hip hop

Today I'm meant to be packing up my things as it's my last weekend in Auckland. One more week of work here then I'm on holidays for about 5 weeks - 10 days in Sydney (more packing!) then flying back to NZ to drive around the South Island.

I bought a few DVDs last year and haven't had a chance to watch them yet. This one's amazing - they're all having such fun. It's been around for a while and the film has played at many of the film festivals and there's been live gigs in Los Angeles.

Buy a copy!!

KEEPINTIME - A LIVE RECORDING

here's the trailer from the Mochilla website
http://www.mochilla.com/keepintime/

http://www.mochilla.com/keepintime/trailers.htm

click on the image to goto the video player page

not sure if you've seen this already, but I think it's important for 2 reasons..

1. because of the DRM issue and music protection some artists and music labels are introducing, and

2. because it came through via Boing Boing which is the Technorati "#1 ranked blog site". poular blogs are measured & given a technorati ranking based on "The biggest blogs in the blogosphere, as measured by unique links in the last six months." http://www.technorati.com/pop/blogs/

so, this entry just went out to thousands of other sites where other people are linking it and commenting on it - great way to get OZ hip hop out there.. perhaps some of the people out there will check out the bands/artists mentioned in the article. (as I like looking at stats, it'd be interesting to see if their website hits or sales adjusted partly due to this)

original blog entry @ http://intermaweb.net/2005/12/09/open-letter-hilltop-hoods/

Boing Boing blog entry:

http://www.boingboing.net/2005/12/08/fan_to_hilltop_hoods.html

[quote]
Thursday, December 8, 2005

Fan to Hilltop Hoods: treating me like a thief is bad business

Popular Aussie hiphop Hilltop Hoods band released its first DVD, The Calling Live. Partway through the disk, the band breaks off to call its fans thieves, and to promise that future musical releases will have DRM to protect the band from its listeners. Pete, a big fan of the band, has written an open letter in response:

Anecdotally, if I hadn't downloaded Left Foot, Right Foot in 2001(?), it is quite possible that I would have never purchased it, or The Calling, or The Calling DVD. It's also unlikely that I would have purchased tickets to several Hilltop Hoods shows. The same goes for my sister, and the several friends for whom I've burned copies over the years. If I had not discovered the joys of the Hoods, I may not have sought out (and purchased) music by the likes of Layla, Drapht, Downsyde, Clandestein, Hunter, Fdel, Pegz, the Herd, Bliss n Eso, After Hours, Funkoars, Art of War, Bias B, Lazy Grey, Mnemonic Ascent, Reason, Plutonic Lab etc etc etc....

So Suffa, I absolutely reject your accusations of theft, and am hurt that you reject me as a fan. I thought you were cool, and that you understood. Now, I'm not so sure...
[/quote]

Hilltop Hoods respond to the letter @ http://intermaweb.net/2005/12/10/suffas-reply-open-letter-hilltop-hoods/ and sound very reasonable.

Personally, I like the creative commons form of licensing & the ability to remix/remux existing works but I don't make my living from my art/music so come from a different perspective to an artist who does.

I think that having the songs available for download helps people try before they buy. and if someone downloads it and doesn't like it they probably weren't one of your customers anyway so you didn't lose any money from it, but perhaps one of their friends will hear it and like it and buy it then you'll gain a customer.

DRM is an issue which more & more artists will be having to deal with in the future though, a tough one for sure.

I've just finished reading "Where you're at - notes from the frontline of a hip hop planet" by Patrick Neate. I thought it was a great book - sometimes he went off on a few tangents, but they provided interesting background information on the context of the hip hop communities in the different cities covered in the book. I'm now re-reading/skimming through it to post up some notes on sections I found most thought provoking. Much of the underlying thread of the book is about the cultural misappropriation of hip hop.

from Part One: New York
page 30