specture

specture research project posts include research / collection of links for my specture project — ecology, blockchain, AI, extinction, emergence, interconnectedness, art, landscape, place and placeless space, world building and virtual worlds plus related topics

20240421 - a fly in a blockchain ecology / blockchain landscape

there's a community art event happening this week, called #objkt4objkt #objkt4objkt4. I made a code based API drawing of blockchain metadata to continue the series from previous events, then used it to map / project onto a fly mushroom I've been watching emerge / grow over the past couple of weeks.

the second work is a video piece, "a fly in a blockchain ecology / blockchain landscape"

the drawing shows the progression of the fly (mushroom) scanned from nature, being digitised then becoming part of the blockchain ecology / blockchain landscape. the final stage has blockchain metadata from the first API drawing mapped onto the 3d model, live mixed to a video. part of my specture project, exploring putting extinct species onto the blockchain, and what their new digital habitats / landscapes could look like

links: https://teia.art/objkt/850935 & https://teia.art/objkt/850683


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20240419 - post-internet art, digital fragility and new materialism

Earlier this month, I came across Estonian artist, Katja Novitskova's Post Internet work and love this more recent work: "Soft Approximation (Looking Glass Deers Kissing 04)", 2023 via https://www.instagram.com/p/CzBgKwRofU5 — the materiality of the glass as the fragility of ecology/species works well, and loving the use of colour. Forests of the future?

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20240405 - on 30 plus year old air, textiles and Richard Serra's gravity

Richard Serra & Hal Foster - Conversations about Sculpture (2018) is one of my favourite books on sculpture. I really resonated with Serra's ideas on gravity — of course, his ideas are for physical materials and process art, but the ideas can be re-applied to digital art. It was a reminder and aha moment for me — obvious in hindsight — that digital art is not limited by gravity, so when making 3D models / worlds / scenes etc, you can do what you like.

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20240404 - post-internet influences

Inspired by Gene McHugh's excellent Post Internet blog & writing project from 2009-2010, I'm attempting to write more often here. Deciding on which section has been the most difficult — the issue with too many sections / broad scope of interests. Specture is my overarching research and art making project, albeit with some sub-sections / topics along the way.

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specture readings 05

once-unimaginable ocean landscapes and habitats, creative research, VR in schools ::: 20230419 - 20230427

reading and watching

::: Designing curriculum for creative learning about Biomes with VR ::: teachers in South Australia creating classes in VR to teach students about biomes. the VR school research site has other resources covering using VR in schools

::: Pause Giant AI Experiments: An Open Letter ::: this letter has been in the news / twitter for the past few weeks, calling on AI labs to pause their training and research for 6 months

::: The NFT Collector | Colborn Bell ::: a discussion between Colborn Bell, the founder of the Museum of Crypto Art (MOCA) and Primavera De Filippi

::: Information Overload ::: "Claire Bishop on the superabundance of research-based art". Research-based installation art running in parallel to PhD studies, and the author notes, is tied to technological advances and data.

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specture readings 04

multispecies storytelling, ecology, sound & listening, kinship structures, landscape, AI classes ::: 20230412–20230419

reading and watching

::: These Lizards Stress-Eat When Loud Military Aircraft Fly Overhead ::: via This week in sound ::: Stress eating checkered whiptail lizards in Colorado — an impact of modern life I hadn't considered before. What other ways are species adapting to cope with noise pollution

::: Nature, Crisis, Consequence exhibition looks at the social and cultural impact of the environmental crisis on different communities across America.

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specture readings 03

AI, GPT, digital and generative art, First Australians' knowledge book series, 3D art experiences ::: 20230409 - 20230412

reading and watching

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::: Margo Neale and Lynne Kelly discuss Songlines and the importance of memory, place and oral history in First Australians' culture (video), and a response to Bruce Chatwin's book/interpretation of Songlines, as capturing, quite quickly, the essence of them. Their books discuss these further, particularly Songlines: The Power and Promise (2020).

see also:
Bendigo Writers Festival. 2021. "The Songlines Code: Margo Neale and Lynne Kelly." YouTube. Video, 14:50. https://www.youtube.com/watch?v=gUcbbPS1z6E.
Neale, Margo (Editor). 2017. Songlines: Tracking the Seven Sisters. Canberra, ACT: National Museum of Australia.
Neale, Margo and Lynne Kelly. 2020. Songlines: The Power and Promise. Melbourne, Victoria: Thames and Hudson.

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specture readings 02

AI / ML readings, trees and sounds of the city ::: 20230408 - 20230409

reading and watching

::: Eryk Salvaggio's "Critical Topics: AI Images" undergraduate class. It introduces data ethics, a history of art, media studies alongside AI-image making approaches. Eryk notes it's a work in progress, with videos of lectures & loose reading list ::: via Eryk Salvaggio

::: AI Images, Eryk Salvaggio's Class 1 - Love in the Time of Cholera https://www.cyberneticforests.com/ai-images ::: AI/ML images as data visualisations or infographics

::: How to Read an AI Image - The Datafication of a Kiss

::: AI Images, Eryk Salvaggio's Class 19: Artist Talk video with Merzmensch via Merzmensch

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specture readings 01

filtered news ::: 20230329 - 20230407
a loose collection of news and links collected during this period, often shared via twitter

reading and watching

::: art and climate - from conversation to action https://www.artshub.com.au/news/features/art-and-climate-from-conversati...

::: a changing world: computational creativity https://www.acmi.net.au/stories-and-ideas/changing-world-computational-c...

::: trial and theresa women's vj collective in berlin http://trialandtheresa.de/about/

::: teia DAO LLC announcement https://blog.teia.art/blog/registration-announcement

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Mike Nelson: Extinction Beckons @ Hayward Gallery, UK

"Constructed with materials scavenged from salvage yards, junk shops, auctions and flea markets, the immersive installations have a startling life-like quality.

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specture research

specture research project posts include research / collection of links for my specture project — ecology, blockchain, AI, extinction, emergence, interconnectedness, art, landscape, place and placeless space, world building and virtual worlds plus related topics

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Espacios comunes as places of connection

Espacios comunes is a code-based, generative artwork by Javier Graciá Carpio (jagracar) minted on fx(hash), with the main version plus 512 iterations. The drawing is made using P5.JS, with pixel sorting and added noise / texture via GLSL shaders.


Jagracar. Espacios comunes. 2023. Digital artwork. Variable sizes. Reproduced from Fx(hash), https://www.fxhash.xyz/generative/slug/espacios-comunes.

Initially I saw digital landscapes built up from atoms/points, forming over time. After reading the artist's description and translating the title as common spaces, I interpret the artist's intention of a collection of spaces as more socially based places. Jagracar describes the work as: "Horizontal, decentralized societies. Espacios comunes. We can see the circles, squares, plane cuts, but we cannot give them an order or authority" and further explained via a tweet: "It's more or less what we are doing in Tezos, right? Different backgrounds and shapes, but all well mixed and at the same decentralized level :)" By adding the social aspect to these spaces, Jagracar has reinforced their use as places — this fits with my research on the exploration of the blockchain as not a placeless space, it is actually a Place in the architectural and geographical theory sense, due to the communities active on it and social aspects. Jagracar's views of Espacios comunes could be seen as the topographical map, extending from and sitting alongside Paul Baran's decentralised network topologies diagram (as used by Vitalik Buterin also), to see the societies' view — another view of Haraway's tentacular thinking, where the interconnections between nodes/communities are closer, as with Tezos and its communities themselves.


Jagracar. "Tweet". 2023. Image of tweet reproduced from Twitter, https://twitter.com/jagracar/status/1629227616090587137?s=20.


AliaK. Paul Baran's network topology map, also used by Vitalik Buterin. 2022. Image screenshot reproduced from AliaK.com, http://aliak.com/content/specture-topology-and-context.

Espacios comunes is a durational work — the points creating the forms appear over time, drawn using P5.JS code. The points are displayed simultaneously, growing in intensity, so you see the whole image appear gradually, rather than it building different areas of the drawing sequentially — aligning to a progressive scan rather than interlaced scan; the digital over the analog. Texture is added via the addition of noise from the shaders, which are also doing some pixel sorting. In this world communities have grown in parallel, together, rather than sequentially where they would be waiting for one to start and finish before the next can be formed. The work uses varying colours from tuned palettes. Though it's described as a flat, 2D work from a conceptual perspective, the use of colours and textures applied via the shader provides dimensional and tonal aspects to the work.

The work is bounded by fixed borders, yet each iteration has a different support size. Instead of making a uniform dynamically sized work, the overall collection of iterations provides the variation in dimensions. Each collector's iteration depicts a new layout of the places, a new configuration of social interactions, new perspectives. This adds a multi-dimensional aspect to it. There are control commands which can be used to adjust the dimensions of the work, if the viewer wishes to interact with the work, in the same way that members of the communities can interact with and adjust the sizes of the communities and their involvements.

Overall, a beautiful debut for the artist on fx(hash) platform. Jagracar's earlier works can be found on Teia also via https://teia.art/jagracar
View the work and its iterations at https://www.fxhash.xyz/generative/slug/espacios-comunes

::: these notes / analysis are based on the context of my specture project research
::: also published at https://www.fxhash.xyz/article/espacios-comunes-as-places-of-connection and https://medium.com/@aliak/espacios-comunes-as-places-of-connection-d8c00...

Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene (Experimental Futures). Durham and London: Duke University Press.
Buterin, Vitalik. 2017. "The Meaning of Decentralization." Medium. https://medium.com/@VitalikButerin/the-meaning-of-decentralization-a0c92....
Rand Corporation. 2022. "Paul Baran and the Origins of the Internet." Rand Corporation. Accessed on 15 September, https://www.rand.org/about/history/baran.html.

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specture ::: topology and context

specture ::: the topology and conceptual contexts underpinning my specture body of work ::: explorations of interconnectedness and 'evolution' of extinct species on/and the blockchain

::: speculative|species ::: future|architecture ::: https://butiq.art/aliak/specture

specture is a speculative exploration considering the interconnections and abstractions of extinct species (from NSW) on the blockchain, with the underlying idea: what if in the future this is the only place they exist?

The blockchain is an immutable technological system, where data stored on it remains forever (or for as long as the chain exists). I build conglomerations of generative, code-based systems mixed with 3D digital models to create digital drawings and animations as abstractions of the extinct species and their blockchain environment, to garner what the species might see and experience whilst inside the blockchain. These generative drawings imagine whether the species could evolve once in the blockchain, or would they reach their final form once stored there. They also reflect the decentralized entanglement in interconnectedness in both ecology and the blockchain.

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specture mindmap

specture ::: rewilding the blockchain mindmap as at 13 March 2022 (further updates yet to be added)
key artists / readings / links shown ::: others are listed separately in bibliography & project documents

green=explored (at some level)
black=to be explored
grey=excluded from current exploration (possible future)

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