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  <title>call for submissions</title>
  <subtitle>call for submissions</subtitle>
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  <updated>2005-05-02T08:20:00+01:00</updated>
  <entry>
    <title>CFP: Learning and Research in Second Life</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/cfp-learning-and-research-second-life" />
    <id>http://www.aliak.com/content/cfp-learning-and-research-second-life</id>
    <published>2008-05-15T20:54:11+01:00</published>
    <updated>2008-05-15T20:54:11+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="europe" />
    <category term="festival" />
    <category term="internet" />
    <category term="second life" />
    <summary type="html"><![CDATA[<p>Please join us in a workshop on learning and research in Second Life(R) on October 16, 2008 in Copenhagen at Internet Research 9.0<br />
<a href="http://wiki.aoir.org/index.php?title=About_IR9.0" title="http://wiki.aoir.org/index.php?title=About_IR9.0" rel="nofollow">http://wiki.aoir.org/index.php?title=About_IR9.0</a><br />
Paper Deadline June 15th.<br />
Second Life is a 3d virtual environment created by Linden Lab (R) which has captured the attention of researchers and teachers from around the world from a variety of disciplines.<br />
This workshop aims to improve the understanding of Second Life as a Learning and Research environment. It will bring 35 researchers together to collaborate, discuss and workshop diverse topics related to research and learning in Second Life. We will pursue a full-day schedule in which participants will discuss their work and interests on four different topics: learning in Second Life, integrated learning, the contributions of research to the community and ethical research methods. How can we better enable learning in this sphere? How can we better enable research?</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Please join us in a workshop on learning and research in Second Life(R) on October 16, 2008 in Copenhagen at Internet Research 9.0 </p>
<p><a href="http://wiki.aoir.org/index.php?title=About_IR9.0" title="http://wiki.aoir.org/index.php?title=About_IR9.0">http://wiki.aoir.org/index.php?title=About_IR9.0</a></p>
<p>Paper Deadline June 15th.</p>
<p>Second Life is a 3d virtual environment created by Linden Lab (R) which has captured the attention of researchers and teachers from around the world from a variety of disciplines.</p>
<p>This workshop aims to improve the understanding of Second Life as a Learning and Research environment. It will bring 35 researchers together to collaborate, discuss and workshop diverse topics related to research and learning in Second Life. We will pursue a full-day schedule in which participants will discuss their work and interests on four different topics: learning in Second Life, integrated learning, the contributions of research to the community and ethical research methods. How can we better enable learning in this sphere? How can we better enable research?</p>
<p>Our honored keynote will be Pathfinder Linden</p>
<p>Researchers are requested to submit papers and short biography to <a href="mailto:slworkshop08@gmail.com">slworkshop08@gmail.com</a>, which will be selected and distributed amongst participants before the workshop. First invitations will be offered to those who provide full papers for consideration.</p>
<p>These papers have two purposes: first is to provide a common platform for understanding our research and teaching and second submitted papers may be considered for publication in an edited volume being produced in relation to the workshop, or possibly in peer reviewed publication derived from the workshop (these are currently under discussion).</p>
<p>Subsequent invitations will be made based upon research/teaching statement and biography with priority given to people submitting full papers.  If you are interested in participating, please send an email containing your information to <a href="mailto:slworkshop08@gmail.com">slworkshop08@gmail.com</a>.</p>
<p>Decisions will be made by August 1st, barring incident.  There is a limit of 35 participants at the physical meeting; the event will be simulcast into Second Life which will be organized by Jason Nolan.</p>
<p>We welcome professionals, faculty and graduate students to participate.</p>
<p>This workshop is sponsored by Linden Lab, creators of Second Life, and is organized by Jeremy Hunsinger, Rochelle Mazar, Aleks Krotoski and Jason Nolan. Lunch, coffee breaks and the room is included in participation.  (And you'll probably get a t-shirt!)</p>
<p>*We are also seeking additional sponsors, please contact <a href="mailto:jhuns@vt.edu">jhuns@vt.edu</a> if you would like to sponsor this workshop</p>
    ]]></content>
  </entry>
  <entry>
    <title>MOBILE LIFE CONFERENCES and EXHIBITIONS : calls for submissions</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/mobile-life-conferences-and-exhibitions-calls-submissions" />
    <id>http://www.aliak.com/content/mobile-life-conferences-and-exhibitions-calls-submissions</id>
    <published>2008-05-12T21:16:05+01:00</published>
    <updated>2008-05-12T22:04:53+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="conference" />
    <category term="event" />
    <category term="exhibition" />
    <category term="online  communities" />
    <category term="Turkey" />
    <summary type="html"><![CDATA[<p>MOBILE LIFE CONFERENCES and EXHIBITIONS<br />
                       New Submission Deadline:  2 June 2008<br />
-- mSOCIETY 2008  -- The 1st International Conference on Mobile Society<br />
-- EURO mGOV 2008 -- The  3rd  European Conference on Mobile Government<br />
15 -19 September 2008, Sheraton Voyager, Antalya, Turkey<br />
<a href="http://www.mgovernment.org/events/index.html" title="http://www.mgovernment.org/events/index.html" rel="nofollow">http://www.mgovernment.org/events/index.html</a><br />
<a href="mailto:mlife@mgovernment.org" rel="nofollow">mlife@mgovernment.org</a><br />
mLife Events Organization decided to extended the submission deadline<br />
to June 2nd, both to respond to various requests for extension and to<br />
organize the special sessions better.<br />
 Electronic submissions are open and can be accessed via<br />
<a href="http://www.mgovernment.org/confadmin/" title="http://www.mgovernment.org/confadmin/" rel="nofollow">http://www.mgovernment.org/confadmin/</a><br />
Please see the confenence brief below and more information on the<br />
conferences, program highlights, topics, organisers and supporters can<br />
be found at the <a href="http://www.mgovernment.org/events/" title="http://www.mgovernment.org/events/" rel="nofollow">http://www.mgovernment.org/events/</a><br />
Cheers<br />
Kushchu, General Chair<br />
----  Please feel free to forward<br />
MOBILE LIFE CONFERENCES and EXHIBITIONS</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>MOBILE LIFE CONFERENCES and EXHIBITIONS</p>
<p>                       New Submission Deadline:  2 June 2008</p>
<p>-- mSOCIETY 2008  -- The 1st International Conference on Mobile Society<br />
-- EURO mGOV 2008 -- The  3rd  European Conference on Mobile Government</p>
<p>15 -19 September 2008, Sheraton Voyager, Antalya, Turkey<br />
<a href="http://www.mgovernment.org/events/index.html" title="http://www.mgovernment.org/events/index.html">http://www.mgovernment.org/events/index.html</a><br />
<a href="mailto:mlife@mgovernment.org">mlife@mgovernment.org</a></p>
<p>mLife Events Organization decided to extended the submission deadline<br />
to June 2nd, both to respond to various requests for extension and to<br />
organize the special sessions better.</p>
<p> Electronic submissions are open and can be accessed via<br />
<a href="http://www.mgovernment.org/confadmin/" title="http://www.mgovernment.org/confadmin/">http://www.mgovernment.org/confadmin/</a></p>
<p>Please see the confenence brief below and more information on the<br />
conferences, program highlights, topics, organisers and supporters can<br />
be found at the <a href="http://www.mgovernment.org/events/" title="http://www.mgovernment.org/events/">http://www.mgovernment.org/events/</a></p>
<p>Cheers<br />
Kushchu, General Chair</p>
<p>----  Please feel free to forward</p>
<p>MOBILE LIFE CONFERENCES and EXHIBITIONS</p>
<p>-- mSOCIETY 2008  -- The 1st International Conference on Mobile Society<br />
-- EURO mGOV 2008 -- The  3rd  European Conference on Mobile Government<br />
       15 -19 September 2008, Sheraton Voyager, Antalya, Turkey</p>
<p><a href="http://www.mgovernment.org/events/index.html" title="http://www.mgovernment.org/events/index.html">http://www.mgovernment.org/events/index.html</a>     <a href="mailto:mlife@mgovernment.org">mlife@mgovernment.org</a></p>
<p>SPONSORS, ORGANIZERS and SUPPORTERS:<br />
--- TURKCELL (Diamond Sponsor), TurkSat (Gold Sponsor)<br />
--- CISCO, Mobile Government Consortium International, AykeyNet,<br />
Dept. of Computer Engineering TOBB Uni. of Economics and Technology<br />
The Center for Information &amp; Society at the University of Washington<br />
TUBITAK</p>
<p>mLife conference and exhibitions are prime events for all<br />
organizations and professionals who would like to monitor, take part<br />
in and shape the development of the social aspects of the mobile<br />
revolution.  They provide opportunities to businesses, public sector<br />
organizations and researchers to explore the frontiers of the social<br />
mobile revolution and be informed in order to reach their goals.</p>
<p>-----<br />
EURO mGOV 2008 - The  3rd  European Conference on Mobile Government<br />
15-16 September 2008, Sheraton Voyager, Antalya, Turkey<br />
-----</p>
<p>Mobile Government involves revolutionary approaches to eGovernment and<br />
the modernization of public sector via the utilization of networked mobile<br />
technologies in local or central government organizations. It aims to<br />
enhance public sector business by creating new opportunities to<br />
provide services to society. mGovernment is now a recognized field of<br />
practice and research, and constitutes the next evolutionary step of<br />
progress in eGovernment.</p>
<p>The EURO mGOV 2008 aims to be a platform for presenting, exchanging<br />
and disseminating the newest developments, ideas, applications and<br />
services in the field of mGovernment among three essential<br />
constituents: public and private sector professionals and the<br />
researchers.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Netaudio&#039;08: call for entries</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/netaudio08-call-entries" />
    <id>http://www.aliak.com/content/netaudio08-call-entries</id>
    <published>2008-05-11T22:22:59+01:00</published>
    <updated>2008-05-12T23:12:02+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="event" />
    <category term="festival" />
    <category term="local electronic music" />
    <category term="london" />
    <category term="networked spaces" />
    <category term="online  communities" />
    <category term="uk" />
    <category term="united kingdom" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p><img src="http://www.netaudiolondon.cc/images/netaudio08-logo.jpg" align="left" hspace="20" /> Netaudio, the Offline Festival for Online Music comes back to London after a great festival in Berlin in 2007<br />
Netaudio'08 will take place from 22nd to 25th October 2008 at Shunt, a extensive labyrinth of tunnels underneath London Bridge Station.<br />
Over four nights we will celebrate the creative output of networked musicians and online communities with talks, workshops, showcases and performances. Parts of Netaudio'08 will be programmed through an open call for entries. With this call we would like to give you the chance to put our attention to your creative activities related to the festival theme.<br />
Call for entries runs in 3 strands: performance, installation and conference. For more information and to download the entry forms please visit: <a href="http://www.netaudiolondon.cc/blog/137/call-for-entries" title="http://www.netaudiolondon.cc/blog/137/call-for-entries" rel="nofollow">http://www.netaudiolondon.cc/blog/137/call-for-entries</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://www.netaudiolondon.cc/images/netaudio08-logo.jpg" align="left" hspace="20" /> Netaudio, the Offline Festival for Online Music comes back to London after a great festival in Berlin in 2007</p>
<p>Netaudio'08 will take place from 22nd to 25th October 2008 at Shunt, a extensive labyrinth of tunnels underneath London Bridge Station.</p>
<p>Over four nights we will celebrate the creative output of networked musicians and online communities with talks, workshops, showcases and performances. Parts of Netaudio'08 will be programmed through an open call for entries. With this call we would like to give you the chance to put our attention to your creative activities related to the festival theme.</p>
<p>Call for entries runs in 3 strands: performance, installation and conference. For more information and to download the entry forms please visit: <a href="http://www.netaudiolondon.cc/blog/137/call-for-entries" title="http://www.netaudiolondon.cc/blog/137/call-for-entries">http://www.netaudiolondon.cc/blog/137/call-for-entries</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Women in Games Conference : Call for Papers and Participation</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/women-games-conference-call-papers-and-participation" />
    <id>http://www.aliak.com/content/women-games-conference-call-papers-and-participation</id>
    <published>2008-05-11T21:51:27+01:00</published>
    <updated>2008-05-11T22:23:50+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="conference" />
    <category term="games" />
    <category term="international" />
    <category term="uk" />
    <category term="united kingdom" />
    <category term="women&#039;s resources" />
    <summary type="html"><![CDATA[<p>Women in Games Conference: Call for Papers and Participation<br />
Date: 31 May 2008<br />
Venue: University of Warwick, UK<br />
Website: <a href="http://www.womeningames.com" title="www.womeningames.com" rel="nofollow">www.womeningames.com</a><br />
The Women In Games conference encourages research and seeks to promote careers for women within the games industry. If games are to become a true sibling medium to music and cinema, the industry needs greater balance in its audience and its workforce. The Women In Games conference takes place from 10-12th September 2008 and welcomes participants from both industry and academia, providing a forum for presentation and discussion of issues relating to all aspects of women's involvement in games, including game development, game playing and women as portrayed within games.<br />
Although this conference is concerned with women and games please note that men are also very welcome to participate! The industry needs a meaningful dialogue between the sexes as it moves forward.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Women in Games Conference: Call for Papers and Participation</p>
<p>Date: 31 May 2008<br />
Venue: University of Warwick, UK<br />
Website: <a href="http://www.womeningames.com" title="www.womeningames.com">www.womeningames.com</a></p>
<p>The Women In Games conference encourages research and seeks to promote careers for women within the games industry. If games are to become a true sibling medium to music and cinema, the industry needs greater balance in its audience and its workforce. The Women In Games conference takes place from 10-12th September 2008 and welcomes participants from both industry and academia, providing a forum for presentation and discussion of issues relating to all aspects of women's involvement in games, including game development, game playing and women as portrayed within games.</p>
<p>Although this conference is concerned with women and games please note that men are also very welcome to participate! The industry needs a meaningful dialogue between the sexes as it moves forward.</p>
<p>Further details of the conference and this year's themes are available at the conference website: <a href="http://www.womeningames.com" title="www.womeningames.com">www.womeningames.com</a></p>
<p>You are invited to participate in the conference in the following ways:<br />
* Attending the conference<br />
* Speaking or presenting a panel - see below<br />
* Exploring options within your organisation for sponsoring the conference</p>
<p>Presenting at the conference:<br />
We welcome proposals for presentations, panels, posters and workshops from both industrial and academic participants. The main conference themes are detailed on the website and submissions related to these and other relevant issues are invited.</p>
<p>Deadline for submission of abstracts: 31st May 2008</p>
    ]]></content>
  </entry>
  <entry>
    <title>Call For Entries - PopVox - The People&#039;s Choice Awards for Digital Media</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/call-for-entries-popvox-the-peoples-choice-awards-digital-media" />
    <id>http://www.aliak.com/content/call-for-entries-popvox-the-peoples-choice-awards-digital-media</id>
    <published>2008-04-23T18:40:45+01:00</published>
    <updated>2008-05-11T22:25:20+01:00</updated>
    <author>
      <name>Jessica</name>
    </author>
    <category term="call for submissions" />
    <category term="digital life" />
    <category term="international" />
    <category term="media" />
    <summary type="html"><![CDATA[<p>POPVOX - The People's Choice Awards for Digital Media @ The 5th Annual Vancouver International Digital Festival<br />
ONLY 1 WEEK LEFT TO GET YOUR ENTRIES IN!<br />
Submission Deadline - April 30th 5pm PST<br />
Voting Occurs - May 1 -12th<br />
Winners Announced at Gala Awards - May 23rd<br />
BE THE PEOPLE'S CHOICE IN ONE OF 11 CATEGORIES<br />
Best Digital VFX - Best Animated Short - Best Digital/Viral Campaign - Best User Generated / Crowdsourced Content Site - Best Score - Best Game for Console / PC - Best Casual Game - Best Mobile Application - Best Mobile Game - The Do-Gooder Award for Best Venture Dedicated to Social Change - The Homegrown Award for Best BC Based Venture!<br />
The PopVox Peoples Choice Awards for Digital Media have returned for the 2008 season and we invite the digital media community at large to participate in this annual celebration of international talent.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>POPVOX - The People's Choice Awards for Digital Media @ The 5th Annual Vancouver International Digital Festival</p>
<p>ONLY 1 WEEK LEFT TO GET YOUR ENTRIES IN!</p>
<p>Submission Deadline - April 30th 5pm PST<br />
Voting Occurs - May 1 -12th<br />
Winners Announced at Gala Awards - May 23rd</p>
<p>BE THE PEOPLE'S CHOICE IN ONE OF 11 CATEGORIES</p>
<p>Best Digital VFX - Best Animated Short - Best Digital/Viral Campaign - Best User Generated / Crowdsourced Content Site - Best Score - Best Game for Console / PC - Best Casual Game - Best Mobile Application - Best Mobile Game - The Do-Gooder Award for Best Venture Dedicated to Social Change - The Homegrown Award for Best BC Based Venture!</p>
<p>The PopVox Peoples Choice Awards for Digital Media have returned for the 2008 season and we invite the digital media community at large to participate in this annual celebration of international talent.</p>
<p>Get involved by submitting your own projects and registering to vote for the 12 days of PopVox running from May 1st - 12th.</p>
<p>DETAILS AND SUBMISSIONS @ <a href="http://WWW.POPVOXAWARDS.COM" title="WWW.POPVOXAWARDS.COM">WWW.POPVOXAWARDS.COM</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>[sydney] Mars Hill Cafe hosts local music competition</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/sydney-mars-hill-cafe-hosts-local-music-competition" />
    <id>http://www.aliak.com/content/sydney-mars-hill-cafe-hosts-local-music-competition</id>
    <published>2007-08-10T11:21:02+01:00</published>
    <updated>2008-01-26T19:59:54+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="competition" />
    <category term="Composer" />
    <category term="music" />
    <category term="music artists" />
    <category term="news" />
    <category term="parramatta" />
    <category term="project" />
    <category term="sydney" />
    <summary type="html"><![CDATA[<p><img src="http://farm2.static.flickr.com/1338/1069647249_538c2ac0ea.jpg" height="150" align="left" hspace="20" /><br />
  Mars Hill Cafe in Parramatta will be organising and hosting a local music competition that will allow up and coming and established local music acts to perform several acts each in the popular Church Street cafe. They will compete for the chance to record a 3-track EP recording session with 2 tracks from the competition and a third recorded studio style in the performance space. Supported by a grant recently awarded to Mars Hill Cafe by the Parramatta City Council, the 10 best acts from the competition will be recorded and released on a compilation album later in the year.<br />
Local Musicians (from any suburbs covered by Parramatta Council) are encouraged to apply. Styles included will be: Singer/Songwriters, Folk, Acoustic Rock, Jazz, Blues, Rock, Acoustic and Country.  Applications for the competition will be taken throughout August and single-song auditions will be held on the 25th of August. Each artist chosen for the competition will perform 3 songs each for the final competition on the 23rd of September. Mars Hill Cafe is a popular Parramatta music and arts venue, located at 331 Church Street. Further information about the competition and details on how to apply can be found on the website <a href="http://www.marshillcafe.com.au" rel="nofollow" rel="nofollow">www.marshillcafe.com.au</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://farm2.static.flickr.com/1338/1069647249_538c2ac0ea.jpg" height="320" /></p>
<p>Mars Hill Cafe in Parramatta will be organising and hosting a local music competition that will allow up and coming and established local music acts to perform several acts each in the popular Church Street cafe. </p>
<p>They will compete for the chance to record a 3-track EP recording session with 2 tracks from the competition and a third recorded studio style in the performance space. </p>
<p>Supported by a grant recently awarded to Mars Hill Cafe by the Parramatta City Council, the 10 best acts from the competition will be recorded and released on a compilation album later in the year.</p>
<p>Local Musicians (from any suburbs covered by Parramatta Council) are encouraged to apply. Styles included will be: Singer/Songwriters, Folk, Acoustic Rock, Jazz, Blues, Rock, Acoustic and Country.  </p>
<p>Applications for the competition will be taken throughout August and single-song auditions will be held on the 25th of August. </p>
<p>Each artist chosen for the competition will perform 3 songs each for the final competition on the 23rd of September. </p>
<p>Mars Hill Cafe is a popular Parramatta music and arts venue, located at 331 Church Street. Further information about the competition and details on how to apply can be found on the website <a href="http://www.marshillcafe.com.au" rel="nofollow">www.marshillcafe.com.au</a></p>
<p>Press Release data</p>
<p>    Saturday August 25th Auditions</p>
<p>    Sunday September 23rd  Competition</p>
<p>    Contact Number 1300 886634</p>
<p>    1st Place 3 track EP Recording Session</p>
<p>     10 Winners Included on Compilation Album</p>
<p>     Mars Hill cafe 331 Church St. Parramatta</p>
<p>    <a href="http://www.MarsHillcafe.com.au" title="www.MarsHillcafe.com.au">www.MarsHillcafe.com.au</a></p>
<p>     supported by Parramatta Council</p>
<p>    1 song for Audition</p>
<p>    3 songs for Competition</p>
    ]]></content>
  </entry>
  <entry>
    <title>PDF mags - free pdf zines &amp; calls for submissions</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2925" />
    <id>http://www.aliak.com/node/2925</id>
    <published>2007-08-10T11:06:43+01:00</published>
    <updated>2008-01-26T20:00:26+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="arts" />
    <category term="call for submissions" />
    <category term="internet" />
    <category term="magazine" />
    <category term="music" />
    <category term="project" />
    <category term="publication" />
    <category term="writing" />
    <category term="zine" />
    <category term="resource" />
    <summary type="html"><![CDATA[<p><a href="http://pdf-mags.com/" rel="nofollow" rel="nofollow">PDF Mags</a> is a site listing hundreds of free arts and music pdf magazines / zines. they also have a calls for submissions listings area so you can find out where to have your work published</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><a href="http://pdf-mags.com/" rel="nofollow">PDF Mags</a> is a site listing hundreds of free arts and music pdf magazines / zines. they also have a calls for submissions listings area so you can find out where to have your work published</p>
    ]]></content>
  </entry>
  <entry>
    <title>RENEWING THE ANARCHIST TRADITION - A Scholarly Conference</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/renewing-the-anarchist-tradition-a-scholarly-conference" />
    <id>http://www.aliak.com/content/renewing-the-anarchist-tradition-a-scholarly-conference</id>
    <published>2007-07-28T13:10:11+01:00</published>
    <updated>2008-01-26T20:12:31+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="call for submissions" />
    <category term="conference" />
    <category term="international" />
    <category term="USA" />
    <summary type="html"><![CDATA[<p>The eighth edition of the Renewing the Anarchist Tradition (RAT) conference, sponsored by the Institute for Anarchist Studies, once again aims to provide a participatory and scholarly space in which to reexamine, reinvigorate, and make relevant the social and political tradition of anarchism.<br />
At previous conferences, presenters have proposed topics that ranged from the character of social change to the ongoing relevance of categories such as class, community, and labor; from the changing shape of the state and capital to emergent forms of both domination and resistance in a globalizing world; from the character of twenty-<br />
first-century technology to the functions and potentials of anti-authoritarian art and propaganda; and from anarchism's relation to geopolitical concerns such as terrorism and war to its ability to grapple with issues of identity such as race, gender, and sexuality.<br />
Read more for the Calls for Proposals or visit <a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146" rel="nofollow">http://anarchiststudies.org/node/146</a> for more details. <a href="http://www.homemadejam.org/renew" title="http://www.homemadejam.org/renew" rel="nofollow">http://www.homemadejam.org/renew</a> has archives of previous year's conferences.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>RENEWING THE ANARCHIST TRADITION<br />
A Scholarly Conference<br />
November 2-4, 2007 in Montpelier, Vermont</p>
<p><a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146">http://anarchiststudies.org/node/146</a></p>
<p>The eighth edition of the Renewing the Anarchist Tradition (RAT)<br />
conference, sponsored by the Institute for Anarchist Studies, once<br />
again aims to provide a participatory and scholarly space in which to<br />
reexamine, reinvigorate, and make relevant the social and political<br />
tradition of anarchism.</p>
<p>Each year, RAT brings together anarchists, anti-authoritarians, and<br />
libertarians who want to critically engage both the tradition itself<br />
and the world in which we live. Participants and presenters at the<br />
conference thereby contribute to developing a more rigorous<br />
contemporary theoretical framework for anarchism as well as a<br />
stronger basis from which anti-authoritarian movements can organize<br />
and resist.</p>
<p>In a historical moment characterized overwhelmingly by war,<br />
exploitation, forced displacement, dispossession, and environmental<br />
devastation, it might seem strange to spend a peaceful fall weekend<br />
in conversation with friends and comrades in Vermont. But we believe<br />
that the contemporary context makes it more important than ever to<br />
foster a space in which to collectively and honestly appraise the<br />
strengths as well as weaknesses of different anarchist practices,<br />
platforms, convictions, dogmas, truisms, and theories in helping us<br />
to understand and ultimately transform the layered systems of<br />
domination and oppression that structure it. We also see RAT as a<br />
place to discuss and share theoretical tools from beyond the<br />
anarchist tradition(s) that can add to building more sustainable<br />
social movements and practices, and eventually a world characterized<br />
by freedom, justice, and dignity for all.</p>
<p>RAT aims to nurture and support a new generation of anti-<br />
authoritarian public intellectuals from different backgrounds and<br />
experiences. So when we describe it as "a scholarly conference," we<br />
are referring to a quality of the presentations and discussions--not<br />
to some professional identity of the participants. You do not have to<br />
be an academic to attend or present at RAT. All you have to do is be<br />
ready to actively participate in the conversations and debates, as<br />
peers who are creating the conference space together. In the past,<br />
RAT has served as a forum for organizers, scholars, writers, artists,<br />
educators, publishers, and students from a range of anarchist and<br />
libertarian left tendencies to come together to engage in challenging<br />
yet respectful dialogue. Participants have observed that RAT offers a<br />
distinctive social environment in which long-term conversations and<br />
relationships between anti-authoritarians from various places and<br />
political contexts can be built.</p>
<p>At previous conferences, presenters have proposed topics that ranged<br />
from the character of social change to the ongoing relevance of<br />
categories such as class, community, and labor; from the changing<br />
shape of the state and capital to emergent forms of both domination<br />
and resistance in a globalizing world; from the character of twenty-<br />
first-century technology to the functions and potentials of anti-<br />
authoritarian art and propaganda; and from anarchism's relation to<br />
geopolitical concerns such as terrorism and war to its ability to<br />
grapple with issues of identity such as race, gender, and sexuality.</p>
<p>CALL FOR PROPOSALS<br />
(Due by or before September 1, 2007)</p>
<p><a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146">http://anarchiststudies.org/node/146</a></p>
<p>We are once again accepting proposals for a limited number of<br />
presentations. In addition, we will be curating a series of panels<br />
that build on previous conversations and provoke even more dynamic<br />
debate than at past conferences.</p>
<p>If you are interested in presenting, please take a look at the RAT<br />
archive (currently at <a href="http://www.homemadejam.org/renew" title="http://www.homemadejam.org/renew">http://www.homemadejam.org/renew</a>) to get a<br />
sense of the topics that have been explored in the past. If you feel<br />
alienated when you look at this list, or think that important issues<br />
that should be considered through an anarchist lens have been left<br />
out, do not panic or decide not to attend. Please send us a proposal.<br />
We particularly encourage non-academics, working people, women,<br />
indigenous people, people of color, queer and trans people, and<br />
others frequently marginalized in scholarly life to submit proposals.</p>
<p>Each proposal should include: a succinct presentation title; a<br />
maximum 150-word description of your presentation and the question or<br />
topic you wish to address; a maximum 50-word description of yourself;<br />
and your full name and e-mail.</p>
<p>You can submit multiple proposals, and proposals for panels are also<br />
welcome. Please note, however, that we will be choosing from the<br />
proposals by September 15, and not every proposal will be selected.</p>
<p>If your proposal is accepted, you are automatically registered. All<br />
presenters must pay the registration fee, since RAT has no funding<br />
other than all of us contributing to make this space possible.</p>
<p>Send your proposal(s), by or before September 1, to:<br />
<a href="mailto:rat-presentations@anarchiststudies.org">rat-presentations@anarchiststudies.org</a>.</p>
<p>REGISTRATION<br />
(Starting on September 15, 2007)</p>
<p>RAT registration, limited to 150 people, will open on September 15.<br />
All presenters are automatically registered, but like everyone else,<br />
they must pay the registration fees in full by or before October 15.<br />
RAT has no outside or independent funding, so everyone who attends<br />
contributes financially to making this conference possible. Those who<br />
register for RAT can also book a table(s) for bookstores, infoshops,<br />
magazines, and other projects.</p>
<p>Once registration opens, we will offer a sliding-scale registration<br />
for the following three options:</p>
<p>    1. Registration and five meals (for locals and<br />
       others not requiring housing): $45 to $65<br />
    2. Registration, five meals, and 2 nights in<br />
       shared dorm room: $105 to $125<br />
    3. Registration, five meals, and 2 nights in<br />
       single dorm room: $155 to $180</p>
<p>Also, a limited number of partial scholarships will be<br />
available to subsidize RAT conference fees for those<br />
with financial need. These scholarships, as in the<br />
past, will be made possible because of the generosity<br />
of other RAT participants who can afford to pay the<br />
higher end (or more!) of our sliding scale.</p>
<p>SCHEDULE</p>
<p>RAT will open this year with a single panel on the evening of Friday,<br />
November 2, followed by a full day of presentations, panels, and a<br />
party on Saturday, November 3, and will wrap up with more<br />
presentations and panels until about 2 p.m. on Sunday, November 4.<br />
All presenters and participants should plan on attending the full<br />
conference, since RAT is meant as an extended conversation.</p>
<p>We are renting space at a small college in Montpelier, Vermont, for<br />
meeting rooms, tabling, five meals (breakfast, lunch, and dinner on<br />
Saturday; breakfast and lunch on Sunday), and dorm rooms. On Saturday<br />
night, we'll be using the Langdon Street Cafe for a performance<br />
(rants! confessions! diatribes! music!) and socializing space.</p>
<p>--<br />
Stevphen Shukaitis<br />
Autonomedia Editorial Collective<br />
<a href="http://www.autonomedia.org" title="http://www.autonomedia.org">http://www.autonomedia.org</a><br />
<a href="http://slash.interactivist.net" title="http://slash.interactivist.net">http://slash.interactivist.net</a></p>
<p>"Autonomy is not a fixed, essential state. Like gender, autonomy is<br />
created through its performance, by doing/becoming; it is a political<br />
practice. To become autonomous is to refuse authoritarian and<br />
compulsory cultures of separation and hierarchy through embodied<br />
practices of welcoming difference... Becoming autonomous is a<br />
political position for it thwarts the exclusions of proprietary<br />
knowledge and jealous hoarding of resources, and replaces the social<br />
and economic hierarchies on which these depend with a politics of<br />
skill exchange, welcome, and collaboration. Freely sharing these with<br />
others creates a common wealth of knowledge and power that subverts<br />
the domination and hegemony of the master's rule." - subRosa Collective</p>
    ]]></content>
  </entry>
  <entry>
    <title>2007 ANAT emerging technologies mentorship - call for applications</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/2007-anat-emerging-technologies-mentorship-call-applications" />
    <id>http://www.aliak.com/content/2007-anat-emerging-technologies-mentorship-call-applications</id>
    <published>2007-07-26T22:35:12+01:00</published>
    <updated>2008-01-26T20:01:28+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="adelaide" />
    <category term="artists" />
    <category term="australia" />
    <category term="call for submissions" />
    <category term="emerging technologies" />
    <category term="networked spaces" />
    <category term="technology" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p>ANAT is calling for applications from young and emerging practitioners working with distributed, portable, online, wearable, mobile and emerging platforms to undertake a three-month mentorship with an established practitioner of their choice.<br />
Managed by ANAT, the mentorship is a part of the Australian Government's Young &amp; Emerging Artists Initiative through the Australia Council, its arts funding and advisory body.<br />
The mentorship provides an opportunity to explore new artistic directions, to expand technical skills and increase knowledge of networks, debates and business practice. Applicants are invited to select a mentor and develop a program of activity spanning a three-month period. The mentorship may be largely a program of skills, development however applicants are encouraged to explore programs which incorporates critical investigation and dialogue, business skills development as well as marketing and exhibition opportunities.  Utilising emerging technologies the mentor may be accessed locally, nationally or internationally. Additionally the successful applicant will maintain a blog for the duration of the mentorship hosted on the ANAT server.<br />
read more or visit the <a href="http://www.anat.org.au/projects/Mentorships/emergingtechmentorship_000.htm" rel="nofollow" rel="nofollow">ANAT emerging technologies mentorship</a> website</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>2007 ANAT emerging technologies mentorship</p>
<p>ANAT is calling for applications from young and emerging practitioners working with distributed, portable, online, wearable, mobile and emerging platforms to undertake a three-month mentorship with an established practitioner of their choice.</p>
<p>Managed by ANAT, the mentorship is a part of the Australian Government's Young &amp; Emerging Artists Initiative through the Australia Council, its arts funding and advisory body.</p>
<p>The mentorship provides an opportunity to explore new artistic directions, to expand technical skills and increase knowledge of networks, debates and business practice. Applicants are invited to select a mentor and develop a program of activity spanning a three-month period. The mentorship may be largely a program of skills, development however applicants are encouraged to explore programs which incorporates critical investigation and dialogue, business skills development as well as marketing and exhibition opportunities.  Utilising emerging technologies the mentor may be accessed locally, nationally or internationally. Additionally the successful applicant will maintain a blog for the duration of the mentorship hosted on the ANAT server.</p>
<p>Mentorship Proposal</p>
<p>Applicants are required to describe their practice, the mentor they have selected (include an outline of the mentor's practice), what activities will be undertaken during the mentorship, and the short and long-term benefits of the mentorship to the applicant. Applicants may choose to include an A4 page which outlines the structure of the mentorship on a weekly or monthly basis (For Example: Tue–Wed: conceptual development, Thurs: online discussion with mentor, Fri: research exhibition opportunities, undertake book-keeping with mentor etc.). Submissions should not exceed 4 pages in length. Please Note: The proposed mentorship program must be developed in consultation with the mentor.</p>
<p>Mentorship Fees</p>
<p>The mentorship will provide a fee for the mentoree ($7,200 excl GST) and a fee for the mentor ($1,800 excl GST). Note: recipients of the mentorship (the mentoree and mentor) are not precluded from seeking other funding from the Australia Council.</p>
<p>Eligibility</p>
<p>Applicants must be emerging technologies practitioners who are 30 years or under. The mentorship may be either locally, nationally or internationally based. If the mentor is not located in close proximity, you must describe your processes of communication and assessment.</p>
<p>Time Frame</p>
<p>The mentorship will commence any time from August 2007 and be completed by early December 2007. This time frame is negotiable, particularly where it is necessary to undertake the mentorship on a part-time basis. If an alternate time frame is required, applicants must outline the revised dates and the reasons for the alternate time frame.</p>
<p>Assessment</p>
<p>Applications will be assessed by a committee of the ANAT Board. The primary assessment criteria will be the relevance of the proposed mentorship program to the development of the mentoree's practice.</p>
<p>APPLICATIONS CLOSE 3 August 2007</p>
<p>For further information please contact: Gavin Artz  ANAT General Manager, <a href="mailto:manager@anat.org.au">manager@anat.org.au</a>, 08 8231 9037, Monday – Friday, 10am – 4pm CST. </p>
<p><a href="http://www.anat.org.au/projects/Mentorships/emergingtechmentorship_000.htm" title="http://www.anat.org.au/projects/Mentorships/emergingtechmentorship_000.htm">http://www.anat.org.au/projects/Mentorships/emergingtechmentorship_000.htm</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>OZCO Second Life artist residency</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/ozco-second-life-artist-residency" />
    <id>http://www.aliak.com/content/ozco-second-life-artist-residency</id>
    <published>2007-06-20T11:22:43+01:00</published>
    <updated>2008-01-26T20:01:57+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="funding" />
    <category term="internet" />
    <category term="news" />
    <category term="project" />
    <category term="second life" />
    <category term="second life" />
    <summary type="html"><![CDATA[<p>The <a href="http://www.ozco.gov.au" rel="nofollow" rel="nofollow">Australia Council</a> is offering <a href="http://www.ozco.gov.au/grants/grants_new_media_arts/second_life_artist_residency/" rel="nofollow" rel="nofollow">$20,000 for a collaborative artist residency</a> in <a href="http://www.secondlife.com" rel="nofollow" rel="nofollow">Second Life</a> for artists to 'creatively and critically explore new interactive, virtual platforms'.<br />
Visit <a href="http://www.ozco.gov.au/grants/grants_new_media_arts/second_life_artist_residency/" title="http://www.ozco.gov.au/grants/grants_new_media_arts/second_life_artist_residency/" rel="nofollow">http://www.ozco.gov.au/grants/grants_new_media_arts/second_life_artist_r...</a> for more details on the OZCO SL residency application.<br />
If you're an artist working or hanging out in Second Life and are interested in applying but need people to work with, contact MichaelJohn Turner inworld, or email him at <a href="mailto:smit@mac.com" rel="nofollow" rel="nofollow">smit AT mac.com</a>. <a href="http://www.michaelsmit.com/" title="http://www.michaelsmit.com/" rel="nofollow">http://www.michaelsmit.com/</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The <a href="http://www.ozco.gov.au" rel="nofollow">Australia Council</a> is offering <a href="http://www.ozco.gov.au/grants/grants_new_media_arts/second_life_artist_residency/" rel="nofollow">$20,000 for a collaborative artist residency</a> in <a href="http://www.secondlife.com" rel="nofollow">Second Life</a> for artists to 'creatively and critically explore new interactive, virtual platforms'.</p>
<p>Visit <a href="http://www.ozco.gov.au/grants/grants_new_media_arts/second_life_artist_residency/" title="http://www.ozco.gov.au/grants/grants_new_media_arts/second_life_artist_residency/">http://www.ozco.gov.au/grants/grants_new_media_arts/second_life_artist_r...</a> for more details on the OZCO SL residency application.</p>
<p>If you're an artist working or hanging out in Second Life and are interested in applying but need people to work with, contact MichaelJohn Turner inworld, or email him at <a href="mailto:smit@mac.com" rel="nofollow">smit AT mac.com</a>. <a href="http://www.michaelsmit.com/" title="http://www.michaelsmit.com/">http://www.michaelsmit.com/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>The First International Art Tech Media Congress - call for submissions</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/the-first-international-art-tech-media-congress-call-submissions" />
    <id>http://www.aliak.com/content/the-first-international-art-tech-media-congress-call-submissions</id>
    <published>2007-03-11T03:21:30+00:00</published>
    <updated>2007-03-17T02:29:44+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="art" />
    <category term="call for submissions" />
    <category term="conference" />
    <category term="digital life" />
    <category term="event" />
    <category term="generative" />
    <category term="international" />
    <category term="madrid" />
    <category term="media" />
    <category term="project" />
    <category term="spain" />
    <category term="technology" />
    <category term="videoblog" />
    <summary type="html"><![CDATA[<p>The First International Art Tech Media Congress has been set up in order to reflect upon and analyse questions currently being raised about art and new technological media within an international context.<br />
artechmedia.net is calling on all creatives of the world to participate. Submissions will be accepted from the following categories:<br />
A<br />
- Video art<br />
- Net-art<br />
- 2D &amp; 3D Computer Animation<br />
- Blog, videoblog<br />
- Creation for mobile platforms<br />
- Digital Music<br />
- Videodance<br />
B<br />
- Digital Communities<br />
- Geospatial storytelling<br />
- Artificial Life, Software art, Transgenic art, Generative art<br />
read more for more information or visit <a href="http://www.artechmedia.net" title="www.artechmedia.net" rel="nofollow">www.artechmedia.net</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>International   Artist   Call     Art Tech M e d i a    0 7</p>
<p>T h e   F i r s t   I n t e r n a t i o n a l   A r t   T e c h    M e d i a   C o n g r e s s</p>
<p><a href="http://www.artechmedia.net" title="www.artechmedia.net">www.artechmedia.net</a></p>
<p>Calling on all creatives of the world to participate.<br />
Submissions will be accepted from the following categories:</p>
<p>A<br />
- Video art<br />
- Net-art<br />
- 2D &amp; 3D Computer Animation<br />
- Blog, videoblog<br />
- Creation for mobile platforms<br />
- Digital Music<br />
- Videodance</p>
<p>B<br />
- Digital Communities<br />
- Geospatial storytelling<br />
- Artificial Life, Software art, Transgenic art, Generative art<br />
.........................................................................................................................................................................................................................................<br />
In a globalised world, dominated by communication technologies, with<br />
countless questions concerning a future that affects our everyday<br />
life, it is essential to make this analysis and to consider, from<br />
different perspectives, how our polyhedral, altered reality is being<br />
effected by the widespread use of new technology as a support for new<br />
ideas and possibilities that are almost infinite. We need to<br />
investigate how this occurs in different societies and cultures and<br />
to propose models that may go beyond what has been known until now.</p>
<p>The First International Art Tech Media Congress has been set up in<br />
order to reflect upon and analyse questions currently being raised<br />
about art and new technological media within an international context.</p>
<p>Within this context, an intensive debate needs to take place on the<br />
influence and transformations that new media is producing in art,<br />
there needs to be a greater understanding of the foundations for more<br />
effective cooperation between the different sectors linked to digital<br />
art, and proposals need to be devised for the development of national<br />
and international collaborative networks in order to improve<br />
production, research, exhibition and promotion.</p>
<p>Last year, Art Tech Media 06 encounters had been held at nine Spanish<br />
museums, and given the great participation and the opinions<br />
collected, its seems clear that this is an ideal time to celebrate<br />
the First International Art Tech Media Conference. It represents a<br />
great opportunity to hold a transversal debate in order to devise<br />
proposals that will lead to greater and better coordination among the<br />
different sectors of art, aimed at strengthening its development.</p>
<p><a href="http://www.artechmedia.net/artechmedia06.htm" title="www.artechmedia.net/artechmedia06.htm">www.artechmedia.net/artechmedia06.htm</a></p>
<p>Art Tech Media 06 headquaters: Museo Nacional Centro de Arte Reina<br />
Sofía, Museo de Arte Contemporáneo Unión Fenosa, Presidencia Gobierno<br />
de Canarias, Museo Domus Artium 2002, Centro-Museo Vasco de Arte<br />
Contemporáneo Artium, Fundación BilbaoArte, Centro Párraga, Museo de<br />
Arte Moderno y Contemporáneo EsBaluard, Centro de Cultura<br />
Contemporánea de Barcelona.</p>
<p>...........................................................................................................................................................................................................................................</p>
<p>&lt;&lt;&lt;<artists_call</p>
<p>GENERAL REGULATIONS Art Tech Media 07 art call</p>
<p>- Works must have been produced after January 1st, 2006.<br />
- The number of submissions is not limited.<br />
- Works may be presented in any language. However, a transcript of dialogues<br />
must be included in either Spanish or English,<br />
- The organization reserves the rights to use parts of the works for<br />
media broadcasting, within the<br />
promotional framework of artechmedia.<br />
- Following the process of selection based on abstratcs, all<br />
participants will be notified in writing of<br />
the result and the required format for the presentationof their work,<br />
preferably on DVD.<br />
- Authors will be responsible for copyright of their works.<br />
- Works selected will be exhibited in artechmedia.<br />
- A electronic catalogue will be produced in Spanish and English,<br />
including all the works.<br />
- Artists with works selected shall agree to assign a copy to<br />
artechmedia, which may be<br />
used in the subsequent exhibitions.<br />
- The organization is not responsible for the content of works in<br />
order to preserve freedom.</p>
<p>Projects:</p>
<p>- Those interested in submitting work in these categories must send a<br />
completed entry form.<br />
- The net-art @blog, videoblog must include the URL address in the entry form.<br />
- A part from the entry form, those interested in taking part in<br />
video art and computer animation<br />
must also send a DVD with their work.<br />
- Digital Music must be sent both in digital format and as a hard copy by post.<br />
- All mail is to be sent to the office central art tech media<br />
Art Tech c/Méndez Nuñez 102, 6ºD. 38001 S/C Tenerife. Canary Island. Spain</p>
<p>DEADLINE: 16th march 2007</p>
<p>SELECTION AND JURY</p>
<p>- Works presented will be selected by a committee of the organization.<br />
- In each category a jury composed of experts will select the works.<br />
- Jury's decision is final, and is not open to appeal.</p>
<p>SELECTED WORKS must include:</p>
<p>- Technical credits.<br />
- Technical requirements for its showing.<br />
- Two colour photographs of every work sent.<br />
- A short biography of author or representative organization.<br />
- A transcript of dialogues in spanish or english.<br />
- All works must include in their front page: the work's title, the<br />
delivery address, and the<br />
data of author or representative organization.<br />
- In case of not providing a correct delivery address, the<br />
organization will not be<br />
responsible for the works.<br />
- Submission of a work implies the acceptance of these regulations.</p>
<p>&gt;registration form&gt; enter<br />
<a href="mailto:artechmedia@artechmedia.net">artechmedia@artechmedia.net</a></p>
<p>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</p>
<p>1st International Congress Art Tech Media     <a href="http://www.artechmedia.net" title="www.artechmedia.net">www.artechmedia.net</a><br />
8-9-10-11 th may . Madrid. Spain</p>
<p>______________________________________________<br />
SPECTRE list for media culture in Deep Europe<br />
Info, archive and help:<br />
<a href="http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre" title="http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre">http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre</a></p>
</artists_call</p></p>    ]]></content>
  </entry>
  <entry>
    <title>STEIM - the studio for electro-instrumental music</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2929" />
    <id>http://www.aliak.com/node/2929</id>
    <published>2006-03-20T18:31:33+00:00</published>
    <updated>2008-01-26T20:02:26+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="amsterdam" />
    <category term="call for submissions" />
    <category term="collective" />
    <category term="electro-acoustic" />
    <category term="europe" />
    <category term="experimental" />
    <category term="generative" />
    <category term="interface controllers" />
    <category term="music" />
    <category term="music resources" />
    <category term="organisation" />
    <category term="project" />
    <summary type="html"><![CDATA[<p><a href="http://www.steim.org" rel="nofollow" rel="nofollow">STEIM</a> (the studio for electro-instrumental music) is the only independent live electronic music centre in the world that is exclusively dedicated to the performing arts. The foundation's artistic and technical departments supports an international community of performers and musicians, and a growing group of visual artists, to develop unique instruments for their work. STEIM invites these people for residencies and provides them with an artistic and technical environment in which concepts can be given concrete form. It catalyzes their ideas by providing critical feedback grounded in professional experience. These new creations are then exposed to a receptive responsive niche public at STEIM before being groomed for a larger audience.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><a href="http://www.steim.org" rel="nofollow">STEIM</a> (the studio for electro-instrumental music) is the only independent live electronic music centre in the world that is exclusively dedicated to the performing arts. </p>
<p>The foundation's artistic and technical departments supports an international community of performers and musicians, and a growing group of visual artists, to develop unique instruments for their work. </p>
<p>STEIM invites these people for residencies and provides them with an artistic and technical environment in which concepts can be given concrete form. It catalyzes their ideas by providing critical feedback grounded in professional experience. </p>
<p>These new creations are then exposed to a receptive responsive niche public at STEIM before being groomed for a larger audience.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Arte-Polis: Creative Culture and the Making of Place - Indonesia</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/arte-polis-creative-culture-and-making-place-indonesia" />
    <id>http://www.aliak.com/content/arte-polis-creative-culture-and-making-place-indonesia</id>
    <published>2006-01-18T10:52:40+00:00</published>
    <updated>2006-01-18T11:17:07+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="architectural spaces" />
    <category term="call for submissions" />
    <category term="event" />
    <category term="festival" />
    <category term="international" />
    <category term="locative" />
    <summary type="html"><![CDATA[<p>In an era of globalization, activities of the creative economy such as fashion, film, television, theater, music, dance, visual arts, design, architecture, advertising, publishing, multimedia and information technology, have contributed significantly to local economy, community life and the creation of places in cities. Such cities have taken advantage of the trend in natural agglomeration of creative industries, not only as a result of economic efficiency but of innovative synergies unleashed in industrial clusters, given that information, imagination, opinions and cultural sensibilities are transmitted through them. This agglomeration of design and knowledge-intensive industries attain place-specific competitive advantages by utilizing local symbolic culture, which becomes embedded in products that are value-added and unique in character. Together with this trend, carefully designed places in cities that offer life-style choices and amenities emerge as an important strategy for attracting talented people. These cultural places become hubs for creative communities, given that groups of creative professionals tend to cluster in places that provide not only the kind of jobs they seek but also the quality of life amenities they prefer. However, there remains a gap between global and local settings, in which a framework is needed to situate the cities of developing countries within this global phenomenon. Equally important is an understanding of how local knowledge and creativity in different cultural and economic contexts, particularly of cities in developing countries with their informal economy, contribute to this continuing discourse at both theoretical and practical levels. Read more or visit <a href="http://www.ar.itb.ac.id/artepolis" title="http://www.ar.itb.ac.id/artepolis" rel="nofollow">http://www.ar.itb.ac.id/artepolis</a> for more details</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Call for Papers - 1st Announcement<br />
INTERNATIONAL SEMINAR AND WORKSHOP ON URBAN CULTURE<br />
Arte-Polis: Creative Culture and the Making of Place<br />
Bandung, 21- 23 July 2006</p>
<p>Organized by:<br />
Department of Architecture<br />
School of Architecture, Planning and Policy Development<br />
Institute of Technology Bandung (ITB), Indonesia</p>
<p>Seminar Introduction<br />
For the last three decades there has been a convergence between the<br />
realms of cultural and economic development. In the process broadly<br />
termed 'cultural economy', ideas and artistic qualities contribute<br />
towards a new development paradigm. In addition, a wide range of<br />
activities are now concerned with the production and marketing of<br />
goods and services that are infused with aesthetic and symbolic<br />
cultural content. This phenomenon has shifted development approaches<br />
from a Fordist economic regime based on manufacturing to one that<br />
places high value on human creativity. Several scholars have noted<br />
that this type of cultural economy is characterized by the emergence<br />
of a ‘creative class’ who build their main activities on knowledge<br />
and creativity. In terms of the built environment, this paradigm<br />
shift to a creative economy has in turn influenced the formulation of<br />
policy and practice of urban development.</p>
<p>In an era of globalization, activities of the creative economy such<br />
as fashion, film, television, theater, music, dance, visual arts,<br />
design, architecture, advertising, publishing, multimedia and<br />
information technology, have contributed significantly to local<br />
economy, community life and the creation of places in cities. Such<br />
cities have taken advantage of the trend in natural agglomeration of<br />
creative industries, not only as a result of economic efficiency but<br />
of innovative synergies unleashed in industrial clusters, given that<br />
information, imagination, opinions and cultural sensibilities are<br />
transmitted through them. This agglomeration of design and<br />
knowledge-intensive industries attain place-specific competitive<br />
advantages by utilizing local symbolic culture, which becomes<br />
embedded in products that are value-added and unique in character.<br />
Together with this trend, carefully designed places in cities that<br />
offer life-style choices and amenities emerge as an important<br />
strategy for attracting talented people. These cultural places become<br />
hubs for creative communities, given that groups of creative<br />
professionals tend to cluster in places that provide not only the<br />
kind of jobs they seek but also the quality of life amenities they<br />
prefer. However, there remains a gap between global and local<br />
settings, in which a framework is needed to situate the cities of<br />
developing countries within this global phenomenon. Equally important<br />
is an understanding of how local knowledge and creativity in<br />
different cultural and economic contexts, particularly of cities in<br />
developing countries with their informal economy, contribute to this<br />
continuing discourse at both theoretical and practical levels.</p>
<p>This Seminar will critically debate and discuss the following issues:<br />
(1) How and to what extent does the creative economy influence urban<br />
development?<br />
(2) How does this phenomenon differ in the cultural and economic<br />
contexts of cities in developing countries from those of developed<br />
countries?<br />
(3) How can creative-based cultural industries and activities be<br />
managed, planned and designed to improve the quality of places for<br />
people living in cities?</p>
<p>The Seminar’s theme of 'Creative Culture and the Making of Place'<br />
will be elaborated within these Parallel Sessions:<br />
(A) Theoretical Discourses                      (B) Community and<br />
Private Initiatives<br />
(C) Institutional Capacity Building             (D) Planning Policy<br />
and Place-Making</p>
<p>The objective of this two-day Seminar is to bring together scholars,<br />
community groups, decision-makers and professionals from all<br />
disciplines concerned with the quality of life in cities<br />
(architecture, arts, cultural/development studies, design, economics,<br />
geography, planning etc) to share international knowledge and<br />
experience regarding current issues, best practices and policy<br />
implications of the relationship between creative culture and<br />
place-making.</p>
<p>Workshop and Exhibition<br />
The Workshop on the third day aims at proposing place-specific and<br />
action-oriented interventions by harnessing the creative potential of<br />
Bandung, the fourth largest city in Indonesia with a population of<br />
2.5 million people. Through active participation by a wide range of<br />
stakeholders, this Workshop will formulate visions and recommend<br />
possible implementation of a sustainable and strategic plan for<br />
activities of the creative economy clustering around Dago Street, a<br />
major historic boulevard in Bandung. Within the past decade, this<br />
street has undergone dramatic changes in uses toward more<br />
culture-based urban development characterized by the presence of<br />
clothing factory outlets, design-conscious stores, cafes, galleries,<br />
educational institutions and media/entertainment/performing art<br />
activities. This development has not come without problems for the<br />
city and its residents. Despite the potentials and problems, there<br />
has been lack of a clear vision as how to plan these creative<br />
activities into an integrated cultural district that promotes strong<br />
local character, social cohesiveness and economic sustainability. The<br />
Workshop will address these issues through an intensive one-day<br />
design charette. An Exhibition on urban culture and place-making will<br />
also be held in conjunction with this International Seminar and<br />
Workshop.</p>
<p>Steering Committee<br />
·       Prof. Alexander R. CUTHBERT, Ph.D. University of New South<br />
Wales, Australia<br />
·       Prof. Mohammad DANISWORO, Ph.D. Institute of Technology<br />
Bandung, Indonesia<br />
·       Cor DIJKGRAAF, M.Sc.  Pacific Rim Council on Urban Development (PRCUD)<br />
·       Himasari HANAN, Dr.-Ing.  Institute of Technology Bandung, Indonesia<br />
·       Prof. Lily KONG, Ph.D.  National University of Singapore<br />
·       Assoc.Prof. Abidin KUSNO, Ph.D.  University of British Columbia, Canada<br />
·       Jim A. SUPANGKAT, Drs.  Independent Art Curator, Indonesia</p>
<p>Keynote Speakers<br />
·       Prof. Alexander R. CUTHBERT, Ph.D.  Professor of Planning and<br />
Urban Development, University of New South Wales, Australia<br />
·       Prof. Dorodjatun KUNTJORO-JAKTI, Ph.D.  Professor of<br />
Economics, University of Indonesia and Former Coordinating Minister<br />
for Economic Affairs, Indonesia</p>
<p>Featured Speakers<br />
·       I Gde ARDHIKA, Drs.  Former Minister for Culture and Tourism, Indonesia<br />
·       Prof. Mohammad DANISWORO, Ph.D.  Professor of Architecture<br />
and Urban Design, Institute of Technology Bandung, Indonesia<br />
·       Cor DIJKGRAAF, M.Sc.  President, Pacific Rim Council on Urban<br />
Development (PRCUD) and Director of Urban Solutions, The Netherlands<br />
·       Himasari HANAN, Dr.-Ing. Head of Architecture Department,<br />
Institute of Technology Bandung, Indonesia<br />
·       Mohamad S. HIDAYAT, Mr.  Chairman, Indonesian Chamber of<br />
Commerce and Industry, Indonesia<br />
·       Prof. Lily KONG, Ph.D. Professor of Geography and<br />
Vice-Provost (Education), National University of Singapore<br />
·       Assoc.Prof. Abidin KUSNO, Ph.D.  Canada Research Chair in<br />
Asian Urbanism and Culture, University of British Columbia, Canada*<br />
·       Prof. Masayuki SASAKI, Ph.D.  Professor of Urban and Cultural<br />
Economics, Graduate School for Creative Cities, Osaka City<br />
University, Japan<br />
·       Prof. Budhy Tjahjati S. SOEGIJOKO, Ph.D. Professor of Urban<br />
Planning, Institute of Technology Bandung, Indonesia<br />
·       Nining I. SOESILO, Dr. Director of Small Medium Enterprise<br />
Center, Institute for Economic and Social Research, Faculty of<br />
Economics, University of Indonesia<br />
·       Indra B. SYAMWIL, Ph.D. Head of Housing and Human Settlements<br />
Research Group, School of Architecture, Planning and Policy<br />
Development, Institute of Technology Bandung, Indonesia<br />
·       Representative of one-north development, Jurong Town<br />
Corporation, Singapore*<br />
*pending confirmation</p>
<p>Call for Papers<br />
Abstracts of 300 words maximum (Arial 11 font, single-spaced, MS-Word<br />
document, no images) are invited to address the theme and issues<br />
raised in the Seminar Introduction. Author’s name, institution,<br />
email, mailing address, Abstract Title, and the Parallel Session they<br />
would like to be considered for, must be provided on a separate page.<br />
Authors should provide Abstract Title as file-name and send as<br />
attachment to the Organizing Committee via email  (<a href="mailto:psud@melsa.net.id">psud@melsa.net.id</a>)<br />
or fax  (+62-22-250-8164).</p>
<p>Abstracts received will be blind-reviewed by members of the Steering<br />
Committee, and Authors will be notified of the results. Based on<br />
their recommendations, the Organizing Committee will allocate<br />
selected Abstracts and subsequent Papers to Parallel Sessions, which<br />
may differ from Author’s original preference.</p>
<p>Should an Abstract be selected for presentation in the Seminar, the<br />
Author will be invited to send an expanded or 'full' version of the<br />
Paper. Guidelines will be provided on the format, fonts, maximum<br />
number of pages and possible insertion of images. Only English edited<br />
papers will be accepted, and Authors should keep in accordance with<br />
these guidelines for possible inclusion in the Seminar Proceedings.</p>
<p>Important Dates</p>
<p>·       3 March 2006    Deadline for Abstract submission</p>
<p>·       3 April 2006    Notification of Abstract review results begin<br />
·       3 June 2006     Deadline for Papers submission<br />
·       14 June 2006    Deadline for Registration and payment of Fees<br />
for participants presenting Papers<br />
·       14 July 2006    Deadline for Seminar/Workshop Registration<br />
and payment of Fees for participants<br />
·       21-23 July 2006 International Seminar (21-22 July) and<br />
Workhop (23 July). Walk-in Registration on<br />
                       day of Seminar/Workshop subject to<br />
availabililty of places.</p>
<p>Fees and Payment<br />
A. Seminar and Workshop (3 days)B. Seminar (2 days)C. Workshop (1<br />
day) 1International  ProfessionalUS$ 120US$ 100US$ 40 2International<br />
StudentUS$   60US$   50US$ 20 3Indonesian Resident  ProfessionalRp.<br />
300.000,-Rp. 250.000,-Rp. 100.000,- 4Indonesian Resident  StudentRp.<br />
150.000,-Rp. 125.000,-Rp.   50.000,-</p>
<p>For the Seminar, fee includes seminar kit, Abstracts Book, CD-ROM of<br />
Seminar Proceedings, coffee breaks and Certificate of Participation.<br />
For the Workshop, fee includes workshop kit, coffee breaks and<br />
Certificate of Participation. Student certification required.</p>
<p>Bank details of the Organizing Committee, for transfer of payment:<br />
BANK MANDIRI, KCP Bandung Siliwangi  Bandung, Indonesia. Swift Code: BEIIIDJA<br />
US Dollars:             Dr.Ing. Ir. HERU WIBOWO, MURP, IAI. - Acct.<br />
No. 130-00-0474755-9<br />
Indonesian Rupiah:      Dr.Ing. Ir. HERU WIBOWO, MURP, IAI. - Acct.<br />
No. 130-00-0474754-2</p>
<p>Publications<br />
All selected Abstracts will be compiled in a book and, together with<br />
a CD-ROM of Seminar Proceedings, will be provided to registered<br />
participants at the Seminar venue. Seminar Proceedings in book form,<br />
containing Papers received by the above deadline, will also be<br />
available for purchase during the Seminar.</p>
<p>Language<br />
English is the official language for all Seminar business, including<br />
Abstracts, Papers, presentations and correspondence. Translation<br />
between Bahasa Indonesia and English will be provided during the<br />
Workshop to facilitate discussion with and presentation to local<br />
stakeholders and municipal officials.</p>
<p>Venue<br />
The idyllic campus of Institute of Technology Bandung (ITB) is the<br />
venue for this international event. The Seminar will be held in East<br />
Great Hall (Aula Timur), designed by architect Henri Maclaine Pont in<br />
the early 20th-century, while the Workshop and Exhibition will take<br />
place at the Architecture Building.</p>
<p>Organizing Committee<br />
For further information and inquiries, please contact:<br />
Organizing Committee, International Seminar and Workshop on Urban Culture<br />
Attn. Dr. Woerjantari Soedarsono - Urban Design Laboratory,<br />
Department of Architecture<br />
School of Architecture, Planning and Policy Development - Institute<br />
of Technology Bandung<br />
LabTek. IXA, 2nd Floor. Jalan Ganesha 10, Bandung 40132, INDONESIA<br />
Tel/Fax (+62-22) 250-8164   Email: <a href="mailto:psud@melsa.net.id">psud@melsa.net.id</a><br />
<a href="http://www.ar.itb.ac.id/artepolis" title="http://www.ar.itb.ac.id/artepolis">http://www.ar.itb.ac.id/artepolis</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>First Monday Conference - FM10 Openness: Code, science and content - Chicago</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/first-monday-conference-fm10-openness-code-science-and-content-chicago" />
    <id>http://www.aliak.com/content/first-monday-conference-fm10-openness-code-science-and-content-chicago</id>
    <published>2006-01-18T10:37:30+00:00</published>
    <updated>2006-01-18T10:41:28+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="event" />
    <category term="festival" />
    <category term="international" />
    <summary type="html"><![CDATA[<p>Recent years have seen a strong interest among academics, policy makers, activists, business and other practitioners on open collaboration and access as a driver of creativity. In some areas, such as free software / open source, sustainable business models have emerged that are holding their own against more traditional, proprietary software industries. In the sciences, the notions of open science and open data demonstrate the strong tradition of openness in the academic community that, despite its past successes, is increasingly under threat. And open access journals and other open content provide inspiring examples of collaborative creativity and participatory access, such as Wikipedia, while still in search of models to ensure sustainability. There are clear links between these areas of openness: open content often looks explicitly towards open source software for business models, and open science provides through its history a glimpse of the potential of openness, how it can work, as well as a warning of the threats it may face. Finally, open collaboration is closely linked to access to knowledge issues, enabling active participation rather than passive consumption especially in developing countries. Register at <a href="http://numenor.lib.uic.edu/fmconference/" title="http://numenor.lib.uic.edu/fmconference/" rel="nofollow">http://numenor.lib.uic.edu/fmconference/</a> and/or send an abstract or paper to <a href="http://numenor.lib.uic.edu/fmconference/" title="http://numenor.lib.uic.edu/fmconference/" rel="nofollow">http://numenor.lib.uic.edu/fmconference/</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>First Monday Conference<br />
FM10 Openness: Code, science and content<br />
15-17 May 2006, at The University of Illinois at Chicago</p>
<p>Celebrate ten years of First Monday!</p>
<p>Register at <a href="http://numenor.lib.uic.edu/fmconference/" title="http://numenor.lib.uic.edu/fmconference/">http://numenor.lib.uic.edu/fmconference/</a></p>
<p>Send an abstract or paper to <a href="http://numenor.lib.uic.edu/fmconference/" title="http://numenor.lib.uic.edu/fmconference/">http://numenor.lib.uic.edu/fmconference/</a></p>
<p>Thanks to a grant from The Open Society Institute, as many as 20<br />
participants from developing countries may receive grants to attend<br />
the Conference. An application form can be found at<br />
<a href="http://firstmonday.org/fm10/FM10_OSI_fundreq.doc" title="http://firstmonday.org/fm10/FM10_OSI_fundreq.doc">http://firstmonday.org/fm10/FM10_OSI_fundreq.doc</a>. Deadline 10<br />
February 2006.</p>
<p>The Conference is generously sponsored by The Open Society Institute,<br />
The John D. and Catherine T. MacArthur Foundation, The University of<br />
Illinois at Chicago University Library and The Maastricht Economic<br />
Research Institute on Innovation and Technology (MERIT), University<br />
of Maastricht.</p>
<p>About the Conference</p>
<p>Recent years have seen a strong interest among academics, policy<br />
makers, activists, business and other practitioners on open<br />
collaboration and access as a driver of creativity. In some areas,<br />
such as free software / open source, sustainable business models have<br />
emerged that are holding their own against more traditional,<br />
proprietary software industries. In the sciences, the notions of open<br />
science and open data demonstrate the strong tradition of openness in<br />
the academic community that, despite its past successes, is<br />
increasingly under threat. And open access journals and other open<br />
content provide inspiring examples of collaborative creativity and<br />
participatory access, such as Wikipedia, while still in search of<br />
models to ensure sustainability.</p>
<p>There are clear links between these areas of openness: open content<br />
often looks explicitly towards open source software for business<br />
models, and open science provides through its history a glimpse of<br />
the potential of openness, how it can work, as well as a warning of<br />
the threats it may face. Finally, open collaboration is closely<br />
linked to access to knowledge issues, enabling active participation<br />
rather than passive consumption especially in developing countries.</p>
<p>Despite these clear links, there has been surprisingly little<br />
thoughtful analysis of this convergence, or of the real value of the<br />
common aspect of open collaboration. In particular, while open source<br />
software - due to its strong impact on business and on bridging the<br />
digital divide - has drawn much attention, it may provide false hopes<br />
for the sustainability of openness in other areas of content that<br />
need careful examination. The conference -- FM10 Openness: Code,<br />
science and content - Making collaborative creativity sustainable --<br />
provides a platform for such analysis and discussion, resulting in<br />
concrete proposals for sustainable models for open collaboration in<br />
creative domains.</p>
<p>The Conference will draw on the experience of First Monday as the<br />
foremost online, peer-reviewed academic journal covering these issues<br />
since May 1996. Not only has First Monday published numerous papers<br />
by leading scholars on the topics of open collaboration, open access,<br />
and open content in its various forms, it is itself an example of<br />
open collaboration in practice: for a decade, the journal has been<br />
published on a purely voluntary basis, with no subscription fees,<br />
advertising, sponsorship or other revenues. The success of First<br />
Monday is demonstrated by thousands of readers around the world,<br />
downloading hundreds of thousands of papers each month.</p>
<p>For more details, contact Edward Valauskas, Chief Editor of First<br />
Monday at <a href="mailto:ejv@uic.edu">ejv@uic.edu</a>. We look forward to seeing you in Chicago!</p>
    ]]></content>
  </entry>
  <entry>
    <title>VIDFEST Announces Call for Entries - Interactive Design &amp; Digital Film</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/vidfest-announces-call-entries-interactive-design-digital-film" />
    <id>http://www.aliak.com/content/vidfest-announces-call-entries-interactive-design-digital-film</id>
    <published>2006-01-18T00:02:41+00:00</published>
    <updated>2006-01-18T09:17:23+00:00</updated>
    <author>
      <name>Jessica</name>
    </author>
    <category term="call for submissions" />
    <category term="international" />
    <category term="video art" />
    <summary type="html"><![CDATA[<p>Where is digital film and interactive design heading in the new year? VIDFEST (Vancouver International Digital Festival) has launched its call for entries to its 3rd annual competition to find out. VIDFEST is developing a reputation for bringing independent and creative producers together with big name digital entertainment and media companies like EA, Nokia, ABC, Warner, and Disney. Those who make the final cut and are selected for screening or exhibition at the festival enjoy full access to all the conference sessions, events, and parties. The deadline for submissions is March 31, 2006. Entrants can submit in two areas: Digital Film : VIDFEST is looking for digitally produced shorts including: music videos, game sequences, animation, digital video; and Interactive Design : VIDFEST is looking for original, highly usable, and innovative websites in 4 categories: Business, Education, Entertainment, and Experimental/Art. More details and entry forms are available at <a href="http://www.vidfest.com" title="http://www.vidfest.com" rel="nofollow">http://www.vidfest.com</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Where is digital film and interactive design heading in the new year? VIDFEST (Vancouver International Digital Festival) has launched its call for entries to its 3rd annual competition to find out. </p>
<p>VIDFEST is developing a reputation for bringing independent and creative producers together with big name digital entertainment and media companies like EA, Nokia, ABC, Warner, and Disney. Those who make the final cut and are selected for screening or exhibition at the festival enjoy full access to all the conference sessions, events, and parties. </p>
<p>The deadline for submissions is March 31, 2006. Entrants can submit in two areas:</p>
<p>Digital Film:</p>
<p>VIDFEST is looking for digitally produced shorts including: music videos, game sequences, animation, digital video</p>
<p>Interactive Design</p>
<p>VIDFEST is looking for original, highly usable, and innovative websites in 4 categories: Business, Education, Entertainment, and Experimental/Art</p>
<p>More details and entry forms are available at <a href="http://www.vidfest.com" title="http://www.vidfest.com">http://www.vidfest.com</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Weather in My Brain Sound-Visual Art Festival 2005 Open call for entrees</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/weather-my-brain-sound-visual-art-festival-2005-open-call-entrees" />
    <id>http://www.aliak.com/content/weather-my-brain-sound-visual-art-festival-2005-open-call-entrees</id>
    <published>2005-10-07T08:03:07+01:00</published>
    <updated>2005-10-07T08:54:41+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="asia" />
    <category term="call for submissions" />
    <category term="festival" />
    <category term="film" />
    <category term="international" />
    <category term="taiwan" />
    <summary type="html"><![CDATA[<p>2005 The third Weather in My Brain Sound-Visual Art Festival is set for December.The event will include four sections: Weather in My Brain Sound – Visual Art Festival Performance Series, Weather in My Brain Music Video Festival, Weather in My Brain International Sound – Visual Art Forum, and Weather in My Brain Taiwanese Open Exhibition/Performances. For the long term, it is also planned to establish a Taiwan Sound – Visual Artist's Community. Web site to download application form: <a href="http://www.weatherinmybrain.org/" title="http://www.weatherinmybrain.org/" rel="nofollow">http://www.weatherinmybrain.org/</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Weather in My Brain Sound-Visual Art Festival 2005 Open call for entrees</p>
<p>2003 The first Weather in My Brain happens at the 284 Substitude Space, with a group of Taiwanese artists spontaneously taking part.</p>
<p>2004 The second Weather in My Brain at Huashan Arts District happens over five successive days, a banquet of avant-garde sound and visual art featuring Zbigniew Karkowski (Poland), Takagi Masakatsu (Japan), Dickson Dee (Hong Kong), Otomo Yoshihid (Japan), guitarist SXM (Czech), Keiji Haino (Japan), and several Taiwanese performers, including Weathermen and KbN.</p>
<p>2005 The third Weather in My Brain Sound-Visual Art Festival is set for December.The event will include four sections: Weather in My Brain Sound – Visual Art Festival Performance Series, Weather in My Brain Music Video Festival, Weather in My Brain International Sound – Visual Art Forum, and Weather in My Brain Taiwanese Open Exhibition/Performances. For the long term, it is also planned to establish a Taiwan Sound – Visual Artist's Community.</p>
<p>Performance applications for Weather in My Brain Sound - Visual Art Festival:<br />
Applicants must submit at least one video or sound work. Those submitting three or more will receive preference.<br />
Those accepted will perform in a lineup of Taiwanese and international participants, be included in the festival catalogue, receive a pass to the festival, an invitation to the International Exchange Forum, a festival DVD, and other Weather in My Brain commemorative stuff.</p>
<p>Music video applications for Weather in My Brain Music Video Festival:<br />
There is no limit to the number of music videos that may be submitted. Accepted works will be shown as part of the Weather in My Brain Music Video Festival and be included in the festival catalogue. Directors will receive a pass to the festival, an invitation to the International Exchange Forum, a festival DVD, and other Weather in My Brain commemorative stuff.</p>
<p>Application notes:<br />
※ To apply by post, please use the form below and mail it to us along with optical discs containing your sound or video files. Audio-visual file formats are limited to: DVD, VCD, .mpeg, .avi, and .mov.<br />
※ To apply by email, please fill out the form below and attach it along with your sound or video files, then send to : <a href="mailto:info@weatherinmybrain.org">info@weatherinmybrain.org</a>.<br />
※ All music genres are allowed. All types of performances – bands, DJs, solo sets, etc. – are allowed. ※Are you a musician, sound artist, or video artist that can’t find a collaborator? Would you like to find a collaborator with whom to apply for Weather in My Brain? To help out, we’ve established the Taiwan Image Music Creative Exchange Forum. If you’re interested, feel free to log in to our site and do a search: <a href="http://www.weatherinmybrain.org/" title="http://www.weatherinmybrain.org/">http://www.weatherinmybrain.org/</a>. (At present, in Chinese only)</p>
<p>Web site/ download application form: <a href="http://www.weatherinmybrain.org/" title="http://www.weatherinmybrain.org/">http://www.weatherinmybrain.org/</a><br />
Application deadline: Deadline information will be posted on the web site.<br />
Mailing address: #8-2, Alley 5, Lane 153, Sec. 2, Xinglong Rd, Taipei 11689<br />
Telephone: +886-2-2933-3431<br />
Fax: +886-2-2933-9377<br />
Email <a href="mailto:info@weatherinmybrain.org">info@weatherinmybrain.org</a></p>
<p>Supervisory agencies: National Culture and Arts Foundation,Taipei City Culture Bureau<br />
Organizer: Meteorology Studio Silent Agreement<br />
Affiliate organizers: Happy Happy Promotion</p>
    ]]></content>
  </entry>
  <entry>
    <title>Opportunity for WA visual, sound &amp; performance artists</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/opportunity-wa-visual-sound-performance-artists" />
    <id>http://www.aliak.com/content/opportunity-wa-visual-sound-performance-artists</id>
    <published>2005-07-12T09:09:00+01:00</published>
    <updated>2005-07-12T09:09:00+01:00</updated>
    <author>
      <name>Artrage Festival 05</name>
    </author>
    <category term="arts" />
    <category term="call for submissions" />
    <category term="event" />
    <category term="festival" />
    <category term="perth" />
    <summary type="html"><![CDATA[<p>The ARTRAGE Festival 05 runs from Oct 01 - Oct 29 2005 and is being mounted exclusively in Northbridge and the Perth CBD. We are currently calling for WA artists of visual, sound, and performance orientations for 5 of these programs. We are currently calling for WA artists of visual, sound, and performance orientations for 5 of these programs including: The Dirty Rotten Cabaret, The Salvation Show, The 24 Hr Play Project, Supermart Window-shopping &amp; Audiosity. All program information and application forms are available by going to the Artrage website, <a href="http://www.artrage.com.au" rel="nofollow" rel="nofollow">www.artrage.com.au</a> or read more for further details.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The ARTRAGE Festival 05 runs from Oct 01 - Oct 29 2005 and is being mounted exclusively in Northbridge and the Perth CBD. </p>
<p>The festival features a series of 10 key program streams covering all fields of cutting-edge creative endeavour. </p>
<p>We are currently calling for WA artists of visual, sound, and performance orientations for 5 of these programs including: The Dirty Rotten Cabaret, The Salvation Show, The 24 Hr Play Project, Supermart Window-shopping &amp; Audiosity. </p>
<p>All program information and application forms are available by going to the Artrage website (<a href="http://www.artrage.com.au)" rel="nofollow">www.artrage.com.au)</a> </p>
<p>Submissions will be accepted until Monday August 1 and successful artists will be notified via phone or email by August 15 2005. </p>
<p>Need more help?<br />
A friendly ARTRAGE personality is available when you call (08) 9227 6288</p>
<p>To stay informed about ARTRAGE Festival information, other program call for works, as well as keeping informed about ARTRAGE opportunities and programs throughout the year, join the ARTRAGE mailing list on the Artrage website.</p>
    ]]></content>
  </entry>
  <entry>
    <title>SoundLab Channel Australian Call for Works</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/soundlab-channel-australian-call-works" />
    <id>http://www.aliak.com/content/soundlab-channel-australian-call-works</id>
    <published>2005-06-08T09:59:00+01:00</published>
    <updated>2005-06-08T09:59:00+01:00</updated>
    <author>
      <name>michaelyuen</name>
    </author>
    <category term="australia" />
    <category term="call for submissions" />
    <category term="experimental" />
    <category term="project" />
    <summary type="html"><![CDATA[<p>This is a nationwide call for works for Australian sound artists to contribute to SoundLab Channel Edition III.  SoundLab Channel was launched as part of [R][R][F]2005---&gt;XP in the Biennale of Electronic Art Perth 2004  <a href="http://www.beap.org" rel="nofollow" rel="nofollow">www.beap.org</a>. SoundLab Channel is an Internet sound gallery hosted in Cologne. As part of [R][R][F]2005---&gt;XP  SoundLab Channel will participate in all future presentations of [R][R][F]2005---&gt;XP in virtual and physical space. Deadline 13 June, 2005. read more for details or visit <a href="http://www.nmartproject.net" rel="nofollow" rel="nofollow">http://www.nmartproject.net</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>SoundLab Channel Australian Call for Works</p>
<p>Deadline 13th June 2005<br />
<a href="http://www.nmartproject.net/" rel="nofollow">http://www.nmartproject.net/</a><br />
Contact: <a>nfo.pj2@ozemail.com.au"i<a href="mailto:nfo.pj2@ozemail.com" rel="nofollow">nfo.pj2@ozemail.com</a>.au</a></p>
<p>This is a nationwide call for works for Australian sound artists to contribute to SoundLab Channel Edition III.  SoundLab Channel was launched as part of [R][R][F]2005---&gt;XP in the Biennale of Electronic Art Perth 2004  <a href="http://www.beap.org" rel="nofollow">www.beap.org</a>. SoundLab Channel is an Internet sound gallery hosted in Cologne. As part of [R][R][F]2005---&gt;XP  SoundLab Channel will participate in all future presentations of [R][R][F]2005---&gt;XP in virtual and physical space.</p>
<p>Requirements:<br />
1.    You are an Australian artist.<br />
2.    Submission format strictly .mp3</p>
<p>Material to be submitted<br />
1.    Name<br />
2.    Email address<br />
3.    Short biography/CV (max 300 words)<br />
4.    Works (maximum 3), year of production, running time (max 10MB - excepts on request)<br />
5.    Short statement for each work (max 300 words each)<br />
6.    URL (optional)</p>
<p>The theme for SoundLab Channel Edition III is "Memory and Identity" and/or "Violence". Adelaide</p>
    ]]></content>
  </entry>
  <entry>
    <title>cfp : The body/technology-instrument/technology paradigm</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/cfp-the-bodytechnology-instrumenttechnology-paradigm" />
    <id>http://www.aliak.com/content/cfp-the-bodytechnology-instrumenttechnology-paradigm</id>
    <published>2005-05-29T07:11:00+01:00</published>
    <updated>2005-05-29T07:11:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="europe" />
    <category term="publication" />
    <summary type="html"><![CDATA[<p>Contemporary Music Review (Routledge) invites papers from writers reflecting on sound in relation to the body/technology; from anyone who attempts to define and/or crtically examine threshold conditions of instrument and performer; writers who are keen to challenge con- or discontinuities of instrument and performer, be it in the form of laptop improvisation, interactive sound environments, 3d cave installations, sonic architecture, or other performance situations.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Contemporary Music Review (Routledge)<br />
Call for papers:<br />
The body/technology-instrument/technology paradigm.</p>
<p>We invite papers from writers reflecting on sound in relation to the<br />
body/technology; from anyone who attempts to define and/or critically<br />
examine<br />
threshold conditions of instrument and performer; writers who are keen to<br />
challenge con- or discontinuities of instrument and performer, be it in the<br />
form of laptop improvisation, interactive sound environments, 3d cave<br />
installations, sonic architecture, or other performance situations.</p>
<p>In an era in which technology has impacted immensely on ways in which<br />
instrumental music is being performed, indeed in which the role of the<br />
instrument, if not notions of the instrument itself, have become radically<br />
altered, we want to examine the instrument's position as well as the role of<br />
the performer.</p>
<p>The body/technology - instrument/technology coupling or decoupling is<br />
something that can be, and needs to be explored from various angles. Such<br />
discussion invariably leads us to think about what we consider an instrument<br />
to be in technologically mediated environments, in particular if we keep in<br />
mind that the word's origin suggests notions of "instruction" (from Latin:<br />
instruere): who instructs or who/what is instructed by whom?</p>
<p>*      Do we see the instrument as extension, retraction or subversion of<br />
the<br />
body?<br />
*      Is the instrument one that brings the body into existence, or one<br />
that<br />
denies bodily existence?<br />
*      What are the implications of technological environments on the<br />
instrument-performer relation?<br />
*      Does the body become re-figured and re-inscribed by technology?<br />
These are only a few of the questions that may arise; other exploratory<br />
paths<br />
that elucidate aspects of the body/technology-instrument/technology<br />
paradigms<br />
are highly encouraged.</p>
<p>For this discussion papers may rejoice in the liminal, the erotic, or the<br />
incestuous, they may celebrate touch, if not the self-touch, and may move<br />
beyond notions of the instrument as extension of the body in performance.</p>
<p>Papers from disciplines as varied as music, philosophy, anthropology,<br />
sociology, biology, informatics or architecture will be of interest.</p>
<p>Abstracts of around 300 words should be sent to the guest editor by the 31st<br />
of July 2005.<br />
Full papers will be due at the end of September 2005.</p>
<p>____________________________________________________________<br />
Please note:<br />
Papers are accepted only in English.</p>
<p>Submission of a paper to this journal will be taken to imply that it<br />
represents original work not previously published, that it is not being<br />
considered elsewhere for publication, and that if accepted for publication<br />
it<br />
will not be published elsewhere in the same form, in any language, without<br />
the<br />
consent of the editors and publishers.</p>
<p>All queries should be directed to:</p>
<p>Franziska Schroeder<br />
Guest Editor<br />
Contemporary Music Review:<br />
Email: <a>ranziska@lautnet.net"f<a href="mailto:ranziska@lautnet.ne" rel="nofollow">ranziska@lautnet.ne</a>t</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Liquid Architecture 6 - call for submissions</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/liquid-architecture-6-call-submissions" />
    <id>http://www.aliak.com/content/liquid-architecture-6-call-submissions</id>
    <published>2005-05-02T08:20:00+01:00</published>
    <updated>2005-05-02T08:20:00+01:00</updated>
    <author>
      <name>Nigel Brown</name>
    </author>
    <category term="australia" />
    <category term="call for submissions" />
    <category term="experimental" />
    <category term="festival" />
    <category term="melbourne" />
    <summary type="html"><![CDATA[<p>The Feedback Sessions. Liquid Architecture continues its tradition of providing opportunities for emerging sound artists. For the forthcoming sixth annual Liquid Architecture, the festival presents the Feedback Sessions. The Feedback Sessions are designed to give unpublished and unsigned artists an opportunity to play their work and have it discussed in a public forum with the festival audience. Four, one-hour sessions will be assigned to selected artists to present and discuss their work in the format they choose. The Feedback Sessions are scheduled to take place at the North Melbourne Town Hall over the weekend of 2nd and 3rd of July 2005. read more for details or visit <a href="http://www.liquidarchitecture.org.au" rel="nofollow" rel="nofollow">http://www.liquidarchitecture.org.au</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>LIQUID ARCHITECTURE 6</p>
<p>CALL FOR SUBMISSIONS:</p>
<p>The Feedback Sessions</p>
<p>Liquid Architecture continues its tradition of providing opportunities<br />
for emerging sound artists. For the forthcoming sixth annual Liquid<br />
Architecture, the festival presents the Feedback Sessions.</p>
<p>The Feedback Sessions are designed to give unpublished and unsigned<br />
artists an opportunity to play their work and have it discussed in a<br />
public forum with the festival audience. Four, one-hour sessions will be<br />
assigned to selected artists to present and discuss their work in the<br />
format they choose. The Feedback Sessions are scheduled to take place at the North Melbourne Town Hall over the weekend of 2nd and 3rd of July 2005.</p>
<p>To be eligible for selection please submit the following;</p>
    ]]></content>
  </entry>
</feed>
