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  <title>activism</title>
  <subtitle>activism</subtitle>
  <link rel="alternate" type="text/html" href="http://www.aliak.com/category/category/activism"/>
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  <updated>2005-09-03T09:13:00+01:00</updated>
  <entry>
    <title>Consciousness is the Key - by Propaganda</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/consciousness-key-propaganda" />
    <id>http://www.aliak.com/content/consciousness-key-propaganda</id>
    <published>2008-05-13T22:54:59+01:00</published>
    <updated>2008-05-13T23:03:43+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="activism" />
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="consciousness" />
    <category term="creativity" />
    <category term="culture_jamming" />
    <category term="environment" />
    <category term="hip hop" />
    <category term="video" />
    <category term="video art" />
    <category term="vj" />
    <summary type="html"><![CDATA[<p>here's a video from Propaganda &amp; his friends - he's been in a couple of the online MLA courses I've done. I really like it - the message, the music, the whole thing!!</p>
<p>it's on <a href="http://postmoderntimes.com" title="http://postmoderntimes.com">http://postmoderntimes.com</a> also - which is also a great video / online magazine</p>
<p>here's the blurb from youtube about it :</p>
<p><em>episode features four underground hip hop artists -- Naada, Propaganda Anonymous, 2HL, and iLL SpoKKinN -- and producer euphAmism in an animated music video packing lyrical and graphical punch in a call for global awakening.</em></p>
<p><em>Please go to <a href="http://www.iclips.net/2012" title="www.iclips.net/2012">www.iclips.net/2012</a> to see the rest of the episodes (more)</em></p>
<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/HO91uccMbZo&hl=en" /><param name="wmode" value="transparent" /><embed src="http://www.youtube.com/v/HO91uccMbZo&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object>    ]]></summary>
    <content type="html"><![CDATA[<p>here's a video from Propaganda &amp; his friends - he's been in a couple of the online MLA courses I've done. I really like it - the message, the music, the whole thing!!</p>
<p>it's on <a href="http://postmoderntimes.com" title="http://postmoderntimes.com">http://postmoderntimes.com</a> also - which is also a great video / online magazine</p>
<p>here's the blurb from youtube about it :</p>
<p><em>episode features four underground hip hop artists -- Naada, Propaganda Anonymous, 2HL, and iLL SpoKKinN -- and producer euphAmism in an animated music video packing lyrical and graphical punch in a call for global awakening.</em></p>
<p><em>Please go to <a href="http://www.iclips.net/2012" title="www.iclips.net/2012">www.iclips.net/2012</a> to see the rest of the episodes (more)</em></p>
<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/HO91uccMbZo&hl=en" /><param name="wmode" value="transparent" /><embed src="http://www.youtube.com/v/HO91uccMbZo&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object>    ]]></content>
  </entry>
  <entry>
    <title>Transmission Asia-Pacific (TX-AP) : Media Activists from the Asia Pacific gather in Indonesia</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/transmission-asia-pacific-tx-ap-media-activists-asia-pacific-gather-indonesia" />
    <id>http://www.aliak.com/content/transmission-asia-pacific-tx-ap-media-activists-asia-pacific-gather-indonesia</id>
    <published>2008-05-13T20:44:44+01:00</published>
    <updated>2008-05-13T21:02:19+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="asia" />
    <category term="australia" />
    <category term="conference" />
    <category term="event" />
    <category term="india" />
    <category term="indonesia" />
    <category term="media" />
    <category term="media art" />
    <category term="online video" />
    <category term="video" />
    <category term="video blogging" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p><img src="http://transmission.cc/files/transmission_0.jpg" hspace="20" align="left" />  Video makers, media activists, software developers and artists from 15 countries across the Asia-Pacific will be gathering in Sukabumi, West Java from May 19-25 for an online video skills camp. The goal of the camp is to bring together open source software programmers, video makers and media activists to develop the strategic use of online video distribution for social justice and media democracy.<br />
TX-AP is a joint initiative between media activists in Australia and Indonesia. It is organised collaboratively by EngageMedia (Australia), a video sharing website and free software development, training and networking project and Ruangrupa (Indonesia) a non-profit artist initiative supporting the development of art in the cultural context through events, exhibitions, research and documentation. 50 specially invited media activists and artists will be coming to Indonesia to attend the workshop and share their skills and ideas.<br />
The camp will provide a unique opportunity for artists, video makers, software developers and activists to collaborate and share skills in a global context where on-line video communication skills have become an increasingly important strategy for activists.<br />
Read more for details or visit <a href="http://transmission.cc/txap" title="http://transmission.cc/txap" rel="nofollow">http://transmission.cc/txap</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://transmission.cc/files/transmission_0.jpg" hspace="20" align="left" />  Video makers, media activists, software developers and artists from 15 countries across the Asia-Pacific will be gathering in Sukabumi, West Java from May 19-25 for an online video skills camp. The goal of the camp is to bring together open source software programmers, video makers and media activists to develop the strategic use of online video distribution for social justice and media democracy.</p>
<p>TX-AP is a joint initiative between media activists in Australia and Indonesia. It is organised collaboratively by EngageMedia (Australia), a video sharing website and free software development, training and networking project and Ruangrupa (Indonesia) a non-profit artist initiative supporting the development of art in the cultural context through events, exhibitions, research and documentation. 50 specially invited media activists and artists will be coming to Indonesia to attend the workshop and share their skills and ideas.</p>
<p>The camp will provide a unique opportunity for artists, video makers, software developers and activists to collaborate and share skills in a global context where on-line video communication skills have become an increasingly important strategy for activists.</p>
<p>Read more for details or visit <a href="http://transmission.cc/txap" title="http://transmission.cc/txap">http://transmission.cc/txap</a></p>
<p>Andrew Lowenthal of EngageMedia explained "Transmission Asia-Pacific will be a unique face to face meeting between video makers and open source software developers to shape open source online video sharing applications and their strategic use for social aims". He went on to explain "free and open source makes sense for organisations with limited means, both from a strictly economic point of view and also as part of their overall strategic aims, as the system of open collaboration and sharing that free software is based on has a natural philosophical fit with organisations working on environmental or social justice issues".</p>
<p>Participants will attend from around the region, for example participants from from Hong Kong making videos about communities resisting gentrification and over development of urban areas in Hong Kong and China. This group puts video cameras into the hands of those most affected by these policies and then helps them edit and share their work on-line. Projects such as these increase the communication rights of marginalized and displaced peoples allowing them to articulate their concerns to a wider public.</p>
<p>Another media activist from India has been using on-line media distribution to raise awareness of censorship of diverse sexualities in mainstream Indian media outlets. They have produced a satirical and humorous look at queer moments from Bollywood films to draw attention to the marginalisation of these voices within Indian society.</p>
<p>Transmission Asia-Pacific is the 4th in a series of events bringing together video activists and web developers. Previous events have occurred in Rome, London and Amsterdam.</p>
<p>For media access to the camp, stories of individual participants and topics of discussion at the event please contact:</p>
<p>Andrew Lowenthal (EngageMedia): +61 439 093 779 (Australia)<br />
+6281319339823 (Indonesia) <a href="http://engagemedia.org" title="http://engagemedia.org">http://engagemedia.org</a></p>
<p>Mirwan Andan (Ruangrupa): +62 813 1924 2965 <a href="http://ruangrupa.org" title="http://ruangrupa.org">http://ruangrupa.org</a></p>
<p>For more information on the workshop: <a href="http://transmission.cc/txap" title="http://transmission.cc/txap">http://transmission.cc/txap</a></p>
<p>Transmission Asia-Pacific is supported by Hivos and the Open Society Institute</p>
    ]]></content>
  </entry>
  <entry>
    <title>ACTV</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14282" />
    <id>http://www.aliak.com/node/14282</id>
    <published>2008-01-26T21:59:39+00:00</published>
    <updated>2008-01-26T21:59:39+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="israel" />
    <category term="online  communities" />
    <category term="online video" />
    <category term="video" />
    <category term="video art" />
    <summary type="html"><![CDATA[<p>The Actv website (actv.co.il) is an independent digital content library , offering video footage on a variety of subjects: Civil and Social issues including: human rights, animal rights, video activism, environmental issues etc; Cultural content e.g.: music videos, short movies, documentaries, independent VJ shows, theatre footage, animated shorts , dance, art, poetry readings and independent films. </p>
    ]]></summary>
    <content type="html"><![CDATA[<p>ACTV is an independent Internet television channel that aims to provide a platform for voices, perspectives, and opinions unrepresented by the commercial media; to keep abreast of environmental and social issues; and to broadcast independent cultural events, music, and arts to audiences in Israel and around the world.</p>
<p>ACTV broadcasts video films on demand (VOD). It currently hosts hundreds of films and short features.</p>
<p>ACTV does not simply stand on the sidelines and observe reality: It consciously aspires to deal with a range of social and environmental issues from a system of values that seeks to express what is of benefit to local people, regardless of their race, gender, and religion.</p>
<p>ACTV was constructed and is supported by Media ACTV - which aims to achieve social change through the media - by other NGOs and grass roots organizations, and through the generosity of private donors and supporters who wish for these voices to be heard.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Salon Mazal</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14279" />
    <id>http://www.aliak.com/node/14279</id>
    <published>2008-01-26T21:25:17+00:00</published>
    <updated>2008-01-26T21:29:22+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="collective" />
    <category term="community" />
    <category term="culture_jamming" />
    <category term="environment" />
    <category term="human rights" />
    <category term="israel" />
    <category term="social change" />
    <category term="sustainable living" />
    <category term="tel aviv" />
    <category term="urban art" />
    <category term="urban space" />
    <category term="writing" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p>Salon Mazal was established in 2001, in Tel Aviv, Israel, by a group of social-environmental activists. Salon Mazal is a non-for-profit registered charity that serves as an information distribution center for social, environmental and political change The place functions as a store (including books, magazines and fair-trade products), a lending library, an artist gallery, a vegetarian bar and a community center where movie screenings, lectures, workshops and meetings take place.</p>
<p>The place is run in line with anarchist ideology and values, which encourage an egalitarian, non-hierarchical community. Salon Mazal is run by a group of volunteers. Consensus decision-making is used to promote the expression of individual voices within the group in daily meetings.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Salon Mazal was established in 2001, in Tel Aviv, Israel, by a group of social-environmental activists. Salon Mazal is a non-for-profit registered charity that serves as an information distribution center for social, environmental and political change The place functions as a store (including books, magazines and fair-trade products), a lending library, an artist gallery, a vegetarian bar and a community center where movie screenings, lectures, workshops and meetings take place.</p>
<p>The place is run in line with anarchist ideology and values, which encourage an egalitarian, non-hierarchical community. Salon Mazal is run by a group of volunteers. Consensus decision-making is used to promote the expression of individual voices within the group in daily meetings.</p>
    ]]></content>
  </entry>
  <entry>
    <title>RENEWING THE ANARCHIST TRADITION - A Scholarly Conference</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/renewing-the-anarchist-tradition-a-scholarly-conference" />
    <id>http://www.aliak.com/content/renewing-the-anarchist-tradition-a-scholarly-conference</id>
    <published>2007-07-28T13:10:11+01:00</published>
    <updated>2008-01-26T20:12:31+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="call for submissions" />
    <category term="conference" />
    <category term="international" />
    <category term="USA" />
    <summary type="html"><![CDATA[<p>The eighth edition of the Renewing the Anarchist Tradition (RAT) conference, sponsored by the Institute for Anarchist Studies, once again aims to provide a participatory and scholarly space in which to reexamine, reinvigorate, and make relevant the social and political tradition of anarchism.<br />
At previous conferences, presenters have proposed topics that ranged from the character of social change to the ongoing relevance of categories such as class, community, and labor; from the changing shape of the state and capital to emergent forms of both domination and resistance in a globalizing world; from the character of twenty-<br />
first-century technology to the functions and potentials of anti-authoritarian art and propaganda; and from anarchism's relation to geopolitical concerns such as terrorism and war to its ability to grapple with issues of identity such as race, gender, and sexuality.<br />
Read more for the Calls for Proposals or visit <a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146" rel="nofollow">http://anarchiststudies.org/node/146</a> for more details. <a href="http://www.homemadejam.org/renew" title="http://www.homemadejam.org/renew" rel="nofollow">http://www.homemadejam.org/renew</a> has archives of previous year's conferences.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>RENEWING THE ANARCHIST TRADITION<br />
A Scholarly Conference<br />
November 2-4, 2007 in Montpelier, Vermont</p>
<p><a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146">http://anarchiststudies.org/node/146</a></p>
<p>The eighth edition of the Renewing the Anarchist Tradition (RAT)<br />
conference, sponsored by the Institute for Anarchist Studies, once<br />
again aims to provide a participatory and scholarly space in which to<br />
reexamine, reinvigorate, and make relevant the social and political<br />
tradition of anarchism.</p>
<p>Each year, RAT brings together anarchists, anti-authoritarians, and<br />
libertarians who want to critically engage both the tradition itself<br />
and the world in which we live. Participants and presenters at the<br />
conference thereby contribute to developing a more rigorous<br />
contemporary theoretical framework for anarchism as well as a<br />
stronger basis from which anti-authoritarian movements can organize<br />
and resist.</p>
<p>In a historical moment characterized overwhelmingly by war,<br />
exploitation, forced displacement, dispossession, and environmental<br />
devastation, it might seem strange to spend a peaceful fall weekend<br />
in conversation with friends and comrades in Vermont. But we believe<br />
that the contemporary context makes it more important than ever to<br />
foster a space in which to collectively and honestly appraise the<br />
strengths as well as weaknesses of different anarchist practices,<br />
platforms, convictions, dogmas, truisms, and theories in helping us<br />
to understand and ultimately transform the layered systems of<br />
domination and oppression that structure it. We also see RAT as a<br />
place to discuss and share theoretical tools from beyond the<br />
anarchist tradition(s) that can add to building more sustainable<br />
social movements and practices, and eventually a world characterized<br />
by freedom, justice, and dignity for all.</p>
<p>RAT aims to nurture and support a new generation of anti-<br />
authoritarian public intellectuals from different backgrounds and<br />
experiences. So when we describe it as "a scholarly conference," we<br />
are referring to a quality of the presentations and discussions--not<br />
to some professional identity of the participants. You do not have to<br />
be an academic to attend or present at RAT. All you have to do is be<br />
ready to actively participate in the conversations and debates, as<br />
peers who are creating the conference space together. In the past,<br />
RAT has served as a forum for organizers, scholars, writers, artists,<br />
educators, publishers, and students from a range of anarchist and<br />
libertarian left tendencies to come together to engage in challenging<br />
yet respectful dialogue. Participants have observed that RAT offers a<br />
distinctive social environment in which long-term conversations and<br />
relationships between anti-authoritarians from various places and<br />
political contexts can be built.</p>
<p>At previous conferences, presenters have proposed topics that ranged<br />
from the character of social change to the ongoing relevance of<br />
categories such as class, community, and labor; from the changing<br />
shape of the state and capital to emergent forms of both domination<br />
and resistance in a globalizing world; from the character of twenty-<br />
first-century technology to the functions and potentials of anti-<br />
authoritarian art and propaganda; and from anarchism's relation to<br />
geopolitical concerns such as terrorism and war to its ability to<br />
grapple with issues of identity such as race, gender, and sexuality.</p>
<p>CALL FOR PROPOSALS<br />
(Due by or before September 1, 2007)</p>
<p><a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146">http://anarchiststudies.org/node/146</a></p>
<p>We are once again accepting proposals for a limited number of<br />
presentations. In addition, we will be curating a series of panels<br />
that build on previous conversations and provoke even more dynamic<br />
debate than at past conferences.</p>
<p>If you are interested in presenting, please take a look at the RAT<br />
archive (currently at <a href="http://www.homemadejam.org/renew" title="http://www.homemadejam.org/renew">http://www.homemadejam.org/renew</a>) to get a<br />
sense of the topics that have been explored in the past. If you feel<br />
alienated when you look at this list, or think that important issues<br />
that should be considered through an anarchist lens have been left<br />
out, do not panic or decide not to attend. Please send us a proposal.<br />
We particularly encourage non-academics, working people, women,<br />
indigenous people, people of color, queer and trans people, and<br />
others frequently marginalized in scholarly life to submit proposals.</p>
<p>Each proposal should include: a succinct presentation title; a<br />
maximum 150-word description of your presentation and the question or<br />
topic you wish to address; a maximum 50-word description of yourself;<br />
and your full name and e-mail.</p>
<p>You can submit multiple proposals, and proposals for panels are also<br />
welcome. Please note, however, that we will be choosing from the<br />
proposals by September 15, and not every proposal will be selected.</p>
<p>If your proposal is accepted, you are automatically registered. All<br />
presenters must pay the registration fee, since RAT has no funding<br />
other than all of us contributing to make this space possible.</p>
<p>Send your proposal(s), by or before September 1, to:<br />
<a href="mailto:rat-presentations@anarchiststudies.org">rat-presentations@anarchiststudies.org</a>.</p>
<p>REGISTRATION<br />
(Starting on September 15, 2007)</p>
<p>RAT registration, limited to 150 people, will open on September 15.<br />
All presenters are automatically registered, but like everyone else,<br />
they must pay the registration fees in full by or before October 15.<br />
RAT has no outside or independent funding, so everyone who attends<br />
contributes financially to making this conference possible. Those who<br />
register for RAT can also book a table(s) for bookstores, infoshops,<br />
magazines, and other projects.</p>
<p>Once registration opens, we will offer a sliding-scale registration<br />
for the following three options:</p>
<p>    1. Registration and five meals (for locals and<br />
       others not requiring housing): $45 to $65<br />
    2. Registration, five meals, and 2 nights in<br />
       shared dorm room: $105 to $125<br />
    3. Registration, five meals, and 2 nights in<br />
       single dorm room: $155 to $180</p>
<p>Also, a limited number of partial scholarships will be<br />
available to subsidize RAT conference fees for those<br />
with financial need. These scholarships, as in the<br />
past, will be made possible because of the generosity<br />
of other RAT participants who can afford to pay the<br />
higher end (or more!) of our sliding scale.</p>
<p>SCHEDULE</p>
<p>RAT will open this year with a single panel on the evening of Friday,<br />
November 2, followed by a full day of presentations, panels, and a<br />
party on Saturday, November 3, and will wrap up with more<br />
presentations and panels until about 2 p.m. on Sunday, November 4.<br />
All presenters and participants should plan on attending the full<br />
conference, since RAT is meant as an extended conversation.</p>
<p>We are renting space at a small college in Montpelier, Vermont, for<br />
meeting rooms, tabling, five meals (breakfast, lunch, and dinner on<br />
Saturday; breakfast and lunch on Sunday), and dorm rooms. On Saturday<br />
night, we'll be using the Langdon Street Cafe for a performance<br />
(rants! confessions! diatribes! music!) and socializing space.</p>
<p>--<br />
Stevphen Shukaitis<br />
Autonomedia Editorial Collective<br />
<a href="http://www.autonomedia.org" title="http://www.autonomedia.org">http://www.autonomedia.org</a><br />
<a href="http://slash.interactivist.net" title="http://slash.interactivist.net">http://slash.interactivist.net</a></p>
<p>"Autonomy is not a fixed, essential state. Like gender, autonomy is<br />
created through its performance, by doing/becoming; it is a political<br />
practice. To become autonomous is to refuse authoritarian and<br />
compulsory cultures of separation and hierarchy through embodied<br />
practices of welcoming difference... Becoming autonomous is a<br />
political position for it thwarts the exclusions of proprietary<br />
knowledge and jealous hoarding of resources, and replaces the social<br />
and economic hierarchies on which these depend with a politics of<br />
skill exchange, welcome, and collaboration. Freely sharing these with<br />
others creates a common wealth of knowledge and power that subverts<br />
the domination and hegemony of the master's rule." - subRosa Collective</p>
    ]]></content>
  </entry>
  <entry>
    <title>Anna Helme</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2692" />
    <id>http://www.aliak.com/node/2692</id>
    <published>2007-04-01T09:40:37+01:00</published>
    <updated>2007-04-01T09:40:37+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="melbourne" />
    <category term="project" />
    <category term="video" />
    <summary type="html"><![CDATA[<div class="flexinode-body flexinode-2">
<div class="flexinode-textfield-8">
<div class="form-item">
 artist / project name:<br />
 Anna Helme
</div>
</div>
<div class="flexinode-textfield-34">
<div class="form-item">
 bio:<br />
 worked with UK video-activists Undercurrents, on web-video archive BeyondTV. developing Engage Media&#039;s site for social justice
</div>
</div>
<div class="form-item">
 website:<br />
 <a href="http://engagemedia.org/" rel="nofollow" rel="nofollow">http://engagemedia.org/</a>
</div>
<div class="flexinode-textfield-13">
<div class="form-item">
 city:<br />
 melbourne
</div>
</div>
<div class="flexinode-textarea-11">
<div class="form-item">
 genre:<br />
 video activism
</div>
</div>
<div class="flexinode-select-33">
<div class="form-item">
 are you a currently active artist / DJ / project?:<br />
 yes
</div>
</div>
</div>
    ]]></summary>
    <content type="html"><![CDATA[<div class="flexinode-body flexinode-2">
<div class="flexinode-textfield-8">
<div class="form-item">
 artist / project name:<br />
 Anna Helme
</div>
</div>
<div class="flexinode-textfield-34">
<div class="form-item">
 bio:<br />
 worked with UK video-activists Undercurrents, on web-video archive BeyondTV. developing Engage Media&#039;s site for social justice
</div>
</div>
<div class="form-item">
 website:<br />
 <a href="http://engagemedia.org/" rel="nofollow">http://engagemedia.org/</a>
</div>
<div class="flexinode-textfield-13">
<div class="form-item">
 city:<br />
 melbourne
</div>
</div>
<div class="flexinode-textarea-11">
<div class="form-item">
 genre:<br />
 video activism
</div>
</div>
<div class="flexinode-checkbox-18">
<div class="form-item">
 Australian artist / DJ / project?:<br />
 Yes
</div>
</div>
<div class="flexinode-select-32">
<div class="form-item">
 can AliaK contact you for more info?:<br />
 yes
</div>
</div>
<div class="flexinode-select-33">
<div class="form-item">
 are you a currently active artist / DJ / project?:<br />
 yes
</div>
</div>
</div>
    ]]></content>
  </entry>
  <entry>
    <title>Net Neutrality video from Four Eyed Monsters and Caliblog</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/net-neutrality-video-four-eyed-monsters-and-caliblog" />
    <id>http://www.aliak.com/content/net-neutrality-video-four-eyed-monsters-and-caliblog</id>
    <published>2006-11-19T15:50:03+00:00</published>
    <updated>2006-11-19T15:50:03+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="internet" />
    <category term="net neutrality" />
    <category term="vlog" />
    <summary type="html"><![CDATA[<p>Four Eyed Monsters + Caliblog have created a video on the Net Neutrality issue happening in the USA. let's hope the telco's  plan to control the internet is squashed quickly and cleanly.  pass on the movie - see below.</p>
<p><a href="http://blip.tv/file/103105" title="http://blip.tv/file/103105">http://blip.tv/file/103105</a></p>
<p><center>															</center></p>
<script type="text/javascript" src="http://blip.tv/scripts/pokkariPlayer.js"></script><script type="text/javascript" src="http://blip.tv/syndication/write_player?skin=js&posts_id=106657&source=3&autoplay=true&file_type=flv&player_width=&player_height="></script><div id="blip_movie_content_106657"><a href="http://blip.tv/file/get/Mike_1630-Net_v2160.flv" onclick="play_blip_movie_106657(); return false;"><img src="http://blip.tv/file/get/Mike_1630-Net_v2160.flv.jpg" border="0" title="Click To Play" /></a><br /><a href="http://blip.tv/file/get/Mike_1630-Net_v2160.flv" onclick="play_blip_movie_106657(); return false;">Click To Play</a></div>
<p></p>
<div class="blip_description">Spread the word by copy this code and paste to a blog, bulletin, your profile or comment. All are welcome to do anything they would like with the above edit or any future edits you make. Put it on you web page, burn a DVD to show at a gathering, show it in a theater before another movie, play it at a cafe, show it to friends on a portable player, or even put it on television. We've (Four Eyed Monsters + Caliblog) put a creative commons license on the video so that you don't have to ask permission, but it is cool to hear where it's showing and that knowledge is part of the feedback loop, so let us know in a comment. If people start showing it all over the place on their own accord, then we'll know the edit is really concise, if that happens on a smaller scale, it's possible the edit might be something only certain people have the backround to understand. Net Neutrality needs all the publicity it can get because major media companies, surprise, don't want to make it a big story. So blog about it, call your local newspaper, if you work in media get your editor to let you do something huge about it and feel free to contact us at anytime for our input or to get quote on why net neutrality is important to us as independent filmmakers who use the internet to distribute our work.</div>

    ]]></summary>
    <content type="html"><![CDATA[<p>Four Eyed Monsters + Caliblog have created a video on the Net Neutrality issue happening in the USA. let's hope the telco's  plan to control the internet is squashed quickly and cleanly.  pass on the movie - see below.</p>
<p><a href="http://blip.tv/file/103105" title="http://blip.tv/file/103105">http://blip.tv/file/103105</a></p>
<p><center>															</center></p>
<script type="text/javascript" src="http://blip.tv/scripts/pokkariPlayer.js"></script><script type="text/javascript" src="http://blip.tv/syndication/write_player?skin=js&posts_id=106657&source=3&autoplay=true&file_type=flv&player_width=&player_height="></script><div id="blip_movie_content_106657"><a href="http://blip.tv/file/get/Mike_1630-Net_v2160.flv" onclick="play_blip_movie_106657(); return false;"><img src="http://blip.tv/file/get/Mike_1630-Net_v2160.flv.jpg" border="0" title="Click To Play" /></a><br /><a href="http://blip.tv/file/get/Mike_1630-Net_v2160.flv" onclick="play_blip_movie_106657(); return false;">Click To Play</a></div>
<p>										<br />
<div class="blip_description">Spread the word by copy this code and paste to a blog, bulletin, your profile or comment. All are welcome to do anything they would like with the above edit or any future edits you make. Put it on you web page, burn a DVD to show at a gathering, show it in a theater before another movie, play it at a cafe, show it to friends on a portable player, or even put it on television. We've (Four Eyed Monsters + Caliblog) put a creative commons license on the video so that you don't have to ask permission, but it is cool to hear where it's showing and that knowledge is part of the feedback loop, so let us know in a comment. If people start showing it all over the place on their own accord, then we'll know the edit is really concise, if that happens on a smaller scale, it's possible the edit might be something only certain people have the backround to understand. Net Neutrality needs all the publicity it can get because major media companies, surprise, don't want to make it a big story. So blog about it, call your local newspaper, if you work in media get your editor to let you do something huge about it and feel free to contact us at anytime for our input or to get quote on why net neutrality is important to us as independent filmmakers who use the internet to distribute our work.</div>
</p>    ]]></content>
  </entry>
  <entry>
    <title>1000 lights of Dignity - protest to support the dalits</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/1000-lights-dignity-protest-support-dalits" />
    <id>http://www.aliak.com/content/1000-lights-dignity-protest-support-dalits</id>
    <published>2006-11-08T16:41:14+00:00</published>
    <updated>2006-11-08T16:43:36+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="delhi" />
    <category term="human rights" />
    <category term="india" />
    <summary type="html"><![CDATA[<p>There's so many crazy things in the papers here in Delhi, and then there's so many that don't make the papers or are buried so deeply that people probably don't find them. Luckily I came across the independent paper Tehelka whilst staying in the other hotel on my last trip. The articles in this paper were heart wrenching. Most of the time I kept thinking, what year is this? how can these things be happening in this day and age. Here's an example - this notice arrived via the sarai reader list (<a href="http://www.sarai.net" title="www.sarai.net" rel="nofollow">www.sarai.net</a>)<br />
[quote]<br />
National Association For Social Action (NASAindia) in collaboration with National Conference of Dalit Organisations (NACDOR) is organising a protest programme and will pay tribute by lighiting 1000 lights of Dignity to demand justice for the Bhotmange Family and for entire dalit community.  i am inviting you in the said programme. please be there to raise the voice of justice and light a candle in favor of justice. there will be more than 5000 activists from all over india will be there.<br />
10th Nov 2006 at 7:00 pm in Jawaharlal Nehru Stadium, New Delhi.<br />
[/quote]<br />
For more details on Khairlanji issue please go through following web site.<br />
<a href="http://www.tehelka.com/story_main22.asp?filename=Ne111106Dalits_like.asp" title="http://www.tehelka.com/story_main22.asp?filename=Ne111106Dalits_like.asp" rel="nofollow">http://www.tehelka.com/story_main22.asp?filename=Ne111106Dalits_like.asp</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>There's so many crazy things in the papers here in Delhi, and then there's so many that don't make the papers or are buried so deeply that people probably don't find them. Luckily I came across the independent paper Tehelka whilst staying in the other hotel on my last trip. The articles in this paper were heart wrenching. Most of the time I kept thinking, what year is this? how can these things be happening in this day and age. Here's an example - this notice arrived via the sarai reader list (<a href="http://www.sarai.net" title="www.sarai.net">www.sarai.net</a>)</p>
<p>[quote]<br />
National Association For Social Action (NASAindia) in collaboration with National Conference of Dalit Organisations (NACDOR) is organising a protest programme and will pay tribute by lighiting 1000 lights of Dignity to demand justice for the Bhotmange Family and for entire dalit community.  i am inviting you in the said programme. please be there to raise the voice of justice and light a candle in favor of justice. there will be more than 5000 activists from all over india will be there.</p>
<p>10th Nov 2006 at 7:00 pm in Jawaharlal Nehru Stadium, New Delhi.<br />
[/quote]</p>
<p>For more details on Khairlanji issue please go through following web site.<br />
<a href="http://www.tehelka.com/story_main22.asp?filename=Ne111106Dalits_like.asp" title="http://www.tehelka.com/story_main22.asp?filename=Ne111106Dalits_like.asp">http://www.tehelka.com/story_main22.asp?filename=Ne111106Dalits_like.asp</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>The Last Valley film screening @ Capitol Theatre (Melbourne)</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2474" />
    <id>http://www.aliak.com/node/2474</id>
    <published>2006-11-07T15:28:25+00:00</published>
    <updated>2006-11-08T17:20:15+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="environment" />
    <category term="film" />
    <category term="melbourne" />
    <summary type="html"><![CDATA[<p><img src="http://www.waitawhilefilms.com.au/images/melb-poster.jpg" width="450" /><br />
The screening of the documentary film, The Last Valley will take place at the Capitol Theatre Melbourne, 113 Swanston St (Opposite Melbourne Town Hall) on Tuesday 14th November 2006 from 8pm. This is the only opportunity to see the film prior to the Victorian state election. ABC have yet to announce a screening date.<br />
The film is about the collapse of the East Gippsland logging industry after 50 years of unsustainable logging and the consequences of that for the local communities and environment. The film includes the controversial attempt by the Victorian government to log the iconic Goolengook valley.<br />
<a href="http://www.waitawhilefilms.com.au" title="http://www.waitawhilefilms.com.au" rel="nofollow">http://www.waitawhilefilms.com.au</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://www.waitawhilefilms.com.au/images/melb-poster.jpg" width="450" /></p>
<p>The screening of the documentary film, The Last Valley will take place at the Capitol Theatre Melbourne, 113 Swanston St (Opposite Melbourne Town Hall) on Tuesday 14th November 2006 from 8pm. This is the only opportunity to see the film prior to the Victorian state election. ABC have yet to announce a screening date.</p>
<p>The film is about the collapse of the East Gippsland logging industry after 50 years of unsustainable logging and the consequences of that for the local communities and environment. The film includes the controversial attempt by the Victorian government to log the iconic Goolengook valley.</p>
<p><a href="http://www.waitawhilefilms.com.au" title="http://www.waitawhilefilms.com.au">http://www.waitawhilefilms.com.au</a> for more details</p>
    ]]></content>
  </entry>
  <entry>
    <title>An Australian History Mural</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/an-australian-history-mural" />
    <id>http://www.aliak.com/content/an-australian-history-mural</id>
    <published>2006-09-08T18:35:01+01:00</published>
    <updated>2006-09-08T18:49:14+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="activism" />
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="brisbane" />
    <category term="documentation" />
    <category term="vlog" />
    <summary type="html"><![CDATA[<script src="http://www.aliak.com/vPIP/vpip.js" type="text/javascript"></script><style type="text/css" media="all">@import "http://www.aliak.com/vPIP/vPIPBox.css";</style><script src="http://www.aliak.com/vPIP/jquery.js" type="text/javascript"></script><div class="hVlog">
  <a href="http://blip.tv/file/get/AliaK-AnAustralianHistoryMural656.mov" class="hVlogTarget" type="video/quicktime" onclick="vPIPPlay(this, 'name=Australian Mural 2006', '', ''); return false;"><br />
      <img src="http://blip.tv/file/get/AliaK-AnAustralianHistoryMural656.mov.jpg" /></a>
<p>  <a href="http://blip.tv/file/get/AliaK-AnAustralianHistoryMural656.mov" type="video/quicktime" onclick="vPIPPlay(this, 'name=Australian Mural 2006', '', ''); return false;"><br />
click here or on the image to play the quicktime movie</a>
</p></div>
<p>this is one story of the history of modern Australia told in mural format. it's painted on the side of a freeway at the rear carpark of Toombul Shoppingtown in Brisbane, Australia. </p>
<p>music is "The Block" by Morganics featuring the Wilcannia Mob</p>
    ]]></summary>
    <content type="html"><![CDATA[<script src="http://www.aliak.com/vPIP/vpip.js" type="text/javascript"></script><style type="text/css" media="all">@import "http://www.aliak.com/vPIP/vPIPBox.css";</style><script src="http://www.aliak.com/vPIP/jquery.js" type="text/javascript"></script><div class="hVlog">
  <a href="http://blip.tv/file/get/AliaK-AnAustralianHistoryMural656.mov" class="hVlogTarget" type="video/quicktime" onclick="vPIPPlay(this, 'name=Australian Mural 2006', '', ''); return false;"><br />
      <img src="http://blip.tv/file/get/AliaK-AnAustralianHistoryMural656.mov.jpg" /></a><br />
<br />
  <a href="http://blip.tv/file/get/AliaK-AnAustralianHistoryMural656.mov" type="video/quicktime" onclick="vPIPPlay(this, 'name=Australian Mural 2006', '', ''); return false;"><br />
click here or on the image to play the quicktime movie</a>
</div>
<p>this is one story of the history of modern Australia told in mural format. it's painted on the side of a freeway at the rear carpark of Toombul Shoppingtown in Brisbane, Australia. </p>
<p>music is "The Block" by Morganics featuring the Wilcannia Mob</p>
    ]]></content>
  </entry>
  <entry>
    <title>MSF plea for new AIDS drugs to be registered and available in Asia</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/msf-plea-new-aids-drugs-be-registered-and-available-asia" />
    <id>http://www.aliak.com/content/msf-plea-new-aids-drugs-be-registered-and-available-asia</id>
    <published>2006-07-09T20:39:14+01:00</published>
    <updated>2006-08-13T06:40:20+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="activism" />
    <category term="asia" />
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="delhi" />
    <category term="india" />
    <summary type="html"><![CDATA[<p><img src="http://static.flickr.com/52/185644560_adb5df6285.jpg" /><br />
This article is about MSF (Medecins Sans Frontiers aka Doctors Without Borders) claim that American drug manufacturer Abbott Laboratories are allegedly denying patients in Asia access to an improved version of the AIDS drugs lopinavir and ritonavir. These are apparently "important second-line drugs for people who have been on treatement for several years. The new version of the drug has advantages over the old version, including lower pill count, storage without refrigeration, and no dietary restrictions."<br />
[quote]<br />
"According to MSF, high temperatures and regular power failures are making storage and use of the older drug  - the only one available - unreliable. And although the UN recently identified India as the country with the highest number of people liviing with HIV/AIDS in the world, the new version of the drug is not for sale."<br />
[/quote]<br />
According to the article, apparently, it's not for sale as it wasn't registered in 'developing countries' and without being registered, it cannot be sold here. The old version of the drug is not even available in China (or the new version) because the  drug company has not marketed to this country. Countries such as Thailand which also has high temperatures (30C most of the year) would also benefit from the new version of the drug. The old version of the drug is no longer available to the US market - MSF Thailand rep calls it a "second-best product" and I can understand his point.  The drug company IS distributing the new version of the drug in Africa, but it seems that this only happened after a time consuming set of procedures were followed.<br />
I took a look on the <a href="http://www.msf.org" rel="nofollow" rel="nofollow">MSF website</a> for more info and found a few articles <a href="http://tinyurl.com/q5y2n" rel="nofollow" rel="nofollow">here</a>, <a href="http://tinyurl.com/rqoft" rel="nofollow" rel="nofollow">here</a> and <a href="http://tinyurl.com/nfjbl" rel="nofollow" rel="nofollow">here</a> but I couldn't find specific information about it's release in India but there was an article about <a href="http://tinyurl.com/m6l7y" rel="nofollow" rel="nofollow"> the drugs not being released in Thailand anytime soon</a> so that's bad enough in itself. most of the MSF articles were about African countries. so perhaps India isn't counted as one of the 'developing countries'. still I think if the drugs were not available here and they obviously need to be, then they should be!<br />
Over the last week there have been a couple of articles speaking about AIDS in India - one said that India has the largest population of people outside of Africa infected with HIV/AIDS. I read in one of the Sarai Readers that many people here have not even heard of AIDS so they are trying to educate more people. on the tv the other night was an ad for <a href="http://www.heroesprojectindia.org" rel="nofollow" rel="nofollow">the Heroes Project in Delhi / India</a>. from their <a href="http://www.heroesprojectindia.org/media_campaign/media_campaign.htm" rel="nofollow" rel="nofollow">media campaign page</a> :<br />
[quote]<br />
Media Campaign<br />
The Mass Media Campaign seeks to create widespread awareness on HIV/AIDS, promote positive attitudes towards people living with HIV/AIDS, and influence groups to change high risk behavior that make them vulnerable to the infection. It will use a series of public service announcements (PSA), online and print content, television and radio programming as well as several educational events to do this. In order to best address HIV/AIDS through the various mass media, Heroes Project has developed a strategic communications approach to address diverse groups such as sexually active men, married women and youth across all levels of society.<br />
One of the main objectives during the course of the mass media initiative is to expand and coordinate the campaign with a range of media partners. Areas of association and activities within these partnerships include amongst others:<br />
    * Pledging airtime/space for release of PSAs, which will be available rights-free to all.<br />
    * Developing original programming formats.<br />
    * Incorporation of HIV/AIDS storylines into existing programs such as serials, reality shows and documentaries.<br />
    * Support for journalist programs and enhanced news and editorial coverage - employee sensitization.<br />
    * Orientation workshops for creative content development.<br />
[/quote]<br />
<a href="http://data.unaids.org/pub/GlobalReport/2006/200605-FS_globalfactsfigures_en.pdf" rel="nofollow" rel="nofollow">the UN AIDS website released a report - here's a media summary listing some numbers</a> - <a href="http://www.unaids.org" title="http://www.unaids.org" rel="nofollow">http://www.unaids.org</a> has the full report and more info.<br />
from <a href="http://www.unaids.org/en/Regions_Countries/default.asp" title="http://www.unaids.org/en/Regions_Countries/default.asp" rel="nofollow">http://www.unaids.org/en/Regions_Countries/default.asp</a><br />
[quote]<br />
Sub-Saharan Africa<br />
    Sub-Saharan Africa has just over 10% of the world’s population, but is home to more than 60% of all people living with HIV—25.8 million.<br />
    In 2005, an estimated 3.2 million people in the region became newly infected, while 2.4 million adults and children died of AIDS.<br />
Asia<br />
    In 2005, some 8.3 million people were living with HIV in Asia, including 1.1 million people who became newly infected in the past year. AIDS claimed some 520,000 lives in 2005<br />
[/quote]<br />
---<br />
update 10/07/2006<br />
ok, I don't feel as bad now about the decision making policy of the Times newspaper editors on what should be front page news. the front page of the Times International this morning had the article "Latest AIDS treatment is a daily pill" and spoke of the new drug being available in India shortly. I don't think it's the same as the one MSF are referring to, but hopefully it'll be of some help to the people here.<br />
<img src="http://static.flickr.com/55/186568457_1a60e3b95c.jpg" /></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://static.flickr.com/52/185644560_adb5df6285.jpg" /></p>
<p>This article is about MSF (Medecins Sans Frontiers aka Doctors Without Borders) claim that American drug manufacturer Abbott Laboratories are allegedly denying patients in Asia access to an improved version of the AIDS drugs lopinavir and ritonavir. These are apparently "important second-line drugs for people who have been on treatement for several years. The new version of the drug has advantages over the old version, including lower pill count, storage without refrigeration, and no dietary restrictions."</p>
<p>[quote]<br />
"According to MSF, high temperatures and regular power failures are making storage and use of the older drug  - the only one available - unreliable. And although the UN recently identified India as the country with the highest number of people liviing with HIV/AIDS in the world, the new version of the drug is not for sale."<br />
[/quote]</p>
<p>According to the article, apparently, it's not for sale as it wasn't registered in 'developing countries' and without being registered, it cannot be sold here. The old version of the drug is not even available in China (or the new version) because the  drug company has not marketed to this country. Countries such as Thailand which also has high temperatures (30C most of the year) would also benefit from the new version of the drug. The old version of the drug is no longer available to the US market - MSF Thailand rep calls it a "second-best product" and I can understand his point.  The drug company IS distributing the new version of the drug in Africa, but it seems that this only happened after a time consuming set of procedures were followed.</p>
<p>I took a look on the <a href="http://www.msf.org" rel="nofollow">MSF website</a> for more info and found a few articles <a href="http://tinyurl.com/q5y2n" rel="nofollow">here</a>, <a href="http://tinyurl.com/rqoft" rel="nofollow">here</a> and <a href="http://tinyurl.com/nfjbl" rel="nofollow">here</a> but I couldn't find specific information about it's release in India but there was an article about <a href="http://tinyurl.com/m6l7y" rel="nofollow"> the drugs not being released in Thailand anytime soon</a> so that's bad enough in itself. most of the MSF articles were about African countries. so perhaps India isn't counted as one of the 'developing countries'. still I think if the drugs were not available here and they obviously need to be, then they should be!</p>
<p>Over the last week there have been a couple of articles speaking about AIDS in India - one said that India has the largest population of people outside of Africa infected with HIV/AIDS. I read in one of the Sarai Readers that many people here have not even heard of AIDS so they are trying to educate more people. on the tv the other night was an ad for <a href="http://www.heroesprojectindia.org" rel="nofollow">the Heroes Project in Delhi / India</a>. from their <a href="http://www.heroesprojectindia.org/media_campaign/media_campaign.htm" rel="nofollow">media campaign page</a> :</p>
<p>[quote]<br />
Media Campaign</p>
<p>The Mass Media Campaign seeks to create widespread awareness on HIV/AIDS, promote positive attitudes towards people living with HIV/AIDS, and influence groups to change high risk behavior that make them vulnerable to the infection. It will use a series of public service announcements (PSA), online and print content, television and radio programming as well as several educational events to do this. In order to best address HIV/AIDS through the various mass media, Heroes Project has developed a strategic communications approach to address diverse groups such as sexually active men, married women and youth across all levels of society.</p>
<p>One of the main objectives during the course of the mass media initiative is to expand and coordinate the campaign with a range of media partners. Areas of association and activities within these partnerships include amongst others:</p>
<p>    * Pledging airtime/space for release of PSAs, which will be available rights-free to all.<br />
    * Developing original programming formats.<br />
    * Incorporation of HIV/AIDS storylines into existing programs such as serials, reality shows and documentaries.<br />
    * Support for journalist programs and enhanced news and editorial coverage - employee sensitization.<br />
    * Orientation workshops for creative content development.</p>
<p>[/quote]</p>
<p><a href="http://data.unaids.org/pub/GlobalReport/2006/200605-FS_globalfactsfigures_en.pdf" rel="nofollow">the UN AIDS website released a report - here's a media summary listing some numbers</a> - <a href="http://www.unaids.org" title="http://www.unaids.org">http://www.unaids.org</a> has the full report and more info.</p>
<p>from <a href="http://www.unaids.org/en/Regions_Countries/default.asp" title="http://www.unaids.org/en/Regions_Countries/default.asp">http://www.unaids.org/en/Regions_Countries/default.asp</a> </p>
<p>[quote]<br />
Sub-Saharan Africa</p>
<p>    Sub-Saharan Africa has just over 10% of the world’s population, but is home to more than 60% of all people living with HIV—25.8 million.</p>
<p>    In 2005, an estimated 3.2 million people in the region became newly infected, while 2.4 million adults and children died of AIDS.<br />
Asia</p>
<p>    In 2005, some 8.3 million people were living with HIV in Asia, including 1.1 million people who became newly infected in the past year. AIDS claimed some 520,000 lives in 2005<br />
[/quote]</p>
<p>---<br />
update 10/07/2006</p>
<p>ok, I don't feel as bad now about the decision making policy of the Times newspaper editors on what should be front page news. the front page of the Times International this morning had the article "Latest AIDS treatment is a daily pill" and spoke of the new drug being available in India shortly. I don't think it's the same as the one MSF are referring to, but hopefully it'll be of some help to the people here.</p>
<p><img src="http://static.flickr.com/55/186568457_1a60e3b95c.jpg" /></p>
    ]]></content>
  </entry>
  <entry>
    <title>A Tear in the Darkness - A Request for Help</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/a-tear-darkness-a-request-help" />
    <id>http://www.aliak.com/content/a-tear-darkness-a-request-help</id>
    <published>2006-06-03T14:21:18+01:00</published>
    <updated>2006-06-04T12:59:00+01:00</updated>
    <author>
      <name>Soulace</name>
    </author>
    <category term="activism" />
    <category term="australia" />
    <category term="blog entry" />
    <summary type="html"><![CDATA[<p>Dear Australian Members,<br />
My apologies if this post seems out of place in this forum, but I think this is an important issue for all Australians. We have tried to reach as many people as possible in the short time that we have, and if you should agree with the message below and any of the information that the web links point you to, then we would be honoured to have you help us in this human endeavour.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Dear Australian Members,</p>
<p>My apologies if this post seems out of place in this forum, but I think this is an important issue for all Australians. We have tried to reach as many people as possible in the short time that we have, and if you should agree with the message below and any of the information that the web links point you to, then we would be honoured to have you help us in this human endeavour.</p>
<p>START MESSAGE</p>
<p>I take this opportunity, for that is what life is, to bring to your attention (or re-attention as the case may be) the following issue that concerns us all - our fundamental human freedoms and civil liberties. If recent history has taught us anything, then we know that we no longer have a democracy here in Australia, thanks to the introduction of the Anti-Terrorism Act and Sedition Law enacted in 2005. </p>
<p>How many of us realise, for perhaps you feel like me, that for all of our past efforts, in any sort of protest or activitism wherein we felt strongly about a certain subject, a particular issue, a particular injustice - we felt to remind our Government and the powers that control them, that "We The People" seek justice in all things, especially those things that concern us on our own soil. I am concerned about many things pertaining to Australia and overseas since 9-11, but what upsets me the most is that in this so called "democracy", no one listens and NOTHING changes, despite our best intentions, despite our protests and despite our appeals for justice. </p>
<p>Herein lies a fundamental truth. Let us learn from our past. Let us listen to our inner selves and ask what is important. When they don’t want anything of us, our actions for them to change is futile, for they will continue as before, ever increasing to gain a stranglehold on the lives of the Australian people, whatever their country of origin. In order to gain their attention and possible action, you have to deny them something they want. That chance does not come often.</p>
<p>How do we do this? People of Australia, "We The People" offer "You The People" our humble Con-Census 2006. Peruse the website at <a href="http://www.resist.com.au" title="www.resist.com.au">www.resist.com.au</a> and inform yourself of a first in the history of Australia, where for once the Government of Australia will have no choice but to sit up and take notice. Their action may be stern, even physical and it may mean that ordinary Australians, like myself, will be jailed for "terrorism", for indeed just because I don't promote the same ideological views that the establishment would have me promote, I, like many others, will be relegated to the level of this new breed of terrorism for mere actions of non-violent protests and e-protests.</p>
<p>We at Resist need your help. We are Australians too. Many of us nod and agree with the issues raised in this forum. If you understand what is involved after reading the information at <a href="http://www.resist.com.au" title="www.resist.com.au">www.resist.com.au</a> and the possible consequences to you as a person, and many will leave at this point or just observe on the sidelines - and that is ok, for we shall not judge you, then let us work together for a common cause. There are many many people in this forum and in our wider Community who can write, speak, educate and care for others far better than myself. We need you. Australia needs you.  </p>
<p>There is no more to say, but onwards and communication.</p>
<p>Kindest Regards, </p>
<p>Alex Young aka Soulace</p>
<p>"I am a mere criminal for denying something you want, but when we want something of you, token promises fall by the wayside. I shall not forget. And in voicing my objection to remind you of your duty to us, I have become a criminal yet again."<br />
(C) Alex Young, May 2006</p>
<p>"A moist tear in darkness nullifies evil, for the origin of evil is numbness. Only a tear and a strong heart for oneself and for others stirs up reaction against such things".<br />
(C) Alex Young, June 2006</p>
<p>V</p>
<p><a href="http://www.resist.com.au/forum/" title="http://www.resist.com.au/forum/">http://www.resist.com.au/forum/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>EntheoGenisis Australia Conference 2006 - Experimental Shamanic Trance Dance, Sacred Plant and Sound System Workshop</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/entheogenisis-australia-conference-2006-experimental-shamanic-trance-dance-sacred-plant-and-" />
    <id>http://www.aliak.com/content/entheogenisis-australia-conference-2006-experimental-shamanic-trance-dance-sacred-plant-and-</id>
    <published>2006-05-13T08:19:43+01:00</published>
    <updated>2006-05-13T08:36:37+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="eco" />
    <category term="education" />
    <category term="event" />
    <category term="festival" />
    <category term="melbourne" />
    <category term="research" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p><img src="http://www.entheo.net/images/ega2006.jpg" align="left" hspace="10" width="150" /> The organizers and speakers at EGA believe that information about psychoactive plants and chemicals should be readily available. Also that only through creating such a space, where we can talk freely on such matters, can methods for harm reduction and the true benefits of such substance be explored. Entheogenesis Australis is a collection of thinkers from all walks of life, we come together to share knowledge about sacred plants, chemical alchemy and states of consciousness. We are coming to tune in to the Mother Earth and take her fight back out into the world. We want to share and explore experiences, trance and dance. it is about growth, for the mind and the land.<br />
This experimental workshop is an invitation to those individuals who are interested in the trance dance experience as providing an opportunity for mind/body/spirit/soul development. EGA 2006 will be a unique opportunity for people who are experienced in the dance floor and consciousness development approach to try something new, different, fun and well focused, that is totally aimed at extending the boundaries of each participants current experiential and knowledge paradigms.<br />
Read more for details or visit <a href="http://www.entheo.net" title="http://www.entheo.net" rel="nofollow">http://www.entheo.net</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://www.entheo.net/images/ega06WEBSITE_02.jpg" /></p>
<p>Workshop &amp; Conference Presentation</p>
<p>Experimental Shamanic Trance Dance, Sacred Plant and Sound System<br />
Workshop</p>
<p>Facilitator &amp; Programmer<br />
DJ Krusty</p>
<p>Please Register Your Interest :<br />
<a href="mailto:egaexperimentaltrancedanceworkshop@hotmail.com">egaexperimentaltrancedanceworkshop@hotmail.com</a></p>
<p>For All Details Check <a href="http://www.entheo.net" title="www.entheo.net">www.entheo.net</a> (must be a Conference Delegate to<br />
attend tickets pre sale only</p>
<p>Rational<br />
Following my presentations from the EGA 2004 and 2005 and the feedback<br />
and group discussions I feel that the next and most appropriate step<br />
for the 2006 Conference is to present an Experimental Workshop.</p>
<p>Concept<br />
Talk / Presentation / Discussion – Friday night</p>
<p>Workshop<br />
Start : Sunday 3 pm<br />
Finish : Sunday 11 pm</p>
<p>3.00 pm – 3.30 pm       Arrival, Questions, Discussion<br />
3.30    - 4.00 pm       Preparation in the Space<br />
4.00    - 4.30 pm       Ritual &amp; Ceremony<br />
4.30    - 10.30 pm      Trance Dance<br />
10.30   - 11.00 pm      Closure</p>
<p>This experimental workshop is an invitation to those individuals who<br />
are interested in the trance dance experience as providing an<br />
opportunity for mind/body/spirit/soul development. EGA 2006 will be a<br />
unique opportunity for people who are experienced in the dance floor<br />
and consciousness development approach to try something new, different,<br />
fun and well focused, that is totally aimed at extending the boundaries<br />
of each participants current experiential and knowledge paradigms.</p>
<p>I am very excited to be presenting this workshop along with other<br />
co-facilitators<br />
1. Robin Cooke          - Mutoid Waste – Flame Powered Quad Rotary Strobe<br />
2. Sil Ianello          - Geni Flip – Sacred Space Installation<br />
3. Kundalini            - Space Between the Gaps – Sacred Space Installation<br />
- Music Programming<br />
4. Glen Armstrong       - Vesuvius – Lighting and Fire Keeper</p>
<p>Please Register Your Interest!! – Very Important so we have an accurate<br />
idea of numbers who wish to attend this workshop!!<br />
If you are interested please send an email and stating you are<br />
interested in attending or feel free to ask any question –<br />
<a href="mailto:egaexperimentaltrancedanceworkshop@hotmail.com">egaexperimentaltrancedanceworkshop@hotmail.com</a></p>
<p>The Workshop Explanation<br />
Participants are asked to be prepared for a full consciousness 6 hour<br />
trance dance. For the purposes of this workshop participants will be<br />
asked to bring a focused mindful spiritual dimension to the event on<br />
all levels.</p>
<p>An earth based ritual will be conducted to create a sacred dance floor<br />
space whereby all workshop participants become co-creators in this<br />
ceremony. The elements of fire, water, earth and air with be invoked<br />
and acknowledged.</p>
<p>The 6 hour trance dance ritual will be loosely based on Joseph<br />
Campbells ‘Mythos’ of the Hero’s Journey in such that the trance dance<br />
shamanic journey consciousness workshop we will all be taking is not<br />
something new but is essentially the same story told throughout<br />
millennia by all cultures at all times. The space will be set up so<br />
that focus is towards the centre of the dance floor where there will be<br />
a ‘sacred’ fire. This moves the focus from the proscenium arch<br />
performance construct and brings the event further forward for the<br />
individuals as a co-creators.</p>
<p>The experimental dimension of the workshop comes as an opportunity for<br />
participants to try and create a new direction and also creates an<br />
opportunity for people who have been participants in the outdoor bush<br />
doof psy trance global dance floor culture to activate within<br />
themselves and their cultural ‘scene’ some new insights and paradigm<br />
possibilities.</p>
<p>This experiment will be conducted within a shamanic sacrament paradigm,<br />
in that it might be very challenging physically, mentally, emotionally<br />
and spiritually. Participants will journey deep within themselves<br />
through the trance dance with the aim of finding new insights and a<br />
deeper understanding of self from the experience. The overall intention<br />
is for participants to gain something positive and potentially a<br />
profound healing from the workshop as well as some new insights into<br />
the dance floor experience that can later be documented and discussed.</p>
<p>Participants are asked to:</p>
<p>•       Acknowledge the experience a sacred experience and to connect with<br />
the spirit of the earth, plants and the indigenous and non-indigenous<br />
shamanic communities that have worked in such ways throughout<br />
millennia.</p>
<p>•       To co-create and acknowledge the dance floor as a sacred and divine<br />
space during the workshop. This means a few guidelines such as no<br />
talking unless needed, no spitting, no gear or things in the dance<br />
space, bringing a positive intention to the experiment, supporting and<br />
holding the space with a pure heart, being mindful of others and not<br />
interrupt their journey, to have as much enjoyment as possible, to<br />
engage with others in the dance as it happens.</p>
<p>Tools For The Journey</p>
<p>-       Water container<br />
-       Costumes or layers of cloths as it may rain and it may be very cold<br />
-       Blanket &amp; Towel<br />
-       An open mind and an open heart<br />
-       Anything else that may support you in your journey</p>
<p>Feedback mechanism and Reporting</p>
<p>It is the vision of EGA 2006 for participants of this workshop to<br />
provide feedback and discussions via the EGA web site in the weeks and<br />
months following the Conference.</p>
<p>Trance Dance Journey Diagram</p>
<p>Start        1          2               3               4               5               Finish<br />
                               Hours</p>
<p>Gentle Tribal   Activate     Hard Trance Lift           Confrontation      Easy Flow<br />
Chakra Spiral</p>
<p>Call to Adventure   Threshold    Test, Allies    Inmost Cave     Death<br />
  Ordeal    Road Back    Return with Elixir</p>
<p>**loosely developed from Joseph Campbell – The Hero with a Thousand<br />
Faces</p>
<p>Dance Floor Space</p>
<p>•       Surround Sound System<br />
•       Sacred Fire in Centre<br />
•       Flame Powered Rotary Strobe Towers – 4 Cardinal Points<br />
•       Sacred Space Installation</p>
    ]]></content>
  </entry>
  <entry>
    <title>Combat Wombat</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2215" />
    <id>http://www.aliak.com/node/2215</id>
    <published>2006-02-17T11:58:14+00:00</published>
    <updated>2006-10-29T12:33:25+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="culture_jamming" />
    <category term="hip hop" />
    <category term="melbourne" />
    <category term="music artist biography" />
    <category term="music artists" />
    <category term="video art" />
    <summary type="html"><![CDATA[<p>Combat Wombat are an outspoken troupe of hip hop punks mainly located in Melbourne. They've just released their second album "Unsound System". Armed with only samplers, mics and turntables, powered by solar energy and an uncompromising belief in Truth over Spin, these desert nomads are the real deal, creating an album that reflects the frontline activism they have become famous for. Unsound System is a bullet to the dark heart of the Australian psyche.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Combat Wombat are an outspoken troupe of hip hop punks mainly located in Melbourne. They've just released their second album "Unsound System". Armed with only samplers, mics and turntables, powered by solar energy and an uncompromising belief in Truth over Spin, these desert nomads are the real deal, creating an album that reflects the frontline activism they have become famous for. Unsound System is a bullet to the dark heart of the Australian psyche.</p>
<p>Sonically rugged and funky, Monkey Marc's beats draw their influence from 70s reggae, Public Enemy's Bomb Squad and the golden era hip hop of the early 1990s. The album moves from A-grade head thunkin' hip hop to seriously heavy dub reggae, all laced with relevant and politically charged vocals and samples, with ARIA award winning DJ Wasabi providing cuts.</p>
<p>MC Elf Tranzporter (Metabass 'n Breath) flows marvelously, rhyming with the gift of enviable flexibility. MC Izzy’s approach is the perfect contrast: her stand and deliver, take-no-prisoners approach, injects high-spirited passion into the mix. Together they add a potent combination of hip hop, ragga and punk political flows.</p>
<p>Combat Wombat delve into issues of national identity, the government's treatment of refugees, indigenous sovereignty, US military force and uranium mining with a sense of urgency that is balanced by their ability to turn words into action. They've collaborated with various people on their journey so far including Ozi Batla (The Herd) and Seed MC (TZU).</p>
<p>At Combat Wombat's core is the Lab Rats Solar Sound System, which was formed at the Jabiluka uranium mine protests in 1998. Monkey Marc and MC Izzy are Australian pioneers of vegetable oil conversions for diesel engines (which will also fuel their upcoming national tour). Their fully equipped mobile studio runs off the solar panels on the van's roof, and Unsound System was written and recorded using this same eco-friendly energy. </p>
<p>read their full bio @ <a href="http://www.combatwombat.org/combatwombat/?section=bio" title="http://www.combatwombat.org/combatwombat/?section=bio">http://www.combatwombat.org/combatwombat/?section=bio</a></p>
<p><a href="http://www.combatwombat.org" title="http://www.combatwombat.org">http://www.combatwombat.org</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>Tactical media in Brazil summary mind map</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/tactical-media-brazil-summary-mind-map" />
    <id>http://www.aliak.com/content/tactical-media-brazil-summary-mind-map</id>
    <published>2006-01-27T04:16:11+00:00</published>
    <updated>2006-11-19T13:15:57+00:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="activism" />
    <category term="collective" />
    <category term="community" />
    <category term="culture_jamming" />
    <category term="freemind" />
    <category term="internet" />
    <category term="mind map" />
    <summary type="html"><![CDATA[<p>a summary of the Sarai Reader 04 paper called "The Revenge of Lowtech : Autolabs, Telecentros and Tactical Media in Sao Paulo" by Ricardo Rosas.  </p>
<p>the freemind mind map <a href="http://www.aliak.com/files/tactical_media_in_Brazil.mm"> tactical_media_in_Brazil.mm</a> is attached - this contains html links or expand / collapse the xhtml version below</p>
<link rel="stylesheet" href="http://www.aliak.com/files/freemind_html_files/treestyles.css" type="text/css" />
<script type="text/javascript" src="http://www.aliak.com/files/freemind_html_files/marktree.js">† </script><p>
<a href="#" onclick="expandAll(document.getElementById('base'))">Expand</a> - <a href="#" onclick="collapseAll(document.getElementById('base'))">Collapse</a></p>
<div id="base" class="basetext">
<ul>
<li class="col" style="" id="FMFreemind_Link_717499645FM"><span style=""><a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf">tactical media in Brazil</a> <a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span><br />
<ul class="subexp">
<li class="basic" style="" id="FM_FM"><span style="">http://www.sarai.net/journal/04_pdf/55ricardo.pdf</span></li>
<li class="col" style="" id="FMFreemind_Link_1547141782FM"><span style="">small press<br />
(imprensa nanica)</span>
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_63724039FM"><span style="">1970s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_971496699FM"><span style="">counterculture</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1986742506FM"><span style="">1980s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1943600018FM"><span style="">fan based</span></li>
<li class="col" style="" id="FMFreemind_Link_452409714FM"><span style="">1990s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_178005586FM"><span style="">return to counterculture</span></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1993155865FM"><span style="">collectives</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1290689405FM"><span style="">Microphobia</span></li>
<li class="col" style="" id="FMFreemind_Link_579491894FM"><span style="">Bijari/Antipop</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1283093247FM"><span style="">video art</span></li>
<li class="basic" style="" id="FMFreemind_Link_1262781086FM"><span style="">video activism</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1168713976FM"><span style="">A RevoluÁao Nao Sera Televisionada<br />
(The Revolution Will Not Be Televised)</span>
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_323139311FM"><span style="">video art</span></li>
<li class="basic" style="" id="FMFreemind_Link_1136674262FM"><span style="">video activism</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1632508098FM"><span style="">Rejeitados<br />
(The Rejected)</span>
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1171722543FM"><span style="">urban interventions</span></li>
<li class="basic" style="" id="FMFreemind_Link_341574607FM"><span style="">art outside institutions</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1773523564FM"><span style="">Formigueiro<br />
(Ant's Nest)</span>
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_759580967FM"><span style="">plagiarism</span></li>
<li class="basic" style="" id="FMFreemind_Link_1197301196FM"><span style="">parody</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1949383997FM"><span style="">Museu da Pessoa<br />
(Museum of the Person)</span>
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1261841088FM"><span style="">stories and photos of everyday people</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_174152973FM"><span style="">Anomia<br />
(Anomy)</span>
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_899266517FM"><span style="">culture-jamming, comics, zines and video, (influenced by psychogeography and sonic shock)</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_916350224FM"><span style="">A Cria<br />
(The Baby)</span>
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_947645672FM"><span style="">a 'factory' of fanzines</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_507197273FM"><span style="">Nomads' Collective</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1801497594FM"><span style="">architecture &amp; popular solutions for living &amp; habitation</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1939887943FM"><span style="">Projeto Sid Moreira</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1607230611FM"><span style="">posters and culture jamming</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1891863038FM"><span style="">Metafora.org<br />
(Metaphor)</span>
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_624476459FM"><span style="">recycles old computers for disadvantaged communities</span></li>
<li class="basic" style="" id="FMFreemind_Link_1968303488FM"><span style="">and develops wiki-based projects that centre on open publishing and group-based actions like Recicle-1-Politico (Recycle-1- Politician)</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1014780537FM"><span style=""><a href="http://www.rizoma.net">Rizoma</a> <a href="http://www.rizoma.net"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_694463780FM"><span style="">practices what they call &#8216;conceptual engineering&#8217; in order to transform subjectivities by re-combinations of online textual content, in order to arrive at an open sourceinspired treatment of ideas drawn from activism, afrofuturism, and neuropolitics</span></li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1051569432FM"><span style="">Indymedia Brazil</span></li>
<li class="col" style="" id="FMFreemind_Link_1144569847FM"><span style="">Banda Paralela</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1435255835FM"><span style="">designer &amp; programmers collectives</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1110479476FM"><span style="">BatukaÁao</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_959767009FM"><span style="">martial art/dance groups</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1751576813FM"><span style="">LSD Disco</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_710320949FM"><span style="">alternative/experimental or 'home made' music labels</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_585936702FM"><span style="">Radio Muda</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1323484053FM"><span style="">free radio station</span></li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1773263948FM"><span style="">Autolabs</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_914894941FM"><span style="">laboratorial prototypes for media literacy, technological experimentation and creativity created with the help of local communities</span></li>
<li class="basic" style="" id="FMFreemind_Link_344059614FM"><span style="">based on 'tactical' concepts</span></li>
<li class="basic" style="" id="FMFreemind_Link_1195471429FM"><span style="">use cheap DIY media made accessible by the digital revolution</span></li>
<li class="basic" style="" id="FMFreemind_Link_935881725FM"><span style="">enabling independent media production (by individuals or collectives) using free software/open source operating systems</span></li>
<li class="basic" style="" id="FMFreemind_Link_579205425FM"><span style="">are centres of orientation, documentation and self-education with free and open access to anyone who wants to come and work/play/create in them</span></li>
<li class="basic" style="" id="FMFreemind_Link_155132789FM"><span style="">knowledge is accessed and shared through human mediation, collective work and creative participation</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_629573275FM"><span style="">references</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1035459723FM"><span style=""><a href="http://amsterdam.nettime.org/Lists-Archives/nettime-l-9705/msg00118.html">A Network of Castles</a> <a href="http://amsterdam.nettime.org/Lists-Archives/nettime-l-9705/msg00118.html"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_1373302756FM"><span style=""><a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf">Sarai Reader 04</a> <a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
</ul>
</li>
</ul>
</li>
</ul>
<p><center><br />
<img src="http://static.flickr.com/43/91646565_dcc023a299.jpg?v=0" /><br />
</center></p>
</div>

    ]]></summary>
    <content type="html"><![CDATA[<p>a summary of the Sarai Reader 04 paper called "The Revenge of Lowtech : Autolabs, Telecentros and Tactical Media in Sao Paulo" by Ricardo Rosas.  </p>
<p>the freemind mind map <a href="http://www.aliak.com/files/tactical_media_in_Brazil.mm"> tactical_media_in_Brazil.mm</a> is attached - this contains html links or expand / collapse the xhtml version below</p>
<link rel="stylesheet" href="http://www.aliak.com/files/freemind_html_files/treestyles.css" type="text/css" />
<script type="text/javascript" src="http://www.aliak.com/files/freemind_html_files/marktree.js">† </script><p>
<a href="#" onclick="expandAll(document.getElementById('base'))">Expand</a> - <a href="#" onclick="collapseAll(document.getElementById('base'))">Collapse</a>
<div id="base" class="basetext">
<ul>
<li class="col" style="" id="FMFreemind_Link_717499645FM"><span style=""><a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf">tactical media in Brazil</a> <a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span><br />
<ul class="subexp">
<li class="basic" style="" id="FM_FM"><span style="">http://www.sarai.net/journal/04_pdf/55ricardo.pdf</span></li>
<li class="col" style="" id="FMFreemind_Link_1547141782FM"><span style="">small press<br />
(imprensa nanica)</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_63724039FM"><span style="">1970s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_971496699FM"><span style="">counterculture</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1986742506FM"><span style="">1980s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1943600018FM"><span style="">fan based</span></li>
<li class="col" style="" id="FMFreemind_Link_452409714FM"><span style="">1990s</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_178005586FM"><span style="">return to counterculture</span></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1993155865FM"><span style="">collectives</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1290689405FM"><span style="">Microphobia</span></li>
<li class="col" style="" id="FMFreemind_Link_579491894FM"><span style="">Bijari/Antipop</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1283093247FM"><span style="">video art</span></li>
<li class="basic" style="" id="FMFreemind_Link_1262781086FM"><span style="">video activism</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1168713976FM"><span style="">A RevoluÁao Nao Sera Televisionada<br />
(The Revolution Will Not Be Televised)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_323139311FM"><span style="">video art</span></li>
<li class="basic" style="" id="FMFreemind_Link_1136674262FM"><span style="">video activism</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1632508098FM"><span style="">Rejeitados<br />
(The Rejected)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1171722543FM"><span style="">urban interventions</span></li>
<li class="basic" style="" id="FMFreemind_Link_341574607FM"><span style="">art outside institutions</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1773523564FM"><span style="">Formigueiro<br />
(Ant's Nest)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_759580967FM"><span style="">plagiarism</span></li>
<li class="basic" style="" id="FMFreemind_Link_1197301196FM"><span style="">parody</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1949383997FM"><span style="">Museu da Pessoa<br />
(Museum of the Person)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1261841088FM"><span style="">stories and photos of everyday people</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_174152973FM"><span style="">Anomia<br />
(Anomy)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_899266517FM"><span style="">culture-jamming, comics, zines and video, (influenced by psychogeography and sonic shock)</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_916350224FM"><span style="">A Cria<br />
(The Baby)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_947645672FM"><span style="">a 'factory' of fanzines</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_507197273FM"><span style="">Nomads' Collective</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1801497594FM"><span style="">architecture &amp; popular solutions for living &amp; habitation</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1939887943FM"><span style="">Projeto Sid Moreira</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1607230611FM"><span style="">posters and culture jamming</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1891863038FM"><span style="">Metafora.org<br />
(Metaphor)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_624476459FM"><span style="">recycles old computers for disadvantaged communities</span></li>
<li class="basic" style="" id="FMFreemind_Link_1968303488FM"><span style="">and develops wiki-based projects that centre on open publishing and group-based actions like Recicle-1-Politico (Recycle-1- Politician)</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1014780537FM"><span style=""><a href="http://www.rizoma.net">Rizoma</a> <a href="http://www.rizoma.net"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_694463780FM"><span style="">practices what they call &#8216;conceptual engineering&#8217; in order to transform subjectivities by re-combinations of online textual content, in order to arrive at an open sourceinspired treatment of ideas drawn from activism, afrofuturism, and neuropolitics</span></li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1051569432FM"><span style="">Indymedia Brazil</span></li>
<li class="col" style="" id="FMFreemind_Link_1144569847FM"><span style="">Banda Paralela</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1435255835FM"><span style="">designer &amp; programmers collectives</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1110479476FM"><span style="">BatukaÁao</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_959767009FM"><span style="">martial art/dance groups</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1751576813FM"><span style="">LSD Disco</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_710320949FM"><span style="">alternative/experimental or 'home made' music labels</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_585936702FM"><span style="">Radio Muda</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1323484053FM"><span style="">free radio station</span></li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1773263948FM"><span style="">Autolabs</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_914894941FM"><span style="">laboratorial prototypes for media literacy, technological experimentation and creativity created with the help of local communities</span></li>
<li class="basic" style="" id="FMFreemind_Link_344059614FM"><span style="">based on 'tactical' concepts</span></li>
<li class="basic" style="" id="FMFreemind_Link_1195471429FM"><span style="">use cheap DIY media made accessible by the digital revolution</span></li>
<li class="basic" style="" id="FMFreemind_Link_935881725FM"><span style="">enabling independent media production (by individuals or collectives) using free software/open source operating systems</span></li>
<li class="basic" style="" id="FMFreemind_Link_579205425FM"><span style="">are centres of orientation, documentation and self-education with free and open access to anyone who wants to come and work/play/create in them</span></li>
<li class="basic" style="" id="FMFreemind_Link_155132789FM"><span style="">knowledge is accessed and shared through human mediation, collective work and creative participation</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_629573275FM"><span style="">references</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1035459723FM"><span style=""><a href="http://amsterdam.nettime.org/Lists-Archives/nettime-l-9705/msg00118.html">A Network of Castles</a> <a href="http://amsterdam.nettime.org/Lists-Archives/nettime-l-9705/msg00118.html"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_1373302756FM"><span style=""><a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf">Sarai Reader 04</a> <a href="http://www.sarai.net/journal/04_pdf/55ricardo.pdf"><img src="http://www.aliak.com/files/freemind_html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
</ul>
</li>
</ul>
</li>
</ul>
<p><center><br />
<img src="http://static.flickr.com/43/91646565_dcc023a299.jpg?v=0" /><br />
</center></p>
</div></p>    ]]></content>
  </entry>
  <entry>
    <title>Spunk Library - anarchy, anarchist and alternative materials</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2049" />
    <id>http://www.aliak.com/node/2049</id>
    <published>2005-12-26T01:44:54+00:00</published>
    <updated>2006-10-29T14:34:36+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="archive_library" />
    <category term="culture_jamming" />
    <category term="feminism" />
    <category term="internet" />
    <summary type="html"><![CDATA[<p>The Spunk Library collects and distributes literature in electronic format, with an emphasis on anarchism and related issues. For a more complete description of what Spunk is about you can view the Spunk Manifesto.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The Spunk Library collects and distributes literature in electronic format, with an emphasis on anarchism and related issues. For a more complete description of what Spunk is about you can view the Spunk Manifesto. visit <a href="http://www.spunk.org/" title="http://www.spunk.org/">http://www.spunk.org/</a> for more details</p>
    ]]></content>
  </entry>
  <entry>
    <title>Bitch magazine</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2001" />
    <id>http://www.aliak.com/node/2001</id>
    <published>2005-11-06T07:56:13+00:00</published>
    <updated>2006-10-29T14:37:25+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="feminism" />
    <category term="internet" />
    <category term="publication" />
    <category term="women&#039;s resources" />
    <category term="zine" />
    <summary type="html"><![CDATA[<p>Bitch | Feminist Response to Pop Culture is a print magazine devoted to incisive commentary on our media-driven world. We feature critiques of TV, movies, magazines, advertising, and more—plus interviews with and profiles of cool, smart women in all areas of pop culture.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Bitch | Feminist Response to Pop Culture is a print magazine devoted to incisive commentary on our media-driven world. We feature critiques of TV, movies, magazines, advertising, and more—plus interviews with and profiles of cool, smart women in all areas of pop culture. visit <a href="http://www.bitchmagazine.com/" title="http://www.bitchmagazine.com/">http://www.bitchmagazine.com/</a> for more details</p>
    ]]></content>
  </entry>
  <entry>
    <title>reading notes from &quot;Grassroots - a field guide for feminist activism&quot; by Jennifer Baumgardner &amp; Amy Richards</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/reading-notes-grassroots-a-field-guide-feminist-activism-jennifer-baumgardner-amy-richards" />
    <id>http://www.aliak.com/content/reading-notes-grassroots-a-field-guide-feminist-activism-jennifer-baumgardner-amy-richards</id>
    <published>2005-11-06T06:15:54+00:00</published>
    <updated>2005-12-23T11:30:25+00:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="activism" />
    <category term="books I own" />
    <category term="review" />
    <category term="women&#039;s resources" />
    <summary type="html"><![CDATA[<p><img src="http://images.amazon.com/images/P/0374528659.01._AA240_SCLZZZZZZZ_.jpg" hspace="10" align="left" /> Today I read <a href="http://www.amazon.com/exec/obidos/tg/detail/-/0374528659/qid=1131257895/sr=8-3/ref=pd_bbs_3/103-8913898-1971051?v=glance&amp;s=books&amp;n=507846" rel="nofollow" rel="nofollow">"Grassroots - a field guide for feminist activism" by Jennifer Baumgardner &amp; Amy Richards</a>. It's a DIY feminist activism book that gives examples of how everyday women can perform activist activities without having to be too radical. Examples are from high school, university students, women at work and in their local communities. Baumgardner and Richards speak about and provide contact details for many organisations performing and supporting feminist activism projects. I've included some links in the <a href="http://www.aliak.com/taxonomy/term/173/9" rel="nofollow" rel="nofollow">feminism</a> and <a href="http://www.aliak.com/taxonomy/term/162/9" rel="nofollow" rel="nofollow">activism</a> links on this site if you are interested in finding out more, otherwise track down the book from your local bookstore..<br />
The authors, who also co-wrote "Manifesta", define activism (page xix, Prologue) as:<br />
[quote] ".. consistently expressing one's values with the goal of making the world more just. We use feminism as our philosophy for that value system; that is, we try to take off the cultural lens that sees mostly men and filters out women and replace it with one that sees all people. We ask: "Do our lifestyles reflect our politics?" "How can we make sure that we all receive the same breaks - and basic necessities - traditionally awarded to white males?" An activist is anyone who accesses the resources that he or she has as an individual for the benefit of the common good. With that definition, activism is available to anyone. By asserting that anyone can be an activist, we aren't trying to weaken or water down its power. We believe that activism is by definition profound, a big deal, revolutionary. However, we are challenging the notion that there is one type of person who is an activist - someone serious, rebellious, privileged, and unrealistically heroic." [/quote]</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://images.amazon.com/images/P/0374528659.01._AA240_SCLZZZZZZZ_.jpg" hspace="10" vspace="10" align="left" /> Today I read <a href="http://www.amazon.com/exec/obidos/tg/detail/-/0374528659/qid=1131257895/sr=8-3/ref=pd_bbs_3/103-8913898-1971051?v=glance&amp;s=books&amp;n=507846" rel="nofollow">"Grassroots - a field guide for feminist activism" by Jennifer Baumgardner &amp; Amy Richards</a>. It's a DIY feminist activism book that gives examples of how everyday women can perform activist activities without having to be too radical. Examples are from high school, university students, women at work and in their local communities. Baumgardner and Richards speak about and provide contact details for many organisations performing and supporting feminist activism projects. I've included some links in the <a href="http://www.aliak.com/taxonomy/term/173/9" rel="nofollow">feminism</a> and <a href="http://www.aliak.com/taxonomy/term/162/9" rel="nofollow">activism</a> links on this site if you are interested in finding out more, otherwise track down the book from your local bookstore..</p>
<p>The authors, who also co-wrote "Manifesta", define activism (page xix, Prologue) as:</p>
<p>[quote] ".. consistently expressing one's values with the goal of making the world more just. We use feminism as our philosophy for that value system; that is, we try to take off the cultural lens that sees mostly men and filters out women and replace it with one that sees all people. We ask: "Do our lifestyles reflect our politics?" "How can we make sure that we all receive the same breaks - and basic necessities - traditionally awarded to white males?" An activist is anyone who accesses the resources that he or she has as an individual for the benefit of the common good. With that definition, activism is available to anyone. By asserting that anyone can be an activist, we aren't trying to weaken or water down its power. We believe that activism is by definition profound, a big deal, revolutionary. However, we are challenging the notion that there is one type of person who is an activist - someone serious, rebellious, privileged, and unrealistically heroic." [/quote]</p>
    ]]></content>
  </entry>
  <entry>
    <title>KISSS exhibition @ Concial Gallery, Melbourne</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/kisss-exhibition-concial-gallery-melbourne" />
    <id>http://www.aliak.com/content/kisss-exhibition-concial-gallery-melbourne</id>
    <published>2005-10-18T21:20:59+01:00</published>
    <updated>2005-10-20T12:00:52+01:00</updated>
    <author>
      <name>JC</name>
    </author>
    <category term="activism" />
    <category term="gallery" />
    <category term="melbourne" />
    <category term="new media" />
    <summary type="html"><![CDATA[<p><img src="http://www.conical.org.au/images/kis_web.jpg" hspace="10" align="left" height="100" /> KISSS - Kinship International Strategy on Surveillance and Suppression, is a touring exhibition of products, process and residues from the meta-performance project KISSS. A Conical Exchange Project with Elastic Residency (UK) : Responding to political, social and personal issues around surveillance and suppression, KISSS incorporates the individual and collaborative practices of artists, writers and curators. OPENING FRIDAY 28 from 6 - 8.30pm, KISSS will be held from OCTOBER 28 - NOVEMBER 13. A free forum will take place on Saturday 29 October with Joanna Callaghan &amp; Deej Fabyc in collaboration with local artists. All welcome.  Interested parties are invited to participate - please contact Conical at <a href="mailto:info@conical.org.au" rel="nofollow">info@conical.org.au</a>. Read more or visit <a href="http://www.elastic.org.uk" title="http://www.elastic.org.uk" rel="nofollow">http://www.elastic.org.uk</a> or <a href="http://www.conical.org.au" title="http://www.conical.org.au" rel="nofollow">http://www.conical.org.au</a> for more information</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>KISSS<br />
Kinship International Strategy on Surveillance and Suppression<br />
A touring exhibition of products, process and residues from the meta-performance project KISSS.</p>
<p>Conical Gallery, Melbourne<br />
<a href="http://www.elastic.org.uk" title="http://www.elastic.org.uk">http://www.elastic.org.uk</a><br />
<a href="http://www.conical.org.au" title="http://www.conical.org.au">http://www.conical.org.au</a> &gt; current exhibitions</p>
<p>OCTOBER 28 - NOVEMBER 13<br />
OPENING FRIDAY 28 from 6 - 8.30pm<br />
A free forum will take place on Saturday 29 October with Joanna Callaghan &amp; Deej Fabyc in collaboration with local artists.<br />
All welcome.<br />
Interested parties are invited to participate - please contact Conical at <a href="mailto:info@conical.org.au">info@conical.org.au</a>   </p>
<p>Responding to political, social and personal issues around surveillance and suppression, KISSS incorporates the individual and collaborative practices of artists, writers and curators. </p>
<p>KISSS includes Anne Bean, Camilla Brueton, Season Butler, Joanna Callaghan, Daedelus, Dolores Sanchez Calvo, Alexandra Dementieva, Deej Fabyc, Coco Fusco, Maxine Hall, Melanie Jackson, Calum F.Kerr, Maria Kheirkhah, Paula Moss, Psychological Art Circus, Sara Raza, Suzana Rezende, Elvis Richardson, Eva Rudlinger, paula roush, Nina Sobell, Hannah Terry, Emma Wolukau-Wanambwa and Reinhard Krehl, Silke Steets and Jan Wenzel.</p>
<p>KISSS was launched in August 2005 at the Whitechapel Gallery London where KISSS strategies were presented to a full house in a live, intermedia combination of performance, video, interventions and working sessions. An audience member observed how she appreciated ‘the range of material and approaches that were presented, from the very intimate to the political body, without being didactic’. This was followed in September by a SUMMIT, at an isolated country retreat in Somerset. A new piece of work Thomas’ Head was developed in response to the site, the historical archive and ideas of surveillance and suppression developed and enacted in public space. </p>
<p>KISSS is brought to Conical by London based Australian artists Joanna Callaghan and Deej Fabyc and co-curated with Paula Roush and Camilla Brueton.  </p>
<p>￼</p>
<p>Conical Inc.<br />
Upstairs 3 Rochester St<br />
Fitzroy Victoria<br />
Australia 3065<br />
Hrs: Thur &amp; Fri 12pm-5.30pm<br />
Sat &amp; Sun 12pm-5pm<br />
T: 03 9415 6958<br />
E: <a href="mailto:info@conical.org.au">info@conical.org.au</a><br />
W: <a href="http://www.conical.org.au" title="www.conical.org.au">www.conical.org.au</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>eco action &amp; dead trees publishing</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1930" />
    <id>http://www.aliak.com/node/1930</id>
    <published>2005-09-03T09:13:00+01:00</published>
    <updated>2005-09-03T09:13:00+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="eco" />
    <category term="online  communities" />
    <category term="publication" />
    <summary type="html"><![CDATA[<p>eco-action.org website contains information on eco-tourism - places to go, squatters resources, gatherings; solidarity south pacific - information about West Papuan ecological and social issues; as well as an online publishing arm - Dead Trees Publishing which aims to produce background information for people doing direct action. The site also has Ecological Direct Action Online Magazines and publications</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>eco-action.org website contains information on eco-tourism - places to go, squatters resources, gatherings; solidarity south pacific - information about West Papuan ecological and social issues; as well as an online publishing arm - Dead Trees Publishing which aims to produce background information for people doing direct action. The site also has Ecological Direct Action Online Magazines and publications</p>
    ]]></content>
  </entry>
</feed>
