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  <title>USA</title>
  <link rel="alternate" type="text/html" href="http://www.aliak.com/category/location/usa"/>
  <link rel="self" type="application/atom+xml" href="http://www.aliak.com/taxonomy/term/292/atom/feed"/>
  <id>http://www.aliak.com/taxonomy/term/292/atom/feed</id>
  <updated>2007-04-23T16:35:53+01:00</updated>
  <entry>
    <title>Eyebeam Fellowships in R&amp;D OpenLab, Production Lab &amp; Education Lab</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/eyebeam-fellowships-rd-openlab-production-lab-education-lab" />
    <id>http://www.aliak.com/content/eyebeam-fellowships-rd-openlab-production-lab-education-lab</id>
    <published>2007-08-01T23:32:06+01:00</published>
    <updated>2007-08-10T12:26:36+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="fellowship" />
    <category term="international" />
    <category term="jobs" />
    <category term="media art" />
    <category term="new york" />
    <category term="news" />
    <category term="project" />
    <category term="USA" />
    <category term="resource" />
    <summary type="html"><![CDATA[<p>For all of the Fellowships we are seeking applications from artists, hackers, designers, engineers and creative technologists to come to Eyebeam for a year to undertake new research and develop new work. The ideal Fellow has experience working with and making innovative technological art and/or creative technology projects and has a passion for collaborative development. Fellows will bring this experience and working approach to their own independent projects, projects initiated by other Residents or Fellows and projects conceived collaboratively during the Fellowship period.<br />
Read more for details or visit<br />
<a href="http://www.eyebeam.org/production/production.php?page=felcall" title="http://www.eyebeam.org/production/production.php?page=felcall" rel="nofollow">http://www.eyebeam.org/production/production.php?page=felcall</a><br />
If you have any questions, please email <a href="mailto:fellowshipinfo@eyebeam.org" rel="nofollow">fellowshipinfo@eyebeam.org</a> or visit the online application page @ <a href="http://www.eyebeam.org/production/onlineapp/" title="http://www.eyebeam.org/production/onlineapp/" rel="nofollow">http://www.eyebeam.org/production/onlineapp/</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Eyebeam Fellowships</p>
<p><a href="http://www.eyebeam.org/production/production.php?page=felcall" title="http://www.eyebeam.org/production/production.php?page=felcall">http://www.eyebeam.org/production/production.php?page=felcall</a></p>
<p>Overview of Eyebeam Fellowships</p>
<p>The application process for Eyebeam's 2007/08 Fellowship program is<br />
currently open. The deadline for applications is August 6, 2007. All<br />
applicants will be informed of their application status by October 1,<br />
2007. The program duration is for 11 months, running from November to<br />
September.</p>
<p>Fellowships will be offered in the R&amp;D OpenLab, the Production Lab<br />
and the Education Lab. The focus of the Fellowships varies depending<br />
on the tools and skills available and the creative objectives and<br />
philosophy of each Lab. Up to five Fellowships will be granted for<br />
2007/08.</p>
<p>For all of the Fellowships we are seeking applications from artists,<br />
hackers, designers, engineers and creative technologists to come to<br />
Eyebeam for a year to undertake new research and develop new work.<br />
The ideal Fellow has experience working with and making innovative<br />
technological art and/or creative technology projects and has a<br />
passion for collaborative development. Fellows will bring this<br />
experience and working approach to their own independent projects,<br />
projects initiated by other Residents or Fellows and projects<br />
conceived collaboratively during the Fellowship period.</p>
<p>Fellows are selected from an open call. International applicants are<br />
welcome to apply although we do not have the resources to provide<br />
travel or accommodation. We are happy to work with selected<br />
applicants, where required, to help them to secure funds to cover<br />
these expenses. International Fellows are responsible for securing<br />
their own visas for the Fellowship period.</p>
<p>Fellows receive a $30,000 stipend and health benefits during their<br />
stay. They are able to take on additional external teaching or<br />
consulting work, but there is an expectation that Fellows will be<br />
working at Eyebeam a minimum of four days a week.</p>
<p>Collaborative partnerships at Eyebeam will be fostered though group<br />
critiques, discussions and projects, within and between the lab<br />
environments and residency programs. Fellows also benefit from<br />
critiques, lectures and workshops by external practitioners chosen<br />
for their relationship to subjects and projects being worked on in<br />
the Labs.</p>
<p>All Fellows are encouraged to share their skills and knowledge with<br />
the larger Eyebeam community by conducting formal and/or informal<br />
workshops with others in the Labs as well as possible workshops open<br />
to the public. There are also opportunities to develop work for<br />
performance, events, seminars, exhibition or other public programming<br />
in the Eyebeam galleries (and beyond) during the term of the fellowship.</p>
<p>Core to our principle at Eyebeam is the brokering of relationships<br />
between artists, hackers, coders, engineers and other creative<br />
technologists and the contexts we provide. The intention is to foster<br />
and facilitate relationships whereby technologists and artists can<br />
come together to germinate and hothouse their ideas, develop new<br />
processes and create new works through a period of immersion in a<br />
social context which is rich in technology, expertise and ideas.</p>
<p>Research Themes</p>
<p>We also support research groups to bring together creative<br />
practitioners working at Eyebeam as well as expert external<br />
participants. New research leads to possible public outcomes<br />
including seminars, public discussion and exhibition.</p>
<p>Research themes for 2007/08 include (though will not be limited to):<br />
* Energy, Technology and Sustainability<br />
* Urban research, urban interventions and media in public space</p>
<p>Artists and creative technologists interested in these research areas<br />
are particularly encouraged to apply for 2007/08 Fellowships.</p>
<p>Application Requirements</p>
<p>Applications received after the deadline of August 6, 2007, will not<br />
be accepted. All applications and work samples must be submitted<br />
through the online form. No exceptions will be made. You can create a<br />
user/password during the application process and log back into the<br />
server to update your application before the final deadline.</p>
<p>Complete applications must include the following information:<br />
* Contact Information<br />
* Resume or CV (rtf or pdf doc)<br />
* Work samples in the form of URLs or uploaded media<br />
* Include a project description with your work sample that explains<br />
your contribution to the piece, how it was meant to be viewed and how<br />
it relates to your proposed project(s).<br />
* Concise responses to all application questions</p>
<p>Incomplete applications will not be considered.</p>
<p>Please read the guidelines for each of the Fellowships carefully.<br />
Each working environment has different sets of tools and different<br />
mentors/trainers for these tools, so applicants should consider which<br />
environment will best suit their own needs and experience. However,<br />
all artists, technologists and residents have access to resources<br />
across all three labs and programs.</p>
<p>If you have any questions, please email <a href="mailto:fellowshipinfo@eyebeam.org">fellowshipinfo@eyebeam.org</a> or visit the online application page @ <a href="http://www.eyebeam.org/production/onlineapp/" title="http://www.eyebeam.org/production/onlineapp/">http://www.eyebeam.org/production/onlineapp/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>RENEWING THE ANARCHIST TRADITION - A Scholarly Conference</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/renewing-the-anarchist-tradition-a-scholarly-conference" />
    <id>http://www.aliak.com/content/renewing-the-anarchist-tradition-a-scholarly-conference</id>
    <published>2007-07-28T13:10:11+01:00</published>
    <updated>2008-01-26T20:12:31+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="call for submissions" />
    <category term="conference" />
    <category term="international" />
    <category term="USA" />
    <summary type="html"><![CDATA[<p>The eighth edition of the Renewing the Anarchist Tradition (RAT) conference, sponsored by the Institute for Anarchist Studies, once again aims to provide a participatory and scholarly space in which to reexamine, reinvigorate, and make relevant the social and political tradition of anarchism.<br />
At previous conferences, presenters have proposed topics that ranged from the character of social change to the ongoing relevance of categories such as class, community, and labor; from the changing shape of the state and capital to emergent forms of both domination and resistance in a globalizing world; from the character of twenty-<br />
first-century technology to the functions and potentials of anti-authoritarian art and propaganda; and from anarchism's relation to geopolitical concerns such as terrorism and war to its ability to grapple with issues of identity such as race, gender, and sexuality.<br />
Read more for the Calls for Proposals or visit <a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146" rel="nofollow">http://anarchiststudies.org/node/146</a> for more details. <a href="http://www.homemadejam.org/renew" title="http://www.homemadejam.org/renew" rel="nofollow">http://www.homemadejam.org/renew</a> has archives of previous year's conferences.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>RENEWING THE ANARCHIST TRADITION<br />
A Scholarly Conference<br />
November 2-4, 2007 in Montpelier, Vermont</p>
<p><a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146">http://anarchiststudies.org/node/146</a></p>
<p>The eighth edition of the Renewing the Anarchist Tradition (RAT)<br />
conference, sponsored by the Institute for Anarchist Studies, once<br />
again aims to provide a participatory and scholarly space in which to<br />
reexamine, reinvigorate, and make relevant the social and political<br />
tradition of anarchism.</p>
<p>Each year, RAT brings together anarchists, anti-authoritarians, and<br />
libertarians who want to critically engage both the tradition itself<br />
and the world in which we live. Participants and presenters at the<br />
conference thereby contribute to developing a more rigorous<br />
contemporary theoretical framework for anarchism as well as a<br />
stronger basis from which anti-authoritarian movements can organize<br />
and resist.</p>
<p>In a historical moment characterized overwhelmingly by war,<br />
exploitation, forced displacement, dispossession, and environmental<br />
devastation, it might seem strange to spend a peaceful fall weekend<br />
in conversation with friends and comrades in Vermont. But we believe<br />
that the contemporary context makes it more important than ever to<br />
foster a space in which to collectively and honestly appraise the<br />
strengths as well as weaknesses of different anarchist practices,<br />
platforms, convictions, dogmas, truisms, and theories in helping us<br />
to understand and ultimately transform the layered systems of<br />
domination and oppression that structure it. We also see RAT as a<br />
place to discuss and share theoretical tools from beyond the<br />
anarchist tradition(s) that can add to building more sustainable<br />
social movements and practices, and eventually a world characterized<br />
by freedom, justice, and dignity for all.</p>
<p>RAT aims to nurture and support a new generation of anti-<br />
authoritarian public intellectuals from different backgrounds and<br />
experiences. So when we describe it as "a scholarly conference," we<br />
are referring to a quality of the presentations and discussions--not<br />
to some professional identity of the participants. You do not have to<br />
be an academic to attend or present at RAT. All you have to do is be<br />
ready to actively participate in the conversations and debates, as<br />
peers who are creating the conference space together. In the past,<br />
RAT has served as a forum for organizers, scholars, writers, artists,<br />
educators, publishers, and students from a range of anarchist and<br />
libertarian left tendencies to come together to engage in challenging<br />
yet respectful dialogue. Participants have observed that RAT offers a<br />
distinctive social environment in which long-term conversations and<br />
relationships between anti-authoritarians from various places and<br />
political contexts can be built.</p>
<p>At previous conferences, presenters have proposed topics that ranged<br />
from the character of social change to the ongoing relevance of<br />
categories such as class, community, and labor; from the changing<br />
shape of the state and capital to emergent forms of both domination<br />
and resistance in a globalizing world; from the character of twenty-<br />
first-century technology to the functions and potentials of anti-<br />
authoritarian art and propaganda; and from anarchism's relation to<br />
geopolitical concerns such as terrorism and war to its ability to<br />
grapple with issues of identity such as race, gender, and sexuality.</p>
<p>CALL FOR PROPOSALS<br />
(Due by or before September 1, 2007)</p>
<p><a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146">http://anarchiststudies.org/node/146</a></p>
<p>We are once again accepting proposals for a limited number of<br />
presentations. In addition, we will be curating a series of panels<br />
that build on previous conversations and provoke even more dynamic<br />
debate than at past conferences.</p>
<p>If you are interested in presenting, please take a look at the RAT<br />
archive (currently at <a href="http://www.homemadejam.org/renew" title="http://www.homemadejam.org/renew">http://www.homemadejam.org/renew</a>) to get a<br />
sense of the topics that have been explored in the past. If you feel<br />
alienated when you look at this list, or think that important issues<br />
that should be considered through an anarchist lens have been left<br />
out, do not panic or decide not to attend. Please send us a proposal.<br />
We particularly encourage non-academics, working people, women,<br />
indigenous people, people of color, queer and trans people, and<br />
others frequently marginalized in scholarly life to submit proposals.</p>
<p>Each proposal should include: a succinct presentation title; a<br />
maximum 150-word description of your presentation and the question or<br />
topic you wish to address; a maximum 50-word description of yourself;<br />
and your full name and e-mail.</p>
<p>You can submit multiple proposals, and proposals for panels are also<br />
welcome. Please note, however, that we will be choosing from the<br />
proposals by September 15, and not every proposal will be selected.</p>
<p>If your proposal is accepted, you are automatically registered. All<br />
presenters must pay the registration fee, since RAT has no funding<br />
other than all of us contributing to make this space possible.</p>
<p>Send your proposal(s), by or before September 1, to:<br />
<a href="mailto:rat-presentations@anarchiststudies.org">rat-presentations@anarchiststudies.org</a>.</p>
<p>REGISTRATION<br />
(Starting on September 15, 2007)</p>
<p>RAT registration, limited to 150 people, will open on September 15.<br />
All presenters are automatically registered, but like everyone else,<br />
they must pay the registration fees in full by or before October 15.<br />
RAT has no outside or independent funding, so everyone who attends<br />
contributes financially to making this conference possible. Those who<br />
register for RAT can also book a table(s) for bookstores, infoshops,<br />
magazines, and other projects.</p>
<p>Once registration opens, we will offer a sliding-scale registration<br />
for the following three options:</p>
<p>    1. Registration and five meals (for locals and<br />
       others not requiring housing): $45 to $65<br />
    2. Registration, five meals, and 2 nights in<br />
       shared dorm room: $105 to $125<br />
    3. Registration, five meals, and 2 nights in<br />
       single dorm room: $155 to $180</p>
<p>Also, a limited number of partial scholarships will be<br />
available to subsidize RAT conference fees for those<br />
with financial need. These scholarships, as in the<br />
past, will be made possible because of the generosity<br />
of other RAT participants who can afford to pay the<br />
higher end (or more!) of our sliding scale.</p>
<p>SCHEDULE</p>
<p>RAT will open this year with a single panel on the evening of Friday,<br />
November 2, followed by a full day of presentations, panels, and a<br />
party on Saturday, November 3, and will wrap up with more<br />
presentations and panels until about 2 p.m. on Sunday, November 4.<br />
All presenters and participants should plan on attending the full<br />
conference, since RAT is meant as an extended conversation.</p>
<p>We are renting space at a small college in Montpelier, Vermont, for<br />
meeting rooms, tabling, five meals (breakfast, lunch, and dinner on<br />
Saturday; breakfast and lunch on Sunday), and dorm rooms. On Saturday<br />
night, we'll be using the Langdon Street Cafe for a performance<br />
(rants! confessions! diatribes! music!) and socializing space.</p>
<p>--<br />
Stevphen Shukaitis<br />
Autonomedia Editorial Collective<br />
<a href="http://www.autonomedia.org" title="http://www.autonomedia.org">http://www.autonomedia.org</a><br />
<a href="http://slash.interactivist.net" title="http://slash.interactivist.net">http://slash.interactivist.net</a></p>
<p>"Autonomy is not a fixed, essential state. Like gender, autonomy is<br />
created through its performance, by doing/becoming; it is a political<br />
practice. To become autonomous is to refuse authoritarian and<br />
compulsory cultures of separation and hierarchy through embodied<br />
practices of welcoming difference... Becoming autonomous is a<br />
political position for it thwarts the exclusions of proprietary<br />
knowledge and jealous hoarding of resources, and replaces the social<br />
and economic hierarchies on which these depend with a politics of<br />
skill exchange, welcome, and collaboration. Freely sharing these with<br />
others creates a common wealth of knowledge and power that subverts<br />
the domination and hegemony of the master's rule." - subRosa Collective</p>
    ]]></content>
  </entry>
  <entry>
    <title>StringTunes</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2721" />
    <id>http://www.aliak.com/node/2721</id>
    <published>2007-04-23T16:32:05+01:00</published>
    <updated>2007-04-23T16:35:53+01:00</updated>
    <author>
      <name>StringTunes</name>
    </author>
    <category term="Composer" />
    <category term="Illinois" />
    <category term="music artist biography" />
    <category term="USA" />
    <summary type="html"><![CDATA[<div class="flexinode-body flexinode-2">
<div class="flexinode-textfield-8">
<div class="form-item">
 artist / project name:<br />
 name
</div>
</div>
<div class="flexinode-textfield-34">
<div class="form-item">
 bio:<br />
 Composer of classical/orchestral instrumental music primarily utilizing the stringed instruments. Flowing melodies creating a so
</div>
</div>
<div class="flexinode-textfield-25">
<div class="form-item">
 group members:<br />
 Don Rath Jr
</div>
</div>
<div class="form-item">
 myspace page:<br />
 <a href="http://www.myspace.com/stringsfu" rel="nofollow" rel="nofollow">http://www.myspace.com/stringsfu</a>
</div>
<div class="form-item">
 website:<br />
 <a href="http://www.stringtunes.com" rel="nofollow" rel="nofollow">http://www.stringtunes.com</a>
</div>
<div class="flexinode-textfield-13">
<div class="form-item">
 city:<br />
 Rockford
</div>
</div>
<div class="flexinode-textarea-11">
<div class="form-item">
 genre:<br />
 Classical/Orchestral - New Age/Ambient
</div>
</div>
<div class="flexinode-select-33">
<div class="form-item">
 are you a currently active artist / project?:<br />
 yes
</div>
</div>
<div class="flexinode-textarea-29">
<div class="form-item">
 releases / projects:<br />
 Heart Strings - 2007<br />
Dawn of a New Day - 2007
</div>
</div>
<div class="flexinode-textarea-14">
<div class="form-item">
 bio - full:<br />
 Biography - Donald Rath Jr. – Composer, Arranger &amp; Guitarist<br />
On January 14th 1956 in a small suburb of Cincinnati Ohio a healthy lad was born to this world. He would later become a Composer of instrumental music. The road to his success was long and contained many detours and rest stops.<br />
Donald Rath Jr. was raised on a Dairy farm in Illinois. As a toddler, he would sit in awe listening while his Mother created amazing sounds on the organ. It was from this early impression that he began to pursue his interest in music. During his fourth year of Grade School, Don began to play an instrument known as the Flute-O-Phone and later the Cornet. During his freshman year in High School he was introduced to the Guitar by one of his close friends. After a few Guitar lessons, he began to pick out some basic musical ideas that were to become his first compositions. It was from these beginnings that music became his prime passion and interest for personal expression.
</div>
</div>
<div class="flexinode-textarea-19">
<div class="form-item">
 Any favourite artists, labels, projects?:<br />
 I enjoy all types of music however my favorite performers are Christopher Parkening for classical guitar, Mozart for strings and orchestra, Beatles for creativity and fun, and a variety of modern artists such as; Melanie Safka, Neil Diamond, Neil Young, Yes, Queen, Reich, Williams and Alex Shapiro.
</div>
</div>
<div class="flexinode-textarea-31">
<div class="form-item">
 Are you documenting / archiving your music / performances / project. If so, how?:<br />
 Yes, by publishing CD's, file backup system and notation to ensure both continuity and long life to my musical work.
</div>
</div>
<div class="flexinode-textarea-17">
<div class="form-item">
 How did you become interested or involved in writing music / DJing / your project?:<br />
 It has always been a part of me.
</div>
</div>
<div class="flexinode-textarea-16">
<div class="form-item">
 How would you describe your style of writing music / musical / artistic policy?:<br />
 I have put together an approach to music composition that mixes a shorter musical form or "tune" structure such as ABA or ABAC and using the digital sound samples of classical orchestral instruments for sound generation. The entire creation is digital in nature from the notation to the finished product.
</div>
</div>
<div class="flexinode-textarea-30">
<div class="form-item">
 What are your thoughts on the internet &amp; music / filesharing / DRM etc?:<br />
 Although I see the Internet as a fantastic avenue for public display, distribution and social interchange, it does come with risks when exposing music.<br />
In general, I think it is about time that Composers get their just rewards for their work. Noone else is expected to work without adequate compensation and I think Composers deserve to be paid fairly and equitably for their efforts.
</div>
</div>
<div class="flexinode-textarea-23">
<div class="form-item">
 What excites you now?:<br />
 Making music.
</div>
</div>
<div class="flexinode-textarea-21">
<div class="form-item">
 Where can we see or listen to you playing / your project?:<br />
 Please visit my website at <a href="http://www.stringtunes.com" title="http://www.stringtunes.com" rel="nofollow" rel="nofollow">http://www.stringtunes.com</a>
</div>
</div>
<div class="flexinode-textarea-22">
<div class="form-item">
 Which directions do you think your style of music / project will take in the future?:<br />
 I am on a continuous learning curve leaning towards a more structured classical approach to composition.
</div>
</div>
</div>
    ]]></summary>
    <content type="html"><![CDATA[<div class="flexinode-body flexinode-2">
<div class="flexinode-textfield-8">
<div class="form-item">
 artist / project name:<br />
 name
</div>
</div>
<div class="flexinode-textfield-34">
<div class="form-item">
 bio:<br />
 Composer of classical/orchestral instrumental music primarily utilizing the stringed instruments. Flowing melodies creating a so
</div>
</div>
<div class="flexinode-textfield-25">
<div class="form-item">
 group members:<br />
 Don Rath Jr
</div>
</div>
<div class="form-item">
 myspace page:<br />
 <a href="http://www.myspace.com/stringsfu" rel="nofollow">http://www.myspace.com/stringsfu</a>
</div>
<div class="form-item">
 website:<br />
 <a href="http://www.stringtunes.com" rel="nofollow">http://www.stringtunes.com</a>
</div>
<div class="flexinode-textfield-13">
<div class="form-item">
 city:<br />
 Rockford
</div>
</div>
<div class="flexinode-textarea-11">
<div class="form-item">
 genre:<br />
 Classical/Orchestral - New Age/Ambient
</div>
</div>
<div class="flexinode-checkbox-18">
<div class="form-item">
 Australian artist / project?:<br />
 No
</div>
</div>
<div class="flexinode-select-33">
<div class="form-item">
 are you a currently active artist / project?:<br />
 yes
</div>
</div>
<div class="flexinode-textarea-29">
<div class="form-item">
 releases / projects:<br />
 Heart Strings - 2007<br />
Dawn of a New Day - 2007
</div>
</div>
<div class="flexinode-textarea-14">
<div class="form-item">
 bio - full:<br />
 Biography - Donald Rath Jr. – Composer, Arranger &amp; Guitarist<br />
On January 14th 1956 in a small suburb of Cincinnati Ohio a healthy lad was born to this world. He would later become a Composer of instrumental music. The road to his success was long and contained many detours and rest stops.<br />
Donald Rath Jr. was raised on a Dairy farm in Illinois. As a toddler, he would sit in awe listening while his Mother created amazing sounds on the organ. It was from this early impression that he began to pursue his interest in music. During his fourth year of Grade School, Don began to play an instrument known as the Flute-O-Phone and later the Cornet. During his freshman year in High School he was introduced to the Guitar by one of his close friends. After a few Guitar lessons, he began to pick out some basic musical ideas that were to become his first compositions. It was from these beginnings that music became his prime passion and interest for personal expression.<br />
He continued to play Guitar for many years until typical life influences caused him to put his musical aspirations on hold. Then in 1990, he began to play again, this time with much more passion and interest. He taught himself to read and notate music and he began a serious study of music composition. A left hand crush injury in 1993 caused him to realize the importance of formalizing his original music. Fearing the inability of being able to play the Guitar, he used it to his advantage as Physical Therapy. Not permitting multiple surgeries to keep him from his musical pursuits, Don continued to practice the Guitar, study music, music composition and to notate his original music by hand.<br />
The Great Flood in 1993 in St. Louis interrupted his efforts to complete the goal of recording his first album. Then in 1997 he was able to produce his first CD titled “Night Wind”. It was a collection of 19 original short pieces for solo guitar. The CD was never formally released since his playing skills were lessened by his injury and the recordings were not at the level expected for a public release. For the next nine years he practiced Classical Guitar from two to four hours per day in an effort to regain his Guitar playing skills to performance levels.<br />
The loss of his mother in late 2005 was another turning point in his life. He is now pursuing a new goal, to establish himself as a composer of Classical music for the stringed instruments. The emotional impact over the loss of his mother resulted in the completion of over 40 compositions in 2006 alone. Musically, the big difference was, he is now arranging his music primarily for the String Quartet and Quintet using a music notation program called Sibelius.<br />
The release of his debut album “Heart Strings” on January 3rd 2007 was followed by the release of his second CD titled “Dawn of a New Day” on March 21st.  These two albums are companion CD’s offering 24 compositions sure to soothe your soul! Both CD’s are available on the <a href="/freelinking/StringTunes" rel="nofollow">StringTunes</a> website, iTunes, CDBaby, Rhapsody, the new Napster and a host of other digital music websites. At <a href="http://www.stringtunes.com" title="http://www.stringtunes.com" rel="nofollow">http://www.stringtunes.com</a>  single song and CD purchases are available. Also, you can listen to the entire length of each of the songs included on both albums and read the stories behind the songs.<br />
Don is currently working on his third album yet to be titled and due for release still in 2007. Future plans include a remix of “Night Wind” for solo guitar, a traditional Christmas album for strings and the production of 5 additional original instrumental music albums, music notation books for each and a surprise for his Cello playing friends!
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 Any favourite artists, labels, projects?:<br />
 I enjoy all types of music however my favorite performers are Christopher Parkening for classical guitar, Mozart for strings and orchestra, Beatles for creativity and fun, and a variety of modern artists such as; Melanie Safka, Neil Diamond, Neil Young, Yes, Queen, Reich, Williams and Alex Shapiro.
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 Are you documenting / archiving your music / performances / project. If so, how?:<br />
 Yes, by publishing CD's, file backup system and notation to ensure both continuity and long life to my musical work.
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 How did you become interested or involved in writing music / DJing / your project?:<br />
 It has always been a part of me.
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 How would you describe your style of writing music / musical / artistic policy?:<br />
 I have put together an approach to music composition that mixes a shorter musical form or "tune" structure such as ABA or ABAC and using the digital sound samples of classical orchestral instruments for sound generation. The entire creation is digital in nature from the notation to the finished product.
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 What are your thoughts on the internet &amp; music / filesharing / DRM etc?:<br />
 Although I see the Internet as a fantastic avenue for public display, distribution and social interchange, it does come with risks when exposing music.<br />
In general, I think it is about time that Composers get their just rewards for their work. Noone else is expected to work without adequate compensation and I think Composers deserve to be paid fairly and equitably for their efforts.
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 What excites you now?:<br />
 Making music.
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 Where can we see or listen to you playing / your project?:<br />
 Please visit my website at <a href="http://www.stringtunes.com" title="http://www.stringtunes.com" rel="nofollow">http://www.stringtunes.com</a>
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 Which directions do you think your style of music / project will take in the future?:<br />
 I am on a continuous learning curve leaning towards a more structured classical approach to composition.
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