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  <title>amsterdam</title>
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  <id>http://www.aliak.com/taxonomy/term/309/atom/feed</id>
  <updated>2008-01-26T20:02:26+00:00</updated>
  <entry>
    <title>Streaming Festival 3rd edition | call for entries | October 2008</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/streaming-festival-3rd-edition-call-entries-october-2008" />
    <id>http://www.aliak.com/content/streaming-festival-3rd-edition-call-entries-october-2008</id>
    <published>2008-02-13T16:34:27+00:00</published>
    <updated>2008-02-13T16:34:27+00:00</updated>
    <author>
      <name>isfth</name>
    </author>
    <category term="amsterdam" />
    <category term="artists" />
    <category term="arts" />
    <category term="arts artist" />
    <category term="audio foundation" />
    <summary type="html"><![CDATA[<p>The Streaming Festival is now accepting submissions for its 3rd edition in October 2008.<br />
Deadline for submissions is 01 September 2008.<br />
Accepted genres are documentary, animation, video art, flash and narrative.<br />
No entry fee.<br />
Send submissions through postal service, or provide a website link with a preview to the submission.<br />
The Streaming Festival is an international artfilmfestival on the internet. Films are presented full screen on streaming servers with high image quality.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The Streaming Festival is now accepting submissions for its 3rd edition in October 2008.</p>
<p>Deadline for submissions is 01 September 2008.<br />
Accepted genres are documentary, animation, video art, flash and narrative.<br />
No entry fee.</p>
<p>Send submissions through postal service, or provide a website link with a preview to the submission. </p>
<p>The Streaming Festival is an international artfilmfestival on the internet. Films are presented full screen on streaming servers with high image quality.<br />
The 3rd edition will start in October, and lasts four days. The Streaming Festival is based in the Netherlands but has no geographic boundaries. Viewers can visit from any location in the world, at any given time and plug into one of the festival streams.</p>
<p>Online submission form : <a href="http://www.streamingfestival.com/submissions/" title="http://www.streamingfestival.com/submissions/">http://www.streamingfestival.com/submissions/</a><br />
Website : <a href="http://www.streamingfestival.com" title="http://www.streamingfestival.com">http://www.streamingfestival.com</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Video Vortex Conference @ Amsterdam</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2665" />
    <id>http://www.aliak.com/node/2665</id>
    <published>2007-03-17T23:26:56+00:00</published>
    <updated>2007-03-17T23:31:36+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="amsterdam" />
    <category term="conference" />
    <category term="media" />
    <category term="video blogging" />
    <category term="vlog" />
    <summary type="html"><![CDATA[<p>Video Vortex Conference is being held in Amsterdam (NL) on November 30 and December 1 2007. It is organized by the Institute of Network Cultures.<br />
Themes of the conference include:<br />
Viral Video critique<br />
Vlogging Critique<br />
Participatory Culture, Participatory Video<br />
Real World Tools and Technologies<br />
Theory &amp; History of the Database<br />
Narrative and the Cinematic<br />
Database Taxonomy and Navigation<br />
Internet Video: Art, Activism, and Public Media<br />
Evening Programme / Exhibition<br />
Visit the conference website @ <a href="http://www.networkcultures.org/videovortex/" title="http://www.networkcultures.org/videovortex/" rel="nofollow">http://www.networkcultures.org/videovortex/</a> or read more for details</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Video Vortex Conference: November 30 and December 1 2007, Amsterdam (NL)</p>
<p>Organized by the Institute of Network Cultures</p>
<p><a href="http://www.networkcultures.org/videovortex/" title="http://www.networkcultures.org/videovortex/">http://www.networkcultures.org/videovortex/</a></p>
<p>---</p>
<p>More on the Event: <a href="http://www.networkcultures.org/videovortex/" title="http://www.networkcultures.org/videovortex/">http://www.networkcultures.org/videovortex/</a><br />
List info:<br />
<a href="http://listcultures.org/mailman/listinfo/videovortex_listcultures.org" title="http://listcultures.org/mailman/listinfo/videovortex_listcultures.org">http://listcultures.org/mailman/listinfo/videovortex_listcultures.org</a></p>
<p>In response to the increasing potential for video to become a<br />
significant form of personal media on the Internet, this conference<br />
examines the key issues that are emerging around the independent<br />
production and distribution of online video content. What are artists<br />
and activists responses to the popularity of ‘user-generated content’<br />
websites? Is corporate backlash eminent?</p>
<p>After years of talk about digital conversions and crossmedia platforms<br />
we are now witnessing the merger of the Internet and television at a<br />
pace that no one predicted. For the baby boom generation, that<br />
currently forms the film and television establishment, the media<br />
organisations and conglomerates, this unfolds as a complete nightmare.<br />
Not only because of copyright issues but increasingly due to the shift<br />
of audience to vlogging and video-sharing websites as part of the<br />
development of a broader participatory culture.</p>
<p>The opening night will feature live acts, performances and lectures<br />
under the banner of video slamming. We will trace the history from<br />
short film to one-minute videos to the first experiments with streaming<br />
media and online video, along with exploring the way VJs and media<br />
artists are accessing and using online archives.</p>
<p>The Video Vortex conference aims to contextualize these latest<br />
developments through presenting continuities and discontinuities in the<br />
artistic, activist and mainstream perspective of the last few decades.<br />
Unlike the way online video presents itself as the latest and greatest,<br />
there are long threads to be woven into the history of visual art,<br />
cinema and documentary production. The rise of the database as the<br />
dominant form of storing and accessing cultural artifacts has a rich<br />
tradition that still needs to be explored. The conference aims to raise<br />
the following questions:</p>
<p>- How are people utilising the potential to independently produce and<br />
distribute independent video content on the Internet?<br />
- What are the alternatives to the proprietary standards currently<br />
being developed?<br />
- What are the commercial objectives that mass media is imposing on<br />
user-generated content and video-sharing databases?<br />
- What is the underlying economics of online video in the age of<br />
unlimited uploads?<br />
- How autonomous are vloggers within the broader domain of mass media?<br />
- How are cinema, television and video art being affected by the<br />
development of a ubiquitous online video practice?<br />
- What type of aesthetic and narrative issues does the database pose<br />
for online video practice?</p>
<p>Conference themes:</p>
<p>Viral Video critique<br />
Vlogging Critique<br />
Participatory Culture, Participatory Video<br />
Real World Tools and Technologies<br />
Theory &amp; History of the Database<br />
Narrative and the Cinematic<br />
Database Taxonomy and Navigation<br />
Internet Video: Art, Activism, and Public Media<br />
Evening Programme / Exhibition</p>
<p>(see website for details)</p>
<p>Video Vortex Discussion List:</p>
<p>With this discussion list we like to gather responses to the rise of<br />
YouTube and similar online video databases. What does YouTube tell us<br />
about the state of art in visual culture? Is YouTube the corporate<br />
media structure of the 21st century? What are the artist responses to<br />
YouTube aesthetics?</p>
<p>General information about the mailing list is at:<br />
<a href="http://listcultures.org/mailman/listinfo/videovortex_listcultures.org" title="http://listcultures.org/mailman/listinfo/videovortex_listcultures.org">http://listcultures.org/mailman/listinfo/videovortex_listcultures.org</a></p>
<p>To post to this list, send your email to:<br />
videovortex(at)listcultures.org</p>
<p>This list is meant for all those interested in the topic, and will<br />
possibly continue after the event in late 2007.</p>
<p>Practical info:</p>
<p>Date<br />
November 30 and December 1, 2007.</p>
<p>Venue<br />
PostCS 11, PostCS building<br />
Oosterdokskade 3-5<br />
1011 AD Amsterdam<br />
T: 020 - 62 55 999<br />
<a href="http://www.ilove11.nl" title="www.ilove11.nl">www.ilove11.nl</a></p>
<p>Organized by<br />
Institute of Network Cultures, HvA Interactive Media, Amsterdam</p>
<p>Editorial team<br />
Geert Lovink, Sabine Niederer, Shirley Niemans</p>
<p>Affiliated researchers<br />
Seth Keen, Vera Tollmann</p>
<p>Production<br />
Shirley Niemans</p>
<p>For further information, please contact<br />
Shirley Niemans, shirley(at)networkcultures.org<br />
_______________________________________________<br />
The <a href="mailto:air-l@listserv.aoir.org">air-l@listserv.aoir.org</a> mailing list<br />
is provided by the Association of Internet Researchers <a href="http://aoir.org" title="http://aoir.org">http://aoir.org</a><br />
Subscribe, change options or unsubscribe at: <a href="http://listserv.aoir.org/listinfo.cgi/air-l-aoir.org" title="http://listserv.aoir.org/listinfo.cgi/air-l-aoir.org">http://listserv.aoir.org/listinfo.cgi/air-l-aoir.org</a></p>
<p>Join the Association of Internet Researchers:<br />
<a href="http://www.aoir.org/" title="http://www.aoir.org/">http://www.aoir.org/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>STEIM - the studio for electro-instrumental music</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2929" />
    <id>http://www.aliak.com/node/2929</id>
    <published>2006-03-20T18:31:33+00:00</published>
    <updated>2008-01-26T20:02:26+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="amsterdam" />
    <category term="call for submissions" />
    <category term="collective" />
    <category term="electro-acoustic" />
    <category term="europe" />
    <category term="experimental" />
    <category term="generative" />
    <category term="interface controllers" />
    <category term="music" />
    <category term="music resources" />
    <category term="organisation" />
    <category term="project" />
    <summary type="html"><![CDATA[<p><a href="http://www.steim.org" rel="nofollow" rel="nofollow">STEIM</a> (the studio for electro-instrumental music) is the only independent live electronic music centre in the world that is exclusively dedicated to the performing arts. The foundation's artistic and technical departments supports an international community of performers and musicians, and a growing group of visual artists, to develop unique instruments for their work. STEIM invites these people for residencies and provides them with an artistic and technical environment in which concepts can be given concrete form. It catalyzes their ideas by providing critical feedback grounded in professional experience. These new creations are then exposed to a receptive responsive niche public at STEIM before being groomed for a larger audience.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><a href="http://www.steim.org" rel="nofollow">STEIM</a> (the studio for electro-instrumental music) is the only independent live electronic music centre in the world that is exclusively dedicated to the performing arts. </p>
<p>The foundation's artistic and technical departments supports an international community of performers and musicians, and a growing group of visual artists, to develop unique instruments for their work. </p>
<p>STEIM invites these people for residencies and provides them with an artistic and technical environment in which concepts can be given concrete form. It catalyzes their ideas by providing critical feedback grounded in professional experience. </p>
<p>These new creations are then exposed to a receptive responsive niche public at STEIM before being groomed for a larger audience.</p>
    ]]></content>
  </entry>
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