Please join us in a workshop on learning and research in Second Life(R) on October 16, 2008 in Copenhagen at Internet Research 9.0

http://wiki.aoir.org/index.php?title=About_IR9.0

Paper Deadline June 15th.

Second Life is a 3d virtual environment created by Linden Lab (R) which has captured the attention of researchers and teachers from around the world from a variety of disciplines.

This workshop aims to improve the understanding of Second Life as a Learning and Research environment. It will bring 35 researchers together to collaborate, discuss and workshop diverse topics related to research and learning in Second Life. We will pursue a full-day schedule in which participants will discuss their work and interests on four different topics: learning in Second Life, integrated learning, the contributions of research to the community and ethical research methods. How can we better enable learning in this sphere? How can we better enable research?

Speech and the faculty of meta-reflection about one's language are inherent characteristics of human beings. All projects shown in the exhibition YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME. are originally Internet-based artworks. The main common ground is their starting point in the exploration of our language with its arbitrary systems and rules, its corresponding functions within society, as well as with its absurdities and restrictions for the individual. Rather than to focus on the isolated - literary/literally - artwork, the exhibition highlights general artistic tendencies leading to a discursive process, which originates from the Internet and finds its way back to the "virtualities of our real life".

Besides general information and documentation about YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME. the website of the exhibition includes the possibility to extend the concept as well as the list of selected works of art. Just go to http://www.youownmenow.net, enter a link of your own choice plus short link-description and submit your preferred work of art. Thank you for your participation!

STEIM (the studio for electro-instrumental music) is the only independent live electronic music centre in the world that is exclusively dedicated to the performing arts. The foundation's artistic and technical departments supports an international community of performers and musicians, and a growing group of visual artists, to develop unique instruments for their work. STEIM invites these people for residencies and provides them with an artistic and technical environment in which concepts can be given concrete form. It catalyzes their ideas by providing critical feedback grounded in professional experience. These new creations are then exposed to a receptive responsive niche public at STEIM before being groomed for a larger audience.

_grau is a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally. various real sources where distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds... The living paintings (Tableaux Vivants) of growing structures branch out over 10:01 minutes (a reference to the binary system by Gottfried Wilhelm Leibniz, where he ascribes 1 to god and 0 to the devil) without ever reaching pure black or white respectively. Every element originates from real experiences and is adapted from my sketches, my own body fragments or scientific visualization methods. For example the first, still colored seconds are the prismatic halos of the collision fading into gray ("grau" in german)... The musical framework connects the memories born out of the dramatic moment to clusters. These are unleashed from the image flux partially - to ease the desired, free associations of the beholder... The Kunst Film Biennale judges assigned the movie _grau by robert seidel an honorary award at KunstFilmBiennale 2004, because of the technological mastership which is used to show never seen phenomena in the borderland of science and aesthetics. director, producer, animator: robert seidel. music: heiko tippelt, philipp hirsch. visit http://www.grau1001.de/ for more details or to download the video or purchase the dvd

Music generated from pictures. visit http://www.synestesia.com/ for more details

www.303expo.com is a site about the first 303 / acid exhibition worldwide (so far as we know...), taking place in cologne, germany, february 2006. there will be workshops, interviews, photo exhibition, parties - a deep journey into the world of acid music. visit http://www.303expo.com for more details

Team Plastique love the Monaco Royal Family - they are fun, trashy and tragic, like every Royal family should be (...or actually is). Monaco-a-go-go will be a scandalous night of Eurotrash glamour - Think international Playboys, Circus Trapeze Lovers, Bodyguard Romances and Tragic Princesses. Catch the Princess Stephanie Dancers - the ultimate tribute to Monaco's own chain smoking, former fashion model, swimsuit designer and Rock Band Singer. Booty dance with the Air Hostess Go-Go's from Togo named after the mother of Prince Albert's scandalous illegitimate child. Performing on the night are Team Plastique - www.team-plastique.com (Berlin), Monster Zoku Onsomb - www.monsterzoku.com (Australia), Instantremovers - (Amsterdam), with visuals by Alex and Jeremy (Amsterdam) - www.alexetjeremy.com

The Women Take Back the Noise project is a showcase collection of over 40 women artists worldwide who experiment with sound in various ways - ranging from ambient-organic to quirky-glitch-beat to harsh or extreme noise (and other categories yet to be defined...) Brisbane's noise artists Kunt as well as international artists such as Californinan bLevin bLectum and New Zealander Solanas, are featured on the release - keep an eye out for the custom-made circuit bent packaging release due out later this year. visit http://www.ubuibi.org/wtbtn/ for more details on the release. Kunt are also touring with Justice Yeldham and his Dynamic Ribbon Device and Nora Keys through Scandinavia and Italy from 21 October - 6 November, and with Scorpio Scorpio in November. read more for details or visit http://www.kuntnoise.com/

The self titled debut EP from 'DELILAH'S GOLD' has been released. The four track CD is available to buy from http://www.delilahsgold.com or from the iTunes music store. At 5 GBP including postage and handling, this is a deal you can't miss. The EP has been receiving positive reviews - "The first thing you hear when you put in this CD is the stunning vocals, although this band is not just about vocals, as they play some great guitar harmonys. (sic) . . . I really like this band and if you are looking for something that sounds unique and different then check this band out." -- Musicpress.co.uk

The internet has been ablaze recently with talk of map products from Google and similar plans from Microsoft. These additions are really cool to look at but do not seem to offer real value or things to do in the worlds. As an avid gamer, I was questioning, haven't we seen similar things from games in the past. Last year we saw the release of True Crimes: Streets of L.A. and The Getaway (based in London).

Two years ago, experts predicted that by 2005, 3D games on mobile devices would be everywhere. They were premature - yet recent stirrings suggest the sleeping giant is finally waking. 3D World Magazine interviewed Kurt Uhlir - IGDA Mobile-SIG Chair and Chicago Technologist, Thor Gunnarsson - Ideaworks3D and David MacQueen - Screen Digest to get there thoughts. While the magazine is normally $15 or so on the stands, the IGDA is providing the full text of the article in PDF. If you are looking for a career in graphics, as I am, it is worth the read.

Generator.x is a conference and exhibition examining the current role of software and generative strategies in art and design. The site also has many links to generative art works and studies. visit http://www.generatorx.no/ for more details

Contemporary Music Review (Routledge) invites papers from writers reflecting on sound in relation to the body/technology; from anyone who attempts to define and/or crtically examine threshold conditions of instrument and performer; writers who are keen to challenge con- or discontinuities of instrument and performer, be it in the form of laptop improvisation, interactive sound environments, 3d cave installations, sonic architecture, or other performance situations.

Sponsored by backstage.bbc.co.uk, Open Tech 2005 is an informal one-day conference about technologies that anyone can have a go at, from "Open Source"-style ways of working to repurposing everyday everyday electronics hardware. read more or visit http://www.ukuug.org/events/opentech2005/ for details

Yonks ago there was a bloody huge fire that raged over the land. From The Great Bushfire the CHARMAN were born... click read more to continue..

New reviews/works/conferences. All reviews can be accessed from front page http://www.furtherfield.org. Work In Progress : Conor McGarrigle. Reviewed by Pau Waelder. A new reading of Ulysses is being developed by Irish net artist Conor McGarrigle, who has set himself the task of creating a series of pieces based upon James Joyce's novel. The project is unusually large in scale for a net art piece. As McGarrigle puts it "It's a big project, but it's something I wanted to do, because I wanted to start a project that I could work on over a long period of time, because a lot of what I did before was short, self-contained and have no follow-on, which is how a lot of net art is like." Reviewer: Pau Waelder.

RE:activism: Re-drawing the boundaries of activism in a new media environment is a conference which is to take place in Budapest, October 14-15, 2005. Re:activism will focus on two closely connected subjects. On the first day, we gather to discuss the new dynamics of culture production. Digital networks allow the large scale cooperation of individuals with diverse motivational backgrounds. This cooperation often results in globally competitive ideas, (software) products, (social) services. Ad-hoc activist, expert networks can only consolidate themselves if the necessary legal, economic and technological frameworks are created or emerge from local interactions. We research into the political economy of peer production networks and examine how regulation in a post-Westphalian order can integrate these networks. We also discuss the potential conflicts between peer networks and contemporary social, economic, and legal institutions and examine how tradition emerges through open archives documenting these conflicts. read more or visit http://www.re-activism.net/ for more information and instructions on how to submit papers.