RUDE BWOYZ FAREWELL FREE PARTY!!


RUDE BWOYZ FAREWELL FREE PARTY!!

upfront drum'n'bass and jungle vibes baby!

Downstairs @The Step Inn (cnr st pauls Tce & brunswick st, the valley)
Saturday 4th October!

Well Brisbane, its sad to say it, and as some of you out there may have heard; the inaugural Brisbane clubbing event 'RuDe BwOyZ' is closing its doors...... but not until its given a propa jungle goodbye to this fair city by throwing a monster 'FAREWELL FREE PARTY' downstairs @The Step Inn!

RuDe BwOyZ has been a seminal event on the Brisbane clubbing calendar for the last 6 years, renowned for launching the Brisbane drum'n'bass scene out of obscurity and establishing itself as the longest running Independent dance-event in Brisbane history! At the birthplace of the underground bar, RuDe BwOyZ provided local junglists with the city's first monthly drum'n'bass event and paved the foundation for the vibrant scene Brisbane enjoys today.

For this land-mark occasion the RuDe BwOyZ team are taking their infamous FREE PARTY event into the bigger space downstairs @The Step Inn, where we hope Brisbane junglists young and old can unite to give their farewells and party on into the early morn with a selection of classic Brisbane jungle dj's who've been reppin' with RuDe BwOyZ from the word go! Better to burn out than to fade away Brisbane!!

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Reunion Rave is Everything you Need ::: Vision Four 5 (LIVE) 10th October 2008 @ The MET in Brisbane

Reunion Rave is happening 10th October 2008 @ The MET in Brisbane so book your tix now!

DJs playing the best of 90's Classic House, Techno and Rave Anthems. The MET: Vision Four 5 (Live), Jumping Jack, Paul Holden, Sasha Vatoff, Rousey, Darren James, Kesson, Thief, Dizzy. Coco: Pete Smith, Dope & Dusted, Nick Galea. Bamboo: Mr Sparkle

:: Vision Four 5 (Live) ::

In 1990, "Vision Four 5" was formed as a live dance music act that challenged the perception of what live music could be, with interactive video technology and immersive live performances.

The line up changed through the first few years to settle from 1993-1997 with members Noel Burgess (Music), Tim Gruchy (Video/Interactives), Ben Suthers (Music) and Al Ferguson (Video/Animation). In this time Vision Four 5 produced 2 albums, Texture (1993) and Humid (1995) and numerous singles on Volition Records/Sony Music. They toured Australia constantly playing raves, clubs Big Day Out and remixed many other artists in this time.

The rave hit "Everything You Need" was one of the highest selling Australian 12" singles and the more radio friendly "Funkify Yourself" crossed over to become both a club and national radio hit.

The Vision Four 5 live performance incorporated a Mandala interactive system to utilize movement in the stage "control zone" to maniplulate any aspect of video processing, animation or the music as well as live camera's and a full state-of-the-art music studio onstage. The result was a truly unique, immersive and synchronous experience.

All of the members of the band have pursued their specialist field since 1997 and live/work in various parts of the globe.

In October, Ben and Noel are bringing back the music of Vision Four 5 for "Back Again" in Sydney and "Reunion" in Brisbane to remind audiences that Vision Four 5 is "Everything You Need"

read more for details or see the facebook event

read an interview with Noel Burgess from Vision Four 5 (2003)

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SONIC BODY - sonic installations and video works by, through and for bodies

JOLT and West Space present SONIC BODY - sonic installations and video works by, through and for bodies. Artists are Brandon LaBelle (USA), Philip Samartzis & Marcia Jane, Bruce Mowson, and James Hullick. October 1-4 2008 at West Space. OPENING Thursday October 2, 6-8pm ::: with performance by James Hullick at 7pm (no entry fee) ::: CLOSING Saturday October 4, 5pm ::: with performance by Philip Samartzis & Lizzie Pogson ($5 entry) :::

Brandon LaBelle (USA) is an artist and writer working with sound and auditory issues. He is the author of Background Noise: Perspectives on Sound Art (Continuum 2006), and Professor at the Bergen National Academy of the Arts, Norway. http://www.errantbodies.org/labelle.html

Marcia Jane is a video and film artist based in Melbourne. Her interests lie in flickering, pulsating, rhythmic abstraction; and audio-visual sensory experiences. Marcia lectures in visual art at Swinburne University and studies at RMIT's School of Art. http://www.permutations.net

Philip Samartzis is an internationally acclaimed electro-acoustic maestro and teacher to many of Melbourne's most successful sound artists through his work at RMIT. His current practice is dominated by the use of field recordings as source material for sonic works. http://www.microphonics.org "one of the leading lights of Australian experimental music" Rare Frequency 2006

Bruce Mowson is a Melbourne-based sound and video artist. He has conducted research into the phenomenon of absorption in audio-visual media though a series of exhibitions and performances and teaches at RMIT University. http://www.brucemowson.com

James Hullick is an installation artist, composer, pianist and electro sound-artist. Hullick is also Artistic Director for JOLT. http://www.jameshullick.com "...a highly reduced transparent psychogram, that shocks as much as electrifies the listener" Reutlinger Nachrichten (Südwestpresse) 2007

read more or visit http://joltarts.org and http://westspace.org.au for more details

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BODYTOK (the human instrument archive) - a sonicsfromscratch video and sound project

Starkwhite is pleased to present BODYTOK a sonicsfromscratch video and sound project
by Phil Dadson, with interactivity design by James Charlton.
(a 3 screen trial towards a larger public gallery installation)
Upstairs backroom, 510 Karangahape Rd, Auckland, from 10 to 26 September 2008.

Over the past three years, Dadson has been compiling the 'human instrument archive'. He says: "The first instrument is the human body and the human instrument is the most unpredictable and unique of all. From childhood worldwide humans explore the sonic potential of their bodies, often discovering a unique and/or individual sound. I had some expectations of this variety, but when I started asking people to show me their unique sounds, I was astounded by the invention."

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Sticky Institute - Melbourne's zine store

I visited the Sticky Institute in Melbourne yesterday and bought a few zines and recorded a video asking the team a few basic questions about zines. The store has a wide selection of zines, and there's a membership / mail list where you can sign up and receive zines in the mail. If you're a zine-writer, you can contact the store and have them stock your zines. Their website also includes an impressive "Zineopedia" of Melbourne based zines which is a great resource for anyone wanting to find out more about zines. Though the best way would be to visit the store if you're in Melbourne, their website if you're not in Melbourne, or a local zine-festival and buy & read some zines. Or even better, start your own!

visit http://www.stickyinstitute.com for more details
store details :
Sticky Institute
Degraves St Subway
Shop 10 Campbell Arcade Melbourne
stickyshop @ gmail.com (remove the spaces)
(if you're not from Melbourne like me, it's opposite the train station on Flinders St, about half way (Flinders between Swanston & Elizabeth) - go downstairs towards the station subway and you'll see it)

PO Box 310 Flinders Lane Vic Australia 8009

One of the zines I bought was the "Anyone can.. " zine (anyone can make a zine) which launched the same day by the City Library Street Press. The City Library Street Press are quite active, having a few projects on the go and regular meetings at the library for zinesters and writers to get involved with. The "Anyone can.." zine also includes a MAP of Melbourne city showing writers & zinester spots of interest eg libraries, stores, artist spaces.

I also bought Anna Poletti's book "Intimate Ephemera : Reading Young Lives in Australian Zine Culture" whilst at Sticky. I've been to some of her panel sessions at the National Young Writers Festival in Newcastle & Critical Animals as part of This is Not Art (TiNA) over the years, so was glad to find her PhD book in the store too. The book is also available as an e-book (pdf) or d-book (pod / print on demand) from Melbourne University Publishing e-store

I haven't finished the book yet, but here's one passage about what a zine is [pg 11-12] :


"Personal zines do not share many of the characteristics of he texts that make up the bulk of sources studied in literary or cultural studies and, more specifically, scholarship on auto/biography. Of central importance to these non-traditional texts is the fact that sines are not mass-produced; they are not published by a professional publishing house, and thus not 'sanctioned as significant by [their] status as a mass produced commodity' (Huff 510). Moreover, zines are not easily available, do not participate in standardised modes of presentation and distribution, and are not well recognised within literary communities or among the reading (most commonly constituted as 'book-buying') public. Zines are homemade, ephermeral and amateur. They circulate among communities of readers through the mail, in out-of-the-way spaces, and are passed around hand-to-hand among social groups. They are also non-traditional because of the modes of emplotment that characterise them; in the case of personal zines, we find a unique mixture of established modes of life writing, such as the diary, alongside zine-specific narratives such as cut'n'paste collage. These material and textual idiosyncranasies challenge the literary critic to practise 'connected reading', which Gillian Whitlock describes as a practice which 'pulls at the loose threads of autobiography, and uses them to make sutures between, across and among autobiographical narratives' (Intimate Empire 204)".

I also like this definition by Richard A Stoddart and Teresa Kiser in Poletti's book [pg 27]
"Zines are a written product of the human need for self-expression. Beyond that, zines are hard to define."

on page 7-8, Poletti gives Duncombe's list for a 'zine taxonomy'. I thought this was very similar to the original definitions of video blogs when they'd first started (video blogs came after zines of course!) - my attempt was this video blog mind map before I realised it was crazy to try and define all the combinations - a simple all encompassing definition of 'video on a blog' was more appropriate, and did it matter anyway.. every now and then the videoblogging list starts up a new 'what is a video blog' thread - I suppose it is the same for all sub-communities that are less commonly known / new. the response below also reminds me of the videoblogging list arguments towards a simpler definition (or no definition), and at least a step away from a taxonomy.


"genres of zines: fanzines (broken down into subcategories by subject, that is music and sports), political zines, personal zines, scene zines (covering local and community events in the zinester's area), network zines (which review zine publications), fringe culture zines (covering UFOs, conspiracy theories and so on), religious zines, vocational zines (detailing 'life on the job'), health zines, sex zines, travel zines, comix, literary zines, art zines and 'the rest'"

... "the collapse of Duncombe's taxonomy into 'the rest - a large category' underscores the futility of attempting to solidify or organise a definition of zines based on their content. As Kirsty Leishman argues: 'Duncombe's work reveals that zines are ill contained and thus it is useful because it relieves subsequent researchers from pursuing such an arduous, yet futile, endeavour'(7)."

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"Visionary Hollywood" bus tour of historic spiritual sites led by Erik Davis (LA/USA)

In October Esotouric, the eclectic bus adventure company whose tours reveal L.A.'s secret history, will reprise VISIONARY HOLLYWOOD, a new hosted by San Francisco-based writer Erik Davis and inspired by his acclaimed 2006 book "The Visionary State". On this journey of exploration through the mystic realms of Los Angeles,passengers will join Erik on a guided tour of five extraordinary religious sites, meet followers of their respective faiths and explore the fascinating history of alternative religious practice in Southern California.

The tour departs from the Bodhi Tree in West Hollywood, where a booksigning with Erik and other LA mystical authors will be held after the tour. The tour includes visits to five extraordinary destinations:

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GPS Film : Not a Moving Picture - a Picture Moving

GPS Film is new media artwork from filmmaker Scott Hessels that invents a new way of watching movies based on the viewer's location and movement. Using a GPS-enabled PDA or mobile phone, the audience creates a new type of film experience that reveals the story through their journey. Released as a free, open-source application, the project will premiere on 4 September 2008 along with the first film made specifically for the system, Singaporean filmmaker Kenny Tan's chase comedy "Nine Lives".

The GPS Film application, source code, and "Nine Lives" are available for free download on the project website www.gpsfilm.com. The application allows for a developer to create story spaces of any size. The movies are also interchangeable and easily matched to any place. The software default is currently "Nine Lives"—a prototype film comedy that can unfold in nine directions depending on the viewer's journey around downtown Singapore.

Scott Hessels is an internationally recognised media artist and filmmaker who merges cinema with new technologies to create innovative media experiences. For GPS Film, he collaborated with film and engineering students at Singapore's Nanyang Technological University.

Cybernetics Serendipity Redux - A moderated discussion on YASMIN

Leonardo/OLATS, co sponsor of YASMIN, is pleased to announce

Cybernetics Serendipity Redux
http://www.media.uoa.gr/yasmin/viewtopic.php?t=4385 (ed: discussion link seems to be broken now 15/02/2009)
http://www.media.uoa.gr/yasmin_oldarchives - has archive of yasmin mail list
http://www.media.uoa.gr/yasmin - new Yasmin list

A moderated discussion on YASMIN
Beginning September 1 2008

Discussion On YASMIN, led by Ranulph Glanville.
Moderators Ranulph Glanville, Paul Brown, Paul Pangaro

40 years ago, Jasia Reichart's exhibition "Cybernetic Serendipity" showed that cybernetics, computing and art had arrived.

40 years later, while computers and art remain, cybernetics has nearly vanished, although there is a reviving interest in art.

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DIGITAL FRINGE 08 (Melbourne)

Horse Bazaar in association with Melbourne Fringe & Film Victoria presents DIGITAL FRINGE 08

1's & 0's in your eyes. Digital Fringe pixels will catch your eyeballs somewhere this festival season. Digital Fringe is the digital arts arm of The AGE 2008 Melbourne Fringe Festival. Digital art from all over the world will be streaming into all sorts of nooks and crannies, across the Melbourne, Victoria & the world. See international emerging artists in your local pub, library, or shops. Have your eyeballs hijacked by MPU's guerilla projections as you wander through the cityscape at night.

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video graffiti from Blu

just saw this amazing video graffiti on youtube - how long would it have taken to paint / animate!

the artist is called Blu
his blog shows works in progress and other projects he's worked on. well worth a look!

http://www.blublu.org/
The new short film by Blu: an ambiguous animation painted on public walls.
Made in Buenos Aires and in Baden (fantoche)

http://www.blublu.org/
http://www.blublu.org/sito/video/muto.htm

music by Andrea Martignoni
produced by Mercurio Film
assistant: Sibe

more videos at:

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transhumanism

transhumanism is a huge field encompassing many topics and arguments. concsiousness, what does it mean to be human, bio ethics, genetic modifications, nanotechnology, science, future technologies, spirituality, information technology, biopolitics, medical improvements, body enhancements, human computer interaction ... the list goes on

the World Transhumanist Association defines transhumanism as :

Transhumanism is a way of thinking about the future that is based on the premise that the human species in its current form does not represent the end of our development but rather a comparatively early phase. We formally define it as follows:

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Technocalyps - transhumansism 3 part documentary

Technocalyps is a three-part documentary by Frank Theys on the idea of transhumanism

the documentary can be downloaded at greylodge.org, and they describe the parts as :

[quote]
Part 1: Transhuman
Part 1 gives an overview of recent technological developments (biogenetics, artificial intelligence, robotics, implants, nanotechnology,…) and prognoses made by leading scientists about the impact of these developments in the near future.

Part 2: Preparing for the Singularity
In this part advocates and opponents of a transhuman future are weighed against each other; prognoses are done when we can expect the transhuman revolution and how people are preparing for it already now.

Part 3: The Metaphysics of Technology

Pratilipi - a bilingual (English / Hindi) magazine of Indian writing


Pratilipi is an online bilingual magazine featuring Indian writing and stories in English and Hindi & other languages.

Pratilipi is (wants to be) a bilingual / multilingual, multiscript magazine that provides a space for conversation / debate between diverse sorts of writing and writers. Pratilipi forbids itself nothing – except taking on a representational role on the web or catering to such expectations – and, hopefully, never will.

visit the site @ http://pratilipi.in

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Jon Rose on History of Listening to Australian Music (ABC podcast)

came across this ABC Radio National podcast via the clan analogue list : Jon Rose: Listening to history - proposals for reclaiming the practice of music

(info from Radio National site)
[quote]
Each year, someone involved in music in Australia is invited to give the Peggy Glanville-Hicks Address. Peggy Glanville-Hicks was an Australian composer, most prolific in the 1950s. And this lecture, in her name and spirit, is intended to 'challenge the status quo and raise issues of importance in new music'.

Jon Rose is the most recent of these lecturers. For over thirty years, he's been at the sharp end of experimental and improvised music-making in Australia—playing fences for example.

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OtherFilm : tour dates for Guy Sherwin and Lynn Loo + Ben Russell and Ben Rivers

OtherFilm, Brisbane Australia based film art collective presents UK artists Guy Sherwin and Lynn Loo's Australian / NZ tour 2008, and from the USA and UK, Ben Russell and Ben Rivers' Australian / NZ tour 2008. read more for details

Like a blast of cinematic conceptual art, film artist Guy Sherwin's hand-crafted films explore the elements of film's grain, tone, flicker, sound, light and space. Beautiful, enigmatic, and sensual, these experimental films question our perception of 'light moving in time.' Together with partner Lynn Loo, Guy creates cinematic environments of incredible purity and beauty. OtherFilm regulars will be familiar with the awesomeness of the London Filmmakers' Co-op, where Guy's filming began.

The Ben's will present visionary cinematic dispatches encompassing stark Cinemascope documentary, jungle surrealism, stroboscopic flicker psychedelia, children in frightening pseudo-tribal headgear, and More! Their shows in Australia include the incredible screening program 'We Can Not Exist In This World Alone' plus Ben Russell's expanded cinema extravaganza. http://www.dimeshow.com/

OtherFilm
July/August Events 2008
www.otherfilm.org

Brisbane Australia based film art collective organising events, screenings, workshops, distribution, good times

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