specture research

20240421 - a fly in a blockchain ecology / blockchain landscape

there's a community art event happening this week, called #objkt4objkt #objkt4objkt4. I made a code based API drawing of blockchain metadata to continue the series from previous events, then used it to map / project onto a fly mushroom I've been watching emerge / grow over the past couple of weeks.

the second work is a video piece, "a fly in a blockchain ecology / blockchain landscape"

the drawing shows the progression of the fly (mushroom) scanned from nature, being digitised then becoming part of the blockchain ecology / blockchain landscape. the final stage has blockchain metadata from the first API drawing mapped onto the 3d model, live mixed to a video. part of my specture project, exploring putting extinct species onto the blockchain, and what their new digital habitats / landscapes could look like

links: https://teia.art/objkt/850935 & https://teia.art/objkt/850683


::: artists:

::: location:

20240419 - post-internet art, digital fragility and new materialism

Earlier this month, I came across Estonian artist, Katja Novitskova's Post Internet work and love this more recent work: "Soft Approximation (Looking Glass Deers Kissing 04)", 2023 via https://www.instagram.com/p/CzBgKwRofU5 — the materiality of the glass as the fragility of ecology/species works well, and loving the use of colour. Forests of the future?

::: artists:

::: location:

20240405 - on 30 plus year old air, textiles and Richard Serra's gravity

Richard Serra & Hal Foster - Conversations about Sculpture (2018) is one of my favourite books on sculpture. I really resonated with Serra's ideas on gravity — of course, his ideas are for physical materials and process art, but the ideas can be re-applied to digital art. It was a reminder and aha moment for me — obvious in hindsight — that digital art is not limited by gravity, so when making 3D models / worlds / scenes etc, you can do what you like.

::: artists:

::: location:

20240404 - post-internet influences

Inspired by Gene McHugh's excellent Post Internet blog & writing project from 2009-2010, I'm attempting to write more often here. Deciding on which section has been the most difficult — the issue with too many sections / broad scope of interests. Specture is my overarching research and art making project, albeit with some sub-sections / topics along the way.

::: artists:

::: category:

::: location:

specture readings 05

once-unimaginable ocean landscapes and habitats, creative research, VR in schools ::: 20230419 - 20230427

reading and watching

::: Designing curriculum for creative learning about Biomes with VR ::: teachers in South Australia creating classes in VR to teach students about biomes. the VR school research site has other resources covering using VR in schools

::: Pause Giant AI Experiments: An Open Letter ::: this letter has been in the news / twitter for the past few weeks, calling on AI labs to pause their training and research for 6 months

::: The NFT Collector | Colborn Bell ::: a discussion between Colborn Bell, the founder of the Museum of Crypto Art (MOCA) and Primavera De Filippi

::: Information Overload ::: "Claire Bishop on the superabundance of research-based art". Research-based installation art running in parallel to PhD studies, and the author notes, is tied to technological advances and data.

::: artists:

specture readings 04

multispecies storytelling, ecology, sound & listening, kinship structures, landscape, AI classes ::: 20230412–20230419

reading and watching

::: These Lizards Stress-Eat When Loud Military Aircraft Fly Overhead ::: via This week in sound ::: Stress eating checkered whiptail lizards in Colorado — an impact of modern life I hadn't considered before. What other ways are species adapting to cope with noise pollution

::: Nature, Crisis, Consequence exhibition looks at the social and cultural impact of the environmental crisis on different communities across America.

::: artists:

Subscribe to RSS - specture research