Finally it's happening, the 5th edition is now live!
From the 1st of December till the 5th, this five day videoart extravaganza will screen around 150 experimental, underground and obscure videos from more than 125 independent artists from all over the world.
today 18/10/2008 was the Sydney Drupal Camp - held at University of NSW campus in Camperdown & hosted by the Drupal Australia Group. Ryan Cross did a fantastic job organising the "unconference" with assistance from many people in the group. I'm too tired right now to write up my notes about it - suffice to say it was a great event and I learnt a few new tips to try out. I'll try write more tomorrow & post the photos (I only took a few) after some sleep. I'd helped out by recording audio of the sessions which will be uploaded to the group site & available for those who couldn't make it.
attached are the raw notes I took during the day - pasted below for searching purposes. I spent all day in the "B" area - which was beginners, but they went through some of the new drupal 6 modules I haven't used much yet. area "A" was more for the hardcore programmers.
Speech and the faculty of meta-reflection about one's language are inherent characteristics of human beings. All projects shown in the exhibition YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME. are originally Internet-based artworks. The main common ground is their starting point in the exploration of our language with its arbitrary systems and rules, its corresponding functions within society, as well as with its absurdities and restrictions for the individual. Rather than to focus on the isolated - literary/literally - artwork, the exhibition highlights general artistic tendencies leading to a discursive process, which originates from the Internet and finds its way back to the "virtualities of our real life".
Besides general information and documentation about YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME. the website of the exhibition includes the possibility to extend the concept as well as the list of selected works of art. Just go to http://www.youownmenow.net, enter a link of your own choice plus short link-description and submit your preferred work of art. Thank you for your participation!
PHYSICAL EXHIBITION AND CALL FOR ONLINE PARTICIPATION
CONT3XT.NET.NEWS #04.08
The Economist has a report on digital nomads, sometimes known as techno-Bedouins. since it looks like I'll be heading back to Australia, I'll no longer be one of these :) perhaps whilst on short trips. it's been great for the past 4 years though, but I've been missing home and friends so it'll be good to have a base again. it's amazing how long you can live without a fixed address though. moving from country to country - hotels and short term rental apartments. most of my life is now on the internet - might sound strange, but it's a good place to backup your files, as well as posting dvd backups back home. I read the first article about Nomad Cafe and this rings true. in many places I've been to cafes and there've been people logged in to their laptops. in Jerusalem cafes you often hear Americans talking on skype to their family (I assume) back home. sometimes there's two people at the table facing each other, each having a conversation with someone online.
Labour movement mentions examples of virtual office companies where the employees are all mobile / working from home or cafes.
"The biggest deficiency in our free operating systems is not in the software—it is the lack of good free manuals that we can include in our systems. Documentation is an essential part of any software package; when an important free software package does not come with a good free manual, that is a major gap. We have many such gaps today. "
"Free documentation, like free software, is a matter of freedom, not price. The criterion for a free manual is pretty much the same as for free software: it is a matter of giving all users certain freedoms. Redistribution (including commercial sale) must be permitted, on-line and on paper, so that the manual can accompany every copy of the program. "
FLOSS Manuals is a site dedicated to providing free and open source, FLOSS manuals on a variety of technical topics such as audio editing, VOIP, video editing, streaming, free culture, audio editing, media players, and more. visit their site to read the manuals : http://en.flossmanuals.net/
The second edition of the Streaming Festival ended on the 28th of October 2007.
The festival broadcasted four programs; documentary, fiction, animation and art plus three special programs.
Composed by the KAN festival was a special program presenting a select number of films including films from Agnieszka Smoczynska, Anna Maszczynska and Anna Pankiewicz.
CultureTV brought a special program with selected international video art works. Including works from Pipilotti Rist, Grimanesa Amoros, Gaelle Denis and Bathtime in Clerkenwell by Alex Budovsky.
Visit : www.culturetv.tv
Isfth broadcasted in a special program films from James Harvey, The City of Photographers by Sebastian Moreno and four recent works from Dr Didderiens www dredidderiens nl. This program was curated by Mak Kapetanovic.
We screened 18 hours of independent films from more than 100 filmmakers from over 20 different countries. The Festival was proud to present these films and their makers to you.
Finding my old bookmark files has made me nostalgic for the early computing days when everything was new and exciting and full of possibilities. One of my favourite magazines back in the early 90s was Mondo 2000. It was hard to get - only a few places in Brisbane stocked it, actually only two that I recall and even then it was occasional. By the time I got round to subscribing to the magazine it had finished being published and I lost my subscription renewal to the cause so to speak. At the time, it was cutting edge and the full gloss images and interviews with leading thinkers made it a great read. R.U. Sirius who was the editor of the mag has a podcast these days and can be found around mondoglobo.net. Here's a collection of links to mondo 2000 stuff:
Speech and the faculty of meta-reflection about one's language are inherent characteristics of human beings. All projects shown in the exhibition YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME. are originally Internet-based artworks. The main common ground is their starting point in the exploration of our language with its arbitrary systems and rules, its corresponding functions within society, as well as with its absurdities and restrictions for the individual. Rather than to focus on the isolated - literary/literally - artwork, the exhibition highlights general artistic tendencies leading to a discursive process, which originates from the Internet and finds its way back to the "virtualities of our real life".