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  <title>spaces</title>
  <subtitle>virtual & physical spaces</subtitle>
  <link rel="alternate" type="text/html" href="http://www.aliak.com/category/category/spaces"/>
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  <updated>2006-10-29T12:00:00+00:00</updated>
  <entry>
    <title>Robin Petterd phone chat - sonic objects, art practice, water and built instruments 23/10/2002</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/robin-petterd-phone-chat-sonic-objects-art-practice-water-and-built-instruments-23102002" />
    <id>http://www.aliak.com/content/robin-petterd-phone-chat-sonic-objects-art-practice-water-and-built-instruments-23102002</id>
    <published>2008-02-23T20:00:06+00:00</published>
    <updated>2008-03-10T09:08:22+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="artist profile" />
    <category term="artists" />
    <category term="arts artist" />
    <category term="australia" />
    <category term="hobart" />
    <category term="sound art" />
    <category term="sound artist" />
    <category term="spaces" />
    <summary type="html"><![CDATA[<p>The phone chat is split into two parts &amp; hosted on <a href="http://www.archive.org" rel="nofollow" rel="nofollow">archive.org</a><br />
<a href="http://www.archive.org/details/RobinPetterdInterview-SonicObjectsArtPractice23102002-Part1" rel="nofollow" rel="nofollow">part 1 archive.org page</a>, where you can select the format to listen or <a href="http://www.archive.org/download/RobinPetterdInterview-SonicObjectsArtPractice23102002-Part1/robin_petterd_20021023_1_24k_mono.mp3" rel="nofollow" rel="nofollow">download the mp3 via direct link</a><br />
<a href="http://www.archive.org/details/RobinPetterdInterview-SonicObjectsArtPractice23102002-Part2" rel="nofollow" rel="nofollow">part 2 archive.org page</a>, where you can select the format to listen / download  or <a href="http://www.archive.org/download/RobinPetterdInterview-SonicObjectsArtPractice23102002-Part2/robin_petterd_20021023_2_24k_mono.mp3" rel="nofollow" rel="nofollow">download the mp3 via direct link</a><br />
I had written a profile for Robin on <a href="http://www.pulseradio.net" title="www.pulseradio.net" rel="nofollow">www.pulseradio.net</a> years ago, but unfortunately I don't have a copy any more.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The phone chat is split into two parts &amp; hosted on <a href="http://www.archive.org" rel="nofollow">archive.org</a></p>
<p><a href="http://www.archive.org/details/RobinPetterdInterview-SonicObjectsArtPractice23102002-Part1" rel="nofollow">part 1 archive.org page</a>, where you can select the format to listen or <a href="http://www.archive.org/download/RobinPetterdInterview-SonicObjectsArtPractice23102002-Part1/robin_petterd_20021023_1_24k_mono.mp3" rel="nofollow">download the mp3 via direct link</a> </p>
<p><a href="http://www.archive.org/details/RobinPetterdInterview-SonicObjectsArtPractice23102002-Part2" rel="nofollow">part 2 archive.org page</a>, where you can select the format to listen / download  or <a href="http://www.archive.org/download/RobinPetterdInterview-SonicObjectsArtPractice23102002-Part2/robin_petterd_20021023_2_24k_mono.mp3" rel="nofollow">download the mp3 via direct link</a></p>
<p>I had written a profile for Robin on <a href="http://www.pulseradio.net" title="www.pulseradio.net">www.pulseradio.net</a> years ago, but unfortunately I don't have a copy any more.</p>
<p>we chat about his art practice, various projects he's worked on, sonic objects, working with electronics &amp; computers in art, and his theme using water. the interview took place on 28/10/2002.</p>
<p>Robin's website is <a href="http://www.otheredge.com.au" title="http://www.otheredge.com.au">http://www.otheredge.com.au</a></p>
<p>His <a href="http://www.otheredge.com.au/weblogs/teaching" rel="nofollow">teaching blog</a> is at <a href="http://www.otheredge.com.au/weblogs/teaching" title="http://www.otheredge.com.au/weblogs/teaching">http://www.otheredge.com.au/weblogs/teaching</a></p>
<p>You can <a href="http://www.archive.org/search.php?query=creator%3A%22Robin%20Petterd%22" rel="nofollow">download, listen and view some of his works and educational pieces</a> at archive.org or via his <a href="http://ourmedia.org/node/208173" rel="nofollow">ourmedia page</a></p>
<p>There's <a href="http://www.snagglepussy.net/unnaturalselection/robin.html" rel="nofollow">photos and description of his 2002 sonic objects on Gail Priest's snagglepussy site</a> as his work was part of the <a href="http://www.snagglepussy.net/unnaturalselection/" rel="nofollow">Unnatural Selection exhibition</a> at the Manning Regional Gallery, Taree</p>
<p><img src="http://www.snagglepussy.net/unnaturalselection/images/robin1.jpg" /><br />
(photo from <a href="http://www.snagglepussy.net/unnaturalselection/robin.html" rel="nofollow">snagglepussy.net</a>)<br />
(I'm still looking for my photos from the workshop)</p>
<p><a href="http://www.flickr.com/search/?q=electrofringe+2002&amp;w=28565478%40N00" rel="nofollow">here's some photos of Electrofringe / This is Not Art 2002</a> where Robin held a workshop / session</p>
    ]]></content>
  </entry>
  <entry>
    <title>field recordings and sound walks</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/field-recordings-and-sound-walks" />
    <id>http://www.aliak.com/content/field-recordings-and-sound-walks</id>
    <published>2008-02-16T14:56:29+00:00</published>
    <updated>2008-02-16T14:56:29+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="australia" />
    <category term="experimental" />
    <category term="international" />
    <category term="internet" />
    <category term="sound" />
    <category term="sound art" />
    <category term="soundwalk" />
    <category term="spaces" />
    <summary type="html"><![CDATA[<p>a collection of audio recordings, field recordings and sound walks I've done over the years. most of these are on minidiscs or files not uploaded yet, so this is a work in progress as it's probably about time I sorted them out and uploaded some. not sure if they're of interest to anyone else, but they help recall memories for me.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>a collection of audio recordings, field recordings and sound walks I've done over the years. most of these are on minidiscs or files not uploaded yet, so this is a work in progress as it's probably about time I sorted them out and uploaded some. not sure if they're of interest to anyone else, but they help recall memories for me.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Raqs Media Collective</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2359" />
    <id>http://www.aliak.com/node/2359</id>
    <published>2004-08-13T06:44:20+01:00</published>
    <updated>2006-10-29T12:00:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="arts artist" />
    <category term="asia" />
    <category term="collective" />
    <category term="community" />
    <category term="culture_jamming" />
    <category term="delhi" />
    <category term="film" />
    <category term="india" />
    <category term="net art" />
    <category term="networked spaces" />
    <category term="new media" />
    <category term="online  communities" />
    <category term="organisation" />
    <category term="spaces" />
    <category term="urban space" />
    <category term="workshop" />
    <category term="resource" />
    <summary type="html"><![CDATA[<p><img src="http://upload.wikimedia.org/wikipedia/en/0/0b/Raqs.jpg" /><br />
Raqs Media Collective - excerpt from Wikipedia entry<br />
<a href="http://en.wikipedia.org/wiki/Raqs_Media_Collective" title="http://en.wikipedia.org/wiki/Raqs_Media_Collective" rel="nofollow">http://en.wikipedia.org/wiki/Raqs_Media_Collective</a><br />
Raqs Media Collective is a group of three media practitioners - Jeebesh Bagchi (New Delhi, 1965), Monica Narula (New Delhi, 1969) and Shuddhabrata Sengupta (New Delhi, 1968) - based in New Delhi. Raqs is best known for its contribution to contemporary art, and has presented work at most of the major international shows, from Documenta to the Venice Biennale; but the collective is active in an unusually wide range of domains, and it is perhaps this breadth that gives their work its originality and scope.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://upload.wikimedia.org/wikipedia/en/0/0b/Raqs.jpg" /></p>
<p>Raqs Media Collective - excerpt from Wikipedia entry<br />
<a href="http://en.wikipedia.org/wiki/Raqs_Media_Collective" title="http://en.wikipedia.org/wiki/Raqs_Media_Collective">http://en.wikipedia.org/wiki/Raqs_Media_Collective</a></p>
<p>Raqs Media Collective is a group of three media practitioners - Jeebesh Bagchi (New Delhi, 1965), Monica Narula (New Delhi, 1969) and Shuddhabrata Sengupta (New Delhi, 1968) - based in New Delhi. Raqs is best known for its contribution to contemporary art, and has presented work at most of the major international shows, from Documenta to the Venice Biennale; but the collective is active in an unusually wide range of domains, and it is perhaps this breadth that gives their work its originality and scope.</p>
<p>Raqs Media Collective was formed in 1992 after its three members graduated together from the prestigious Mass Communications Research Centre at the Jamia Milia Islamia university in Delhi. During the rest of the 1990s, Raqs made a number of strikingly original documentary films, including In the Eye of the Fish (1997), Present Imperfect, Future Tense (1999) and a thirteen-part television series, Growing Up (1995), which display many of the themes that the collective has continued to explore and develop in its subsequent work: the urban landscape and experience, the meaning and uses of media and technology, the nature of knowledge and what it means to learn, and the idea of creativity - which in their work becomes not only an artistic impulse but also a wider human faculty associated with the capacity of individuals and societies for imaginative and ethical innovation. These films show Raqs strenuously avoiding conventional tropes of documentary narrative, whose relationship to sedimented forms of power strikes them keenly, and searching for new kinds of flow and coherence.</p>
<p>visit <a href="http://www.raqsmediacollective.net/" title="http://www.raqsmediacollective.net/">http://www.raqsmediacollective.net/</a> for more details</p>
    ]]></content>
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