notes taken at the Archiving Australia's Experimental Music session by Carla Teixeira from the National Film & Sound Archive on Thursday 01/09/2009 at This is Not Art 2009 festival. (+ links & info found whilst writing these notes up)

- archives are stored in Canberra, but there are NFSA offices in Sydney and Melbourne

- experimental music & sound art is only a very small part of the NFSA's collection, though they would like to increase its proportion and help preserve Australia's history in these fields

- not all of an artist's work is archived; the artist curates their own collection and selects representative works to be archived

- "mapping the landscape"

- Warren Burt's article on "Some Musical and Sociological Aspects of Australian Experimental Music" on Resonate Magazine

- Percy Grainger - there's a Grainger Museum in Melbourne (soon to be opened?)

- Kay Dreyfus article "Music by Percy Aldridge Grainger" ::: Muse link ::: Kay Dreyfus' Australian Music Centre page

- Percy Grainger and Burnett Cross 1951 "Free Music Machine"
The 'Free Music Machine' was created by musician and singer Burnett Cross and the Australian composer Percy Grainger. Grainger a virtuoso Pianist and pupil of Busoni, had been developing his idea of "free music" since 1900: based on eighth tones and complete rhythmic freedom and unconventionally notated on graph paper. Grainger had experimented using collections of Theremins and changing speeds of recorded sounds on phonograph disks and eventually developed his own instruments. Graingers experiments with random music composition predated those of John Cage by 30 years with "Random Round" written in the 1920's. -- from 120 Years of Electronic Music site

::: Percy Grainger: the pictorial biography by Robert Simon (google book)

- Keith Humble 1970's "Social environment I" (?)

- Robert Rooney (VHS tape - music & interview)

- NMA Magazine - New Music Articles ::: Rainer Linz' NMA page on Frog Peak Music

- Clinton Green (Melbourne) Shame Files Music label / site ::: also check out his zines!! very informative

- "Wireless House" in Glebe, Sydney. NFSA collection works play triggered by sensors as you walk past. originally this was a community wireless where people would gather and listen to radio serials, songs, programs, news etc ::: stories & memories from Glebe residents can be heard via the ABC Pool site

- donating new works? : here's a guideline on what to provide

I visited the Sticky Institute in Melbourne yesterday and bought a few zines and recorded a video asking the team a few basic questions about zines. The store has a wide selection of zines, and there's a membership / mail list where you can sign up and receive zines in the mail. If you're a zine-writer, you can contact the store and have them stock your zines. Their website also includes an impressive "Zineopedia" of Melbourne based zines which is a great resource for anyone wanting to find out more about zines. Though the best way would be to visit the store if you're in Melbourne, their website if you're not in Melbourne, or a local zine-festival and buy & read some zines. Or even better, start your own!

visit http://www.stickyinstitute.com for more details
store details :
Sticky Institute
Degraves St Subway
Shop 10 Campbell Arcade Melbourne
stickyshop @ gmail.com (remove the spaces)
(if you're not from Melbourne like me, it's opposite the train station on Flinders St, about half way (Flinders between Swanston & Elizabeth) - go downstairs towards the station subway and you'll see it)

PO Box 310 Flinders Lane Vic Australia 8009

One of the zines I bought was the "Anyone can.. " zine (anyone can make a zine) which launched the same day by the City Library Street Press. The City Library Street Press are quite active, having a few projects on the go and regular meetings at the library for zinesters and writers to get involved with. The "Anyone can.." zine also includes a MAP of Melbourne city showing writers & zinester spots of interest eg libraries, stores, artist spaces.

I also bought Anna Poletti's book "Intimate Ephemera : Reading Young Lives in Australian Zine Culture" whilst at Sticky. I've been to some of her panel sessions at the National Young Writers Festival in Newcastle & Critical Animals as part of This is Not Art (TiNA) over the years, so was glad to find her PhD book in the store too. The book is also available as an e-book (pdf) or d-book (pod / print on demand) from Melbourne University Publishing e-store

I haven't finished the book yet, but here's one passage about what a zine is [pg 11-12] :

"Personal zines do not share many of the characteristics of he texts that make up the bulk of sources studied in literary or cultural studies and, more specifically, scholarship on auto/biography. Of central importance to these non-traditional texts is the fact that sines are not mass-produced; they are not published by a professional publishing house, and thus not 'sanctioned as significant by [their] status as a mass produced commodity' (Huff 510). Moreover, zines are not easily available, do not participate in standardised modes of presentation and distribution, and are not well recognised within literary communities or among the reading (most commonly constituted as 'book-buying') public. Zines are homemade, ephermeral and amateur. They circulate among communities of readers through the mail, in out-of-the-way spaces, and are passed around hand-to-hand among social groups. They are also non-traditional because of the modes of emplotment that characterise them; in the case of personal zines, we find a unique mixture of established modes of life writing, such as the diary, alongside zine-specific narratives such as cut'n'paste collage. These material and textual idiosyncranasies challenge the literary critic to practise 'connected reading', which Gillian Whitlock describes as a practice which 'pulls at the loose threads of autobiography, and uses them to make sutures between, across and among autobiographical narratives' (Intimate Empire 204)".

I also like this definition by Richard A Stoddart and Teresa Kiser in Poletti's book [pg 27]
"Zines are a written product of the human need for self-expression. Beyond that, zines are hard to define."

on page 7-8, Poletti gives Duncombe's list for a 'zine taxonomy'. I thought this was very similar to the original definitions of video blogs when they'd first started (video blogs came after zines of course!) - my attempt was this video blog mind map before I realised it was crazy to try and define all the combinations - a simple all encompassing definition of 'video on a blog' was more appropriate, and did it matter anyway.. every now and then the videoblogging list starts up a new 'what is a video blog' thread - I suppose it is the same for all sub-communities that are less commonly known / new. the response below also reminds me of the videoblogging list arguments towards a simpler definition (or no definition), and at least a step away from a taxonomy.

"genres of zines: fanzines (broken down into subcategories by subject, that is music and sports), political zines, personal zines, scene zines (covering local and community events in the zinester's area), network zines (which review zine publications), fringe culture zines (covering UFOs, conspiracy theories and so on), religious zines, vocational zines (detailing 'life on the job'), health zines, sex zines, travel zines, comix, literary zines, art zines and 'the rest'"

... "the collapse of Duncombe's taxonomy into 'the rest - a large category' underscores the futility of attempting to solidify or organise a definition of zines based on their content. As Kirsty Leishman argues: 'Duncombe's work reveals that zines are ill contained and thus it is useful because it relieves subsequent researchers from pursuing such an arduous, yet futile, endeavour'(7)."

TechGnosis maillist website
“Reality is that which, when you stop believing in it, doesn't go away."
-Philip K. Dick-
VISIT TECHGNOSIS AT: http://techgnosis.info
SUBSCRIBE to TechGnosis List: http://groups.yahoo.com/group/TechGnosis/join

http://www.maybelogic.org
http://www.maybelogic.net

http://edge.org/

http://www.techgnosis.com - Erik Davis' site

http://www.undergrowth.org

http://www.barrelfullofmonkeys.org

http://www.entheo.net/ - entheogenesis Australia 2007 conference

http://www.docquan.com/lib_dead.html - an online collection / library of interesting books

The program MediaArtHistories starts this November for the second time and is currently accepting applications. MAH conveys the most important developments of contemporary art through a network of renowned international theorists, artists and curators like: Steve DIETZ, Erkki HUHTAMO, Lev MANOVICH, Christiane PAUL, Paul SERMON, Edward SHANKEN, Jens HAUSER, Christa SOMMERER; Gerfried STOCKER, Knowbotic Research, Charlie GERE, Oliver GRAU and many others. Using online databases and other modern aids, knowledge of computer animation, net art, interactive, telematic and genetic art as well as the most recent reflections on nano art, CAVE installations, augmented reality and wearables are introduced. Historical derivations that go far back into art and media history are tied in intriguing ways to digital art. Important approaches and methods from Image Science, Media Archaeology and the History of Science & Technology will be discussed. visit the MediaArtHistories website for more information and to apply

The TransAcoustic festival was held in Auckland 8-11th December, 2005 and combined the artistic and musical talents from performers and composers from Australia and New Zealand.

photos of the event can be found on the Documentation section of the TransAcoustic website, and also at http://www.flickr.com/photos/aliak_com/tags/transacoustic/

TransAcoustic Festival Seminar - Stella Brennan session - Stella Brennan

Film Australia Library

Film Australia is celebrating 60 years of documentary with preview clips online.

See our News page for the latest annnouncement.

In 1945, the Australian National Film Board was established to produce documentary films and in 1946, Stanley Hawes began work as the first "producer in chief" of what was to become Film Australia.

CACHe is a major research project into the origins and history of British computer arts.

We are based at the School of History of Art, Film and Visual Media at Birkbeck, University of London and funded by the Arts and Humanities Research Board. The substantial government funding for our project indicates the level of interest in creating an historical framework for this period. CACHe began its work in 2002.

an internet archive of net art and media from 1995-1999. visit http://www.hgb-leipzig.de/ARTNINE/ for more information

UbuWeb posts much of its content without permission; we rip out-of-print LPs into sound files; we scan as many old books as we can get our hands on; we post essays as fast as we can OCR them. UbuWeb is an unlimited resource with unlimited space to fill. It is in this way that the site has grown to encompass hundreds of artists, hundreds of gigabytes of sound files, books, texts and videos.

The Spunk Library collects and distributes literature in electronic format, with an emphasis on anarchism and related issues. For a more complete description of what Spunk is about you can view the Spunk Manifesto.

Internet research guide. A selective collection of topical guides. visit http://www.clearinghouse.net/index.html for more details

HighBeam Library Research

Search our extensive archive of more than 35 million documents from over 3,000 sources -- a vast collection of articles from leading publications, updated daily and going back as far as 20 years.

All about CiteULike

Read all about it

CiteULike is a free service to help academics to share, store, and organise the academic papers they are reading. When you see a paper on the web that interests you, you can click one button and have it added to your personal library. CiteULike automatically extracts the citation details, so there's no need to type them in yourself. It all works from within your web browser. There's no need to install any special software.

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An Online Library of Literature

Read. Learn. Think.

Welcome to literature.org. This site is here to try to bring real books to people through the Internet.

On this site you will find the full and unabridged texts of classic works of English literature. Fiction from authors like Lewis Carroll, the Bronte sisters (Anne, Charlotte and Emily), Jack London, Mark Twain, Charles Dickens and many others, and classic scientific works from Charles Darwin and Rene Descartes.

source for ebooks, ebook Cover Artists, ebook contests, ebook Compiler Reviews, ebook publisher list, epublishing and promotion articles among other ebook Resources

Free-eBooks.net specializes in collecting free fiction, tutorial, marketing and business eBooks as well as resources to aid you in promoting eBooks. Our featured eBooks are below, please click on the name of the eBook to download to your hard-drive. We also have links to useful resources for eBook Publishers.

Free Books, Study and Literary Tools

The Internet Public Library (IPL), is a public service organization and learning/teaching environment at the University of Michigan School of Information. We will engage in activities in the following areas:

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Provide library services to Internet users. Activities include: finding, evaluating, selecting, organizing, describing, and creating information resources; and direct assistance to individuals.

We offer the only comprehensive approach to eBooks that integrates with the time-honored missions and methods of libraries and librarians. Our vision is one of enhancing the role of librarians as stewards of knowledge, supporting their crucial role in serving millions of people every day who seek information.

The Man Booker Prize 2005

The Man Booker Prize for Fiction represents the very best in contemporary fiction. One of the world

e-books and online texts

free online literature and study guides

Google's mission is to organize the world's information, but much of that information isn't yet online. Google Print aims to get it there by putting book content where you can find it most easily

The eScholarship Editions project is managed by the eScholarship program at the California Digital Library. As one of the University of California libraries, the CDL supports the assembly and creative use of the world's scholarship and knowledge for the UC libraries and the communities they serve. The eScholarship program facilitates innovation and experimentation in the production and dissemination of scholarly works.