internet

e-Tech 2004 conference - notes from Tim O'Reilly's killer apps recording

O'Reilly killer apps mentioned in the audio recording of e-Tech 2004 from archive.org

social software - harnessing the power of use contributions & user participation:

successful platforms using social software:

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Banff Centre REFRESH! media art, science & technology conference - recorded sessions online

In September / October 2005, the Banff Centre hosted the recent REFRESH! conference, The First International Conference on the Histories of Media Art, Science and Technology. "Refresh! discussed questions of historiography, methodology and the role of institutions of media art. The conference contained key debates about the function of inventions, artistic practice in collaborative networks, the prominent role of sound during the last decades, and emphasized the importance of intercultural and pop culture themes in the Histories of Media Art. Readings of new media art histories vary richly depending on cultural contexts. This event called upon scholarship from a strongly international perspective. Refresh! represented and addressed the wide array of disciplines involved in the emerging field of Media Art. Beside Art History these included the Histories of Sciences and Technologies, Film-, Sound-, Media-, Visual-, and Theatre Studies, Architecture, and Visual Psychology, just to name a few." If you missed the face-to-face conference, visit the website to listen to the recorded sessions. http://www.banffcentre.ca/bnmi/programs/archives/2005/refresh/lisiten.asp

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open letter to hilltop hoods blog entry circling the net/blogosphere this week

not sure if you've seen this already, but I think it's important for 2 reasons..

1. because of the DRM issue and music protection some artists and music labels are introducing, and

2. because it came through via Boing Boing which is the Technorati "#1 ranked blog site". poular blogs are measured & given a technorati ranking based on "The biggest blogs in the blogosphere, as measured by unique links in the last six months." http://www.technorati.com/pop/blogs/

so, this entry just went out to thousands of other sites where other people are linking it and commenting on it - great way to get OZ hip hop out there.. perhaps some of the people out there will check out the bands/artists mentioned in the article. (as I like looking at stats, it'd be interesting to see if their website hits or sales adjusted partly due to this)

original blog entry @ http://intermaweb.net/2005/12/09/open-letter-hilltop-hoods/

Boing Boing blog entry:

http://www.boingboing.net/2005/12/08/fan_to_hilltop_hoods.html

[quote]
Thursday, December 8, 2005

Fan to Hilltop Hoods: treating me like a thief is bad business

Popular Aussie hiphop Hilltop Hoods band released its first DVD, The Calling Live. Partway through the disk, the band breaks off to call its fans thieves, and to promise that future musical releases will have DRM to protect the band from its listeners. Pete, a big fan of the band, has written an open letter in response:

Anecdotally, if I hadn't downloaded Left Foot, Right Foot in 2001(?), it is quite possible that I would have never purchased it, or The Calling, or The Calling DVD. It's also unlikely that I would have purchased tickets to several Hilltop Hoods shows. The same goes for my sister, and the several friends for whom I've burned copies over the years. If I had not discovered the joys of the Hoods, I may not have sought out (and purchased) music by the likes of Layla, Drapht, Downsyde, Clandestein, Hunter, Fdel, Pegz, the Herd, Bliss n Eso, After Hours, Funkoars, Art of War, Bias B, Lazy Grey, Mnemonic Ascent, Reason, Plutonic Lab etc etc etc....

So Suffa, I absolutely reject your accusations of theft, and am hurt that you reject me as a fan. I thought you were cool, and that you understood. Now, I'm not so sure...
[/quote]

Hilltop Hoods respond to the letter @ http://intermaweb.net/2005/12/10/suffas-reply-open-letter-hilltop-hoods/ and sound very reasonable.

Personally, I like the creative commons form of licensing & the ability to remix/remux existing works but I don't make my living from my art/music so come from a different perspective to an artist who does.

I think that having the songs available for download helps people try before they buy. and if someone downloads it and doesn't like it they probably weren't one of your customers anyway so you didn't lose any money from it, but perhaps one of their friends will hear it and like it and buy it then you'll gain a customer.

DRM is an issue which more & more artists will be having to deal with in the future though, a tough one for sure.

QTVR2MOV - quicktime VR to movie

Ian James Woods is a photographer who specialiases in 360 degree panorama images and creating Quicktime VR videos. He has exhibited work in many galleries in UK. The Apple quicktime VR site has links to software that can produce VR images. To create a video sequence from your QTVR movie, try QTVR2MOV - a simple to use application for creating video sequences from cubic or cylindrical QTVR panoramas. Visit the website to download a copy : http://azurevision.co.uk/qtvr2mov/.

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Argus Clearinghouse

Internet research guide. A selective collection of topical guides. visit http://www.clearinghouse.net/index.html for more details

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elibrary.com

HighBeam Library Research

Search our extensive archive of more than 35 million documents from over 3,000 sources -- a vast collection of articles from leading publications, updated daily and going back as far as 20 years.

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Bitch magazine

Bitch | Feminist Response to Pop Culture is a print magazine devoted to incisive commentary on our media-driven world. We feature critiques of TV, movies, magazines, advertising, and more—plus interviews with and profiles of cool, smart women in all areas of pop culture.

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reading notes "Where you're at" by Patrick Neate (notes from the frontline of a hip hop planet)

I've just finished reading "Where you're at - notes from the frontline of a hip hop planet" by Patrick Neate. I thought it was a great book - sometimes he went off on a few tangents, but they provided interesting background information on the context of the hip hop communities in the different cities covered in the book. I'm now re-reading/skimming through it to post up some notes on sections I found most thought provoking. Much of the underlying thread of the book is about the cultural misappropriation of hip hop.

from Part One: New York
page 30

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