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  <title>Composer</title>
  <link rel="alternate" type="text/html" href="http://www.aliak.com/category/category/composer"/>
  <link rel="self" type="application/atom+xml" href="http://www.aliak.com/taxonomy/term/330/atom/feed"/>
  <id>http://www.aliak.com/taxonomy/term/330/atom/feed</id>
  <updated>2008-02-01T22:27:59+00:00</updated>
  <entry>
    <title>[sydney] Mars Hill Cafe hosts local music competition</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/sydney-mars-hill-cafe-hosts-local-music-competition" />
    <id>http://www.aliak.com/content/sydney-mars-hill-cafe-hosts-local-music-competition</id>
    <published>2007-08-10T10:21:02+00:00</published>
    <updated>2008-01-26T19:59:54+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="competition" />
    <category term="Composer" />
    <category term="music" />
    <category term="music artists" />
    <category term="news" />
    <category term="parramatta" />
    <category term="project" />
    <category term="sydney" />
    <summary type="html"><![CDATA[<p><img src="http://farm2.static.flickr.com/1338/1069647249_538c2ac0ea.jpg" height="150" align="left" hspace="20" /><br />
  Mars Hill Cafe in Parramatta will be organising and hosting a local music competition that will allow up and coming and established local music acts to perform several acts each in the popular Church Street cafe. They will compete for the chance to record a 3-track EP recording session with 2 tracks from the competition and a third recorded studio style in the performance space. Supported by a grant recently awarded to Mars Hill Cafe by the Parramatta City Council, the 10 best acts from the competition will be recorded and released on a compilation album later in the year.<br />
Local Musicians (from any suburbs covered by Parramatta Council) are encouraged to apply. Styles included will be: Singer/Songwriters, Folk, Acoustic Rock, Jazz, Blues, Rock, Acoustic and Country.  Applications for the competition will be taken throughout August and single-song auditions will be held on the 25th of August. Each artist chosen for the competition will perform 3 songs each for the final competition on the 23rd of September. Mars Hill Cafe is a popular Parramatta music and arts venue, located at 331 Church Street. Further information about the competition and details on how to apply can be found on the website <a href="http://www.marshillcafe.com.au" rel="nofollow" rel="nofollow">www.marshillcafe.com.au</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://farm2.static.flickr.com/1338/1069647249_538c2ac0ea.jpg" height="320" /></p>
<p>Mars Hill Cafe in Parramatta will be organising and hosting a local music competition that will allow up and coming and established local music acts to perform several acts each in the popular Church Street cafe. </p>
<p>They will compete for the chance to record a 3-track EP recording session with 2 tracks from the competition and a third recorded studio style in the performance space. </p>
<p>Supported by a grant recently awarded to Mars Hill Cafe by the Parramatta City Council, the 10 best acts from the competition will be recorded and released on a compilation album later in the year.</p>
<p>Local Musicians (from any suburbs covered by Parramatta Council) are encouraged to apply. Styles included will be: Singer/Songwriters, Folk, Acoustic Rock, Jazz, Blues, Rock, Acoustic and Country.  </p>
<p>Applications for the competition will be taken throughout August and single-song auditions will be held on the 25th of August. </p>
<p>Each artist chosen for the competition will perform 3 songs each for the final competition on the 23rd of September. </p>
<p>Mars Hill Cafe is a popular Parramatta music and arts venue, located at 331 Church Street. Further information about the competition and details on how to apply can be found on the website <a href="http://www.marshillcafe.com.au" rel="nofollow">www.marshillcafe.com.au</a></p>
<p>Press Release data</p>
<p>    Saturday August 25th Auditions</p>
<p>    Sunday September 23rd  Competition</p>
<p>    Contact Number 1300 886634</p>
<p>    1st Place 3 track EP Recording Session</p>
<p>     10 Winners Included on Compilation Album</p>
<p>     Mars Hill cafe 331 Church St. Parramatta</p>
<p>    www.<a href="/freelinking/MarsHillcafe">MarsHillcafe</a>.com.au</p>
<p>     supported by Parramatta Council</p>
<p>    1 song for Audition</p>
<p>    3 songs for Competition</p>
    ]]></content>
  </entry>
  <entry>
    <title>StringTunes</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2721" />
    <id>http://www.aliak.com/node/2721</id>
    <published>2007-04-23T15:32:05+00:00</published>
    <updated>2007-04-23T15:35:53+00:00</updated>
    <author>
      <name>StringTunes</name>
    </author>
    <category term="Composer" />
    <category term="Illinois" />
    <category term="music artist biography" />
    <category term="USA" />
    <summary type="html"><![CDATA[<div class="flexinode-body flexinode-2">
<div class="flexinode-textfield-8">
<div class="form-item">
 artist / project name:<br />
 name
</div>
</div>
<div class="flexinode-textfield-34">
<div class="form-item">
 bio:<br />
 Composer of classical/orchestral instrumental music primarily utilizing the stringed instruments. Flowing melodies creating a so
</div>
</div>
<div class="flexinode-textfield-25">
<div class="form-item">
 group members:<br />
 Don Rath Jr
</div>
</div>
<div class="form-item">
 myspace page:<br />
 <a href="http://www.myspace.com/stringsfu" rel="nofollow" rel="nofollow">http://www.myspace.com/stringsfu</a>
</div>
<div class="form-item">
 website:<br />
 <a href="http://www.stringtunes.com" rel="nofollow" rel="nofollow">http://www.stringtunes.com</a>
</div>
<div class="flexinode-textfield-13">
<div class="form-item">
 city:<br />
 Rockford
</div>
</div>
<div class="flexinode-textarea-11">
<div class="form-item">
 genre:<br />
 Classical/Orchestral - New Age/Ambient
</div>
</div>
<div class="flexinode-select-33">
<div class="form-item">
 are you a currently active artist / project?:<br />
 yes
</div>
</div>
<div class="flexinode-textarea-29">
<div class="form-item">
 releases / projects:<br />
 Heart Strings - 2007<br />
Dawn of a New Day - 2007
</div>
</div>
<div class="flexinode-textarea-14">
<div class="form-item">
 bio - full:<br />
 Biography - Donald Rath Jr. – Composer, Arranger &amp; Guitarist<br />
On January 14th 1956 in a small suburb of Cincinnati Ohio a healthy lad was born to this world. He would later become a Composer of instrumental music. The road to his success was long and contained many detours and rest stops.<br />
Donald Rath Jr. was raised on a Dairy farm in Illinois. As a toddler, he would sit in awe listening while his Mother created amazing sounds on the organ. It was from this early impression that he began to pursue his interest in music. During his fourth year of Grade School, Don began to play an instrument known as the Flute-O-Phone and later the Cornet. During his freshman year in High School he was introduced to the Guitar by one of his close friends. After a few Guitar lessons, he began to pick out some basic musical ideas that were to become his first compositions. It was from these beginnings that music became his prime passion and interest for personal expression.
</div>
</div>
<div class="flexinode-textarea-19">
<div class="form-item">
 Any favourite artists, labels, projects?:<br />
 I enjoy all types of music however my favorite performers are Christopher Parkening for classical guitar, Mozart for strings and orchestra, Beatles for creativity and fun, and a variety of modern artists such as; Melanie Safka, Neil Diamond, Neil Young, Yes, Queen, Reich, Williams and Alex Shapiro.
</div>
</div>
<div class="flexinode-textarea-31">
<div class="form-item">
 Are you documenting / archiving your music / performances / project. If so, how?:<br />
 Yes, by publishing CD's, file backup system and notation to ensure both continuity and long life to my musical work.
</div>
</div>
<div class="flexinode-textarea-17">
<div class="form-item">
 How did you become interested or involved in writing music / DJing / your project?:<br />
 It has always been a part of me.
</div>
</div>
<div class="flexinode-textarea-16">
<div class="form-item">
 How would you describe your style of writing music / musical / artistic policy?:<br />
 I have put together an approach to music composition that mixes a shorter musical form or "tune" structure such as ABA or ABAC and using the digital sound samples of classical orchestral instruments for sound generation. The entire creation is digital in nature from the notation to the finished product.
</div>
</div>
<div class="flexinode-textarea-30">
<div class="form-item">
 What are your thoughts on the internet &amp; music / filesharing / DRM etc?:<br />
 Although I see the Internet as a fantastic avenue for public display, distribution and social interchange, it does come with risks when exposing music.<br />
In general, I think it is about time that Composers get their just rewards for their work. Noone else is expected to work without adequate compensation and I think Composers deserve to be paid fairly and equitably for their efforts.
</div>
</div>
<div class="flexinode-textarea-23">
<div class="form-item">
 What excites you now?:<br />
 Making music.
</div>
</div>
<div class="flexinode-textarea-21">
<div class="form-item">
 Where can we see or listen to you playing / your project?:<br />
 Please visit my website at <a href="http://www.stringtunes.com" title="http://www.stringtunes.com" rel="nofollow" rel="nofollow">http://www.stringtunes.com</a>
</div>
</div>
<div class="flexinode-textarea-22">
<div class="form-item">
 Which directions do you think your style of music / project will take in the future?:<br />
 I am on a continuous learning curve leaning towards a more structured classical approach to composition.
</div>
</div>
</div>
    ]]></summary>
    <content type="html"><![CDATA[<div class="flexinode-body flexinode-2">
<div class="flexinode-textfield-8">
<div class="form-item">
 artist / project name:<br />
 name
</div>
</div>
<div class="flexinode-textfield-34">
<div class="form-item">
 bio:<br />
 Composer of classical/orchestral instrumental music primarily utilizing the stringed instruments. Flowing melodies creating a so
</div>
</div>
<div class="flexinode-textfield-25">
<div class="form-item">
 group members:<br />
 Don Rath Jr
</div>
</div>
<div class="form-item">
 myspace page:<br />
 <a href="http://www.myspace.com/stringsfu" rel="nofollow">http://www.myspace.com/stringsfu</a>
</div>
<div class="form-item">
 website:<br />
 <a href="http://www.stringtunes.com" rel="nofollow">http://www.stringtunes.com</a>
</div>
<div class="flexinode-textfield-13">
<div class="form-item">
 city:<br />
 Rockford
</div>
</div>
<div class="flexinode-textarea-11">
<div class="form-item">
 genre:<br />
 Classical/Orchestral - New Age/Ambient
</div>
</div>
<div class="flexinode-checkbox-18">
<div class="form-item">
 Australian artist / project?:<br />
 No
</div>
</div>
<div class="flexinode-select-33">
<div class="form-item">
 are you a currently active artist / project?:<br />
 yes
</div>
</div>
<div class="flexinode-textarea-29">
<div class="form-item">
 releases / projects:<br />
 Heart Strings - 2007<br />
Dawn of a New Day - 2007
</div>
</div>
<div class="flexinode-textarea-14">
<div class="form-item">
 bio - full:<br />
 Biography - Donald Rath Jr. – Composer, Arranger &amp; Guitarist<br />
On January 14th 1956 in a small suburb of Cincinnati Ohio a healthy lad was born to this world. He would later become a Composer of instrumental music. The road to his success was long and contained many detours and rest stops.<br />
Donald Rath Jr. was raised on a Dairy farm in Illinois. As a toddler, he would sit in awe listening while his Mother created amazing sounds on the organ. It was from this early impression that he began to pursue his interest in music. During his fourth year of Grade School, Don began to play an instrument known as the Flute-O-Phone and later the Cornet. During his freshman year in High School he was introduced to the Guitar by one of his close friends. After a few Guitar lessons, he began to pick out some basic musical ideas that were to become his first compositions. It was from these beginnings that music became his prime passion and interest for personal expression.<br />
He continued to play Guitar for many years until typical life influences caused him to put his musical aspirations on hold. Then in 1990, he began to play again, this time with much more passion and interest. He taught himself to read and notate music and he began a serious study of music composition. A left hand crush injury in 1993 caused him to realize the importance of formalizing his original music. Fearing the inability of being able to play the Guitar, he used it to his advantage as Physical Therapy. Not permitting multiple surgeries to keep him from his musical pursuits, Don continued to practice the Guitar, study music, music composition and to notate his original music by hand.<br />
The Great Flood in 1993 in St. Louis interrupted his efforts to complete the goal of recording his first album. Then in 1997 he was able to produce his first CD titled “Night Wind”. It was a collection of 19 original short pieces for solo guitar. The CD was never formally released since his playing skills were lessened by his injury and the recordings were not at the level expected for a public release. For the next nine years he practiced Classical Guitar from two to four hours per day in an effort to regain his Guitar playing skills to performance levels.<br />
The loss of his mother in late 2005 was another turning point in his life. He is now pursuing a new goal, to establish himself as a composer of Classical music for the stringed instruments. The emotional impact over the loss of his mother resulted in the completion of over 40 compositions in 2006 alone. Musically, the big difference was, he is now arranging his music primarily for the String Quartet and Quintet using a music notation program called Sibelius.<br />
The release of his debut album “Heart Strings” on January 3rd 2007 was followed by the release of his second CD titled “Dawn of a New Day” on March 21st.  These two albums are companion CD’s offering 24 compositions sure to soothe your soul! Both CD’s are available on the <a href="/freelinking/StringTunes" rel="nofollow"><a href="/freelinking/StringTunes">StringTunes</a></a> website, iTunes, CDBaby, Rhapsody, the new Napster and a host of other digital music websites. At <a href="http://www.stringtunes.com" title="http://www.stringtunes.com" rel="nofollow">http://www.stringtunes.com</a>  single song and CD purchases are available. Also, you can listen to the entire length of each of the songs included on both albums and read the stories behind the songs.<br />
Don is currently working on his third album yet to be titled and due for release still in 2007. Future plans include a remix of “Night Wind” for solo guitar, a traditional Christmas album for strings and the production of 5 additional original instrumental music albums, music notation books for each and a surprise for his Cello playing friends!
</div>
</div>
<div class="flexinode-textarea-19">
<div class="form-item">
 Any favourite artists, labels, projects?:<br />
 I enjoy all types of music however my favorite performers are Christopher Parkening for classical guitar, Mozart for strings and orchestra, Beatles for creativity and fun, and a variety of modern artists such as; Melanie Safka, Neil Diamond, Neil Young, Yes, Queen, Reich, Williams and Alex Shapiro.
</div>
</div>
<div class="flexinode-textarea-31">
<div class="form-item">
 Are you documenting / archiving your music / performances / project. If so, how?:<br />
 Yes, by publishing CD's, file backup system and notation to ensure both continuity and long life to my musical work.
</div>
</div>
<div class="flexinode-textarea-17">
<div class="form-item">
 How did you become interested or involved in writing music / DJing / your project?:<br />
 It has always been a part of me.
</div>
</div>
<div class="flexinode-textarea-16">
<div class="form-item">
 How would you describe your style of writing music / musical / artistic policy?:<br />
 I have put together an approach to music composition that mixes a shorter musical form or "tune" structure such as ABA or ABAC and using the digital sound samples of classical orchestral instruments for sound generation. The entire creation is digital in nature from the notation to the finished product.
</div>
</div>
<div class="flexinode-textarea-30">
<div class="form-item">
 What are your thoughts on the internet &amp; music / filesharing / DRM etc?:<br />
 Although I see the Internet as a fantastic avenue for public display, distribution and social interchange, it does come with risks when exposing music.<br />
In general, I think it is about time that Composers get their just rewards for their work. Noone else is expected to work without adequate compensation and I think Composers deserve to be paid fairly and equitably for their efforts.
</div>
</div>
<div class="flexinode-textarea-23">
<div class="form-item">
 What excites you now?:<br />
 Making music.
</div>
</div>
<div class="flexinode-textarea-21">
<div class="form-item">
 Where can we see or listen to you playing / your project?:<br />
 Please visit my website at <a href="http://www.stringtunes.com" title="http://www.stringtunes.com" rel="nofollow">http://www.stringtunes.com</a>
</div>
</div>
<div class="flexinode-textarea-22">
<div class="form-item">
 Which directions do you think your style of music / project will take in the future?:<br />
 I am on a continuous learning curve leaning towards a more structured classical approach to composition.
</div>
</div>
</div>
    ]]></content>
  </entry>
  <entry>
    <title>tina 2006 - David Wolf and Somaya Langley - TBA</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/tina-2006-david-wolf-and-somaya-langley-tba" />
    <id>http://www.aliak.com/content/tina-2006-david-wolf-and-somaya-langley-tba</id>
    <published>2006-10-18T18:10:28+00:00</published>
    <updated>2008-02-01T22:24:16+00:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="australia" />
    <category term="canberra" />
    <category term="Composer" />
    <category term="conference" />
    <category term="course" />
    <category term="courses" />
    <category term="documentation" />
    <category term="electrofringe" />
    <category term="event" />
    <category term="experimental" />
    <category term="festival" />
    <category term="max_msp" />
    <category term="melbourne" />
    <category term="music" />
    <category term="music artists" />
    <category term="newcastle" />
    <category term="tina" />
    <category term="video art" />
    <summary type="html"><![CDATA[<p><a href="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov" rel="nofollow" rel="nofollow"><img src="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov.jpg" border="0" /></a><br />
<a href="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov" rel="nofollow" rel="nofollow">Watch the video</a><br />
part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.<br />
<a href="http://www.thisisnotart.org/" title="http://www.thisisnotart.org/" rel="nofollow">http://www.thisisnotart.org/</a><br />
<a href="http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/" title="http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/" rel="nofollow">http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/</a><br />
TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><a href="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov" rel="nofollow"><img src="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov.jpg" border="0" /></a></p>
<p><a href="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov" rel="nofollow">Watch the video</a></p>
<p>part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.</p>
<p><a href="http://www.thisisnotart.org/" title="http://www.thisisnotart.org/">http://www.thisisnotart.org/</a></p>
<p><a href="http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/" title="http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/">http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/</a></p>
<p>TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.</p>
    ]]></content>
  </entry>
  <entry>
    <title>colours of Auckland countryside</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/colours-auckland-countryside" />
    <id>http://www.aliak.com/content/colours-auckland-countryside</id>
    <published>2005-12-28T04:28:06+00:00</published>
    <updated>2008-02-01T22:36:05+00:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="auckland" />
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="Composer" />
    <category term="electronic music" />
    <category term="experimental" />
    <category term="glitch" />
    <category term="gps" />
    <category term="internet" />
    <category term="isadora" />
    <category term="max_msp" />
    <category term="new media" />
    <category term="new zealand" />
    <category term="videoblog" />
    <category term="vlog" />
    <summary type="html"><![CDATA[<p><center></center></p>
<p><a href="http://www.aliak.com/node/2051" title="Colours of Auckland Countryside"><br />
<img src="http://static.flickr.com/28/92546614_a30a4c7ebe.jpg?v=0" alt="Colours of Auckland Countryside" border="0" class="thumbnail" /><br />
</a><br />
click on the image to goto the video player page
</p>
<p>I've been spending the Christmas break learning more about <a href="http://www.apple.com/quicktime">interactive quicktime</a>, <a href="http://www.cycling74.com">max/msp</a> and <a href="http://www.troikatronix.com/isadora.html">isadora</a> for creating music and video and publishing them on the net. Below is the first piece I've created. I went a bit overboard on the effects in Isadora but it's an original piece and I learnt from it so I'm happy with it overall from a learning experience point of view. </p>
<p>How I created it:<br />
- first I took videos with my dvd camera<br />
- then I used DVDx to convert the .vob files to mpeg2 files which quicktime could open. when I installed winamp a couple of weeks ago, I noticed it can display video now also, though strangely, sometimes the winamp videos were upside down whilst they played correctly orientated in quicktime. (perhaps I used strange setting whilst encoding?)<br />
- then I imported the video into isadora, and patched up a storm whilst trying out some of the effects<br />
- I can only save 5sec clips from isadora as I'm using the trial version whilst I work out if I'll use it regularly in future. I'm hoping to learn how to do similar tasks in jitter (max component) as I'll have more control of what I'm doing, even though it's very quick and easy to get things done in isadora without having to know the code. still yet to decide on this.<br />
- once I had the processed video clips, I opened them in quicktime again and joined them together - hence the rough edits<br />
- then I made a couple of text tracks in quicktime and added these in. I tried out the eZediaQTI app whilst learning about the text tracks but decided on doing them manually in quicktime and editing the controls with notepad.<br />
- next, I opened the <a href="http://www.aliak.com/node/2043">gps data music patch</a> I made in max/msp and ran it with the soundwalk recordings I made the other week whilst at Mission Beach in Auckland. unfortunately, the mic was picking up a lot of noise from the wind blowing past the mic pickup so there's a lot of distortion. I filtered some of this out in audacity and flattened the audio into one track.<br />
- then I added the audio track to the video with text quicktime movie<br />
- then uploaded the finished piece to archive.org using <a href="http://www.ourmedia.org">ourmedia</a> and viewed source on the movie's ourmedia page &amp; copied the quicktime player code here </p>
<p>well, I'm sure there's a quicker way of doing it! which requires less processing and time, but this was an exercise in creating an original piece from start to finish. as you can tell, I'm not a designer or very good programmer either, but I'm happy to finish number one. here's hoping the subsequent efforts will improve and be done more efficiently. I could have used the original unprocessed videos but they seemed a little plain. need to find the right balance I guess..</p>
<p>here's a screen shot of the isadora patch:</p>
<p><center><img src="http://www.aliak.com/files/issy_scrn.jpg" /></center></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>      &lt;!-- The display panel for the video --></p>
<div id = "video-panel"><center><br />
        <embed PLUGINSPAGE="http://www.apple.com/quicktime/download/" src="http://www.archive.org/download/colours_of_Auckland/20051227_colours_of_auckland_320x240.mov" QTSRC="http://www.archive.org/download/colours_of_Auckland/20051227_colours_of_auckland_320x240.mov" width="320" height="260" autoplay="false" controller="true" loop="false" enablejavascript="true"></embed>                
<div style="position: relative; bottom: 0px; left: 10px; width: 300px;">This media file's URL: <a href="http://www.archive.org/download/colours_of_Auckland/20051227_colours_of_auckland_320x240.mov">Link</a></div></center></div>

<p>I've been spending the Christmas break learning more about <a href="http://www.apple.com/quicktime">interactive quicktime</a>, <a href="http://www.cycling74.com">max/msp</a> and <a href="http://www.troikatronix.com/isadora.html">isadora</a> for creating music and video and publishing them on the net. Below is the first piece I've created. I went a bit overboard on the effects in Isadora but it's an original piece and I learnt from it so I'm happy with it overall from a learning experience point of view. </p>
<p>How I created it:<br />
- first I took videos with my dvd camera<br />
- then I used DVDx to convert the .vob files to mpeg2 files which quicktime could open. when I installed winamp a couple of weeks ago, I noticed it can display video now also, though strangely, sometimes the winamp videos were upside down whilst they played correctly orientated in quicktime. (perhaps I used strange setting whilst encoding?)<br />
- then I imported the video into isadora, and patched up a storm whilst trying out some of the effects<br />
- I can only save 5sec clips from isadora as I'm using the trial version whilst I work out if I'll use it regularly in future. I'm hoping to learn how to do similar tasks in jitter (max component) as I'll have more control of what I'm doing, even though it's very quick and easy to get things done in isadora without having to know the code. still yet to decide on this.<br />
- once I had the processed video clips, I opened them in quicktime again and joined them together - hence the rough edits<br />
- then I made a couple of text tracks in quicktime and added these in. I tried out the eZediaQTI app whilst learning about the text tracks but decided on doing them manually in quicktime and editing the controls with notepad.<br />
- next, I opened the <a href="http://www.aliak.com/node/2043">gps data music patch</a> I made in max/msp and ran it with the soundwalk recordings I made the other week whilst at Mission Beach in Auckland. unfortunately, the mic was picking up a lot of noise from the wind blowing past the mic pickup so there's a lot of distortion. I filtered some of this out in audacity and flattened the audio into one track.<br />
- then I added the audio track to the video with text quicktime movie<br />
- then uploaded the finished piece to archive.org using <a href="http://www.ourmedia.org">ourmedia</a> and viewed source on the movie's ourmedia page &amp; copied the quicktime player code here </p>
<p>well, I'm sure there's a quicker way of doing it! which requires less processing and time, but this was an exercise in creating an original piece from start to finish. as you can tell, I'm not a designer or very good programmer either, but I'm happy to finish number one. here's hoping the subsequent efforts will improve and be done more efficiently. I could have used the original unprocessed videos but they seemed a little plain. need to find the right balance I guess..</p>
<p>here's a screen shot of the isadora patch:</p>
<p><center><img src="http://www.aliak.com/files/issy_scrn.jpg" /></center></p>
    ]]></content>
  </entry>
  <entry>
    <title>dpwolf, quartz composer and electrofringe workshops</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/dpwolf-quartz-composer-and-electrofringe-workshops" />
    <id>http://www.aliak.com/content/dpwolf-quartz-composer-and-electrofringe-workshops</id>
    <published>2005-10-21T11:11:54+00:00</published>
    <updated>2008-02-01T22:27:59+00:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="arts artist" />
    <category term="Composer" />
    <category term="course" />
    <category term="courses" />
    <category term="electrofringe" />
    <category term="generative" />
    <category term="isadora" />
    <category term="max_msp" />
    <category term="newcastle" />
    <category term="processing" />
    <category term="tina" />
    <category term="tina2006" />
    <category term="video art" />
    <category term="video blogging" />
    <summary type="html"><![CDATA[<p>I went to 2005 <a href="http://www.electrofringe.org" rel="nofollow" rel="nofollow">electrofringe</a> a few weeks ago in Newcastle, Australia. I haven't finished going over my notes or posting some of the links to the artist's projects, but one of the workshops I went to was on <a href="http://www.quartzcompositions.com" rel="nofollow" rel="nofollow">Quartz Composer</a> hosted by <a href="http://dpwolf.net/" rel="nofollow" rel="nofollow">dpwolf</a>. The software runs on a MAC, which unfortunately I don't have. :( perhaps if we get a project bonus this year I might be able to save up for one so I can try the software (and also <a href="http://www.cycling74.com" rel="nofollow" rel="nofollow">max / msp </a>}. anyway, I also came across the name dpwolf on the <a href="http://groups.yahoo.com/group/videoblogging" rel="nofollow" rel="nofollow">videoblogging</a> mail list and low and behold it's the same person. he seems to do some work with <a href="http://hypertext.rmit.edu.au/vlog/" rel="nofollow" rel="nofollow">Adrian Miles</a>, who does some great projects with video and interactive quicktime and media in general. small world. I'd love to do the course Adrian teaches but can't afford to give up work to do it fulltime. due to excessive work commitments, I had to drop the Internet Communication course I was doing at CQU.  now that I've finally upgraded my (this) site and moving most of my projects online (so as not to be so dependant on my laptop in case of travelling without it), I'd like to experiment more with blogging, videoblogging, podcasting and digital art and music projects (in addition to listing other people's projects on the site), hence, why the blog posts here have now become more personal. I've been reading about and been across these media for a while but haven't had much time to play myself, so that's the goal for the next year (&amp; hopefully continuing onwards).</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>I went to 2005 <a href="http://www.electrofringe.org" rel="nofollow">electrofringe</a> a few weeks ago in Newcastle, Australia. I haven't finished going over my notes or posting some of the links to the artist's projects, but one of the workshops I went to was on <a href="http://www.quartzcompositions.com" rel="nofollow">Quartz Composer</a> hosted by <a href="http://dpwolf.net/" rel="nofollow">dpwolf</a>. The software runs on a MAC, which unfortunately I don't have. :( perhaps if we get a project bonus this year I might be able to save up for one so I can try the software (and also <a href="http://www.cycling74.com" rel="nofollow">max / msp </a>). anyway, I also came across the name dpwolf on the <a href="http://groups.yahoo.com/group/videoblogging" rel="nofollow">videoblogging</a> mail list and low and behold it's the same person. he seems to do some work with <a href="http://hypertext.rmit.edu.au/vlog/" rel="nofollow">Adrian Miles</a>, who does some great projects with video and interactive quicktime and media in general. small world. I'd love to do the course Adrian teaches but can't afford to give up work to do it fulltime. due to excessive work commitments, I had to drop the Internet Communication course I was doing at CQU.  now that I've finally upgraded my (this) site and moving most of my projects online (so as not to be so dependant on my laptop in case of travelling without it), I'd like to experiment more with blogging, videoblogging, podcasting and digital art and music projects (in addition to listing other people's projects on the site), hence, why the blog posts here have now become more personal. I've been reading about and been across these media for a while but haven't had much time to play myself, so that's the goal for the next year (&amp; hopefully continuing onwards).</p>
<p>reference urls :<br />
<a href="http://www.electrofringe.org" title="http://www.electrofringe.org">http://www.electrofringe.org</a><br />
<a href="http://www.quartzcompositions.com" title="http://www.quartzcompositions.com">http://www.quartzcompositions.com</a><br />
<a href="http://hypertext.rmit.edu.au/~dpwolf/blog" title="http://hypertext.rmit.edu.au/~dpwolf/blog">http://hypertext.rmit.edu.au/~dpwolf/blog</a>   (old site)<br />
<a href="http://www.cycling74.com" title="http://www.cycling74.com">http://www.cycling74.com</a><br />
<a href="http://groups.yahoo.com/group/videoblogging" title="http://groups.yahoo.com/group/videoblogging">http://groups.yahoo.com/group/videoblogging</a><br />
<a href="http://hypertext.rmit.edu.au/vlog/" title="http://hypertext.rmit.edu.au/vlog/">http://hypertext.rmit.edu.au/vlog/</a><br />
<a href="http://dpwolf.net/" title="http://dpwolf.net/">http://dpwolf.net/</a></p>
    ]]></content>
  </entry>
</feed>
