art

invisible art space 2025 wrapup

Thanks to all the artists, visitors and supporters for a wonderful 2025 at invisibleart.space (ias)!

Since opening in June 2025:

- we've held 8 exhibitions (6 at Balmain, 1 at The ARI Show art fair, 1 at the Southern Highlands Arts Trail)

- the ias exhibitions were a mix of curated group shows, solo shows, an end of residency show, art fair & arts trail shows

- ias featured artists from various locations: UK/USA, New Zealand, Sydney (Inner West & Western Suburbs), NSW regional areas: Blue Mountains, Southern Highlands and the Central Coast

- shown a variety of works, methods, materialities & themes to showcase works on screen & works on paper, the conversations between the various themes plus the numerous ways digital / immaterial art can be brought into the material / physical world: digital / immaterial works on screen, paintings, living sculpture, installation, digital projection, screen printing, digital prints, photographic techniques, hand-programmed code based works, plotter prints, video based works

- hosted 2 [In]Visible Synth Sessions -> synth music jams

Thanks to all our artists shown this year!!

Celadoor, Angharad Evans, Mark Facchin, Beata Geyer, [In]Visible Synth Sessions, Neil Jenkins, Laurence Kimmel, Keorattana Luangrathrajasombat, Victoria Lobregat, Kath O'Donnell, Stu Sontier, Anke Stäcker, Shelley Watters
(alpha order)

We wish you all a happy new year and creative 2026!

In 2026, we have many projects and exhibitions being planned, and also work towards the space becoming sustainable going forwards. We hope you will come along for the ride

--kath from invisibleart.space

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Cordyline fragments

Cordyline fragments showing in the "a:\Hybrid Matter - GLB 2.0.exe" exhibition curated by Ceren Su @celikcerensu & Abramovskiy @abramovskiyv // @accomparts

exhibition opened 16 Dec 2025, auction ended 31 Dec 2025

collection available at https://objkt.com/collections/exhibitions/projects/hybrid-matter-glb-2-0... (individual NFTs available here for purchase/collection & viewing + AR option)

online 3d world gallery: https://oncyber.io/hybridmatterglb20 where you can move around / between the works

auction: https://accomparts.com/auction/hybrid-matter-2-0

article: https://accomparts.com/article/hybrid-matter-glb-2-0#top

artworks from: Javier Montero, AliaK (me/kath odonnell), IvnHgo, Ceren Su, Lidice Silveira, Time, davidvnun, MartinJoSs, Digital Coleman (Chris Coleman), ANTN, nipetrov, Psychofuturist, Mina Hloy, Lewie, Marcel's underground

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Cordyline fragments --> This is a lidar / 3D scan of some plants from my childhood home, including Cordyline Fruticosa Firestorm & ferns. The digital nature of the scan creates fragments / traces of memories, warped over time

Thanks to the curators for including my work in this exhibition! Love seeing & being part of this exhibition of 3D works / digital objects / sculptures


(read more for more images)

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december at invisible art space and nearby

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DECEMBER

06-20 December 2025 ::: works on screen and prints from Mark Facchin.

Mark Facchin is an artist, designer and animator working with digital methods and materials to augment and investigate drawing and painting processes. He was a finalist in the North Sydney Art Prize (2015,17,19 & 22), was shown in the 2018 Head On Screens (Paddington) and recently exhibited Articulate Project Space (Leichhardt).

Both works on screen and works on paper will be displayed at The Augmented Canvas exhibition at invisibleart.space, showing anthropomorphic forms, noise patterns, virtual tracings and simulations of physics' properties, such as wind and flow fields via virtual brush strokes.

You're invited to the opening event on Saturday 06 December 2025, 1-3pm.

The exhibition runs 06-20 December (sat+sun ::: 12-3pm) at invisibleart.space, 141/2-18 Buchanan St, Balmain.


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The Augmented Canvas exhibition ::: Mark Facchin

Mark Facchin is an artist, designer and animator working with digital methods and materials to augment and investigate drawing and painting processes. He was a finalist in the North Sydney Art Prize (2015,17,19 & 22), was shown in the 2018 Head On Screens (Paddington) and recently exhibited Articulate Project Space (Leichhardt).

Both works on screen and works on paper will be displayed at The Augmented Canvas exhibition at invisible art space, showing anthropomorphic forms, noise patterns, virtual tracings and simulations of physics' properties, such as wind and flow fields via virtual brush strokes.

You're invited to the opening event on Saturday 06 December 2025, 1-3pm.

The exhibition runs 06-20 December (sat+sun ::: 12-3pm) at invisibleart.space, 141/2-18 Buchanan St, Balmain.



photographer credit: Mark Facchin

RE:IMAGE exhibition at Articulate Project Space

RE:IMAGE exhibition at Articulate Project Space
01-23 November 2025

artists:
Aidan Gageler, Alice Crawford, Andrew Simms, Angharad Evans, Annelies Jahn, John Prendergast, Julie Visible, Kath O'Donnell, Kathryn Bird, Kendal Heyes, Keorattana Luangrathrajasombat, Mark Facchin, Neil Jenkins, Pia Larsen, Samuel James, Steven Fasan, Sue Murray, Zorica Purlija

Curated by Anke Stäcker and Beata Geyer

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I'm gallery sitting this Friday 11am-2pm, 14 Nov if you'd like to pop in, otherwise visit the exhibition Friday-Sundays weekly until 23 Nov, 11am-5pm

Artist talks this Sunday, 16 November, 2-4pm

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mini-survey of my work at the Southern Highlands Arts Trail

the print arrived of one of my plastisphere creatures - imagined creatures evolved to live on the Great Pacific Garbage Patch. looks amazing even if I do say so myself! will have it in the invisibleart.space art-shed for the final weekend of the Southern Highlands Arts Trail

this #speculativeEvolution series is #AIart made in 2023 & 2024, printed in 2025. the video and cyanotype prints are on display also -> early photographs of future creatures

my other works on show are from my #specture series ::: hand-made / hand-coded web drawings in javascript (P5.JS), hand made #bioPlastic materiality tests, 3D printed extinct & speculative evolution species, 3D scanned - lidar & photogrammetry works, 3D modelling digital works brought into the physical world after beginning as hand drawn contour drawings, covering topics such as extinction, speculative evolution, lost interconnections from the species loss of ecosystem engineers / public housing providers of the environmental world

this video (11mins) is a run through / documentation of my works at the end of the arts trail. this is a mini-survey of some my ecology-based artworks since completing my Fine Art and Visual Culture degree up until now. I'm looking forward to what's coming next!

-- kath odonnell, November 2025
Southern Highlands Arts Trail 2025 ::: 1, 2, 8, 9 November 2025



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november - december at invisible art space and nearby

Hi everyone, another busy month ahead as we approach the end of the year and warmer weather. Thanks so much for all your support this year, really appreciated!

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OCTOBER - FINAL DAYS

24-26 October 2025 ::: final days for Keorattana Luangrathrajasombat’s R0CK B0D1ES - WORLD BUILDING show, Ivor Barnard’s Dispossessions show and Maria Constantinescu’s SYNTHESIS show at Articulate Project Space

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25 October 2025 ::: closing day for Neil Jenkins’ formation exhibition at invisibleart.space

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NOVEMBER

01-02 + 08-09 November 2025 (sat+sun 10am-5pm)::: invisible art space will be part of the Southern Highlands Arts Trail — studio #18", with artists Kath O’Donnell*** & Laurence Kimmel. The Balmain gallery space will be on a break during this time, whilst activities take place in the Highlands. There’s 42 artists opening their studios for visitors to see how they work. A great time to visit the highlands for a day trip or weekend away!

https://thepopupproject.com.au/artstrail-2025 has the map & more info, or let me know if you need a paper copy of the map and I can send to you

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Neil Jenkins' "formation" exhibition at invisible art space

Neil Jenkins' ::: formation ::: exhibition 4-25 October, sat+sun 12-3pm.

Neil is an interdisciplinary artist working with digital and physical mediums and processes. He's been creating net art and new media art since the 1990s, as well as working with eminent groups such as Furtherfield (UK), dLux Media Arts (Sydney) amongst others.

On display in this exhibition are some of his earlier interactive web artworks, video art, screen prints, and recent code-based plotter prints. Neil's installed his pen plotter in the gallery and will be plotting works during the exhibition!

You're invited to the opening event on sunday 12 October, 1-3pm
All welcome!

https://www.instagram.com/neiljenkins_
https://computational.com.au

invisibleart.space
141/2-18 Buchanan St, Balmain (SYD/AUS)

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september - november at invisible art space & beyond

September-November is a great time to get out and about to see art in Sydney and enjoy this springtime weather

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SEPTEMBER

02-18 sept (tues-thurs 11am-3pm) ::: The ARI Show @ Muse Gallery, Tafe Ultimo. A collection of ARIs are exhibiting at this art fair, including: 4th wall, Articulate Project Space, Tiny Gallery, Draw Space / The Drawing Collective, Lennox Street Art Studios, Our Neon Foe, Daisy Knight and Invisible Art Space (us!)***

12 sept (fri 6-8pm) ::: After Hours event for The ARI Show @ Muse Gallery, Ultimo. Come along to the evening gathering, being held during Sydney Contemporary week. tickets are free - available here



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Agitate/d exhibition

Agitate/d

Angharad Evans, Beata Geyer, Billy Gruner, Chris Packer, Gary Deirmendjian, Ian Milliss, Isobel Johnston, Juliet Fowler Smith & Noelene Lucas – WRVAP, Kath O'Donnell, M Bozzec, Paraskevy Begetis, Pia Larsen, Sarah Keighery, Susan Andrews, Tom Loveday
Curated by Lizzy Marshall

Articulate Project Space | Downstairs | Opens on May 3 until May 25 | Fri, Sat & Sun

Agitate/d responds to the frustrations and the inability to communicate the manifestations of change occurring.

Responding to the shifting world order and accruing frustrations in our daily lives, Agitate/d presents artworks that communicate across suppression and censorship, or articulate the incomprehensible. Drawing on the Suprematists’ and Constructivists’ drive for a universal system of language that was inclusive, the exhibition showcases works that utilise laconic and subversive visual strategies of communicating.

Through the graphic, geometric, colour, typographic, and semaphore, the artists show us that they are agitated, communicating what is causing their agitation or creating newly responsive agitprop. Agitation is action.

https://www.articulateprojectspace.org/project/25-05-D

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https://www.articulateprojectspace.org/project/25-05-D

Sonic Publics


What do we gain from public exposure to sound and how can audio be used to create urban environments that connect with the public?

Sonic Publics addresses the public presentation of sound. Audio is installed in industrial-scaled art galleries, tower lobbies, hospitals and concert hall foyers. Taking numerous forms, from compositions accompanying light environments to music designed to comfort visitors in office lobbies, audio arts presented in this way expands and shifts contemporary notions of public and private space. Sonic publics have grown rapidly, exposed knowingly or unknowingly to audio arts through large festivals focused on displays that fill their environments with sound and light to commercial environments that have placed large-scale screens and sound systems in entrance spaces.

Sonic publics, as presented in this forum, form across situations; visitors’ unheard energies are made sonic, apps such as Spotify and YouTube present algorithmically manipulated music to the public—at once diversifying and standardising music, and synthesised music is played to children in hospitals.

This forum, with its focus on the presentness of sound, asks a crucial question: What do we gain from public exposure to sound, and how can audio be used to create urban environments that connect with the public in a human-centred manner?

SPEAKERS

Chair: Associate Professor Caleb Kelly, UNSW School of Art & Design

Dr Adam Hulbert, UNSW School of the Arts & Media

Dr Tom Smith, UNSW School of the Arts & Media / UNSW School of Art & Design graduate

Dr Pia van Gelder, ANU School of Art & Design / UNSW School of Art & Design graduate

This forum will also be livestreamed: https://unsw.zoom.us/j/89794965569
Wednesday, August 7, 12 - 2pm AEST
UNSW Art & Design Paddington

part of the 2024 Research Forum examining the key research undertaken at the UNSW School of Art & Design
info via Sonic Publics ticketing site

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https://www.eventbrite.com/e/sonic-publics-tickets-880031486867

The Sun is Not the Only Bright Star exhibition held during Miami Art Week 2023

During the past couple of months I've been working on co-curating & project managing a digital art exhibition for Teia art community/platform, which included five Teia artists curated by our team and fed into a physical exhibition, "Tezos x RefractionDAO", held at the Nautilus Hotel in Miami (Dec 6-8th 2023) as a side event during Miami Art Week. Miami Art Basel was held at this time, in different venues. The physical exhibition resulted in a global meme on twitter due to their exhibition design — long story ::: #tezpole.

We also produced post-exhibition artefacts for Teia which featured the full 38 artists and 11 artist-curators artworks: an electronic (PDF) catalogue and online / virtual gallery exhibition, "The Sun is Not the Only Bright Star".

It was an exercise in decentralized curation, working remotely with 11 curators (myself included) and 38 (predominantly digital) artists from around the world, covering multiple diversity and equity groups for the artists that sometimes don't get featured as much as they should.

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specture readings 04

multispecies storytelling, ecology, sound & listening, kinship structures, landscape, AI classes ::: 20230412–20230419

reading and watching

::: These Lizards Stress-Eat When Loud Military Aircraft Fly Overhead ::: via This week in sound ::: Stress eating checkered whiptail lizards in Colorado — an impact of modern life I hadn't considered before. What other ways are species adapting to cope with noise pollution

::: Nature, Crisis, Consequence exhibition looks at the social and cultural impact of the environmental crisis on different communities across America.

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specture readings 03

AI, GPT, digital and generative art, First Australians' knowledge book series, 3D art experiences ::: 20230409 - 20230412

reading and watching

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::: Margo Neale and Lynne Kelly discuss Songlines and the importance of memory, place and oral history in First Australians' culture (video), and a response to Bruce Chatwin's book/interpretation of Songlines, as capturing, quite quickly, the essence of them. Their books discuss these further, particularly Songlines: The Power and Promise (2020).

see also:
Bendigo Writers Festival. 2021. "The Songlines Code: Margo Neale and Lynne Kelly." YouTube. Video, 14:50. https://www.youtube.com/watch?v=gUcbbPS1z6E.
Neale, Margo (Editor). 2017. Songlines: Tracking the Seven Sisters. Canberra, ACT: National Museum of Australia.
Neale, Margo and Lynne Kelly. 2020. Songlines: The Power and Promise. Melbourne, Victoria: Thames and Hudson.

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specture readings 02

AI / ML readings, trees and sounds of the city ::: 20230408 - 20230409

reading and watching

::: Eryk Salvaggio's "Critical Topics: AI Images" undergraduate class. It introduces data ethics, a history of art, media studies alongside AI-image making approaches. Eryk notes it's a work in progress, with videos of lectures & loose reading list ::: via Eryk Salvaggio

::: AI Images, Eryk Salvaggio's Class 1 - Love in the Time of Cholera https://www.cyberneticforests.com/ai-images ::: AI/ML images as data visualisations or infographics

::: How to Read an AI Image - The Datafication of a Kiss

::: AI Images, Eryk Salvaggio's Class 19: Artist Talk video with Merzmensch via Merzmensch

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