music artists

Uganda & Sira events for feb 2008

so I don't forget ... here's the events coming up at Uganda & Sira. I went to Music House today and bought some more Israeli / Jerusalem based music. the guy in the store told me about Uganda and Sira, a couple of places in Jerusalem where you can see / hear live electronic & experimental music.

Uganda myspace page

Photobucket

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Sira events :

JOHN FOXX & LOUIS GORDON Australia Tour 2008

JOHN FOXX & LOUIS GORDON Australia Tour 2008

As founder and former front man of Ultravox! until 1979, and subsequently via his solo projects, John Foxx's work has helped pave the way for a generation of electronic musicians. His debut album, 1980's Metamatic, is today regarded of one of the most pioneering albums in electronic music and created a new wave blueprint for the likes of The Human League, Gary Numan, Duran Duran and, in more recent years, The Faint to follow. Metamatic hit a cultural vein again 20 years later when Ladytron, Adult, Tiga and co were drawn to its minimalist, analogue approach.

The Necks FREE workshop and solo performances

The necks workshop / solo performances

The Necks FREE workshop and solo performances.

This Thursday the 28th of February Chris Abraham, Tony Buck, and Lloyd Swanton from Australian group, The Necks will host a workshop presented by vitamin s in association with alt music and the audio foundation.

The workshop will begin at 7 p.m. at the silo theatre, - (lower Greys Ave - Auckland city(and yes, the Bar will be open)) - and following the workshop Chris, Tony, and Lloyd will perform a number of solos.

This is a great opportunity to get an insight into the process of improvisation and performance both as a collective and as individuals.

The format for the vitamin s workshops offers all those who attend the chance not only benefit from the host's presentation, but also have the chance to play, interact, discuss and get feedback drawing from their knowledge and experience. These workshops are very much a dialogue between all those who attend.

FracturedSpaces - looking for demos / artists for cd release

FracturedSpaces would like it to be known that it is looking to release its first CD within the next four months, To that end I am looking for quality established bands/artists with a recording already finished, and who have no label as yet, to submit demos/samples with a view to possible release. I am
looking for works within the following genres only please, at least initially:

Drone
Drone doom metal
Dark ambient
Experimental
Noise
Industrial/Death Industrial

For fuller details please email:
simonjay704 AT hotmail.com

I look forward to hearing from potential collaborators!

Regards

Simon Marshall-Jones|FracturedSpacesRecords

DREAMLAND RECORDINGS
www.dreamlandrecordings.com

STRING THEORY guitar compilation available now. AUD $16.00

All other releases AUD $11.00 Postage Paid. Pay Pal available.

The Brisbane Sound - Curated by David Pestorius

The Brisbane Sound - Curated by David Pestorius

http://www.ima.org.au/pages/whats-on.php

The Brisbane Sound will map cross-pollination between the indie and experimental music scenes and the art scene in Brisbane during the post-punk years, 1978–1983.

"Everything's Broken" new release from Undecisive God

"Everything's Broken" is the new CD from Undecisive God. It contains new works from the last 3 years, featuring further exploration of turntable/broken record preparations, extended guitar techniques, field recordings and mixer feedback pieces.

To hear a sample track, go to http://www.myspace.com/undecisivegod

Since 1990, Undecisive God has been pushing the limits of the guitar as an instrument. "Everything's Broken" is the latest step in this strange journey.

Available from http://ShameFileMusic.com for AU$10ppd (US$8ppd), or for a trade of your own music.

Clinton
Shame File Music - specialising in Australian experimental
http://ShameFileMusic.com

THE KADIMA MUSICIANS COLLECTIVE

THE KADIMA MUSICIANS COLLECTIVE is in the vanguard of creative improvised music in Israel. Focusing on fringe artists and their work, KADIMA supports and develops the rich cultural mix of Israeli artistic life.
KADIMA includes a recording label and recording facilities in Jerusalem. It promotes and co-produces studio releases and concerts, and helps develop and connect musicians in the field of free improvisation and creative music.
KADIMA was founded and is led by Jean Claude Jones, bassist and educator, and one of the pioneers of Israeli jazz.

Interval

artist / project name:
Interval
bio:
Interval is an experimental music label interested in the gap between objects, the idea of silence, the love for the uncharted t
city:
tel aviv
genre:
experimental, ambient, electronic
are you a currently active artist / project?:
yes
releases / projects:
http://www.interval-recordings.com - see the releases page
bio - full:
Interval is an experimental music label interested in the gap between objects, the idea of silence, the love for the uncharted terrains that comes before and after the notes.

[sydney] Mars Hill Cafe hosts local music competition


Mars Hill Cafe in Parramatta will be organising and hosting a local music competition that will allow up and coming and established local music acts to perform several acts each in the popular Church Street cafe. They will compete for the chance to record a 3-track EP recording session with 2 tracks from the competition and a third recorded studio style in the performance space. Supported by a grant recently awarded to Mars Hill Cafe by the Parramatta City Council, the 10 best acts from the competition will be recorded and released on a compilation album later in the year.

Local Musicians (from any suburbs covered by Parramatta Council) are encouraged to apply. Styles included will be: Singer/Songwriters, Folk, Acoustic Rock, Jazz, Blues, Rock, Acoustic and Country. Applications for the competition will be taken throughout August and single-song auditions will be held on the 25th of August. Each artist chosen for the competition will perform 3 songs each for the final competition on the 23rd of September. Mars Hill Cafe is a popular Parramatta music and arts venue, located at 331 Church Street. Further information about the competition and details on how to apply can be found on the website www.marshillcafe.com.au

phone interview with Mark from NZ KOG label - 30/10/2003

KOG 30/10/2003 phone interview with Mark from KOG label.

http://www.kog.co.nz/

this is the full transcript for reference. so excuse the ums & ahhs & spelling / transcription errors and incoherency on my part.. I had a shorter, edited version on Pulse Radio site a few years back but I've lost the copy and the content's changed on their site now.

Ouija

Hi New "Ouija" Member available for gigs

Ben Byrne

artist / project name:
Ben Byrne
bio:
laptop musician, curator, radio producer & writer
city:
sydney
are you a currently active artist / project?:
yes

Alistair Riddell

artist / project name:
Alistair Riddell
bio:
composer, "Hypersense Complex"
city:
sydney
are you a currently active artist / DJ / project?:
yes

Cyberwlf

artist / project name:
Cyberwlf
bio:
psytrance party and internet radio dj
city:
Sydney
genre:
Psychedelic Trance
are you a currently active artist / DJ / project?:
yes
bio - full:
A fan of all that is dark, twisted, and psychedelic. Cyberwlf constantly seeks out the latest and most innovative in dark psychedelic night music, always looking to take his sound to the next level and push new boundaries.
From regular party goer turn DJ/Promoter/Organiser/Radio show host, Cyberwlf has been listening to electronic music since the late 80s. Natural progression lead him to discovering Goa-trance and then later on PsyTrance as well. Being a fan of Industrial, Metal, and Alternative music, Dark Psychedelic Trance became an instant love for him, and a passion he has spent many years exploring.
Any favourite artists, influential DJs or must-have labels?:
Nabi Records, who I am the Australasian representitive for! A label which has been pushing the edges of the dark psychedelic trance genre in recent years now. Also worth mentioning is the Australian artist Melbourne, Pondscum.
Are you documenting / archiving your music / performances. If so, how?:
I archive my shows and some of my DJ sets via my Internet Radio show PsyKe Out's website here www.PsyKeOut.net
How did you become interested or involved in writing music / DJing / your project?:
I actually didn't want to DJ, and had originally wanted to start an electro-industrial band. The guitar and keyboard needed to even get this started never happened, and through just being a general music fanatic, I ended up being offered and took up my own show on the Internet Radio station PulseRadio.net. This gave me the skills and understanding of track selection, flow, and later the technical
How would you describe your style of writing music / musical / artistic policy?:
One where keeping the music fresh, interesting, and challenging are key factors. Always seeking new sounds to explore, with a major orientation towards dark, twisted, and psychedelic trance music.
Want to name-drop any other people's names???:
Could mention many names, but it wouldn't change what I am about.
What are your thoughts on the Australian music community?:
Even though it allows some underground genres room to grow, the more commercial and bland genres have become more and more popular, and it kills musical innovation, as dance music shifts more towards being pop music. Underground styles of music have had their venues pulled from under them so vendors could use the venues for more commercially viable genres. I can only hope this changes.
What are your thoughts on the internet & music / filesharing / DRM etc?:
DRM is a flawed system, it more often than not shows an ineptitude of the people who create these standards to understand the practical and legitimate uses of the technology.
Filesharing can be as good as it can be bad, underground artists can hit the big time through their music being illegally traded, but it's no good when hard working artists are constantly robbed of their earnings due to people being too tightass to spend a couple of dollars on music they obviously get a lot of value out of.
What excites you now?:
New and interesting music, solid outdoor parties with quality production.
Where can we see or listen to you playing / your project?:
Most outdoor psy-trance parties around Sydney/Newcastle in Australia.
Which directions do you think your style of music / project will take in the future?:
I hope to take on equally twisted/psychedelic yet uplifting morning sounds, as well as find a solid transition sound.

Indigenous Hip Hop - documentation project / radio

Frank T.G aka Honesty is working on a project to document Indigenous Hip Hop in Australia and to feature them on a Koori radio program based in Marrickville. below is an email sent via the octapod list if anyone can assist. click on the read more link for more details or email deadly_buda@hotmail.com

Scope

artist name:
Scope
band / group members:
Scope
artist website:
http://www.mp3.com/scope1
city:
Perth
Australian artist?:
Yes
can AliaK contact you for more info?:
yes
are you a currently active artist?:
yes
Q01. How did you become interested or involved in writing music / DJing?:
I've always been interested in music. I think I had three piano lessons and that was enough, I hated it! I much preferred experimenting on my own with piano. My first experience with synths was with a Roland JX3P and an old analogue mono synth. The sounds amazed me, I would just sit and press buttons and twiddle knobs for hours. I've had a passion for computers since my introduction to them when I was about 10, so it was kind of natural to merge music and computing together.
Q02. How would you describe your style of writing music / musical policy?:
I always start an idea with beats. Getting those right by themselves is really important to me, beats have to be able to work on their own. I'll play with different patterns and juggle hits around until all they all sit well with each other. Using mathematical rules on beats can yield interesting results, experimentation with hit placement and velocity creates interesting rhythms that can kind of roll over each other.
Q03. Any favourite artists, influential DJs or must-have labels?:
It's difficult to pin one person down and and say 'They're my favourite artist'. I like most of the Reprazent stuff, Guidance Records, Wicked Beats Sound System, Luke Slater, Freq Nasty, LTJ Bukem, Blueboy, Photek, Thievery Corporation, Curtis Mayfield among heaps of others.
Q04. Want to name-drop any other peoples' names???:
Really helpful people musically? Lo-Key Fu and Jase From Outta Space - two good friends of mine. Paul Gamblin who dj's here in Perth has always been supportive, too. Big respect to him. Also Audio Cephlon, Smoulder, B-Jam, Sardi, Krank, Greg Packer, Echoic, Static, The Sirius Project, Elemental - all quality Perth producers as well as everyone else too numerous to mention.
Q05. Where can we see or listen to you playing?:
Every now and then I'll do a live set somewhere, but not that often. My most recent tracks can be heard or downloaded from www.mp3.com/scope1 which is my website. I get rotation on RTR-FM, a Perth community radio station which supports underground music.
Q06. What excites you now?:
Slower, clean cut breakbeat made from fresh, tight drum sounds and quite minimal in content. I don't know what it's called but it's really focused. Literally every sound has kind of like a function, there's nothing extraneous except for the occasional vocal going into a breakdown.
Q08. Which directions do you think your style of music will take in the future?:
The one thing that will be certain about dance music is that it will always be made for the dancefloor. It seems to be mostly accidents that end up spawning new sounds and genres, which is exciting because it means it can't be predicted. Who can predict the result of an accident? The constant flow of new equipment and technology will I think continue to play a part in how and what is made. Element

IF? Records return to Melbourne (albeit briefly!) in 2007

IF? RECORDS: IFFY BUSINESS INDEED

Since its inception in Australia in 1995, IF? Records has worked with a plethora of talented people, most of them born and bred in its exceptional hometown: Melbourne.

Think people as far afield as Steve Law (a.k.a. Zen Paradox), Voiteck, Honeysmack, Digital Primate, Little Nobody, Frontside, Artificial, Isnod, Son Of Zev, TR-Storm, FSOM, Guyver 3, Soulenoid, Blimp, Black Lung, TDM, Josh Abrahams, DJ Venom, and Q-Kontrol.

IF? has also inducted like-minded experimental electronic boffins from Sydney like Sub Bass Snarl, 5000 Fingers Of Dr. T, Kid Calmdown, Pocket, and Nick Littlemore (Pnau).

And internationally over the past decade the label has worked with Si Begg (Buckfunk 3000/Noodles Discotheque), Tobias Schmidt (Tresor/Sativae), Jammin’ Unit (Pharma/Air Liquide), Biochip C (Force Inc.), Tal (Sub Rosa), DJ Rush (Kne’Deep), Thomas Heckmann (Trope), and Yamaoka (Kazumi/Holzplatten).

Then there were the parties – the now-legendary Omniglobe raves at Global Village in Footscray in 1995/96, and the Zeitsprung (1995/96) and Zoetrope (1997-2001) live electronica sessions at the Punters Club in Fitzroy - along with the collaborative jaunts organized by IF? with Club Filter, Teriyaki Anarki Saki, Honkytonks and Centriphugal.

Founded eleven years ago by Andrez Bergen (a.k.a. Little Nobody) with his mates Brian Huber and Mateusz Sikora, IF? always was about diversity, experimentation, pushing the perimeters, and flying the flag of Melbourne-made electronica – and the label also released a fistful of essential CDs and records to prove that point, from the cutting edge “Zeitgeist” series of compilations to debut releases by Little Nobody, Guyver 3, Artificial, the LN Elektronische Ensemble, Isnod and DJ Venom.

Since 2001 head-honcho Andrez has lived in Tokyo, but he continues to run IF? Records as a collaborative Melbourne/Tokyo project, with help from Melbourne-based mates like Damian Stephens (Isnod), Allan Klinbail (Son Of Zev), and Briony Wright (DJ Venom).

Finally, after their original web-server went bankrupt and took all the original IF? web-site details with it, the label has recently constructed two temporary home-bases online at http://if-records.tripod.com, as well as at http://www.myspace.com/if_records.

It has a bunch of artist profiles, a discography, reviews, pictures, information about the label’s avtivities in Japan as well as Australia, plus a demo competition for aspiring electronic producers!

On Saturday 10 February, 2007, IF? makes it’s annual (or, in some cases, bi-annual!) pilgrimage back to its place-of-birth, when the first IF? live party in 2 years is set to happen at Horse Bazaar!

ZU-ZUSHII 2 will feature a bunch of local and Tokyo-based live acts and DJs including Little Nobody (Tokyo), Isnod (Melbourne), Kid Calmdown (Sydney), Schlock Tactile vs. Slam-dunk Ninja (Tokyo), DJ Venom (Melbourne), Sleepy Robot (Sydney), label-meister Andrez, plus others to be confirmed – all for just $5 on the door, from 8pm to 3am, at 397 Lonsdale St., Melbourne.

The week before, from 2 February to 9 February, Andrez will also be holding a photographic exhibition of his visual works from Tokyo at an exhibit titled KEITAI KOUTURE, at Brunswick Street Gallery (2/322 Brunswick St., Fitzroy, Melbourne).

Check out more at his website: http://keitai-kouture.tripod.com

20060923 The Optimen @ Arena, Brisbane - video 01

Click here or on the image to watch the video

part of The Optimen's set @ Arena in Brisbane, Australia, 23/09/2006

I was a bit close to the speakers so the audio is a touch distorted so pls forgive the sound quality

tina 2006 - chat with Richie on sound toys and playful instruments

Watch the video

a chat with Richie, from Melbourne band / crew WD40, who builds sound toys and instruments for outdoor parties and festivals - for both kids and adults. he discusses his thoughts on the importance of play. midway through some people walk past and one starts playing a piano down the other end of the room so there was a nice chat about instruments and the piano Richie has at home.

tina 2006 - Festival video

Watch the video

various shots taken at This is Not Art festival in Newcastle, Australia 28/09/2006 - 02/10/2006

http://www.thisisnotart.org

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