of them born and bred in its exceptional hometown: Melbourne.
Think people as far afield as Steve Law (a.k.a. Zen Paradox), Voiteck, Honeysmack, Digital Primate, Little Nobody, Frontside, Artificial, Isnod, Son Of Zev, TR-Storm, FSOM, Guyver 3, Soulenoid, Blimp, Black Lung, TDM, Josh Abrahams, DJ Venom, and Q-Kontrol.
IF? has also inducted like-minded experimental electronic boffins from Sydney like Sub Bass Snarl, 5000 Fingers Of Dr. T, Kid Calmdown, Pocket, and Nick Littlemore (Pnau).
And internationally over the past decade the label has worked with Si Begg (Buckfunk 3000/Noodles Discotheque), Tobias Schmidt (Tresor/Sativae), Jammin’ Unit (Pharma/Air Liquide), Biochip C (Force Inc.), Tal (Sub Rosa), DJ Rush (Kne’Deep), Thomas Heckmann (Trope), and Yamaoka (Kazumi/Holzplatten).
Then there were the parties – the now-legendary Omniglobe raves at Global Village in Footscray in 1995/96, and the Zeitsprung (1995/96) and Zoetrope (1997-2001) live electronica sessions at the Punters Club in Fitzroy - along with the collaborative jaunts organized by IF? with Club Filter, Teriyaki Anarki Saki, Honkytonks and Centriphugal.
Founded eleven years ago by Andrez Bergen (a.k.a. Little Nobody) with his mates Brian Huber and Mateusz Sikora, IF? always was about diversity, experimentation, pushing the perimeters, and flying the flag of Melbourne-made electronica – and the label also released a fistful of essential CDs and records to prove that point, from the cutting edge “Zeitgeist” series of compilations to debut releases by Little Nobody, Guyver 3, Artificial, the LN Elektronische Ensemble, Isnod and DJ Venom.
Since 2001 head-honcho Andrez has lived in Tokyo, but he continues to run IF? Records as a collaborative Melbourne/Tokyo project, with help from Melbourne-based mates like Damian Stephens (Isnod), Allan Klinbail (Son Of Zev), and Briony Wright (DJ Venom).
Finally, after their original web-server went bankrupt and took all the original IF? web-site details with it, the label has recently constructed two temporary home-bases online at http://if-records.tripod.com, as well as at http://www.myspace.com/if_records.
It has a bunch of artist profiles, a discography, reviews, pictures, information about the label’s avtivities in Japan as well as Australia, plus a demo competition for aspiring electronic producers!
On Saturday 10 February, 2007, IF? makes it’s annual (or, in some cases, bi-annual!) pilgrimage back to its place-of-birth, when the first IF? live party in 2 years is set to happen at Horse Bazaar!
ZU-ZUSHII 2 will feature a bunch of local and Tokyo-based live acts and DJs including Little Nobody (Tokyo), Isnod (Melbourne), Kid Calmdown (Sydney), Schlock Tactile vs. Slam-dunk Ninja (Tokyo), DJ Venom (Melbourne), Sleepy Robot (Sydney), label-meister Andrez, plus others to be confirmed – all for just $5 on the door, from 8pm to 3am, at 397 Lonsdale St., Melbourne.
The week before, from 2 February to 9 February, Andrez will also be holding a photographic exhibition of his visual works from Tokyo at an exhibit titled KEITAI KOUTURE, at Brunswick Street Gallery (2/322 Brunswick St., Fitzroy, Melbourne).
Check out more at his website: http://keitai-kouture.tripod.com






