Submitted by kathy on Thu, 19/10/2006 - 04:10

Watch the video
part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.
http://www.thisisnotart.org/
http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/
TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.
Submitted by kathy on Thu, 19/10/2006 - 04:00

Watch the video
part of Lloyd Barrett's panel session at Electrofringe 2006 in Newcastle, sunday 01/10/2006.
http://www.thisisnotart.org
http://www.thisisnotart.org/Members/ben/lloyd-barrett-mis-en-scene/
Combining schizophonic computer rendered soundscapes with graphical abstractions Mise En Scene is an exploration of film sound - in particular the importance of incidental sound in the creation of effective and diverse virtual environments. Using abstract methods of translating appropriated video and sound Mise En Scene demonstrates the very human ability to make sense out of nonsense when within a set of guidelines and expectations. Mise En Scene ultimately focuses on the creation of scenes from a variety of visual and sonic signifiers, the end result being akin to a strange dream open to interpretation.
Submitted by kathy on Thu, 19/10/2006 - 03:25
Submitted by kathy on Thu, 19/10/2006 - 03:20
Submitted by kathy on Wed, 18/10/2006 - 03:35
Submitted by kathy on Wed, 18/10/2006 - 03:15
Submitted by kathy on Wed, 18/10/2006 - 03:10
Submitted by kathy on Wed, 18/10/2006 - 03:00
Submitted by kathy on Wed, 18/10/2006 - 02:55
Submitted by kathy on Wed, 18/10/2006 - 02:45
Submitted by kathy on Wed, 18/10/2006 - 02:35
Submitted by AliaK on Sat, 16/09/2006 - 19:42

Journal of Interdisciplinary Music Studies is a biannually published, refereed journal. The journal covers the studies of music sciences, together with the studies of music and sound in the disciplines of humanities, social sciences, cognitive sciences, medical and engineering sciences. Our aim is to establish a wide range of interdisciplinary platform for the scholars studying on music and sound.
Submitted by AliaK on Sat, 16/09/2006 - 19:18
Radical Musicology is a peer-reviewed online journal produced in the International Centre for Music Studies at Newcastle University (UK). It was established to provide a forum for progressive thinking across the whole field of musical studies, and encourages work that draws on any and all relevant discipinary and interdisciplinary prespectives.
Submitted by kathy on Thu, 14/09/2006 - 06:15
Submitted by kathy on Sun, 10/09/2006 - 03:30
Pages