The Sydney Hyperbolic Crochet Coral Reef - In the interest of contributing to the world wide phenomenon initiated by The Institute For Figuring, In Stitches Collective is facilitating the creation of a Sydney Coral Reef. We invite you to participate in this woolly celebration of the intersection of higher geometry and craft, a testimony to the disappearing wonders of the marine world.
The reef was inspired by geometric models of hyperbolic space, originally developed by mathematician Dr Daina Taimina in 1997, using the art of crochet. Until that time most mathematicians had believed it was impossible to construct physical models of hyperbolic forms, yet nature had been doing just that for hundreds of millions of years. It turns out that many marine organisms embody hyperbolic geometry, among them kelps, corals, sponges and nudibranchs. The IFF reef not only looks like an actual coral reef, it draws on the same underlying geometry endemic in the oceanic realm.
Narghile is an AV performance project of Brisbane's video & sound artist Lloyd Barrett. Lloyd has also worked using the name Secret Killer of Names / SKON. I googled N4rgh1l3 and found some video works. absolutely amazing! he mentioned he uses Isadora. it's amazing what he gets the program to do - if only I could get it to do half as much I'd be happy!!
this is a video piece submitted for the surface mapping projection at the Queensland Library at the Opening of the "Game On" exhibition (early arcade games & consoles). I went to this exhibition during Christmas holidays - it was great. unfortunately I didn't attend the Opening night as I was interstate. plenty of fathers showing their sons the games they played when younger. visitors were allowed to play the games, and they could read a bit about the history & background of the games. the Japanese 'dating' games was a new one to me!
Narghile v0.01 part 1 : Part one of two. First performance of Narghile's new audio visual processing processy thing. Videos made from still images and DV footage taken by the artists and processed live by Isadora and extra audio processing by Audio mulch and a Chaos Pad.
Solar Circuit Aotearoa New Zealand (SCANZ) is the interCreate Research Centre's major project, a two week residency for artists, producers, writers, theorists and curators will be held in New Plymouth New Zealand from January 26th to February 8th 2009. Project partners are the Govett-Brewster Art Gallery and Puke Ariki integrated library and museum.
Raranga tangata refers to the weaving together of people, a phrase used to describe the internet and adopted by Sally Jane Norman and Sylvia Nagl in their work. The aim for SCANZ 2009 is to weave an enduring fabric of people and technology, located in this place: Taranaki, Aotearoa New Zealand, Pacific Ocean.
Residency
January 26th–February 8th
Symposium
February 7th–8th
Residency
January 26th–February 8th
The residency themes are Environmental Response and Participate/Display. Occurring along side the residency are a two day symposium (February 7 and 8), presentation evening & opening event (February 7), and curatorial workshop.
Parsons Bookshop located in central Auckland stocks International Art books, Exhibition Catalogues, Art Theory, Design, Photography, Architecture and Fashion books, as well as a large stock of New Zealand, Maori & Pacific books including Fiction, Poetry, Art, Small Press and Limited Edition Titles, Politics, History, Biography and Natural History. http://www.parsons.co.nz for more details
greg jenkins composes directly with the inherent musicality of sounds, making harmony, melody and rhythm subservient to sonic texture and spatiality. He will often extrapolate sonic minutiae into whole compositions for example by "zooming in" on a tiny fragment of recorded voice then using this as the basis of a droning musical weft.
greg also likes to hit things; things such as suspended arrays of inverted flower pots; things such as beer kegs; and things such as midi percussion controllers which allow him to subversively remap non-percussive sound objects to percussive performance gestures. He frequently makes use of "micro-gestures" - subtle physical manipulations of computer hardware which control software synthesis engines allowing him to perform directly on the software in real time. greg is also known as "cactusman" due to his penchant for using a cactus as an amplified acoustic instrument.
The organisers cleared out an old locksmith shop and launched a dynamic art and event space in December 2000. The gallery played host to political film screenings, free dinners, durational performances, experimental sound nights, site-specific installations...
SquatSpace opposed the standard "pay-as-you-show" system used by many high-rent artist-run-galleries in Sydney. Exhibiting was free, with artists usually becoming involved in the life of the squatting community in some way.
NUCA - the Network of Un-Collectable Artists - is a nation-wide affiliation connecting those who gravitate towards ephemeral projects, participatory experiences, illegal art actions, and activities that oddify everyday life. Some members make unwieldy installation projects, while others alter billboards, project images in abandoned spaces at night, or exchange ideas rather than objects. Some simply make dead ugly paintings that would never sell.
Because such artworks are often fiendishly tricky to document, they seldom grace the columns of "recognised" publications. NUCA is building a publicity machine of its own, so artists may exchange essential info about their activities, collaborate on new projects, and connect with Uncollectable others.
cicada is a collection of artists who work with landscape - urban, natural, constructed and imagined... a combination of results occur, including site-specific installations, performances and interactive pieces... cicada also make other bits of sound+image works for theatre, dance and performance projects... and occational urban gifts of unexpected enlightenment...
Cicada projects have included :
* Mob - an installation exploring the crowd as a discrete organism.
* Saltmilk and other wonders - work resulting from a residency in the West Australian wheat town of Kellerberrin.
* Amensal - an interactive street level installation, a purely negative urban symbiosis.
* Re_Squared - an immersive outdoor audio visual performance celebrating moments of discovered beauty in the city.
Tim Gruchy is a prolific Australian video art, music & installation artist who has performed since the 1980s. his website has examples & listings of his video works, exhibitions, fashion events, parties, corporate events, theatre & opera works, and academic lectures & courses. http://www.grup.tv
'Soundclash' is an initiative of the music board of the Australia Council and is open to individuals and groups engaged in projects involving the creation and performance of experimental, creative and innovative contemporary popular music. In the past ten years, the field of contemporary popular music (pop, rock, hip hop, electronic dance music and other, related modern music forms) has become increasingly hybrid, challenging the boundaries of the form itself. 'Soundclash' seeks to address these developments by supporting contemporary popular music that takes risks and demonstrates a strong commitment to experimentation. The initiative aims to support experimental, creative and innovative music projects across all styles of contemporary popular music. Musically successful innovation within the popular music format is a key consideration in the assessment of this initiative. read more for details on eligibility and how to apply or visit http://www.australiacouncil.gov.au/soundclash
ENZYME 8 - Friday January 30th 2009 @ Blue Velvet - 60 Smith Street Collingwood featuring EYE / DJ Citizen (Canberra), sig.int, Manticle, BasticH, Cassandra's Myth, DJ Infectious Unease.
EYE are releasing the long-delayed "Propaganda Machine Vol.1" CD "Post-Industrial Music for an Information-Age" on the night! read more or visit ENZYME website for more details
Gnosticism is one of the most potent, complex, and misunderstood elements of western esoteric spirituality. Rooted in the apocalyptic era of early Christianity, gnostic mysticism animates hermeticism, alchemy, and magick, and has profoundly influenced modern pop culture as well (Philip K. Dick, The Matrix, even Scientology). Because gnosticism is rooted in direct experience of the divine, it remains open to many different interpretations; scholars bicker about it constantly.
This class proposes to study a few of the most accessible and transformative gnostic texts, both ancient and modern, and to bring their tricky wisdom to bear on the state of consciousness today. In addition to online discussion threads, the course will feature weekly podcasts from Erik Davis, a celebrated speaker, as well as a few group voice-over-IP chats. Modestly-sized texts will include ancient gnostic gospels as well as accessible scholarly interpretations and modern short stories.
Expanded Cinema is an online platform for experimental film, early video, and sound-based, durational work. All of the material is being curated from available media online, emphasizing an overlooked facet of the archival function of new media. The site has collated videos of Derek Bailey, Karlheinz Stockhausen, and Mark Leckey's "Fiorucci Made Me Hardcore (1999)" - a video exploration of subcultures, iconography and dancing with footage from 70s-90s in UK. plus many more. visit http://expandedcinema.blogspot.com for more details
"Reconstituted" is the third Apell album and sounds like the groovier half of Amon Tobin sampling George Clinton with a jazzy electric bass. The album features a drum n bass version of Neil Young's "Don't Let it Bring You Down" and a chill out reworking of George Harrison's overlooked gem "Long, Long, Long" from The Beatles White Album. Another album highlight is the track "Dubya" featuring lyrics inspired by inane quotes from President George W Bush's speeches and his life story.
For more information about this album, Apell's music and to listen to audio samples visit http://www.apellmusic.com
After the immense success of "BF08 UNDER THE RADAR", Brisbane Festival 2009 is putting the call out for applications for the 2009 event. A 16 day theatrefest within a festival, BF09 UNDER THE RADAR celebrates the creation of new work, taking risks, self discovery and pushing the boundaries!
BF09 UNDER THE RADAR is now calling for applications from artists and companies with brave, stimulating, relevant and innovative shows that the world needs to see. We're looking for fresh ideas and the crossing of art forms. We’re after stories that explore the big questions or transform the everyday and mundane. It has to be new - the rest is up to you. Surprise us!
plays | burlesque | physical theatre | street theatre | theatre of image | dance theatre | musical theatre | cabaret | junkyard | circus | public performance – all welcome to apply.
From Friday 18 September to Saturday 3 October BF09 UNDER THE RADAR will take over Brisbane's Metro Arts building for the third time, aiming the spotlight at young and emerging theatre artists who operate under the radar of the mainstream.
NUCA - the Network of Un-Collectable Artists - is a nation-wide affiliation connecting those who gravitate towards ephemeral projects, participatory experiences, illegal art actions, and activities that oddify everyday life. Some members make unwieldy installation projects, while others alter billboards, project images in abandoned spaces at night, or exchange ideas rather than objects. Some simply make dead ugly paintings that would never sell.
ENZYME 8 - Friday January 30th 2009 @ Blue Velvet - 60 Smith Street Collingwood featuring 
After the immense success of "BF08 UNDER THE RADAR", Brisbane Festival 2009 is putting the call out for applications for the 2009 event. A 16 day theatrefest within a festival, BF09 UNDER THE RADAR celebrates the creation of new work, taking risks, self discovery and pushing the boundaries!![Subscribe to AliaK [filter] ::: specture RSS](http://www.aliak.com/misc/feed.png){kind=small}