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  <title>culture_jamming</title>
  <link rel="alternate" type="text/html" href="http://www.aliak.com/category/category/culturejamming"/>
  <link rel="self" type="application/atom+xml" href="http://www.aliak.com/taxonomy/term/43/atom/feed"/>
  <id>http://www.aliak.com/taxonomy/term/43/atom/feed</id>
  <updated>2004-01-01T02:18:00+00:00</updated>
  <entry>
    <title>I love TED!</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/i-love-ted" />
    <id>http://www.aliak.com/content/i-love-ted</id>
    <published>2008-05-16T23:02:09+01:00</published>
    <updated>2008-05-16T23:31:49+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="creativity" />
    <category term="culture_jamming" />
    <category term="entrepreneur" />
    <category term="environment" />
    <category term="online  communities" />
    <category term="online education" />
    <category term="online video" />
    <category term="research" />
    <category term="seminar" />
    <summary type="html"><![CDATA[<p>I love watching the <a href="http://www.ted.com">TED Talks</a>. it's great they publish the videos as it's REALLY expensive to attend the conference. tonight I've watched a few :</p>
<p>Sir Ken Robinson : <a href="http://blog.ted.com/cgi-bin/mte/mt-tb.cgi/2853">Creativity and Education</a><br />
his talk was very entertaining - he's quite funny!, and he raised some good points and examples of how modern education system is designed towards getting people jobs, since it was formed since the introduction of industrialisation. as we don't know what will happen in the future, how can we educate children correctly to prepare for the future. and how creativity has a lesser importance in the education system of today. I liked a couple of comments he raised - listed below. the <a href="http://blog.ted.com/2006/06/sir_ken_robinso.php">full transcript</a> is on the TED blog page </p>
<p><em>"creativity now is as important in education as literacy, and we should treat it with the same status"</em></p>
<p>...</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>I love watching the <a href="http://www.ted.com">TED Talks</a>. it's great they publish the videos as it's REALLY expensive to attend the conference. tonight I've watched a few :</p>
<p>Sir Ken Robinson : <a href="http://blog.ted.com/cgi-bin/mte/mt-tb.cgi/2853">Creativity and Education</a><br />
his talk was very entertaining - he's quite funny!, and he raised some good points and examples of how modern education system is designed towards getting people jobs, since it was formed since the introduction of industrialisation. as we don't know what will happen in the future, how can we educate children correctly to prepare for the future. and how creativity has a lesser importance in the education system of today. I liked a couple of comments he raised - listed below. the <a href="http://blog.ted.com/2006/06/sir_ken_robinso.php">full transcript</a> is on the TED blog page </p>
<p><em>"creativity now is as important in education as literacy, and we should treat it with the same status"</em></p>
<p>...</p>
<p><em>kids will take a chance. If they don't know, they'll have a go. Am I right? They're not frightened of being wrong.</em></p>
<p><em>Now, I don't mean to say that being wrong is the same thing as being creative. What we do know is, if you're not prepared to be wrong, you'll never come up with anything original. If you're not prepared to be wrong. And by the time they get to be adults, most kids have lost that capacity. They have become frightened of being wrong.</em></p>
<p><em>And we run our companies like this, by the way, we stigmatize mistakes. And we're now running national education systems where mistakes are the worst thing you can make.</em></p>
<p><em>And the result is, we are educating people out of their creative capacities.</em></p>
<p>...</p>
<p><em>Now our education system is predicated on the idea of academic ability. And there's a reason. The whole system was invented round the world there were no public systems of education really before the 19th century. They all came into being to meet the needs of industrialism.</em></p>
<p><em>So the hierarchy is rooted on two ideas: Number one, that the most useful subjects for work are at the top. So you were probably steered benignly away from things at school when you were a kid, things you liked, on the grounds that you would never get a job doing that. Is that right? Don't do music, you're not going to be a musician; don't do art, you're not going to be an artist. Benign advice -- now, profoundly mistaken. The whole world is engulfed in a revolution.</em></p>
<p><em>And the second is, academic ability, which has really come to dominate our view of intelligence because the universities designed the system in their image. If you think of it, the whole system of public education around the world is a protracted process of university entrance. And the consequence is that many highly talented, brilliant, creative people think they're not, because the thing they were good at at school wasn't valued, or was actually stigmatized. And I think we can't afford to go on that way.</em></p>
<p>he's written a book called <a href="http://www.amazon.com/gp/product/1841121258">"Out of Our Minds: Learning to be Creative"</a> and is writing another now called "Epiphanies" which is about how people discovered their talents.</p>
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===============================================================</p>
<p><a href="http://www.fungi.com">Paul Stamets</a> : <a href="http://www.ted.com/index.php/talks/view/id/258">6 ways mushrooms can save the world</a></p>
<p><b>Paul Stamets</b> talked about mushrooms - mycelium and how they are nature's internet and the present day internet is a similar model based on nature's creation. also about different uses for mycelium eg regenerating soil, solving oil accidents, medical uses and renewable energy solutions.</p>
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===============================================================</p>
<p><a href="http://www.ted.com/index.php/talks/view/id/243">Al Gore :  New thinking on the climate crisis</a></p>
<p><b>Al Gore</b> gave a new presentation speaking about democracy and how people have to help the climate crisis at home, but also in larger scales by forcing their government and media to raise more awareness to assist with the consciousness change required in helping to save the planet</p>
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  </entry>
  <entry>
    <title>Consciousness is the Key - by Propaganda</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/consciousness-key-propaganda" />
    <id>http://www.aliak.com/content/consciousness-key-propaganda</id>
    <published>2008-05-13T22:54:59+01:00</published>
    <updated>2008-05-13T23:03:43+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="activism" />
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="consciousness" />
    <category term="creativity" />
    <category term="culture_jamming" />
    <category term="environment" />
    <category term="hip hop" />
    <category term="video" />
    <category term="video art" />
    <category term="vj" />
    <summary type="html"><![CDATA[<p>here's a video from Propaganda &amp; his friends - he's been in a couple of the online MLA courses I've done. I really like it - the message, the music, the whole thing!!</p>
<p>it's on <a href="http://postmoderntimes.com" title="http://postmoderntimes.com">http://postmoderntimes.com</a> also - which is also a great video / online magazine</p>
<p>here's the blurb from youtube about it :</p>
<p><em>episode features four underground hip hop artists -- Naada, Propaganda Anonymous, 2HL, and iLL SpoKKinN -- and producer euphAmism in an animated music video packing lyrical and graphical punch in a call for global awakening.</em></p>
<p><em>Please go to <a href="http://www.iclips.net/2012" title="www.iclips.net/2012">www.iclips.net/2012</a> to see the rest of the episodes (more)</em></p>
<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/HO91uccMbZo&hl=en" /><param name="wmode" value="transparent" /><embed src="http://www.youtube.com/v/HO91uccMbZo&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object>    ]]></summary>
    <content type="html"><![CDATA[<p>here's a video from Propaganda &amp; his friends - he's been in a couple of the online MLA courses I've done. I really like it - the message, the music, the whole thing!!</p>
<p>it's on <a href="http://postmoderntimes.com" title="http://postmoderntimes.com">http://postmoderntimes.com</a> also - which is also a great video / online magazine</p>
<p>here's the blurb from youtube about it :</p>
<p><em>episode features four underground hip hop artists -- Naada, Propaganda Anonymous, 2HL, and iLL SpoKKinN -- and producer euphAmism in an animated music video packing lyrical and graphical punch in a call for global awakening.</em></p>
<p><em>Please go to <a href="http://www.iclips.net/2012" title="www.iclips.net/2012">www.iclips.net/2012</a> to see the rest of the episodes (more)</em></p>
<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/HO91uccMbZo&hl=en" /><param name="wmode" value="transparent" /><embed src="http://www.youtube.com/v/HO91uccMbZo&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object>    ]]></content>
  </entry>
  <entry>
    <title>Salon Mazal</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14279" />
    <id>http://www.aliak.com/node/14279</id>
    <published>2008-01-26T21:25:17+00:00</published>
    <updated>2008-01-26T21:29:22+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="collective" />
    <category term="community" />
    <category term="culture_jamming" />
    <category term="environment" />
    <category term="human rights" />
    <category term="israel" />
    <category term="social change" />
    <category term="sustainable living" />
    <category term="tel aviv" />
    <category term="urban art" />
    <category term="urban space" />
    <category term="writing" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p>Salon Mazal was established in 2001, in Tel Aviv, Israel, by a group of social-environmental activists. Salon Mazal is a non-for-profit registered charity that serves as an information distribution center for social, environmental and political change The place functions as a store (including books, magazines and fair-trade products), a lending library, an artist gallery, a vegetarian bar and a community center where movie screenings, lectures, workshops and meetings take place.</p>
<p>The place is run in line with anarchist ideology and values, which encourage an egalitarian, non-hierarchical community. Salon Mazal is run by a group of volunteers. Consensus decision-making is used to promote the expression of individual voices within the group in daily meetings.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Salon Mazal was established in 2001, in Tel Aviv, Israel, by a group of social-environmental activists. Salon Mazal is a non-for-profit registered charity that serves as an information distribution center for social, environmental and political change The place functions as a store (including books, magazines and fair-trade products), a lending library, an artist gallery, a vegetarian bar and a community center where movie screenings, lectures, workshops and meetings take place.</p>
<p>The place is run in line with anarchist ideology and values, which encourage an egalitarian, non-hierarchical community. Salon Mazal is run by a group of volunteers. Consensus decision-making is used to promote the expression of individual voices within the group in daily meetings.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Find a Bird - make something wonderful!</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2825" />
    <id>http://www.aliak.com/node/2825</id>
    <published>2007-07-28T23:18:55+01:00</published>
    <updated>2007-07-28T23:18:55+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="culture_jamming" />
    <category term="internet" />
    <category term="project" />
    <category term="urban space" />
    <summary type="html"><![CDATA[<p>Hidden away on the Watch/Listen section of the the <a href="http://www.darrenhayes.com/" rel="nofollow" rel="nofollow">Darrren Hayes website</a> is a link saying <a href="http://www.neonbird.com/something-wonderful/" rel="nofollow" rel="nofollow">Found a Bird?</a>. What is this you ask?<br />
It's a project on the neonbird website involving writing a wish inside a folded note / paper bird &amp; leaving it for a stranger to find. Write the NEONBIRD.COM website on the outside of the note, then take a photo of it &amp; where you left it. Upload the photo to the Made a Bird page.<br />
The person who finds your wish can visit the website and claim their bird.<br />
It's a bit like geocaching but you don't need a gps. And a bit like bluetoothing but you don't need a bluetooth device. And a bit like leaving books in public spaces, but you get to check the website and see what happened to your wish and see how far it went.<br />
Full details are on the <a href="http://www.neonbird.com/something-wonderful/" title="http://www.neonbird.com/something-wonderful/" rel="nofollow">http://www.neonbird.com/something-wonderful/</a> website.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Hidden away on the Watch/Listen section of the the <a href="http://www.darrenhayes.com/" rel="nofollow">Darrren Hayes website</a> is a link saying <a href="http://www.neonbird.com/something-wonderful/" rel="nofollow">Found a Bird?</a>. What is this you ask? </p>
<p>It's a project on the neonbird website involving writing a wish inside a folded note / paper bird &amp; leaving it for a stranger to find. Write the NEONBIRD.COM website on the outside of the note, then take a photo of it &amp; where you left it. Upload the photo to the Made a Bird page.</p>
<p>The person who finds your wish can visit the website and claim their bird. </p>
<p>It's a bit like geocaching but you don't need a gps. And a bit like bluetoothing but you don't need a bluetooth device. And a bit like leaving books in public spaces, but you get to check the website and see what happened to your wish and see how far it went.</p>
<p>Full details are on the <a href="http://www.neonbird.com/something-wonderful/" title="http://www.neonbird.com/something-wonderful/">http://www.neonbird.com/something-wonderful/</a> website.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Sarai i-Fellows 2006 Delhi</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/sarai-i-fellows-2006-delhi" />
    <id>http://www.aliak.com/content/sarai-i-fellows-2006-delhi</id>
    <published>2006-08-30T19:10:10+01:00</published>
    <updated>2006-08-31T19:45:53+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="arts" />
    <category term="arts artist" />
    <category term="blog entry" />
    <category term="conference" />
    <category term="culture_jamming" />
    <category term="delhi" />
    <category term="education" />
    <category term="india" />
    <category term="new media" />
    <category term="organisation" />
    <category term="publication" />
    <category term="urban space" />
    <category term="vlog" />
    <category term="writers" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<script src="http://www.aliak.com/vPIP/vpip.js" type="text/javascript"></script><style type="text/css" media="all">@import "http://www.aliak.com/vPIP/vPIPBox.css";</style><script src="http://www.aliak.com/vPIP/jquery.js" type="text/javascript"></script><div class="hVlog">
  <a href="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov" class="hVlogTarget" type="video/quicktime" onclick="vPIPPlay(this, 'name=Sarai i-fellows 2006', '', ''); return false;"><br />
      <img src="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov.jpg" /></a>
<p>  <a href="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov" type="video/quicktime" onclick="vPIPPlay(this, 'name=Sarai i-Fellows 2006', '', ''); return false;"><br />
click here or on the image to play the quicktime movie</a>
</p></div>
<p>music is Indian Summer by Big Bud</p>
<p>I went along to the Sarai Independent Fellows 2006 workshops last weekend (26-27/08) @ Sarai, CSDS, New Delhi. I missed the first two days sessions, but here is a slideshow video of some of the saturday &amp; sunday sessions. it was really interesting - both the presentations and the discussions afterwards. some sessions were in Hindi so I couldn't follow as easily. there were a wide range of projects though - art, music, urban issues. hopefully they'll link to some of the full papers on the sarai.net website. it was a great way to get another insight into life and goings on in India and related places.</p>
<p>photos @ <a href="http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006">http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006</a></p>
<p><a href="http://ifellows2006.wordpress.com/">http://ifellows2006.wordpress.com</a></p>
<p><a href="http://www.sarai.net/">http://www.sarai.net</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<script src="http://www.aliak.com/vPIP/vpip.js" type="text/javascript"></script><style type="text/css" media="all">@import "http://www.aliak.com/vPIP/vPIPBox.css";</style><script src="http://www.aliak.com/vPIP/jquery.js" type="text/javascript"></script><div class="hVlog">
  <a href="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov" class="hVlogTarget" type="video/quicktime" onclick="vPIPPlay(this, 'name=Sarai i-fellows 2006', '', ''); return false;"><br />
      <img src="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov.jpg" /></a><br />
<br />
  <a href="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov" type="video/quicktime" onclick="vPIPPlay(this, 'name=Sarai i-Fellows 2006', '', ''); return false;"><br />
click here or on the image to play the quicktime movie</a>
</div>
<p>music is Indian Summer by Big Bud</p>
<p>I went along to the Sarai Independent Fellows 2006 workshops last weekend (26-27/08) @ Sarai, CSDS, New Delhi. I missed the first two days sessions, but here is a slideshow video of some of the saturday &amp; sunday sessions. it was really interesting - both the presentations and the discussions afterwards. some sessions were in Hindi so I couldn't follow as easily. there were a wide range of projects though - art, music, urban issues. hopefully they'll link to some of the full papers on the sarai.net website. it was a great way to get another insight into life and goings on in India and related places.</p>
<p>photos @ <a href="http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006">http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006</a></p>
<p><a href="http://ifellows2006.wordpress.com/">http://ifellows2006.wordpress.com</a></p>
<p><a href="http://www.sarai.net/">http://www.sarai.net</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Pixelpress</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2362" />
    <id>http://www.aliak.com/node/2362</id>
    <published>2006-08-15T05:28:10+01:00</published>
    <updated>2006-10-29T11:58:44+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="collective" />
    <category term="community" />
    <category term="culture_jamming" />
    <category term="international" />
    <category term="internet" />
    <category term="journal" />
    <category term="new media" />
    <category term="online  communities" />
    <category term="publication" />
    <category term="zine" />
    <category term="resource" />
    <summary type="html"><![CDATA[<p>PixelPress' intent is to encourage documentary photographers, writers, filmmakers, artists, human rights workers and students to explore the world in ways that take advantage of the new possibilities provided by digital media. They seek a new paradigm of journalism, one that encourages an active dialogue between the author and reader and, also, the subject.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>PixelPress' intent is to encourage documentary photographers, writers, filmmakers, artists, human rights workers and students to explore the world in ways that take advantage of the new possibilities provided by digital media. They seek a new paradigm of journalism, one that encourages an active dialogue between the author and reader and, also, the subject.</p>
<p>The PixelPress online magazine features projects that use a variety of linear and non-linear strategies, attempting to articulate visions of human possibility even while confirming human frailty. For them, the digital revolution is a revolution in consciousness, not in commerce.</p>
<p>PixelPress works with organizations such as Crimes of War, Human Rights Watch, World Health Organization and UNICEF to create Web sites that deal directly with contemporary issues in complex and innovative ways that circumvent media sensationalism and simplification. They also try to factor in ways that the viewer can help remedy social problems, rather than remain a spectator. Recently we completed a site focusing on how to end polio worldwide; another trying to aid an orphanage in Rwanda; one trying to reclaim the Brazilian forest; and a site featuring the images of photographers from the Vietnam War. And they also create books with photographers such as Machiel Botman, Kent Klich and Sebastião Salgado on social themes, as well as traveling exhibitions using both digital and conventional processes.</p>
<p>from <a href="http://www.pixelpress.org/whoarewe.html" title="http://www.pixelpress.org/whoarewe.html">http://www.pixelpress.org/whoarewe.html</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>sCrAmBlEd?HaCkZ!</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2250" />
    <id>http://www.aliak.com/node/2250</id>
    <published>2006-04-05T13:59:15+01:00</published>
    <updated>2006-10-29T12:31:45+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="culture_jamming" />
    <category term="internet" />
    <category term="software" />
    <category term="video art" />
    <summary type="html"><![CDATA[<p>sCrAmBlEd?HaCkZ! is a Realtime-Mind-Music-Video-Re-De-Construction-Machine.<br />
It is a conceptual software which makes it possible to work with samples in a completely new way by making them available in a manner that does justice to their nature as concrete musical memories. The whole package will be released under the GNU GPL soon.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>sCrAmBlEd?HaCkZ! is a Realtime-Mind-Music-Video-Re-De-Construction-Machine.</p>
<p>It is a conceptual software which makes it possible to work with samples in a completely new way by making them available in a manner that does justice to their nature as concrete musical memories. The whole package will be released under the GNU GPL soon.</p>
<p>visit <a href="http://www.popmodernism.org/scrambledhackz/" title="http://www.popmodernism.org/scrambledhackz/">http://www.popmodernism.org/scrambledhackz/</a> for more details</p>
    ]]></content>
  </entry>
  <entry>
    <title>Combat Wombat</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2215" />
    <id>http://www.aliak.com/node/2215</id>
    <published>2006-02-17T11:58:14+00:00</published>
    <updated>2006-10-29T12:33:25+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="culture_jamming" />
    <category term="hip hop" />
    <category term="melbourne" />
    <category term="music artist biography" />
    <category term="music artists" />
    <category term="video art" />
    <summary type="html"><![CDATA[<p>Combat Wombat are an outspoken troupe of hip hop punks mainly located in Melbourne. They've just released their second album "Unsound System". Armed with only samplers, mics and turntables, powered by solar energy and an uncompromising belief in Truth over Spin, these desert nomads are the real deal, creating an album that reflects the frontline activism they have become famous for. Unsound System is a bullet to the dark heart of the Australian psyche.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Combat Wombat are an outspoken troupe of hip hop punks mainly located in Melbourne. They've just released their second album "Unsound System". Armed with only samplers, mics and turntables, powered by solar energy and an uncompromising belief in Truth over Spin, these desert nomads are the real deal, creating an album that reflects the frontline activism they have become famous for. Unsound System is a bullet to the dark heart of the Australian psyche.</p>
<p>Sonically rugged and funky, Monkey Marc's beats draw their influence from 70s reggae, Public Enemy's Bomb Squad and the golden era hip hop of the early 1990s. The album moves from A-grade head thunkin' hip hop to seriously heavy dub reggae, all laced with relevant and politically charged vocals and samples, with ARIA award winning DJ Wasabi providing cuts.</p>
<p>MC Elf Tranzporter (Metabass 'n Breath) flows marvelously, rhyming with the gift of enviable flexibility. MC Izzy’s approach is the perfect contrast: her stand and deliver, take-no-prisoners approach, injects high-spirited passion into the mix. Together they add a potent combination of hip hop, ragga and punk political flows.</p>
<p>Combat Wombat delve into issues of national identity, the government's treatment of refugees, indigenous sovereignty, US military force and uranium mining with a sense of urgency that is balanced by their ability to turn words into action. They've collaborated with various people on their journey so far including Ozi Batla (The Herd) and Seed MC (TZU).</p>
<p>At Combat Wombat's core is the Lab Rats Solar Sound System, which was formed at the Jabiluka uranium mine protests in 1998. Monkey Marc and MC Izzy are Australian pioneers of vegetable oil conversions for diesel engines (which will also fuel their upcoming national tour). Their fully equipped mobile studio runs off the solar panels on the van's roof, and Unsound System was written and recorded using this same eco-friendly energy. </p>
<p>read their full bio @ <a href="http://www.combatwombat.org/combatwombat/?section=bio" title="http://www.combatwombat.org/combatwombat/?section=bio">http://www.combatwombat.org/combatwombat/?section=bio</a></p>
<p><a href="http://www.combatwombat.org" title="http://www.combatwombat.org">http://www.combatwombat.org</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Tactical media in Brazil summary mind map</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/tactical-media-brazil-summary-mind-map" />
    <id>http://www.aliak.com/content/tactical-media-brazil-summary-mind-map</id>
    <published>2006-01-27T04:16:11+00:00</published>
    <updated>2008-05-21T21:49:52+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="activism" />
    <category term="collective" />
    <category term="community" />
    <category term="culture_jamming" />
    <category term="freemind" />
    <category term="internet" />
    <category term="mind map" />
    <summary type="html"><![CDATA[<p>a summary of the Sarai Reader 04 paper called "The Revenge of Lowtech : Autolabs, Telecentros and Tactical Media in Sao Paulo" by Ricardo Rosas.  </p>
<p>the freemind mind map <a href="http://www.aliak.com/files/tactical_media_in_Brazil.mm"> tactical_media_in_Brazil.mm</a> is attached - this contains html links or expand / collapse the xhtml version below</p>
<p><a href="http://www.sarai.net/publications/readers/" title="http://www.sarai.net/publications/readers/">http://www.sarai.net/publications/readers/</a> is the new Sarai Reader link - they've changed their website and all the links have changed</p>
<p><a href="http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf" title="http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf">http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf</a> is the new link for the article</p>
<link rel="stylesheet" href="http://www.aliak.com/files/freemind_html_files/treestyles.css" type="text/css" />
<script type="text/javascript" src="http://www.aliak.com/files/freemind_html_files/marktree.js">† </script>    ]]></summary>
    <content type="html"><![CDATA[<p>a summary of the Sarai Reader 04 paper called "The Revenge of Lowtech : Autolabs, Telecentros and Tactical Media in Sao Paulo" by Ricardo Rosas.  </p>
<p>the freemind mind map <a href="http://www.aliak.com/files/tactical_media_in_Brazil.mm"> tactical_media_in_Brazil.mm</a> is attached - this contains html links or expand / collapse the xhtml version below</p>
<p><a href="http://www.sarai.net/publications/readers/" title="http://www.sarai.net/publications/readers/">http://www.sarai.net/publications/readers/</a> is the new Sarai Reader link - they've changed their website and all the links have changed</p>
<p><a href="http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf" title="http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf">http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf</a> is the new link for the article</p>
<link rel="stylesheet" href="http://www.aliak.com/files/freemind_html_files/treestyles.css" type="text/css" />
<script type="text/javascript" src="http://www.aliak.com/files/freemind_html_files/marktree.js">† </script><p>
<a href="#" onclick="expandAll(document.getElementById('base'))">Expand</a> - <a href="#" onclick="collapseAll(document.getElementById('base'))">Collapse</a>
<div id="base" class="basetext">
<ul>
<li class="col" style="" id="FMFreemind_Link_717499645FM"><span style=""><a href="http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf">tactical media in Brazil</a> <a href="http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span><br />
<ul class="subexp">
<li class="basic" style="" id="FM_FM"><span style="">http://www.sarai.net/publications/readers/04-crisis-media/55ricardo.pdf</span></li>
<li class="col" style="" id="FMFreemind_Link_1547141782FM"><span style="">small press<br />
(imprensa nanica)</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_63724039FM"><span style="">1970s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_971496699FM"><span style="">counterculture</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1986742506FM"><span style="">1980s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1943600018FM"><span style="">fan based</span></li>
<li class="col" style="" id="FMFreemind_Link_452409714FM"><span style="">1990s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_178005586FM"><span style="">return to counterculture</span></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1993155865FM"><span style="">collectives</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1290689405FM"><span style="">Microphobia</span></li>
<li class="col" style="" id="FMFreemind_Link_579491894FM"><span style="">Bijari/Antipop</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1283093247FM"><span style="">video art</span></li>
<li class="basic" style="" id="FMFreemind_Link_1262781086FM"><span style="">video activism</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1168713976FM"><span style="">A RevoluÁao Nao Sera Televisionada<br />
(The Revolution Will Not Be Televised)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_323139311FM"><span style="">video art</span></li>
<li class="basic" style="" id="FMFreemind_Link_1136674262FM"><span style="">video activism</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1632508098FM"><span style="">Rejeitados<br />
(The Rejected)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1171722543FM"><span style="">urban interventions</span></li>
<li class="basic" style="" id="FMFreemind_Link_341574607FM"><span style="">art outside institutions</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1773523564FM"><span style="">Formigueiro<br />
(Ant's Nest)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_759580967FM"><span style="">plagiarism</span></li>
<li class="basic" style="" id="FMFreemind_Link_1197301196FM"><span style="">parody</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1949383997FM"><span style="">Museu da Pessoa<br />
(Museum of the Person)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1261841088FM"><span style="">stories and photos of everyday people</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_174152973FM"><span style="">Anomia<br />
(Anomy)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_899266517FM"><span style="">culture-jamming, comics, zines and video, (influenced by psychogeography and sonic shock)</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_916350224FM"><span style="">A Cria<br />
(The Baby)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_947645672FM"><span style="">a 'factory' of fanzines</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_507197273FM"><span style="">Nomads' Collective</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1801497594FM"><span style="">architecture &amp; popular solutions for living &amp; habitation</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1939887943FM"><span style="">Projeto Sid Moreira</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1607230611FM"><span style="">posters and culture jamming</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1891863038FM"><span style="">Metafora.org<br />
(Metaphor)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_624476459FM"><span style="">recycles old computers for disadvantaged communities</span></li>
<li class="basic" style="" id="FMFreemind_Link_1968303488FM"><span style="">and develops wiki-based projects that centre on open publishing and group-based actions like Recicle-1-Politico (Recycle-1- Politician)</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1014780537FM"><span style=""><a href="http://www.rizoma.net">Rizoma</a> <a href="http://www.rizoma.net"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_694463780FM"><span style="">practices what they call &#8216;conceptual engineering&#8217; in order to transform subjectivities by re-combinations of online textual content, in order to arrive at an open sourceinspired treatment of ideas drawn from activism, afrofuturism, and neuropolitics</span></li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1051569432FM"><span style="">Indymedia Brazil</span></li>
<li class="col" style="" id="FMFreemind_Link_1144569847FM"><span style="">Banda Paralela</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1435255835FM"><span style="">designer &amp; programmers collectives</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1110479476FM"><span style="">BatukaÁao</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_959767009FM"><span style="">martial art/dance groups</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1751576813FM"><span style="">LSD Disco</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_710320949FM"><span style="">alternative/experimental or 'home made' music labels</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_585936702FM"><span style="">Radio Muda</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1323484053FM"><span style="">free radio station</span></li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1773263948FM"><span style="">Autolabs</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_914894941FM"><span style="">laboratorial prototypes for media literacy, technological experimentation and creativity created with the help of local communities</span></li>
<li class="basic" style="" id="FMFreemind_Link_344059614FM"><span style="">based on 'tactical' concepts</span></li>
<li class="basic" style="" id="FMFreemind_Link_1195471429FM"><span style="">use cheap DIY media made accessible by the digital revolution</span></li>
<li class="basic" style="" id="FMFreemind_Link_935881725FM"><span style="">enabling independent media production (by individuals or collectives) using free software/open source operating systems</span></li>
<li class="basic" style="" id="FMFreemind_Link_579205425FM"><span style="">are centres of orientation, documentation and self-education with free and open access to anyone who wants to come and work/play/create in them</span></li>
<li class="basic" style="" id="FMFreemind_Link_155132789FM"><span style="">knowledge is accessed and shared through human mediation, collective work and creative participation</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_629573275FM"><span style="">references</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1035459723FM"><span style=""><a href="http://amsterdam.nettime.org/Lists-Archives/nettime-l-9705/msg00118.html">A Network of Castles</a> <a href="http://amsterdam.nettime.org/Lists-Archives/nettime-l-9705/msg00118.html"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_1373302756FM"><span style=""><a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf">Sarai Reader 04</a> <a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
</ul>
</li>
</ul>
</li>
</ul>
<p><center><br />
<img src="http://static.flickr.com/43/91646565_dcc023a299.jpg?v=0" /><br />
</center></p>
<p>a summary of the Sarai Reader 04 paper called "The Revenge of Lowtech : Autolabs, Telecentros and Tactical Media in Sao Paulo" by Ricardo Rosas.  </p>
<p>the freemind mind map <a href="http://www.aliak.com/files/tactical_media_in_Brazil.mm"> tactical_media_in_Brazil.mm</a> is attached - this contains html links or expand / collapse the xhtml version below</p>
<link rel="stylesheet" href="http://www.aliak.com/files/freemind_html_files/treestyles.css" type="text/css" />
<script type="text/javascript" src="http://www.aliak.com/files/freemind_html_files/marktree.js">† </script><p>
<a href="#" onclick="expandAll(document.getElementById('base'))">Expand</a> - <a href="#" onclick="collapseAll(document.getElementById('base'))">Collapse</a></p></div>
<div id="base" class="basetext">
<ul>
<li class="col" style="" id="FMFreemind_Link_717499645FM"><span style=""><a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf">tactical media in Brazil</a> <a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span><br />
<ul class="subexp">
<li class="basic" style="" id="FM_FM"><span style="">http://www.sarai.net/journal/04_pdf/55ricardo.pdf</span></li>
<li class="col" style="" id="FMFreemind_Link_1547141782FM"><span style="">small press<br />
(imprensa nanica)</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_63724039FM"><span style="">1970s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_971496699FM"><span style="">counterculture</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1986742506FM"><span style="">1980s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1943600018FM"><span style="">fan based</span></li>
<li class="col" style="" id="FMFreemind_Link_452409714FM"><span style="">1990s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_178005586FM"><span style="">return to counterculture</span></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1993155865FM"><span style="">collectives</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1290689405FM"><span style="">Microphobia</span></li>
<li class="col" style="" id="FMFreemind_Link_579491894FM"><span style="">Bijari/Antipop</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1283093247FM"><span style="">video art</span></li>
<li class="basic" style="" id="FMFreemind_Link_1262781086FM"><span style="">video activism</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1168713976FM"><span style="">A RevoluÁao Nao Sera Televisionada<br />
(The Revolution Will Not Be Televised)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_323139311FM"><span style="">video art</span></li>
<li class="basic" style="" id="FMFreemind_Link_1136674262FM"><span style="">video activism</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1632508098FM"><span style="">Rejeitados<br />
(The Rejected)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1171722543FM"><span style="">urban interventions</span></li>
<li class="basic" style="" id="FMFreemind_Link_341574607FM"><span style="">art outside institutions</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1773523564FM"><span style="">Formigueiro<br />
(Ant's Nest)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_759580967FM"><span style="">plagiarism</span></li>
<li class="basic" style="" id="FMFreemind_Link_1197301196FM"><span style="">parody</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1949383997FM"><span style="">Museu da Pessoa<br />
(Museum of the Person)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1261841088FM"><span style="">stories and photos of everyday people</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_174152973FM"><span style="">Anomia<br />
(Anomy)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_899266517FM"><span style="">culture-jamming, comics, zines and video, (influenced by psychogeography and sonic shock)</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_916350224FM"><span style="">A Cria<br />
(The Baby)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_947645672FM"><span style="">a 'factory' of fanzines</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_507197273FM"><span style="">Nomads' Collective</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1801497594FM"><span style="">architecture &amp; popular solutions for living &amp; habitation</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1939887943FM"><span style="">Projeto Sid Moreira</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1607230611FM"><span style="">posters and culture jamming</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1891863038FM"><span style="">Metafora.org<br />
(Metaphor)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_624476459FM"><span style="">recycles old computers for disadvantaged communities</span></li>
<li class="basic" style="" id="FMFreemind_Link_1968303488FM"><span style="">and develops wiki-based projects that centre on open publishing and group-based actions like Recicle-1-Politico (Recycle-1- Politician)</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1014780537FM"><span style=""><a href="http://www.rizoma.net">Rizoma</a> <a href="http://www.rizoma.net"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_694463780FM"><span style="">practices what they call &#8216;conceptual engineering&#8217; in order to transform subjectivities by re-combinations of online textual content, in order to arrive at an open sourceinspired treatment of ideas drawn from activism, afrofuturism, and neuropolitics</span></li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1051569432FM"><span style="">Indymedia Brazil</span></li>
<li class="col" style="" id="FMFreemind_Link_1144569847FM"><span style="">Banda Paralela</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1435255835FM"><span style="">designer &amp; programmers collectives</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1110479476FM"><span style="">BatukaÁao</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_959767009FM"><span style="">martial art/dance groups</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1751576813FM"><span style="">LSD Disco</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_710320949FM"><span style="">alternative/experimental or 'home made' music labels</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_585936702FM"><span style="">Radio Muda</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1323484053FM"><span style="">free radio station</span></li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1773263948FM"><span style="">Autolabs</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_914894941FM"><span style="">laboratorial prototypes for media literacy, technological experimentation and creativity created with the help of local communities</span></li>
<li class="basic" style="" id="FMFreemind_Link_344059614FM"><span style="">based on 'tactical' concepts</span></li>
<li class="basic" style="" id="FMFreemind_Link_1195471429FM"><span style="">use cheap DIY media made accessible by the digital revolution</span></li>
<li class="basic" style="" id="FMFreemind_Link_935881725FM"><span style="">enabling independent media production (by individuals or collectives) using free software/open source operating systems</span></li>
<li class="basic" style="" id="FMFreemind_Link_579205425FM"><span style="">are centres of orientation, documentation and self-education with free and open access to anyone who wants to come and work/play/create in them</span></li>
<li class="basic" style="" id="FMFreemind_Link_155132789FM"><span style="">knowledge is accessed and shared through human mediation, collective work and creative participation</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_629573275FM"><span style="">references</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1035459723FM"><span style=""><a href="http://amsterdam.nettime.org/Lists-Archives/nettime-l-9705/msg00118.html">A Network of Castles</a> <a href="http://amsterdam.nettime.org/Lists-Archives/nettime-l-9705/msg00118.html"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_1373302756FM"><span style=""><a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf">Sarai Reader 04</a> <a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
</ul>
</li>
</ul>
</li>
</ul>
<p><center><br />
<img src="http://static.flickr.com/43/91646565_dcc023a299.jpg?v=0" /><br />
</center></p>
</div></p>    ]]></content>
  </entry>
  <entry>
    <title>Spunk Library - anarchy, anarchist and alternative materials</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2049" />
    <id>http://www.aliak.com/node/2049</id>
    <published>2005-12-26T01:44:54+00:00</published>
    <updated>2006-10-29T14:34:36+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="archive_library" />
    <category term="culture_jamming" />
    <category term="feminism" />
    <category term="internet" />
    <summary type="html"><![CDATA[<p>The Spunk Library collects and distributes literature in electronic format, with an emphasis on anarchism and related issues. For a more complete description of what Spunk is about you can view the Spunk Manifesto.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The Spunk Library collects and distributes literature in electronic format, with an emphasis on anarchism and related issues. For a more complete description of what Spunk is about you can view the Spunk Manifesto. visit <a href="http://www.spunk.org/" title="http://www.spunk.org/">http://www.spunk.org/</a> for more details</p>
    ]]></content>
  </entry>
  <entry>
    <title>changelings launch - 28th July, 2005</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/changelings-launch-28th-july-2005" />
    <id>http://www.aliak.com/content/changelings-launch-28th-july-2005</id>
    <published>2005-07-03T07:49:00+01:00</published>
    <updated>2005-07-03T07:49:00+01:00</updated>
    <author>
      <name>Raymond Thomas Hines</name>
    </author>
    <category term="culture_jamming" />
    <category term="sydney" />
    <summary type="html"><![CDATA[<p>changelings introduces the next generation of creative practitioners to the discerning industry professional. Via an interactive showcase - featuring fashion, design, and art - located at Mars Lounge, Wentworth Avenue, the project will provide a platform for the promotion of these budding careers. Through these events, the accompanying web site, and magazine of the same name, the project will provide these multi-talented individuals with a tool for their own creative development. visit <a href="http://www.changelings.com.au" rel="nofollow" rel="nofollow">www.changelings.com.au</a> for more details</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>changelings introduces the next generation of creative practitioners to the discerning industry professional. Via an interactive showcase - featuring fashion, design, and art - located at Mars Lounge, Wentworth Avenue, the project will provide a platform for the promotion of these budding careers. </p>
<p>Through these events, the accompanying web site, (<a href="http://www.changelings.com.au)" rel="nofollow">www.changelings.com.au)</a>, and magazine of the same name, the project will provide these multi-talented individuals with a tool for their own creative development.</p>
    ]]></content>
  </entry>
  <entry>
    <title>RE:activism: call for submissions</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/reactivism-call-submissions" />
    <id>http://www.aliak.com/content/reactivism-call-submissions</id>
    <published>2005-04-23T01:01:00+01:00</published>
    <updated>2005-04-23T01:01:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="culture_jamming" />
    <category term="europe" />
    <category term="international" />
    <summary type="html"><![CDATA[<p>RE:activism: Re-drawing the boundaries of activism in a new media environment is a conference which is to take place in Budapest, October 14-15, 2005. Re:activism will focus on two closely connected subjects. On the first day, we gather to discuss the new dynamics of culture production. Digital networks allow the large scale cooperation of individuals with diverse motivational backgrounds. This cooperation often results in globally competitive ideas, (software) products, (social) services. Ad-hoc activist, expert networks can only consolidate themselves if the necessary legal, economic and technological frameworks are created or emerge from local interactions. We research into the political economy of peer production networks and examine how regulation in a post-Westphalian order can integrate these networks. We also discuss the potential conflicts between peer networks and contemporary social, economic, and legal institutions and examine how tradition emerges through open archives documenting these conflicts. read more or visit <a href="http://www.re-activism.net/" rel="nofollow" rel="nofollow">http://www.re-activism.net/</a> for more information and instructions on how to submit papers.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The Budapest University of Technology and Economics ,</p>
<p>the Central European University ,</p>
<p>the Open Society Institute , and</p>
<p>the Annenberg School for Communication at the University of Pennsylvania</p>
<p>is proud to present a conference on<br />
RE:activism: Re-drawing the boundaries of activism in a new media environment</p>
<p>which is to take place in Budapest, October 14-15, 2005</p>
<p>Re:activism will focus on two closely connected subjects. On the first day, we gather to discuss the new dynamics of culture production. Digital networks allow the large scale cooperation of individuals with diverse motivational backgrounds. This cooperation often results in globally competitive ideas, (software) products, (social) services. Ad-hoc activist, expert networks can only consolidate themselves if the necessary legal, economic and technological frameworks are created or emerge from local interactions. We research into the political economy of peer production networks and examine how regulation in a post-Westphalian order can integrate these networks. We also discuss the potential conflicts between peer networks and contemporary social, economic, and legal institutions and examine how tradition emerges through open archives documenting these conflicts.</p>
<p>On the second day we offer a layered approach to activism when we examine activist practices and civic action groups in urban, local and global contexts. The general title of the day: Local and global activism in the context of new media covers the analysis of anti-globalization activist networks who often use the urban fabric as a battleground for their causes. We also try to grasp the conceptual framework that helps describing the emergence of local civic engagement and the civic uses of new media technologies. The special case of democratic elections also provide us the opportunity to dive into the forces that change contemporary political systems.</p>
<p>The conference is organized around altogether eight topics. Each day we have a morning session of keynote lecture by a lead researcher, we have three sessions of academic discourse, where distinguished researchers can present their work and have four panels in the afternoon with academic researchers, activists, artist who work in the field to share their values, evaluations, findings and proposals to each other.</p>
<p>The aim of the conference is to open up an open field of communication between academics and practitioners, eastern and western, European and North-American, groups and individuals all immersed in the field of activism.</p>
<p>About the Conference<br />
CALL FOR PAPERS</p>
<p><a href="http://www.re-activism.net/" rel="nofollow">http://www.re-activism.net/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Dorkbot - people doing strange things with electricity</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1703" />
    <id>http://www.aliak.com/node/1703</id>
    <published>2005-04-18T00:02:00+01:00</published>
    <updated>2005-04-18T00:02:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="collective" />
    <category term="culture_jamming" />
    <category term="net art" />
    <category term="project" />
    <summary type="html"><![CDATA[<p>people doing strange things with electricity<br />
what's dorkbotlondon?<br />
first there was dorkbotnyc, a monthly meeting of electronic artists in new york.<br />
      "dorkbotnyc is a monthly meeting of artists (sound / image / movement / whatever), designers, engineers, students and other interested parties from the new york area who are involved in the creation of electronic art (in the broadest sense of the term.)" [more dorkbotnyc]</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>people doing strange things with electricity</p>
<p>what's dorkbotlondon?<br />
first there was dorkbotnyc, a monthly meeting of electronic artists in new york.</p>
<p>      "dorkbotnyc is a monthly meeting of artists (sound / image / movement / whatever), designers, engineers, students and other interested parties from the new york area who are involved in the creation of electronic art (in the broadest sense of the term.)" [more dorkbotnyc] </p>
<p>some people realised that their home city of london was in dire need of such a meeting, and dorkbotlondon was born.</p>
<p>our dorkbots have been well attended by some great people, so we've made it an regular event.</p>
<p>We will try our best to make dorkbotlondon happen on the third wednesday of every month.</p>
    ]]></content>
  </entry>
  <entry>
    <title>BBC video content available for creative reuse</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/bbc-video-content-available-creative-reuse" />
    <id>http://www.aliak.com/content/bbc-video-content-available-creative-reuse</id>
    <published>2005-04-13T22:10:00+01:00</published>
    <updated>2005-04-13T22:10:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="culture_jamming" />
    <category term="internet" />
    <category term="new media" />
    <category term="video blogging" />
    <summary type="html"><![CDATA[<p>"Free internet access to thousands of clips from public service radio and TV programmes is a step closer after the launch of the Creative Archive Licence. The BBC, Channel 4, the British Film Institute (BFI) and The Open University (OU) launched the scheme on Wednesday. It is the first stage of the Creative Archive initiative announced by former BBC director general Greg Dyke in 2003. Under the plans, the public will be able to "own" a copy of the clips and use them for their own creations."<br />
"The BBC will initially make footage from natural history and factual programmes available under the licence, while Channel 4 has commissioned a selection of content. The BFI will be releasing silent comedy, early literary adaptations, newsreel footage and archive footage of British cities in the early 20th century. " Read the full story at <a href="http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4441205.stm" rel="nofollow" rel="nofollow">http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4441205.stm</a><br />
 or visit the Creative Archive Licence Group @ <a href="http://creativearchive.bbc.co.uk/index.html" rel="nofollow" rel="nofollow">http://creativearchive.bbc.co.uk/index.html</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>"Free internet access to thousands of clips from public service radio and TV programmes is a step closer after the launch of the Creative Archive Licence. The BBC, Channel 4, the British Film Institute (BFI) and The Open University (OU) launched the scheme on Wednesday. It is the first stage of the Creative Archive initiative announced by former BBC director general Greg Dyke in 2003. Under the plans, the public will be able to "own" a copy of the clips and use them for their own creations."</p>
<p>"The BBC will initially make footage from natural history and factual programmes available under the licence, while Channel 4 has commissioned a selection of content. The BFI will be releasing silent comedy, early literary adaptations, newsreel footage and archive footage of British cities in the early 20th century. " </p>
<p>Read the full story at <a href="http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4441205.stm" rel="nofollow">http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4441205.stm</a><br />
 or visit the Creative Archive Licence Group @ <a href="http://creativearchive.bbc.co.uk/index.html" rel="nofollow">http://creativearchive.bbc.co.uk/index.html</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Defining Tactical Media</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1424" />
    <id>http://www.aliak.com/node/1424</id>
    <published>2004-10-04T00:17:00+01:00</published>
    <updated>2004-10-04T00:17:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="culture_jamming" />
    <summary type="html"><![CDATA[<p>Virtual Case Book on Tactical Media<br />
The Genesis of the Virtual Case Book Project<br />
9-11 and After: A Virtual Case Book is a prototype for a planned series of what we are calling "virtual case books" (VCB), each organized around a key area of cultural activism in which tactical media play a central role.<br />
Because tactical media practices (see definitions) are inherently responsive, interactive, and constantly evolving, we chose a format that would make it possible to capture the specificity of such developments in different political and cultural contexts. We have also taken advantage of the interactivity offered by web-based forms of publication, enabling us to invite others to join an ongoing conversation, and allowing readers to simultaneously access, analyze, and respond to the ideas, images, resources, and the multitude of links contained in the VCB.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Virtual Case Book on Tactical Media</p>
<p>The Genesis of the Virtual Case Book Project<br />
Barbara Abrash and Faye Ginsburg</p>
<p>9-11 and After: A Virtual Case Book is a prototype for a planned series of what we are calling "virtual case books" (VCB), each organized around a key area of cultural activism in which tactical media play a central role. Because tactical media practices (see definitions) are inherently responsive, interactive, and constantly evolving, we chose a format that would make it possible to capture the specificity of such developments in different political and cultural contexts. We have also taken advantage of the interactivity offered by web-based forms of publication, enabling us to invite others to join an ongoing conversation, and allowing readers to simultaneously access, analyze, and respond to the ideas, images, resources, and the multitude of links contained in the VCB.</p>
<p>Future VCBs will address such topics as HIV/AIDS activism and human rights. This hybrid form of publication, developed for topics that are particularly enmeshed in web-based activity, will combine:</p>
<p>      1. the extraordinary access and interactivity of the Internet and world wide web and their capacity to incorporate and archive print, visual, and audio data;</p>
<p>      2. the intellectual focus and range of academic research; and</p>
<p>      3. the organization of information conventionally identified with books that enables quick overall comprehension of relevant areas. </p>
<p>Plans for this series were hatched at a workshop held in April 2001 entitled Tactical Media: The Impact of New Media on Cultural Activism and Political Engagement, organized by The Center for Media, Culture, and History and funded by The Rockefeller Foundation through its Creativity and Culture Program, which also provided funding for this casebook. Our special thanks to Program Officer Joan Shigekawa for her visionary support of this and many other new media projects. Special thanks also go to award-winning web designers Alison Cornyn and Sue Johnson of Picture Projects, who designed and built the site for this prototype. We have benefited from the editorial advice of Pat Aufderheide, David Garcia, Daoud Kuttab, Drazen Pantic, and Ravi Sundaram. Tal Halpern, of NYU Instructional Technology Services, is our indispensable technical guru. Barbara Kirshenblatt-Gimblett's guidance on visual imagery has contributed significantly to both the look and content of this VCB. Mariana Johnson's research, archival work, and editorial input have been essential to the realization of the project. We thank them all.</p>
<p>Editors: Barbara Abrash and Faye Ginsburg<br />
Assistant Editor: Mariana Johnson<br />
Technical Support: Tal Halpern, NYU Instructional Technology Services<br />
Website: Picture Projects with Alison Cornyn and Sue Johnson, Britta Frahm<br />
Funding for this project has been provided by The Rockefeller Foundation</p>
    ]]></content>
  </entry>
  <entry>
    <title>Journal of Aesthetics and Protest</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1423" />
    <id>http://www.aliak.com/node/1423</id>
    <published>2004-10-04T00:09:00+01:00</published>
    <updated>2004-10-04T00:09:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="culture_jamming" />
    <category term="publication" />
    <summary type="html"><![CDATA[<p>The Journal of Aesthetics and Protests flies in the airs of the present, gathering up words like sticks shaking in the breeze. The journal sits at a discursive juncture between art and (often anarchist) activism with the knowledge that a knowledge and discourse are one tool to change the world.<br />
The Journal, aware of the possibilities of the boundless moment, searches for ways to think through the cultural and political ramifications of representation. In word and aspiration, The Journal dreams toward a world that differs from "a celebration of the choice already made in the sphere of production, and the consummate result of that choice.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The Journal of Aesthetics and Protests flies in the airs of the present, gathering up words like sticks shaking in the breeze. The journal sits at a discursive juncture between art and (often anarchist) activism with the knowledge that a knowledge and discourse are one tool to change the world.</p>
<p>The Journal, aware of the possibilities of the boundless moment, searches for ways to think through the cultural and political ramifications of representation. In word and aspiration, The Journal dreams toward a world that differs from "a celebration of the choice already made in the sphere of production, and the consummate result of that choice." Guy Debord, The Society of the Spectacle, New York 1994, p 13.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Raqs Media Collective</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2359" />
    <id>http://www.aliak.com/node/2359</id>
    <published>2004-08-13T06:44:20+01:00</published>
    <updated>2006-10-29T12:00:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="arts artist" />
    <category term="asia" />
    <category term="collective" />
    <category term="community" />
    <category term="culture_jamming" />
    <category term="delhi" />
    <category term="film" />
    <category term="india" />
    <category term="net art" />
    <category term="networked spaces" />
    <category term="new media" />
    <category term="online  communities" />
    <category term="organisation" />
    <category term="spaces" />
    <category term="urban space" />
    <category term="workshop" />
    <category term="resource" />
    <summary type="html"><![CDATA[<p><img src="http://upload.wikimedia.org/wikipedia/en/0/0b/Raqs.jpg" /><br />
Raqs Media Collective - excerpt from Wikipedia entry<br />
<a href="http://en.wikipedia.org/wiki/Raqs_Media_Collective" title="http://en.wikipedia.org/wiki/Raqs_Media_Collective" rel="nofollow">http://en.wikipedia.org/wiki/Raqs_Media_Collective</a><br />
Raqs Media Collective is a group of three media practitioners - Jeebesh Bagchi (New Delhi, 1965), Monica Narula (New Delhi, 1969) and Shuddhabrata Sengupta (New Delhi, 1968) - based in New Delhi. Raqs is best known for its contribution to contemporary art, and has presented work at most of the major international shows, from Documenta to the Venice Biennale; but the collective is active in an unusually wide range of domains, and it is perhaps this breadth that gives their work its originality and scope.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://upload.wikimedia.org/wikipedia/en/0/0b/Raqs.jpg" /></p>
<p>Raqs Media Collective - excerpt from Wikipedia entry<br />
<a href="http://en.wikipedia.org/wiki/Raqs_Media_Collective" title="http://en.wikipedia.org/wiki/Raqs_Media_Collective">http://en.wikipedia.org/wiki/Raqs_Media_Collective</a></p>
<p>Raqs Media Collective is a group of three media practitioners - Jeebesh Bagchi (New Delhi, 1965), Monica Narula (New Delhi, 1969) and Shuddhabrata Sengupta (New Delhi, 1968) - based in New Delhi. Raqs is best known for its contribution to contemporary art, and has presented work at most of the major international shows, from Documenta to the Venice Biennale; but the collective is active in an unusually wide range of domains, and it is perhaps this breadth that gives their work its originality and scope.</p>
<p>Raqs Media Collective was formed in 1992 after its three members graduated together from the prestigious Mass Communications Research Centre at the Jamia Milia Islamia university in Delhi. During the rest of the 1990s, Raqs made a number of strikingly original documentary films, including In the Eye of the Fish (1997), Present Imperfect, Future Tense (1999) and a thirteen-part television series, Growing Up (1995), which display many of the themes that the collective has continued to explore and develop in its subsequent work: the urban landscape and experience, the meaning and uses of media and technology, the nature of knowledge and what it means to learn, and the idea of creativity - which in their work becomes not only an artistic impulse but also a wider human faculty associated with the capacity of individuals and societies for imaginative and ethical innovation. These films show Raqs strenuously avoiding conventional tropes of documentary narrative, whose relationship to sedimented forms of power strikes them keenly, and searching for new kinds of flow and coherence.</p>
<p>visit <a href="http://www.raqsmediacollective.net/" title="http://www.raqsmediacollective.net/">http://www.raqsmediacollective.net/</a> for more details</p>
    ]]></content>
  </entry>
  <entry>
    <title>TxtMob</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1365" />
    <id>http://www.aliak.com/node/1365</id>
    <published>2004-08-03T22:02:00+01:00</published>
    <updated>2004-08-03T22:02:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="culture_jamming" />
    <category term="resource / funding" />
    <summary type="html"><![CDATA[<p>TXTmob is a service that lets you quickly and easily share txt messages with friends, comrades, and total strangers. The format is similar to an email b-board system. You can sign up to send and receive messages from various groups, which are organized around a range of different topics.<br />
TXTMob was designed for use by protestors at the Democratic National Convention in Boston this summer. It is currently being revamped for use at the Republican National Convention in New York this August.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>TXTmob is a service that lets you quickly and easily share txt messages with friends, comrades, and total strangers. The format is similar to an email b-board system. You can sign up to send and receive messages from various groups, which are organized around a range of different topics.</p>
<p>TXTMob was designed for use by protestors at the Democratic National Convention in Boston this summer. It is currently being revamped for use at the Republican National Convention in New York this August.</p>
    ]]></content>
  </entry>
  <entry>
    <title>FutureHi</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1267" />
    <id>http://www.aliak.com/node/1267</id>
    <published>2004-05-27T14:00:00+01:00</published>
    <updated>2004-05-27T14:00:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="culture_jamming" />
    <category term="news" />
    <category term="online  communities" />
    <category term="psytrance" />
    <category term="publication" />
    <category term="writers" />
    <summary type="html"><![CDATA[<p>Celebrating the rebirth of psychedelic futurism - lots of great articles and links. great thinking material</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Celebrating the rebirth of psychedelic futurism - lots of great articles and links. great thinking material</p>
    ]]></content>
  </entry>
  <entry>
    <title>Fringecore magazine</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1164" />
    <id>http://www.aliak.com/node/1164</id>
    <published>2004-01-01T02:18:00+00:00</published>
    <updated>2004-01-01T02:18:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="culture_jamming" />
    <category term="net art" />
    <category term="project" />
    <category term="publication" />
    <category term="urban art" />
    <category term="writers" />
    <summary type="html"><![CDATA[<p>Fringecore deals with the cultural fringe and some of the more weird stuff that goes on out there and helps to make society that much more stimulating.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Fringecore deals with the cultural fringe and some of the more weird stuff that goes on out there and helps to make society that much more stimulating.</p>
    ]]></content>
  </entry>
</feed>
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