Narghile is an AV performance project of Brisbane's video & sound artist Lloyd Barrett. Lloyd has also worked using the name Secret Killer of Names / SKON. I googled N4rgh1l3 and found some video works. absolutely amazing! he mentioned he uses Isadora. it's amazing what he gets the program to do - if only I could get it to do half as much I'd be happy!!
this is a video piece submitted for the surface mapping projection at the Queensland Library at the Opening of the "Game On" exhibition (early arcade games & consoles). I went to this exhibition during Christmas holidays - it was great. unfortunately I didn't attend the Opening night as I was interstate. plenty of fathers showing their sons the games they played when younger. visitors were allowed to play the games, and they could read a bit about the history & background of the games. the Japanese 'dating' games was a new one to me!
Narghile v0.01 part 1 : Part one of two. First performance of Narghile's new audio visual processing processy thing. Videos made from still images and DV footage taken by the artists and processed live by Isadora and extra audio processing by Audio mulch and a Chaos Pad.
I've been reading about Rothko's paintings this weekend and wanted to make a video painting similar to his works. it didn't quite work out as I expected (or like a Rothko painting). but I took videos around Auckland yesterday of different colours with the plan of using them as overlayed panels of colours. instead I ended up using a slit screen and shifting the entry points + having horizontal & vertical panels + changing between the different clips.
I don't think it turned out like the later Rothko paintings though. his paintings has large blocks of colour yet they weren't really about the colour. they were about the emotions - and the paintings showed emotions through the colours & induced emotions in the viewer. there were also glimpses of spirituality in the paintings - some had an inner light which shone through the works. also the size & scale of the paintings - often wall sized - caused the viewer to be enveloped in the emotions. the video I've made doesn't have the same emotions. it's more about the colours - the colours of Auckland city. the edges in the video work are too crisp and sharp. and there's no inner light. the motion relates more to Len Lye's use of motion in images & experimental films and sculptures. I've been reading about his work and his papers prior to making the video - in the book "Figures of Motion - Len Lye - Selected Writings". so I will have to try again - & maybe filter out or soften all the edges, or only keep the lines , like brush strokes, then build them up to panels of colour. many options to think about!
Solar Circuit Aotearoa New Zealand (SCANZ) is the interCreate Research Centre's major project, a two week residency for artists, producers, writers, theorists and curators will be held in New Plymouth New Zealand from January 26th to February 8th 2009. Project partners are the Govett-Brewster Art Gallery and Puke Ariki integrated library and museum.
Raranga tangata refers to the weaving together of people, a phrase used to describe the internet and adopted by Sally Jane Norman and Sylvia Nagl in their work. The aim for SCANZ 2009 is to weave an enduring fabric of people and technology, located in this place: Taranaki, Aotearoa New Zealand, Pacific Ocean.
Residency
January 26th–February 8th
Symposium
February 7th–8th
Residency
January 26th–February 8th
The residency themes are Environmental Response and Participate/Display. Occurring along side the residency are a two day symposium (February 7 and 8), presentation evening & opening event (February 7), and curatorial workshop.
Parsons Bookshop located in central Auckland stocks International Art books, Exhibition Catalogues, Art Theory, Design, Photography, Architecture and Fashion books, as well as a large stock of New Zealand, Maori & Pacific books including Fiction, Poetry, Art, Small Press and Limited Edition Titles, Politics, History, Biography and Natural History. http://www.parsons.co.nz for more details
The organisers cleared out an old locksmith shop and launched a dynamic art and event space in December 2000. The gallery played host to political film screenings, free dinners, durational performances, experimental sound nights, site-specific installations...
SquatSpace opposed the standard "pay-as-you-show" system used by many high-rent artist-run-galleries in Sydney. Exhibiting was free, with artists usually becoming involved in the life of the squatting community in some way.
NUCA - the Network of Un-Collectable Artists - is a nation-wide affiliation connecting those who gravitate towards ephemeral projects, participatory experiences, illegal art actions, and activities that oddify everyday life. Some members make unwieldy installation projects, while others alter billboards, project images in abandoned spaces at night, or exchange ideas rather than objects. Some simply make dead ugly paintings that would never sell.
Because such artworks are often fiendishly tricky to document, they seldom grace the columns of "recognised" publications. NUCA is building a publicity machine of its own, so artists may exchange essential info about their activities, collaborate on new projects, and connect with Uncollectable others.
cicada is a collection of artists who work with landscape - urban, natural, constructed and imagined... a combination of results occur, including site-specific installations, performances and interactive pieces... cicada also make other bits of sound+image works for theatre, dance and performance projects... and occational urban gifts of unexpected enlightenment...
Cicada projects have included :
* Mob - an installation exploring the crowd as a discrete organism.
* Saltmilk and other wonders - work resulting from a residency in the West Australian wheat town of Kellerberrin.
* Amensal - an interactive street level installation, a purely negative urban symbiosis.
* Re_Squared - an immersive outdoor audio visual performance celebrating moments of discovered beauty in the city.
Tim Gruchy is a prolific Australian video art, music & installation artist who has performed since the 1980s. his website has examples & listings of his video works, exhibitions, fashion events, parties, corporate events, theatre & opera works, and academic lectures & courses. http://www.grup.tv
I wanted to find out more about this artform and technique, so I googled (without much luck, due to googling the wrong things) and asked the Sarai Reader list and received lots of helpful information from many people. after reading about it, it reminds me a bit of an equivalent to multi-media, or even video blogging from a few hundred years ago. multiple paintings / panels on scrolls (equating to video frames?) are read and music played whilst they're read, so there's a mixture of images, music, text, written / spoken word. the artists travel to different villages - equivalent to the communication methods / networks of today transmitting the multimedia messages & works. originally the works were made on cloth using vegetable based paints but these days modern paints are used and most works are done on paper. I hope the traditional methods are not lost completely! the style of painting comes from Orissa, West Bengal & Bangladesh. modern artists use both traditional, classical topics as well as current topics & stories - they are trying out new variations of the art too, to keep the method alive and to learn new techniques & skills.
I made a video for VloMo08 day16 explaining how I found out information about Patta Chitra Katha :
Graffiti Technica is dedicated to the progression of hardcore electronic art and 3d graffiti. The graffiti designs and lettering on the site are completely digital - to explore new ways of creating pieces.
Graffiti has always influenced me since the first time I saw works from trains on the way to the school... All the back industrial lots were covered in styles from generic tagging to intricately designed works. Back and forwards to school gave me loads of time to understand the styles and colors that were being used. It was so far advanced from anything that was in the modern culture that it was no wonder that people didn't understand it.
"Phil Price's kinetic work is one of the most popular on the Viaduct walkway. It comprises 16 pod-like discs that move both individually and collectively in the wind. No two views of the work are the same, and herein lies much of Cytoplasm's attraction."
Protestors gather under the tree of life as bulldozers approach. Televisions vomit endless waterfalls of information. A disembodied totem of animal, vegetable and mineral world stares at you in profile. The city speaks in confusing angles where we lose perspective. The world tree is burning while man meditates under its shade.
"The World Tree" is an exhibition of new paintings by Melbourne artist Tim Parish, co-founder and art director of Undergrowth.org at Open Studio
The opening night will include music from Kafka and performance artist Si on Sunday the 15th of June at 7pm.
Details:
Opening Night:
7pm Sunday the 15th of June
with music by KAFKA
and spoken word performances by Si and Verbatim
Exhibition Dates:
15th - 29th June 2008
Address:
OPEN STUDIO (review)
204 High St, Northcote
(86 Tram Line opposite Northcote Town Hall)
Fresh from North American tour and LOAD records showcase at SXSW Lucas Abela is launching his new JUSTICE YELDHAM LP; BIRTHDAYS. The record consists of two live sets by the maverick amplified-glass player recorded during his & Keg's recent tour of Europe.
Side A was captured in Marseille on the eve of Justice's 35th birthday while side B was recorded on Kegs birthday in Porto, and to top off the birthday cheer Keg also drew the cover illustration as a gift for Justice's Birthday. The record has been collaboratively released in an edition of 600 copies across the world by Anarchymoon Recordings (North America), Turgid Animal (Europe) & All Thumbs Press (Australia). Of which only 25 or so are in the country as All Thumbs copies practically sold out during the aforementioned tour and will only be available at the show.
His sets have been described as "a trumpet player trapped in a two dimensional universe". By pressing his face and lips against the glass whist employing various vocal techniques ranging from throat singing to raspberries, he turns disguarded household windows into crude musical instruments. Resulting in a wide variety of cacophonous noises that are strangely controlled and oddly musical.