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  <title>conference</title>
  <subtitle>conference</subtitle>
  <link rel="alternate" type="text/html" href="http://www.aliak.com/taxonomy/term/150"/>
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  <updated>2005-12-11T05:10:53+00:00</updated>
  <entry>
    <title>Women in Games Conference : Call for Papers and Participation</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14353" />
    <id>http://www.aliak.com/node/14353</id>
    <published>2008-05-11T21:51:27+01:00</published>
    <updated>2008-05-11T22:23:50+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="call for submissions" />
    <category term="conference" />
    <category term="games" />
    <category term="international" />
    <category term="uk" />
    <category term="united kingdom" />
    <category term="women&#039;s resources" />
    <summary type="html"><![CDATA[<p>Women in Games Conference: Call for Papers and Participation<br />
Date: 31 May 2008<br />
Venue: University of Warwick, UK<br />
Website: <a href="http://www.womeningames.com" title="www.womeningames.com" rel="nofollow">www.womeningames.com</a><br />
The Women In Games conference encourages research and seeks to promote careers for women within the games industry. If games are to become a true sibling medium to music and cinema, the industry needs greater balance in its audience and its workforce. The Women In Games conference takes place from 10-12th September 2008 and welcomes participants from both industry and academia, providing a forum for presentation and discussion of issues relating to all aspects of women's involvement in games, including game development, game playing and women as portrayed within games.<br />
Although this conference is concerned with women and games please note that men are also very welcome to participate! The industry needs a meaningful dialogue between the sexes as it moves forward.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Women in Games Conference: Call for Papers and Participation</p>
<p>Date: 31 May 2008<br />
Venue: University of Warwick, UK<br />
Website: <a href="http://www.womeningames.com" title="www.womeningames.com">www.womeningames.com</a></p>
<p>The Women In Games conference encourages research and seeks to promote careers for women within the games industry. If games are to become a true sibling medium to music and cinema, the industry needs greater balance in its audience and its workforce. The Women In Games conference takes place from 10-12th September 2008 and welcomes participants from both industry and academia, providing a forum for presentation and discussion of issues relating to all aspects of women's involvement in games, including game development, game playing and women as portrayed within games.</p>
<p>Although this conference is concerned with women and games please note that men are also very welcome to participate! The industry needs a meaningful dialogue between the sexes as it moves forward.</p>
<p>Further details of the conference and this year's themes are available at the conference website: <a href="http://www.womeningames.com" title="www.womeningames.com">www.womeningames.com</a></p>
<p>You are invited to participate in the conference in the following ways:<br />
* Attending the conference<br />
* Speaking or presenting a panel - see below<br />
* Exploring options within your organisation for sponsoring the conference</p>
<p>Presenting at the conference:<br />
We welcome proposals for presentations, panels, posters and workshops from both industrial and academic participants. The main conference themes are detailed on the website and submissions related to these and other relevant issues are invited.</p>
<p>Deadline for submission of abstracts: 31st May 2008</p>
    ]]></content>
  </entry>
  <entry>
    <title>Tending Networks: The 5th Aotearoa Digital Arts Symposium (NZ)</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14313" />
    <id>http://www.aliak.com/node/14313</id>
    <published>2008-02-22T09:42:46+00:00</published>
    <updated>2008-02-22T09:42:46+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="arts" />
    <category term="arts artist" />
    <category term="conference" />
    <category term="event" />
    <category term="experimental" />
    <category term="festival" />
    <category term="film" />
    <category term="nam june paik" />
    <category term="new zealand" />
    <category term="new zealand" />
    <category term="sound art" />
    <category term="sound artist" />
    <category term="video art" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p><img src="http://symposium08.aotearoadigitalarts.org.nz/logo.gif" align="left" hspace="10" /> Tending Networks: The 5th Aotearoa Digital Arts Symposium will address new developments, connections, and opportunities in digital, new media and electronic art practice in New Zealand and internationally.<br />
The symposium will feature presentations by major international artists Young Hae Chang Heavy Industries of Korea, and Adam Hyde, a New Zealander based in Amsterdam. A wide range of artists and researchers from Christchurch and around New Zealand will present current projects, and panel discussions will focus on the creation of new work, including the role of community networks, the value of collaboration, and the challenges posed by exhibiting digital art.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><img src="http://symposium08.aotearoadigitalarts.org.nz/logo.gif" align="left" hspace="10" /> Tending Networks: The 5th Aotearoa Digital Arts Symposium will address new developments, connections, and opportunities in digital, new media and electronic art practice in New Zealand and internationally.</p>
<p>The symposium will feature presentations by major international artists Young Hae Chang Heavy Industries of Korea, and Adam Hyde, a New Zealander based in Amsterdam. A wide range of artists and researchers from Christchurch and around New Zealand will present current projects, and panel discussions will focus on the creation of new work, including the role of community networks, the value of collaboration, and the challenges posed by exhibiting digital art.</p>
<p>ADA, the Aotearoa Digital Arts Trust, invites artists, researchers, curators, art enthusiasts and all those interested in creative community networks from Christchurch and around New Zealand to participate. More detail on presenters and associated events follows.</p>
<p>Tending Networks takes place February 23-24, 2008,<br />
at the Design and Arts College of New Zealand,<br />
116 Worcester St, Christchurch.<br />
Cost: $50 (waged), $30 (unwaged and Physics Room members)</p>
<p>For registration and more information email:<br />
<a href="mailto:symposium@aotearoadigitalarts.org.nz">symposium@aotearoadigitalarts.org.nz</a></p>
<p>Tending Networks is supported by The Physics Room Contemporary Art Project Space, Design and Arts College of New Zealand, Creative New Zealand, the Asia New Zealand Foundation, and the ADA Trust.</p>
<p>visit <a href="http://symposium08.aotearoadigitalarts.org.nz" title="http://symposium08.aotearoadigitalarts.org.nz">http://symposium08.aotearoadigitalarts.org.nz</a> for more details</p>
    ]]></content>
  </entry>
  <entry>
    <title>The Art of Record Production Conferences 2007 and 2008</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14312" />
    <id>http://www.aliak.com/node/14312</id>
    <published>2008-02-21T22:59:16+00:00</published>
    <updated>2008-04-07T21:06:20+01:00</updated>
    <author>
      <name>simonzt</name>
    </author>
    <category term="brisbane" />
    <category term="conference" />
    <summary type="html"><![CDATA[<p>Art of Record Production Conference<br />
Brisbane, Australia in 2007 and Lowell, Massachusetts in 2008<br />
PRESS RELEASE – Feb 2008</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Art of Record Production Conference</p>
<p>Brisbane, Australia in 2007 and Lowell, Massachusetts in 2008</p>
<p>PRESS RELEASE – Feb 2008</p>
<p>The Art of Record Production Conference organised by London College of Music, TVU lecturer, Simon Zagorski-Thomas just seems to be going from strength to strength. In December last year it moved out of the United Kingdom for the first time when it was hosted by Professor Andy Arthurs, Professor Julian Knowles and Dr. Donna Hewitt at Queensland University of Technology in Brisbane, Australia and in November of this year it will be hosted by Professor William Moylan at the University of Massachusetts Lowell. The keynote speaker in Brisbane was Hank Shocklee who rose to prominence producing Public Enemy, has worked with artists as varied as Madonna, Peter Gabriel and Janet Jackson and who currently heads up his own New Media Entertainment company, Shocklee Entertainment. As well as academic papers on a wide range of subjects on and around the central theme of record production, the conference featured other industry speakers including Richard Lush (Beatles, Lalo Schifrin), Daniel Denholm (Tognetti’s Bach violin sonatas and partitas, Kylie), Pip Williams (Nightwish, Moody Blues), Mike Howlett (Martha and the Muffins, OMD) and Steve D'Agostino (Depeche Mode, John Foxx).</p>
<p>Hank Shocklee obviously enjoyed his experience in Brisbane, saying: "It was a great experience to be a part of The Art of Record Production Conference and meet such talented musical minds in an environment truly dedicated to furthering the dialog on music production."</p>
<p>Simon Zagorski-Thomas, the director of the Art of Record Production conference, says he’s been overwhelmed by the response in the few days since the call for papers for ARP08 was released: “I received the first expression of interest by email before I’d even finished posting the Call For Papers on the website – and that was from a Grammy Award winning engineer / producer in New York! In the few days following I’ve had emails about potential paper presentations from more than half a dozen different countries.”</p>
<p> Professor William Moylan, the host of ARP08 was equally enthusiastic: “My colleagues and I at the University of Massachusetts Lowell are honored to be hosting the 2008 Art of Record Production Conference. We are excited to be the first North American platform for this important exchange of ideas, experiences, knowledge and music, and look forward to this opportunity to share our exceptional facilities and resources with attendees from throughout the world!“</p>
<p> Negotiations are still under way concerning the industry speakers for the November 2008 conference but some very high profile and exciting announcements are expected in the near future. The Call For Papers and other details about the conference can be found at: <a href="http://www.artofrecordproduction.com" title="http://www.artofrecordproduction.com">http://www.artofrecordproduction.com</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>electrofringe 2006 - max msp workshop - video patch</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14289" />
    <id>http://www.aliak.com/node/14289</id>
    <published>2008-02-02T00:10:28+00:00</published>
    <updated>2008-02-02T00:48:02+00:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="conference" />
    <category term="max_msp" />
    <category term="newcastle" />
    <category term="video" />
    <category term="video controller" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p>one of the workshops we did at electrofringe 2006 was on max / msp with <a href="http://www.brucemowson.com" rel="nofollow" rel="nofollow">Bruce Mowson</a><br />
our group made a simple max patch which rotated through a few video clips we recorded of people who were in the workshop. we'd asked them to say something about the electrofringe / this is not art festival. the patch was basically a random video player. we only had an hour to make it so we chose something simple. we had to show Bruce the following day. our patch worked and we were one of two groups (well our group + 1 person from another group) who turned up the next day to demonstrate the finished patch<br />
here's a photo of the <a>attached patch - version 2</a><br />
<img src="http://farm1.static.flickr.com/108/275930879_15b0bb616e.jpg" /><br />
<a href="http://chailight.com/" rel="nofollow" rel="nofollow">Mark</a>'s patch worked too - his is much more advanced! it's an identity bank ATM machine<br />
Mark is from <a href="http://chailight.com/" rel="nofollow" rel="nofollow">Chailight Productions</a> - he lives in Melbourne now, but used to live in Brisbane and run the Spin'n'Jam nights, amongst other things such as some of the outdoor parties<br />
<img src="http://farm1.static.flickr.com/111/275930849_1482e62573.jpg" /><br />
one of the slides in Bruce's talk. I tried the url in the photo but it's a dead link now - granted it is 2 years later ;) no luck finding it on the wayback machine either :(<br />
<img src="http://farm1.static.flickr.com/51/275919349_3718a595f7.jpg" /><br />
This is Not Art festival, Newcastle, Australia.<br />
Electrofringe workshops.<br />
Saturday 30/09/2006<br />
<a href="http://www.thisisnotart.org/" rel="nofollow" rel="nofollow">http://www.thisisnotart.org/</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>one of the workshops we did at electrofringe 2006 was on max / msp with <a href="http://www.brucemowson.com" rel="nofollow">Bruce Mowson</a><br />
our group made a simple max patch which rotated through a few video clips we recorded of people who were in the workshop. we'd asked them to say something about the electrofringe / this is not art festival. the patch was basically a random video player. we only had an hour to make it so we chose something simple. we had to show Bruce the following day. our patch worked and we were one of two groups (well our group + 1 person from another group) who turned up the next day to demonstrate the finished patch</p>
<p>here's a photo of the <a>attached patch - version 2</a></p>
<p><img src="http://farm1.static.flickr.com/108/275930879_15b0bb616e.jpg" /></p>
<p><a href="http://chailight.com/" rel="nofollow">Mark</a>'s patch worked too - his is much more advanced! it's an identity bank ATM machine<br />
Mark is from <a href="http://chailight.com/" rel="nofollow">Chailight Productions</a> - he lives in Melbourne now, but used to live in Brisbane and run the Spin'n'Jam nights, amongst other things such as some of the outdoor parties</p>
<p><img src="http://farm1.static.flickr.com/111/275930849_1482e62573.jpg" /></p>
<p>one of the slides in Bruce's talk. I tried the url in the photo but it's a dead link now - granted it is 2 years later ;) no luck finding it on the wayback machine either :(</p>
<p><img src="http://farm1.static.flickr.com/51/275919349_3718a595f7.jpg" /></p>
<p>This is Not Art festival, Newcastle, Australia.<br />
Electrofringe workshops.<br />
Saturday 30/09/2006</p>
<p><a href="http://www.thisisnotart.org/" rel="nofollow">http://www.thisisnotart.org/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>SXSW 2007 Interactve Conference - Tim Farriss from fourhourworkweek.com</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14260" />
    <id>http://www.aliak.com/node/14260</id>
    <published>2008-01-06T00:53:09+00:00</published>
    <updated>2008-01-06T00:58:05+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="conference" />
    <category term="freemind" />
    <category term="internet" />
    <summary type="html"><![CDATA[<link rel="stylesheet" href="http://www.aliak.com/files/freemind_html_files/treestyles.css" type="text/css" />
<script type="text/javascript" src="http://www.aliak.com/files/freemind_html_files/marktree.js">† </script><p>
<a href="#" onclick="expandAll(document.getElementById('base'))">Expand</a> - <a href="#" onclick="collapseAll(document.getElementById('base'))">Collapse</a></p>
<div id="base" class="basetext">
<ul>
<li class="col" style="" id="FMFreemind_Link_1691822334FM"><span style="">SXSW 2007 Interactve Conference - Tim Farriss from fourhourworkweek.com</span><br />
<ul class="subexp">
<li class="col" style="" id="FM_FM"><span style="">questions</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1522430297FM"><span style="">how do your priorities and decisions change if retirement will never be an option?</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_71765966FM"><span style="">if you are going to have to work all the time. not retire</span></li>
<li class="basic" style="" id="FMFreemind_Link_809291737FM"><span style="">eg would get bored if not working</span></li>
<li class="basic" style="" id="FMFreemind_Link_1125771330FM"><span style="">avoid being unable to fill the void if work is your identity</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_567021647FM"><span style="">scalability</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_20455745FM"><span style="">is your business scalable</span></li>
<li class="basic" style="" id="FMFreemind_Link_1313105766FM"><span style="">is your career scalable</span></li>
<li class="basic" style="" id="FMFreemind_Link_184135986FM"><span style="">is your lifestyle scalable (most important)</span></li>
<li class="basic" style="" id="FMFreemind_Link_778414104FM"><span style="">and if it isn't, when are you going to face a bottleneck</span></li>
</ul>
</li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1546281655FM"><span style="">are you in a game worth winning and is it scalable</span></li>
<li class="col" style="" id="FMFreemind_Link_1283746180FM"><span style="">principles / commonalities of people who design ideal lifestyles for themselves</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1618853132FM"><span style="">3 currencies (in order of importance)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1144334770FM"><span style="">time (non renewable)</span></li>
<li class="basic" style="" id="FMFreemind_Link_148835537FM"><span style="">income</span></li>
<li class="basic" style="" id="FMFreemind_Link_1851398231FM"><span style="">mobility</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_21445814FM"><span style="">structure</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1738183337FM"><span style="">definition</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_255787840FM"><span style="">determining what it is you want to create from a lifestyle pov</span></li>
<li class="basic" style="" id="FMFreemind_Link_688756628FM"><span style="">and how much that costs - what are the financial realities of designing an ideal lifestyle</span></li>
<li class="col" style="" id="FMFreemind_Link_1825667916FM"><span style="">define 3 things</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1898583168FM"><span style="">what you want to do</span></li>
<li class="basic" style="" id="FMFreemind_Link_1192667796FM"><span style="">what you want to be</span></li>
<li class="basic" style="" id="FMFreemind_Link_114996754FM"><span style="">what you want to have</span></li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_959289895FM"><span style="">what portion of your efforts are producing that result</span></li>
<li class="col" style="" id="FMFreemind_Link_842487706FM"><span style="">80/20 principle (paradores principle)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1363464430FM"><span style="">20% of your input / actions should produce 80% of your results</span></li>
<li class="basic" style="" id="FMFreemind_Link_514256494FM"><span style="">what 20% of my activities are producing 80% of my desired outcome</span></li>
<li class="basic" style="" id="FMFreemind_Link_809416952FM"><span style="">then (ruthlessly) eliminate the rest which is taking up time</span></li>
<li class="basic" style="" id="FMFreemind_Link_1212360443FM"><span style="">limit the tasks to only the important</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1202590939FM"><span style="">parkinson's law</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1620188284FM"><span style="">introduced by Ed Shough (?) from princeton</span></li>
<li class="basic" style="" id="FMFreemind_Link_1153003942FM"><span style="">a task will swell with perceived complexitity and importance in direct correlation with the time that you allot it</span></li>
<li class="basic" style="" id="FMFreemind_Link_1290637964FM"><span style="">limit the time to what's really important</span></li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_448182080FM"><span style="">elimination</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_98301572FM"><span style="">batching</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_176736341FM"><span style="">eg email</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1534184815FM"><span style="">set an autoresponder on email</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1715358855FM"><span style="">to manage other people's expectations</span></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1244403668FM"><span style="">automation</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1839190454FM"><span style="">outsource anything that can be done for less than $X a day (ie less than your hourly rate)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_63795094FM"><span style="">eg to India - virtual assistants</span></li>
<li class="basic" style="" id="FMFreemind_Link_787548040FM"><span style="">eg internet research, spreadsheets</span></li>
<li class="basic" style="" id="FMFreemind_Link_1500201882FM"><span style="">rules you can set for yourself instead of responding in a culture of urgency</span></li>
<li class="basic" style="" id="FMFreemind_Link_660013864FM"><span style="">your man in india</span></li>
<li class="basic" style="" id="FMFreemind_Link_352076449FM"><span style="">brickwork</span></li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_36929626FM"><span style="">liberation</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_53549711FM"><span style="">first step is creating mobility</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_70760927FM"><span style="">hourglass approach</span></li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1311179996FM"><span style="">take advantage of the time you have when u get it</span></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1748606444FM"><span style=""><a href="mailto:timferriss@gmail.com">timferriss@gmail.com</a> <a href="mailto:timferriss@gmail.com"><img src="fourhourworkweek_SXSW.html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_1748606444FM"><span style=""><a href="http://www.fourhourworkweek.com">http://www.fourhourworkweek.com</a> <a href="http://www.fourhourworkweek.com"><img src="fourhourworkweek_SXSW.html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_348257910FM"><span style=""><a href="http://2007.sxsw.com/interactive/programming/panels/?action=show&amp;id=IAP060286">http://2007.sxsw.com/interactive/programming/panels/?action=show&amp;id=IAP060286</a> <a href="http://2007.sxsw.com/interactive/programming/panels/?action=show&amp;id=IAP060286"><img src="fourhourworkweek_SXSW.html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_1515474986FM"><span style=""><a href="http://audio.sxsw.com/podcast/interactive/panel/2007/SXSW07.INT.20070312.TheFourHourWorkweek.mp3">http://audio.sxsw.com/podcast/interactive/panel/2007/SXSW07.INT.20070312.TheFourHourWorkweek.mp3</a><br />
<a href="http://audio.sxsw.com/podcast/interactive/panel/2007/SXSW07.INT.20070312.TheFourHourWorkweek.mp3"><img src="fourhourworkweek_SXSW.html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
</ul>
</li>
</ul>
</div>
    ]]></summary>
    <content type="html"><![CDATA[<link rel="stylesheet" href="http://www.aliak.com/files/freemind_html_files/treestyles.css" type="text/css" />
<script type="text/javascript" src="http://www.aliak.com/files/freemind_html_files/marktree.js">† </script><p>
<a href="#" onclick="expandAll(document.getElementById('base'))">Expand</a> - <a href="#" onclick="collapseAll(document.getElementById('base'))">Collapse</a></p>
<div id="base" class="basetext">
<ul>
<li class="col" style="" id="FMFreemind_Link_1691822334FM"><span style="">SXSW 2007 Interactve Conference - Tim Farriss from fourhourworkweek.com</span><br />
<ul class="subexp">
<li class="col" style="" id="FM_FM"><span style="">questions</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1522430297FM"><span style="">how do your priorities and decisions change if retirement will never be an option?</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_71765966FM"><span style="">if you are going to have to work all the time. not retire</span></li>
<li class="basic" style="" id="FMFreemind_Link_809291737FM"><span style="">eg would get bored if not working</span></li>
<li class="basic" style="" id="FMFreemind_Link_1125771330FM"><span style="">avoid being unable to fill the void if work is your identity</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_567021647FM"><span style="">scalability</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_20455745FM"><span style="">is your business scalable</span></li>
<li class="basic" style="" id="FMFreemind_Link_1313105766FM"><span style="">is your career scalable</span></li>
<li class="basic" style="" id="FMFreemind_Link_184135986FM"><span style="">is your lifestyle scalable (most important)</span></li>
<li class="basic" style="" id="FMFreemind_Link_778414104FM"><span style="">and if it isn't, when are you going to face a bottleneck</span></li>
</ul>
</li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1546281655FM"><span style="">are you in a game worth winning and is it scalable</span></li>
<li class="col" style="" id="FMFreemind_Link_1283746180FM"><span style="">principles / commonalities of people who design ideal lifestyles for themselves</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1618853132FM"><span style="">3 currencies (in order of importance)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1144334770FM"><span style="">time (non renewable)</span></li>
<li class="basic" style="" id="FMFreemind_Link_148835537FM"><span style="">income</span></li>
<li class="basic" style="" id="FMFreemind_Link_1851398231FM"><span style="">mobility</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_21445814FM"><span style="">structure</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1738183337FM"><span style="">definition</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_255787840FM"><span style="">determining what it is you want to create from a lifestyle pov</span></li>
<li class="basic" style="" id="FMFreemind_Link_688756628FM"><span style="">and how much that costs - what are the financial realities of designing an ideal lifestyle</span></li>
<li class="col" style="" id="FMFreemind_Link_1825667916FM"><span style="">define 3 things</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1898583168FM"><span style="">what you want to do</span></li>
<li class="basic" style="" id="FMFreemind_Link_1192667796FM"><span style="">what you want to be</span></li>
<li class="basic" style="" id="FMFreemind_Link_114996754FM"><span style="">what you want to have</span></li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_959289895FM"><span style="">what portion of your efforts are producing that result</span></li>
<li class="col" style="" id="FMFreemind_Link_842487706FM"><span style="">80/20 principle (paradores principle)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1363464430FM"><span style="">20% of your input / actions should produce 80% of your results</span></li>
<li class="basic" style="" id="FMFreemind_Link_514256494FM"><span style="">what 20% of my activities are producing 80% of my desired outcome</span></li>
<li class="basic" style="" id="FMFreemind_Link_809416952FM"><span style="">then (ruthlessly) eliminate the rest which is taking up time</span></li>
<li class="basic" style="" id="FMFreemind_Link_1212360443FM"><span style="">limit the tasks to only the important</span></li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1202590939FM"><span style="">parkinson's law</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1620188284FM"><span style="">introduced by Ed Shough (?) from princeton</span></li>
<li class="basic" style="" id="FMFreemind_Link_1153003942FM"><span style="">a task will swell with perceived complexitity and importance in direct correlation with the time that you allot it</span></li>
<li class="basic" style="" id="FMFreemind_Link_1290637964FM"><span style="">limit the time to what's really important</span></li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_448182080FM"><span style="">elimination</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_98301572FM"><span style="">batching</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_176736341FM"><span style="">eg email</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1534184815FM"><span style="">set an autoresponder on email</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_1715358855FM"><span style="">to manage other people's expectations</span></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_1244403668FM"><span style="">automation</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_1839190454FM"><span style="">outsource anything that can be done for less than $X a day (ie less than your hourly rate)</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_63795094FM"><span style="">eg to India - virtual assistants</span></li>
<li class="basic" style="" id="FMFreemind_Link_787548040FM"><span style="">eg internet research, spreadsheets</span></li>
<li class="basic" style="" id="FMFreemind_Link_1500201882FM"><span style="">rules you can set for yourself instead of responding in a culture of urgency</span></li>
<li class="basic" style="" id="FMFreemind_Link_660013864FM"><span style="">your man in india</span></li>
<li class="basic" style="" id="FMFreemind_Link_352076449FM"><span style="">brickwork</span></li>
</ul>
</li>
</ul>
</li>
<li class="col" style="" id="FMFreemind_Link_36929626FM"><span style="">liberation</span><br />
<ul class="subexp">
<li class="col" style="" id="FMFreemind_Link_53549711FM"><span style="">first step is creating mobility</span><br />
<ul class="subexp">
<li class="basic" style="" id="FMFreemind_Link_70760927FM"><span style="">hourglass approach</span></li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1311179996FM"><span style="">take advantage of the time you have when u get it</span></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
<li class="basic" style="" id="FMFreemind_Link_1748606444FM"><span style=""><a href="mailto:timferriss@gmail.com">timferriss@gmail.com</a> <a href="mailto:timferriss@gmail.com"><img src="fourhourworkweek_SXSW.html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_1748606444FM"><span style=""><a href="http://www.fourhourworkweek.com">http://www.fourhourworkweek.com</a> <a href="http://www.fourhourworkweek.com"><img src="fourhourworkweek_SXSW.html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_348257910FM"><span style=""><a href="http://2007.sxsw.com/interactive/programming/panels/?action=show&amp;id=IAP060286">http://2007.sxsw.com/interactive/programming/panels/?action=show&amp;id=IAP060286</a> <a href="http://2007.sxsw.com/interactive/programming/panels/?action=show&amp;id=IAP060286"><img src="fourhourworkweek_SXSW.html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
<li class="basic" style="" id="FMFreemind_Link_1515474986FM"><span style=""><a href="http://audio.sxsw.com/podcast/interactive/panel/2007/SXSW07.INT.20070312.TheFourHourWorkweek.mp3">http://audio.sxsw.com/podcast/interactive/panel/2007/SXSW07.INT.20070312.TheFourHourWorkweek.mp3</a><br />
<a href="http://audio.sxsw.com/podcast/interactive/panel/2007/SXSW07.INT.20070312.TheFourHourWorkweek.mp3"><img src="fourhourworkweek_SXSW.html_files/icons/Link.png" alt="" style="border-width:0" /></a></span></li>
</ul>
</li>
</ul>
</div>
    ]]></content>
  </entry>
  <entry>
    <title>The Third Annual Art of Record Production Conference in Brisbane (Dec 10-11)</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14194" />
    <id>http://www.aliak.com/node/14194</id>
    <published>2007-11-03T16:42:23+00:00</published>
    <updated>2007-11-03T16:49:05+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="brisbane" />
    <category term="conference" />
    <category term="event" />
    <category term="music" />
    <summary type="html"><![CDATA[<p>Unmasking the art behind making a truly great record will be the focus of a very special event in Brisbane this December. The third Annual <a href="http://www.arpbrisbane.com/" rel="nofollow" rel="nofollow">Art of Record Production Conference</a> will feature some of the most exciting music producers this country has to offer - plus a keynote address from iconic US DJ/Producer Hank Shocklee (Public Enemy, BombSquad). The Art of Record Production is a World Class event being presented for the very first time in the southern hemisphere. read more for details, or visit the website to register or view the program : <a href="http://www.arpbrisbane.com/" title="http://www.arpbrisbane.com/" rel="nofollow">http://www.arpbrisbane.com/</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Art of Record Production Conference 2007<br />
Brisbane - December 10 and 11 </p>
<p><a href="http://www.arpbrisbane.com" title="http://www.arpbrisbane.com">http://www.arpbrisbane.com</a></p>
<p>Unmasking the art behind making a truly great record will be the focus of a very<br />
special event in Brisbane next month. </p>
<p>The third Annual Art of Record Production Conference will take place at The<br />
Queensland University of Technology (QUT), Creative Industries Precinct, Kelvin<br />
Grove, on December 10 and 11, 2007. </p>
<p>Featuring some of the most exciting music producers this country has to offer - plus a<br />
keynote address from iconic US DJ/Producer Hank Shocklee (Public Enemy,<br />
BombSquad) - The Art of Record Production is a World Class event being presented<br />
for the very first time in the southern hemisphere. </p>
<p>The conference has been previously staged in London and Edinburgh and its move to<br />
Brisbane in 2007 is further recognition of the city’s emergence as a global music<br />
industry hotspot. </p>
<p>The two day event will hear from acclaimed Australian producers including Daniel<br />
Denholm (Midnight Oil, Cruel Sea, Alex Lloyd), Tom Ellard (Severed Heads), Dave<br />
Trump (Pollyanna, Big Heavy Stuff, Violetine, You Am I), Adrian Boland ( The<br />
Divinyls) and Richard Lush (Abbey Road Studios engineer plus producer of  Sherbert,<br />
Jon English and many more).   </p>
<p>Conference delegates will have the opportunity to interact with speakers throughout<br />
the event. </p>
<p>Hosted by Professor Andy Arthurs, Professor Julian Knowles and Dr Donna<br />
Hewitt at the Queensland University of Technology (QUT), the Art of Record<br />
Production is a must for Queensland artists and upcoming producers alike. </p>
<p>More than 30 academic papers with Q &amp; A sessions will also be presented on the<br />
following: </p>
<p>• Lo-Fi vs Hi-Fi. The future of the studio and the producer. The association of large<br />
studios with large sales and small studios with small sales is no longer a given. How<br />
has practice changed? How will it change in the future? What are the roles of the<br />
producer, engineer, sound designer, artist, songwriter and performer and to what<br />
extent are these still delineated as separate or conflated? What is the place for the<br />
professional, the amateur or the pro/am? </p>
<p>• Recording as a compositional process. Which comes first, the recording or the<br />
performance? A recording is pivotal in the compositional act. To what extent does it<br />
drive the process? Has recording demolished the concept of authenticity? To what<br />
extent is the recording the modern score? </p>
<p>• Sound recording, new technologies and new contexts. For over 50 years<br />
recording has not necessarily meant the documentation of a single sound event. Nor is<br />
it always merely a linear product such as a song, a symphony or a film soundtrack. Art of Record Production Conference 2007<br />
Brisbane - December 10 and 11 </p>
<p>Unmasking the art behind making a truly great record will be the focus of a very<br />
special event in Brisbane next month. </p>
<p>The third Annual Art of Record Production Conference will take place at The<br />
Queensland University of Technology (QUT), Creative Industries Precinct, Kelvin<br />
Grove, on December 10 and 11, 2007. </p>
<p>Featuring some of the most exciting music producers this country has to offer - plus a<br />
keynote address from iconic US DJ/Producer Hank Shocklee (Public Enemy,<br />
BombSquad) - The Art of Record Production is a World Class event being presented<br />
for the very first time in the southern hemisphere. </p>
<p>The conference has been previously staged in London and Edinburgh and its move to<br />
Brisbane in 2007 is further recognition of the city’s emergence as a global music<br />
industry hotspot. </p>
<p>The two day event will hear from acclaimed Australian producers including Daniel<br />
Denholm (Midnight Oil, Cruel Sea, Alex Lloyd), Tom Ellard (Severed Heads), Dave<br />
Trump (Pollyanna, Big Heavy Stuff, Violetine, You Am I), Adrian Boland ( The<br />
Divinyls) and Richard Lush (Abbey Road Studios engineer plus producer of  Sherbert,<br />
Jon English and many more).   </p>
<p>Conference delegates will have the opportunity to interact with speakers throughout<br />
the event. </p>
<p>Hosted by Professor Andy Arthurs, Professor Julian Knowles and Dr Donna<br />
Hewitt at the Queensland University of Technology (QUT), the Art of Record<br />
Production is a must for Queensland artists and upcoming producers alike. </p>
<p>More than 30 academic papers with Q &amp; A sessions will also be presented on the<br />
following: </p>
<p>• Lo-Fi vs Hi-Fi. The future of the studio and the producer. The association of large<br />
studios with large sales and small studios with small sales is no longer a given. How<br />
has practice changed? How will it change in the future? What are the roles of the<br />
producer, engineer, sound designer, artist, songwriter and performer and to what<br />
extent are these still delineated as separate or conflated? What is the place for the<br />
professional, the amateur or the pro/am? </p>
<p>• Recording as a compositional process. Which comes first, the recording or the<br />
performance? A recording is pivotal in the compositional act. To what extent does it<br />
drive the process? Has recording demolished the concept of authenticity? To what<br />
extent is the recording the modern score? </p>
<p>• Sound recording, new technologies and new contexts. For over 50 years<br />
recording has not necessarily meant the documentation of a single sound event. Nor is<br />
it always merely a linear product such as a song, a symphony or a film soundtrack.<br />
Record producers often need to understand the new contexts in which their work will<br />
exist. Increasingly uses have become more fluid and interactive. Recorded sound is<br />
now part of the fabric of games, the internet, emerging media, mobile networks, and<br />
live performance. New aesthetics have emerged in parallel with technical and creative<br />
innovations. Is there still a directorial role for a producer to “get the best from the<br />
musicians”? Are streaming and downloading our friends or foes? What of the legal<br />
issues and initiatives such as Creative Commons? </p>
<p>• The art surrounding the art. In a world where no discipline is an island, what is the<br />
interaction with, and impact upon record production of videos, CD covers, online<br />
spaces and virtual sites? </p>
<p>• The Changing Role of the Producer. The evolution of the role of record producer<br />
and what the future holds. </p>
<p>Limited Tickets for ARP Brisbane go on sale Nov 1, 2007.  </p>
<p>EarlyBird Tickets on sale until November 30th: </p>
<p>Season Pass Earlybird: $310.00<br />
Season Pass Student/Q Music Members/4zzz Subscribers: $120.00<br />
Registration Prices include Lunch each day.<br />
Please specify any special dietary requirements when you register. </p>
<p>To register online go here: </p>
<p><a href="https://profed.qut.edu.au/ei/getdemo.ei?id=591&amp;s=_3M40VQ32S" title="https://profed.qut.edu.au/ei/getdemo.ei?id=591&amp;s=_3M40VQ32S">https://profed.qut.edu.au/ei/getdemo.ei?id=591&amp;s=_3M40VQ32S</a>. </p>
<p>For more information, head to <a href="http://www.arpbrisbane.com" title="www.arpbrisbane.com">www.arpbrisbane.com</a>  </p>
<p>For all Media Inquiries: </p>
<p>Deb Suckling<br />
<a href="mailto:deb@qmusic.com.au">deb@qmusic.com.au</a><br />
M: +617 417 768 339<br />
Ph: (07) 3366 9060</p>
    ]]></content>
  </entry>
  <entry>
    <title>DrupalCon 2007 - Barcelona links &amp; drupal for Facebook</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/14148" />
    <id>http://www.aliak.com/node/14148</id>
    <published>2007-10-19T10:43:09+01:00</published>
    <updated>2007-10-19T10:44:25+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="conference" />
    <category term="drupal" />
    <category term="international" />
    <category term="internet" />
    <category term="programming" />
    <category term="software" />
    <summary type="html"><![CDATA[<p><a href="http://drupalcon.org/" rel="nofollow" rel="nofollow">DrupalCon</a> was held recently in Barcelona. I didn't make it this year. the <a href="http://barcelona2007.drupalcon.org/schedule" rel="nofollow" rel="nofollow">schedule</a> looked good though, and from all reports it was the best drupalcon ever (as it is each year!!). there's a <a href="http://drupal.org/node/178258" rel="nofollow" rel="nofollow">wrap up post</a> on the drupal site with links to some of the <a href="http://www.slideshare.net/tag/drupalconbarcelona2007" rel="nofollow" rel="nofollow">slide presentations</a>, videos of the sessions on <a href="http://www.archive.org/search.php?query=subject:%22drupalconbarcelona2007%22" rel="nofollow" rel="nofollow">archive.org</a> - search for drupalconbarcelona2007 tag, or try the <a href="http://drupal.motd.be/archive/conferences/barcelona2007" rel="nofollow" rel="nofollow">mirror site</a>.<br />
<a href="http://drupalforfacebook.org" rel="nofollow" rel="nofollow">drupal for facebook</a>  was a session by <a href="http://www.dave-cohen.com/node/1756" rel="nofollow" rel="nofollow">Dave Cohen</a>. he's started a <a href="http://drupal.org/project/fb" rel="nofollow" rel="nofollow">Facebook project on the Drupal site</a>. the <a href="http://www.archive.org/details/Drupal_for_Facebook" rel="nofollow" rel="nofollow">video of his presentation</a> is online as well as the <a href="http://barcelona2007.drupalcon.org/sites/barcelona2007.drupalcon.org/files/drupalforfacebook_drupalcon_2007.pdf" rel="nofollow" rel="nofollow">slides</a><br />
there's a <a href="http://apps.facebook.com/drupalforfacebook/" rel="nofollow" rel="nofollow">demo on facebook</a>. I'm already feeding facebook with my drupal site blog entries using the RSS capabilities of <a href="http://apps.facebook.com/blogfriends/" rel="nofollow" rel="nofollow">Blog Friends</a> and the <a href="http://www.facebook.com/notes.php?ref=sb" rel="nofollow" rel="nofollow">built in Notes application</a>, but it'll be interesting to see what the Drupal guys build.<br />
and, speaking of facebook, <a href="http://mashable.com/2007/09/25/widgetbox-3/" rel="nofollow" rel="nofollow">mashable</a> have reviewed <a href="http://www.widgetbox.com/" rel="nofollow" rel="nofollow">widget box</a>, a wizard for creating <a href="http://www.facebook.com" rel="nofollow" rel="nofollow">Facebook</a> <a href="http://apps.facebook.com" rel="nofollow" rel="nofollow">apps</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><a href="http://drupalcon.org/" rel="nofollow">DrupalCon</a> was held recently in Barcelona. I didn't make it this year. the <a href="http://barcelona2007.drupalcon.org/schedule" rel="nofollow">schedule</a> looked good though, and from all reports it was the best drupalcon ever (as it is each year!!). there's a <a href="http://drupal.org/node/178258" rel="nofollow">wrap up post</a> on the drupal site with links to some of the <a href="http://www.slideshare.net/tag/drupalconbarcelona2007" rel="nofollow">slide presentations</a>, videos of the sessions on <a href="http://www.archive.org/search.php?query=subject:%22drupalconbarcelona2007%22" rel="nofollow">archive.org</a> - search for drupalconbarcelona2007 tag, or try the <a href="http://drupal.motd.be/archive/conferences/barcelona2007" rel="nofollow">mirror site</a>.</p>
<p><a href="http://drupalforfacebook.org" rel="nofollow">drupal for facebook</a>  was a session by <a href="http://www.dave-cohen.com/node/1756" rel="nofollow">Dave Cohen</a>. he's started a <a href="http://drupal.org/project/fb" rel="nofollow">Facebook project on the Drupal site</a>. the <a href="http://www.archive.org/details/Drupal_for_Facebook" rel="nofollow">video of his presentation</a> is online as well as the <a href="http://barcelona2007.drupalcon.org/sites/barcelona2007.drupalcon.org/files/drupalforfacebook_drupalcon_2007.pdf" rel="nofollow">slides</a><br />
there's a <a href="http://apps.facebook.com/drupalforfacebook/" rel="nofollow">demo on facebook</a>. I'm already feeding facebook with my drupal site blog entries using the RSS capabilities of <a href="http://apps.facebook.com/blogfriends/" rel="nofollow">Blog Friends</a> and the <a href="http://www.facebook.com/notes.php?ref=sb" rel="nofollow">built in Notes application</a>, but it'll be interesting to see what the Drupal guys build.</p>
<p>and, speaking of facebook, <a href="http://mashable.com/2007/09/25/widgetbox-3/" rel="nofollow">mashable</a> have reviewed <a href="http://www.widgetbox.com/" rel="nofollow">widget box</a>, a wizard for creating <a href="http://www.facebook.com" rel="nofollow">Facebook</a> <a href="http://apps.facebook.com" rel="nofollow">apps</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>vlog europe 2007 - streaming online</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/5886" />
    <id>http://www.aliak.com/node/5886</id>
    <published>2007-08-28T21:50:14+01:00</published>
    <updated>2008-01-03T19:16:01+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="blog entry" />
    <category term="blog entry" />
    <category term="conference" />
    <category term="videoblog" />
    <category term="vlog" />
    <summary type="html"><![CDATA[<p>Vlog Europe is on this weekend, but they've just posted a link to the site where they'll be <a href="http://www.vlogeurope.com/LiveOnBlogTV.htm" rel="nofollow" rel="nofollow">streaming some of it live</a> - video of course! and a chat channel. the <a href="http://www.vlogeurope.com/wiki/index.php?title=2007_Schedule" rel="nofollow" rel="nofollow">schedule</a> looks good. they're going to talk about software, personal media, videoblogging and it's effects on big media, videoblogging and making content not money</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Vlog Europe is on this weekend, but they've just posted a link to the site where they'll be <a href="http://www.vlogeurope.com/LiveOnBlogTV.htm" rel="nofollow">streaming some of it live</a> - video of course! and a chat channel. the <a href="http://www.vlogeurope.com/wiki/index.php?title=2007_Schedule" rel="nofollow">schedule</a> looks good. they're going to talk about software, personal media, videoblogging and it's effects on big media, videoblogging and making content not money</p>
    ]]></content>
  </entry>
  <entry>
    <title>RENEWING THE ANARCHIST TRADITION - A Scholarly Conference</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2820" />
    <id>http://www.aliak.com/node/2820</id>
    <published>2007-07-28T13:10:11+01:00</published>
    <updated>2008-01-26T20:12:31+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="activism" />
    <category term="call for submissions" />
    <category term="conference" />
    <category term="international" />
    <category term="USA" />
    <summary type="html"><![CDATA[<p>The eighth edition of the Renewing the Anarchist Tradition (RAT) conference, sponsored by the Institute for Anarchist Studies, once again aims to provide a participatory and scholarly space in which to reexamine, reinvigorate, and make relevant the social and political tradition of anarchism.<br />
At previous conferences, presenters have proposed topics that ranged from the character of social change to the ongoing relevance of categories such as class, community, and labor; from the changing shape of the state and capital to emergent forms of both domination and resistance in a globalizing world; from the character of twenty-<br />
first-century technology to the functions and potentials of anti-authoritarian art and propaganda; and from anarchism's relation to geopolitical concerns such as terrorism and war to its ability to grapple with issues of identity such as race, gender, and sexuality.<br />
Read more for the Calls for Proposals or visit <a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146" rel="nofollow">http://anarchiststudies.org/node/146</a> for more details. <a href="http://www.homemadejam.org/renew" title="http://www.homemadejam.org/renew" rel="nofollow">http://www.homemadejam.org/renew</a> has archives of previous year's conferences.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>RENEWING THE ANARCHIST TRADITION<br />
A Scholarly Conference<br />
November 2-4, 2007 in Montpelier, Vermont</p>
<p><a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146">http://anarchiststudies.org/node/146</a></p>
<p>The eighth edition of the Renewing the Anarchist Tradition (RAT)<br />
conference, sponsored by the Institute for Anarchist Studies, once<br />
again aims to provide a participatory and scholarly space in which to<br />
reexamine, reinvigorate, and make relevant the social and political<br />
tradition of anarchism.</p>
<p>Each year, RAT brings together anarchists, anti-authoritarians, and<br />
libertarians who want to critically engage both the tradition itself<br />
and the world in which we live. Participants and presenters at the<br />
conference thereby contribute to developing a more rigorous<br />
contemporary theoretical framework for anarchism as well as a<br />
stronger basis from which anti-authoritarian movements can organize<br />
and resist.</p>
<p>In a historical moment characterized overwhelmingly by war,<br />
exploitation, forced displacement, dispossession, and environmental<br />
devastation, it might seem strange to spend a peaceful fall weekend<br />
in conversation with friends and comrades in Vermont. But we believe<br />
that the contemporary context makes it more important than ever to<br />
foster a space in which to collectively and honestly appraise the<br />
strengths as well as weaknesses of different anarchist practices,<br />
platforms, convictions, dogmas, truisms, and theories in helping us<br />
to understand and ultimately transform the layered systems of<br />
domination and oppression that structure it. We also see RAT as a<br />
place to discuss and share theoretical tools from beyond the<br />
anarchist tradition(s) that can add to building more sustainable<br />
social movements and practices, and eventually a world characterized<br />
by freedom, justice, and dignity for all.</p>
<p>RAT aims to nurture and support a new generation of anti-<br />
authoritarian public intellectuals from different backgrounds and<br />
experiences. So when we describe it as "a scholarly conference," we<br />
are referring to a quality of the presentations and discussions--not<br />
to some professional identity of the participants. You do not have to<br />
be an academic to attend or present at RAT. All you have to do is be<br />
ready to actively participate in the conversations and debates, as<br />
peers who are creating the conference space together. In the past,<br />
RAT has served as a forum for organizers, scholars, writers, artists,<br />
educators, publishers, and students from a range of anarchist and<br />
libertarian left tendencies to come together to engage in challenging<br />
yet respectful dialogue. Participants have observed that RAT offers a<br />
distinctive social environment in which long-term conversations and<br />
relationships between anti-authoritarians from various places and<br />
political contexts can be built.</p>
<p>At previous conferences, presenters have proposed topics that ranged<br />
from the character of social change to the ongoing relevance of<br />
categories such as class, community, and labor; from the changing<br />
shape of the state and capital to emergent forms of both domination<br />
and resistance in a globalizing world; from the character of twenty-<br />
first-century technology to the functions and potentials of anti-<br />
authoritarian art and propaganda; and from anarchism's relation to<br />
geopolitical concerns such as terrorism and war to its ability to<br />
grapple with issues of identity such as race, gender, and sexuality.</p>
<p>CALL FOR PROPOSALS<br />
(Due by or before September 1, 2007)</p>
<p><a href="http://anarchiststudies.org/node/146" title="http://anarchiststudies.org/node/146">http://anarchiststudies.org/node/146</a></p>
<p>We are once again accepting proposals for a limited number of<br />
presentations. In addition, we will be curating a series of panels<br />
that build on previous conversations and provoke even more dynamic<br />
debate than at past conferences.</p>
<p>If you are interested in presenting, please take a look at the RAT<br />
archive (currently at <a href="http://www.homemadejam.org/renew" title="http://www.homemadejam.org/renew">http://www.homemadejam.org/renew</a>) to get a<br />
sense of the topics that have been explored in the past. If you feel<br />
alienated when you look at this list, or think that important issues<br />
that should be considered through an anarchist lens have been left<br />
out, do not panic or decide not to attend. Please send us a proposal.<br />
We particularly encourage non-academics, working people, women,<br />
indigenous people, people of color, queer and trans people, and<br />
others frequently marginalized in scholarly life to submit proposals.</p>
<p>Each proposal should include: a succinct presentation title; a<br />
maximum 150-word description of your presentation and the question or<br />
topic you wish to address; a maximum 50-word description of yourself;<br />
and your full name and e-mail.</p>
<p>You can submit multiple proposals, and proposals for panels are also<br />
welcome. Please note, however, that we will be choosing from the<br />
proposals by September 15, and not every proposal will be selected.</p>
<p>If your proposal is accepted, you are automatically registered. All<br />
presenters must pay the registration fee, since RAT has no funding<br />
other than all of us contributing to make this space possible.</p>
<p>Send your proposal(s), by or before September 1, to:<br />
<a href="mailto:rat-presentations@anarchiststudies.org">rat-presentations@anarchiststudies.org</a>.</p>
<p>REGISTRATION<br />
(Starting on September 15, 2007)</p>
<p>RAT registration, limited to 150 people, will open on September 15.<br />
All presenters are automatically registered, but like everyone else,<br />
they must pay the registration fees in full by or before October 15.<br />
RAT has no outside or independent funding, so everyone who attends<br />
contributes financially to making this conference possible. Those who<br />
register for RAT can also book a table(s) for bookstores, infoshops,<br />
magazines, and other projects.</p>
<p>Once registration opens, we will offer a sliding-scale registration<br />
for the following three options:</p>
<p>    1. Registration and five meals (for locals and<br />
       others not requiring housing): $45 to $65<br />
    2. Registration, five meals, and 2 nights in<br />
       shared dorm room: $105 to $125<br />
    3. Registration, five meals, and 2 nights in<br />
       single dorm room: $155 to $180</p>
<p>Also, a limited number of partial scholarships will be<br />
available to subsidize RAT conference fees for those<br />
with financial need. These scholarships, as in the<br />
past, will be made possible because of the generosity<br />
of other RAT participants who can afford to pay the<br />
higher end (or more!) of our sliding scale.</p>
<p>SCHEDULE</p>
<p>RAT will open this year with a single panel on the evening of Friday,<br />
November 2, followed by a full day of presentations, panels, and a<br />
party on Saturday, November 3, and will wrap up with more<br />
presentations and panels until about 2 p.m. on Sunday, November 4.<br />
All presenters and participants should plan on attending the full<br />
conference, since RAT is meant as an extended conversation.</p>
<p>We are renting space at a small college in Montpelier, Vermont, for<br />
meeting rooms, tabling, five meals (breakfast, lunch, and dinner on<br />
Saturday; breakfast and lunch on Sunday), and dorm rooms. On Saturday<br />
night, we'll be using the Langdon Street Cafe for a performance<br />
(rants! confessions! diatribes! music!) and socializing space.</p>
<p>--<br />
Stevphen Shukaitis<br />
Autonomedia Editorial Collective<br />
<a href="http://www.autonomedia.org" title="http://www.autonomedia.org">http://www.autonomedia.org</a><br />
<a href="http://slash.interactivist.net" title="http://slash.interactivist.net">http://slash.interactivist.net</a></p>
<p>"Autonomy is not a fixed, essential state. Like gender, autonomy is<br />
created through its performance, by doing/becoming; it is a political<br />
practice. To become autonomous is to refuse authoritarian and<br />
compulsory cultures of separation and hierarchy through embodied<br />
practices of welcoming difference... Becoming autonomous is a<br />
political position for it thwarts the exclusions of proprietary<br />
knowledge and jealous hoarding of resources, and replaces the social<br />
and economic hierarchies on which these depend with a politics of<br />
skill exchange, welcome, and collaboration. Freely sharing these with<br />
others creates a common wealth of knowledge and power that subverts<br />
the domination and hegemony of the master's rule." - subRosa Collective</p>
    ]]></content>
  </entry>
  <entry>
    <title>Andrew Johnstone / Design is Kinky</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2691" />
    <id>http://www.aliak.com/node/2691</id>
    <published>2007-04-01T09:34:13+01:00</published>
    <updated>2007-04-01T09:37:18+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="conference" />
    <category term="design" />
    <category term="music artist biography" />
    <category term="sydney" />
    <summary type="html"><![CDATA[<div class="flexinode-body flexinode-2">
<div class="flexinode-textfield-8">
<div class="form-item">
 artist / project name:<br />
 Andrew Johnstone / Design is Kinky
</div>
</div>
<div class="flexinode-textfield-34">
<div class="form-item">
 bio:<br />
 creative director of RSC, a sydney communications firm. runs Design is Kinky conference (sydney, auckland, new york)
</div>
</div>
<div class="form-item">
 myspace page:<br />
 <a href="http://www.myspace.com/andrewdik" rel="nofollow" rel="nofollow">http://www.myspace.com/andrewdik</a>
</div>
<div class="form-item">
 website:<br />
 <a href="http://www.designiskinky.com" rel="nofollow" rel="nofollow">http://www.designiskinky.com</a>
</div>
<div class="flexinode-textfield-13">
<div class="form-item">
 city:<br />
 sydney
</div>
</div>
<div class="flexinode-textarea-11">
<div class="form-item">
 genre:<br />
 design
</div>
</div>
<div class="flexinode-select-33">
<div class="form-item">
 are you a currently active artist / DJ / project?:<br />
 yes
</div>
</div>
</div>
    ]]></summary>
    <content type="html"><![CDATA[<div class="flexinode-body flexinode-2">
<div class="flexinode-textfield-8">
<div class="form-item">
 artist / project name:<br />
 Andrew Johnstone / Design is Kinky
</div>
</div>
<div class="flexinode-textfield-34">
<div class="form-item">
 bio:<br />
 creative director of RSC, a sydney communications firm. runs Design is Kinky conference (sydney, auckland, new york)
</div>
</div>
<div class="form-item">
 myspace page:<br />
 <a href="http://www.myspace.com/andrewdik" rel="nofollow">http://www.myspace.com/andrewdik</a>
</div>
<div class="form-item">
 website:<br />
 <a href="http://www.designiskinky.com" rel="nofollow">http://www.designiskinky.com</a>
</div>
<div class="flexinode-textfield-13">
<div class="form-item">
 city:<br />
 sydney
</div>
</div>
<div class="flexinode-textarea-11">
<div class="form-item">
 genre:<br />
 design
</div>
</div>
<div class="flexinode-checkbox-18">
<div class="form-item">
 Australian artist / DJ / project?:<br />
 Yes
</div>
</div>
<div class="flexinode-select-32">
<div class="form-item">
 can AliaK contact you for more info?:<br />
 yes
</div>
</div>
<div class="flexinode-select-33">
<div class="form-item">
 are you a currently active artist / DJ / project?:<br />
 yes
</div>
</div>
</div>
    ]]></content>
  </entry>
  <entry>
    <title>Video Vortex Conference @ Amsterdam</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2665" />
    <id>http://www.aliak.com/node/2665</id>
    <published>2007-03-17T23:26:56+00:00</published>
    <updated>2007-03-17T23:31:36+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="amsterdam" />
    <category term="conference" />
    <category term="media" />
    <category term="video blogging" />
    <category term="vlog" />
    <summary type="html"><![CDATA[<p>Video Vortex Conference is being held in Amsterdam (NL) on November 30 and December 1 2007. It is organized by the Institute of Network Cultures.<br />
Themes of the conference include:<br />
Viral Video critique<br />
Vlogging Critique<br />
Participatory Culture, Participatory Video<br />
Real World Tools and Technologies<br />
Theory &amp; History of the Database<br />
Narrative and the Cinematic<br />
Database Taxonomy and Navigation<br />
Internet Video: Art, Activism, and Public Media<br />
Evening Programme / Exhibition<br />
Visit the conference website @ <a href="http://www.networkcultures.org/videovortex/" title="http://www.networkcultures.org/videovortex/" rel="nofollow">http://www.networkcultures.org/videovortex/</a> or read more for details</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Video Vortex Conference: November 30 and December 1 2007, Amsterdam (NL)</p>
<p>Organized by the Institute of Network Cultures</p>
<p><a href="http://www.networkcultures.org/videovortex/" title="http://www.networkcultures.org/videovortex/">http://www.networkcultures.org/videovortex/</a></p>
<p>---</p>
<p>More on the Event: <a href="http://www.networkcultures.org/videovortex/" title="http://www.networkcultures.org/videovortex/">http://www.networkcultures.org/videovortex/</a><br />
List info:<br />
<a href="http://listcultures.org/mailman/listinfo/videovortex_listcultures.org" title="http://listcultures.org/mailman/listinfo/videovortex_listcultures.org">http://listcultures.org/mailman/listinfo/videovortex_listcultures.org</a></p>
<p>In response to the increasing potential for video to become a<br />
significant form of personal media on the Internet, this conference<br />
examines the key issues that are emerging around the independent<br />
production and distribution of online video content. What are artists<br />
and activists responses to the popularity of ‘user-generated content’<br />
websites? Is corporate backlash eminent?</p>
<p>After years of talk about digital conversions and crossmedia platforms<br />
we are now witnessing the merger of the Internet and television at a<br />
pace that no one predicted. For the baby boom generation, that<br />
currently forms the film and television establishment, the media<br />
organisations and conglomerates, this unfolds as a complete nightmare.<br />
Not only because of copyright issues but increasingly due to the shift<br />
of audience to vlogging and video-sharing websites as part of the<br />
development of a broader participatory culture.</p>
<p>The opening night will feature live acts, performances and lectures<br />
under the banner of video slamming. We will trace the history from<br />
short film to one-minute videos to the first experiments with streaming<br />
media and online video, along with exploring the way VJs and media<br />
artists are accessing and using online archives.</p>
<p>The Video Vortex conference aims to contextualize these latest<br />
developments through presenting continuities and discontinuities in the<br />
artistic, activist and mainstream perspective of the last few decades.<br />
Unlike the way online video presents itself as the latest and greatest,<br />
there are long threads to be woven into the history of visual art,<br />
cinema and documentary production. The rise of the database as the<br />
dominant form of storing and accessing cultural artifacts has a rich<br />
tradition that still needs to be explored. The conference aims to raise<br />
the following questions:</p>
<p>- How are people utilising the potential to independently produce and<br />
distribute independent video content on the Internet?<br />
- What are the alternatives to the proprietary standards currently<br />
being developed?<br />
- What are the commercial objectives that mass media is imposing on<br />
user-generated content and video-sharing databases?<br />
- What is the underlying economics of online video in the age of<br />
unlimited uploads?<br />
- How autonomous are vloggers within the broader domain of mass media?<br />
- How are cinema, television and video art being affected by the<br />
development of a ubiquitous online video practice?<br />
- What type of aesthetic and narrative issues does the database pose<br />
for online video practice?</p>
<p>Conference themes:</p>
<p>Viral Video critique<br />
Vlogging Critique<br />
Participatory Culture, Participatory Video<br />
Real World Tools and Technologies<br />
Theory &amp; History of the Database<br />
Narrative and the Cinematic<br />
Database Taxonomy and Navigation<br />
Internet Video: Art, Activism, and Public Media<br />
Evening Programme / Exhibition</p>
<p>(see website for details)</p>
<p>Video Vortex Discussion List:</p>
<p>With this discussion list we like to gather responses to the rise of<br />
YouTube and similar online video databases. What does YouTube tell us<br />
about the state of art in visual culture? Is YouTube the corporate<br />
media structure of the 21st century? What are the artist responses to<br />
YouTube aesthetics?</p>
<p>General information about the mailing list is at:<br />
<a href="http://listcultures.org/mailman/listinfo/videovortex_listcultures.org" title="http://listcultures.org/mailman/listinfo/videovortex_listcultures.org">http://listcultures.org/mailman/listinfo/videovortex_listcultures.org</a></p>
<p>To post to this list, send your email to:<br />
videovortex(at)listcultures.org</p>
<p>This list is meant for all those interested in the topic, and will<br />
possibly continue after the event in late 2007.</p>
<p>Practical info:</p>
<p>Date<br />
November 30 and December 1, 2007.</p>
<p>Venue<br />
PostCS 11, PostCS building<br />
Oosterdokskade 3-5<br />
1011 AD Amsterdam<br />
T: 020 - 62 55 999<br />
<a href="http://www.ilove11.nl" title="www.ilove11.nl">www.ilove11.nl</a></p>
<p>Organized by<br />
Institute of Network Cultures, HvA Interactive Media, Amsterdam</p>
<p>Editorial team<br />
Geert Lovink, Sabine Niederer, Shirley Niemans</p>
<p>Affiliated researchers<br />
Seth Keen, Vera Tollmann</p>
<p>Production<br />
Shirley Niemans</p>
<p>For further information, please contact<br />
Shirley Niemans, shirley(at)networkcultures.org<br />
_______________________________________________<br />
The <a href="mailto:air-l@listserv.aoir.org">air-l@listserv.aoir.org</a> mailing list<br />
is provided by the Association of Internet Researchers <a href="http://aoir.org" title="http://aoir.org">http://aoir.org</a><br />
Subscribe, change options or unsubscribe at: <a href="http://listserv.aoir.org/listinfo.cgi/air-l-aoir.org" title="http://listserv.aoir.org/listinfo.cgi/air-l-aoir.org">http://listserv.aoir.org/listinfo.cgi/air-l-aoir.org</a></p>
<p>Join the Association of Internet Researchers:<br />
<a href="http://www.aoir.org/" title="http://www.aoir.org/">http://www.aoir.org/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>1st International Congress Art Tech Media</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2659" />
    <id>http://www.aliak.com/node/2659</id>
    <published>2007-03-11T03:30:04+00:00</published>
    <updated>2007-03-11T03:32:05+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="art" />
    <category term="conference" />
    <category term="event" />
    <category term="madrid" />
    <category term="media" />
    <category term="project" />
    <category term="spain" />
    <category term="technology" />
    <summary type="html"><![CDATA[<p>1st International Congress Art Tech Media  @ <a href="http://www.artechmedia.net" title="www.artechmedia.net" rel="nofollow">www.artechmedia.net</a><br />
8-11th may . Madrid. Spain</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>visit <a href="http://www.artechmedia.net" title="http://www.artechmedia.net">http://www.artechmedia.net</a> for details</p>
<p>or read the call for submissions at <a href="http://www.aliak.com/node/2658" title="http://www.aliak.com/node/2658">http://www.aliak.com/node/2658</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>The First International Art Tech Media Congress - call for submissions</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2658" />
    <id>http://www.aliak.com/node/2658</id>
    <published>2007-03-11T03:21:30+00:00</published>
    <updated>2007-03-17T02:29:44+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="art" />
    <category term="call for submissions" />
    <category term="conference" />
    <category term="digital life" />
    <category term="event" />
    <category term="generative" />
    <category term="international" />
    <category term="madrid" />
    <category term="media" />
    <category term="project" />
    <category term="spain" />
    <category term="technology" />
    <category term="videoblog" />
    <summary type="html"><![CDATA[<p>The First International Art Tech Media Congress has been set up in order to reflect upon and analyse questions currently being raised about art and new technological media within an international context.<br />
artechmedia.net is calling on all creatives of the world to participate. Submissions will be accepted from the following categories:<br />
A<br />
- Video art<br />
- Net-art<br />
- 2D &amp; 3D Computer Animation<br />
- Blog, videoblog<br />
- Creation for mobile platforms<br />
- Digital Music<br />
- Videodance<br />
B<br />
- Digital Communities<br />
- Geospatial storytelling<br />
- Artificial Life, Software art, Transgenic art, Generative art<br />
read more for more information or visit <a href="http://www.artechmedia.net" title="www.artechmedia.net" rel="nofollow">www.artechmedia.net</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>International   Artist   Call     Art Tech M e d i a    0 7</p>
<p>T h e   F i r s t   I n t e r n a t i o n a l   A r t   T e c h    M e d i a   C o n g r e s s</p>
<p><a href="http://www.artechmedia.net" title="www.artechmedia.net">www.artechmedia.net</a></p>
<p>Calling on all creatives of the world to participate.<br />
Submissions will be accepted from the following categories:</p>
<p>A<br />
- Video art<br />
- Net-art<br />
- 2D &amp; 3D Computer Animation<br />
- Blog, videoblog<br />
- Creation for mobile platforms<br />
- Digital Music<br />
- Videodance</p>
<p>B<br />
- Digital Communities<br />
- Geospatial storytelling<br />
- Artificial Life, Software art, Transgenic art, Generative art<br />
.........................................................................................................................................................................................................................................<br />
In a globalised world, dominated by communication technologies, with<br />
countless questions concerning a future that affects our everyday<br />
life, it is essential to make this analysis and to consider, from<br />
different perspectives, how our polyhedral, altered reality is being<br />
effected by the widespread use of new technology as a support for new<br />
ideas and possibilities that are almost infinite. We need to<br />
investigate how this occurs in different societies and cultures and<br />
to propose models that may go beyond what has been known until now.</p>
<p>The First International Art Tech Media Congress has been set up in<br />
order to reflect upon and analyse questions currently being raised<br />
about art and new technological media within an international context.</p>
<p>Within this context, an intensive debate needs to take place on the<br />
influence and transformations that new media is producing in art,<br />
there needs to be a greater understanding of the foundations for more<br />
effective cooperation between the different sectors linked to digital<br />
art, and proposals need to be devised for the development of national<br />
and international collaborative networks in order to improve<br />
production, research, exhibition and promotion.</p>
<p>Last year, Art Tech Media 06 encounters had been held at nine Spanish<br />
museums, and given the great participation and the opinions<br />
collected, its seems clear that this is an ideal time to celebrate<br />
the First International Art Tech Media Conference. It represents a<br />
great opportunity to hold a transversal debate in order to devise<br />
proposals that will lead to greater and better coordination among the<br />
different sectors of art, aimed at strengthening its development.</p>
<p><a href="http://www.artechmedia.net/artechmedia06.htm" title="www.artechmedia.net/artechmedia06.htm">www.artechmedia.net/artechmedia06.htm</a></p>
<p>Art Tech Media 06 headquaters: Museo Nacional Centro de Arte Reina<br />
Sofía, Museo de Arte Contemporáneo Unión Fenosa, Presidencia Gobierno<br />
de Canarias, Museo Domus Artium 2002, Centro-Museo Vasco de Arte<br />
Contemporáneo Artium, Fundación BilbaoArte, Centro Párraga, Museo de<br />
Arte Moderno y Contemporáneo EsBaluard, Centro de Cultura<br />
Contemporánea de Barcelona.</p>
<p>...........................................................................................................................................................................................................................................</p>
<p>&lt;&lt;&lt;<artists_call</p>
<p>GENERAL REGULATIONS Art Tech Media 07 art call</p>
<p>- Works must have been produced after January 1st, 2006.<br />
- The number of submissions is not limited.<br />
- Works may be presented in any language. However, a transcript of dialogues<br />
must be included in either Spanish or English,<br />
- The organization reserves the rights to use parts of the works for<br />
media broadcasting, within the<br />
promotional framework of artechmedia.<br />
- Following the process of selection based on abstratcs, all<br />
participants will be notified in writing of<br />
the result and the required format for the presentationof their work,<br />
preferably on DVD.<br />
- Authors will be responsible for copyright of their works.<br />
- Works selected will be exhibited in artechmedia.<br />
- A electronic catalogue will be produced in Spanish and English,<br />
including all the works.<br />
- Artists with works selected shall agree to assign a copy to<br />
artechmedia, which may be<br />
used in the subsequent exhibitions.<br />
- The organization is not responsible for the content of works in<br />
order to preserve freedom.</p>
<p>Projects:</p>
<p>- Those interested in submitting work in these categories must send a<br />
completed entry form.<br />
- The net-art @blog, videoblog must include the URL address in the entry form.<br />
- A part from the entry form, those interested in taking part in<br />
video art and computer animation<br />
must also send a DVD with their work.<br />
- Digital Music must be sent both in digital format and as a hard copy by post.<br />
- All mail is to be sent to the office central art tech media<br />
Art Tech c/Méndez Nuñez 102, 6ºD. 38001 S/C Tenerife. Canary Island. Spain</p>
<p>DEADLINE: 16th march 2007</p>
<p>SELECTION AND JURY</p>
<p>- Works presented will be selected by a committee of the organization.<br />
- In each category a jury composed of experts will select the works.<br />
- Jury's decision is final, and is not open to appeal.</p>
<p>SELECTED WORKS must include:</p>
<p>- Technical credits.<br />
- Technical requirements for its showing.<br />
- Two colour photographs of every work sent.<br />
- A short biography of author or representative organization.<br />
- A transcript of dialogues in spanish or english.<br />
- All works must include in their front page: the work's title, the<br />
delivery address, and the<br />
data of author or representative organization.<br />
- In case of not providing a correct delivery address, the<br />
organization will not be<br />
responsible for the works.<br />
- Submission of a work implies the acceptance of these regulations.</p>
<p>&gt;registration form&gt; enter<br />
<a href="mailto:artechmedia@artechmedia.net">artechmedia@artechmedia.net</a></p>
<p>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</p>
<p>1st International Congress Art Tech Media     <a href="http://www.artechmedia.net" title="www.artechmedia.net">www.artechmedia.net</a><br />
8-9-10-11 th may . Madrid. Spain</p>
<p>______________________________________________<br />
SPECTRE list for media culture in Deep Europe<br />
Info, archive and help:<br />
<a href="http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre" title="http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre">http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre</a></p>
</artists_call</p></p>    ]]></content>
  </entry>
  <entry>
    <title>tina 2006 - Festival video</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2422" />
    <id>http://www.aliak.com/node/2422</id>
    <published>2006-10-22T11:20:05+01:00</published>
    <updated>2006-10-22T11:27:20+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="arts" />
    <category term="arts artist" />
    <category term="australia" />
    <category term="conference" />
    <category term="documentation" />
    <category term="event" />
    <category term="experimental" />
    <category term="festival" />
    <category term="music" />
    <category term="music artists" />
    <category term="newcastle" />
    <category term="video art" />
    <summary type="html"><![CDATA[<p><a href="http://blip.tv/file/get/AliaK-tina2006FestivalVideo592.mov" rel="nofollow" rel="nofollow"><img src="http://blip.tv/file/get/AliaK-tina2006FestivalVideo592.mov.jpg" border="0" /></a><br />
<a href="http://blip.tv/file/get/AliaK-tina2006FestivalVideo592.mov" rel="nofollow" rel="nofollow">Watch the video</a><br />
various shots taken at This is Not Art festival in Newcastle, Australia 28/09/2006 - 02/10/2006<br />
<a href="http://www.thisisnotart.org" title="http://www.thisisnotart.org" rel="nofollow">http://www.thisisnotart.org</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p><a href="http://blip.tv/file/get/AliaK-tina2006FestivalVideo592.mov" rel="nofollow"><img src="http://blip.tv/file/get/AliaK-tina2006FestivalVideo592.mov.jpg" border="0" /></a></p>
<p><a href="http://blip.tv/file/get/AliaK-tina2006FestivalVideo592.mov" rel="nofollow">Watch the video</a></p>
<p>various shots taken at This is Not Art festival in Newcastle, Australia 28/09/2006 - 02/10/2006</p>
<p><a href="http://www.thisisnotart.org" title="http://www.thisisnotart.org">http://www.thisisnotart.org</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>tina 2006 - David Wolf and Somaya Langley - TBA</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2410" />
    <id>http://www.aliak.com/node/2410</id>
    <published>2006-10-18T19:10:28+01:00</published>
    <updated>2008-02-01T22:24:16+00:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="australia" />
    <category term="canberra" />
    <category term="Composer" />
    <category term="conference" />
    <category term="course" />
    <category term="courses" />
    <category term="documentation" />
    <category term="electrofringe" />
    <category term="event" />
    <category term="experimental" />
    <category term="festival" />
    <category term="max_msp" />
    <category term="melbourne" />
    <category term="music" />
    <category term="music artists" />
    <category term="newcastle" />
    <category term="tina" />
    <category term="video art" />
    <summary type="html"><![CDATA[<p><a href="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov" rel="nofollow" rel="nofollow"><img src="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov.jpg" border="0" /></a><br />
<a href="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov" rel="nofollow" rel="nofollow">Watch the video</a><br />
part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.<br />
<a href="http://www.thisisnotart.org/" title="http://www.thisisnotart.org/" rel="nofollow">http://www.thisisnotart.org/</a><br />
<a href="http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/" title="http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/" rel="nofollow">http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/</a><br />
TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p><a href="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov" rel="nofollow"><img src="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov.jpg" border="0" /></a></p>
<p><a href="http://blip.tv/file/get/AliaK-tina2006DavidWolfAndSomayaLangleyTBA936.mov" rel="nofollow">Watch the video</a></p>
<p>part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.</p>
<p><a href="http://www.thisisnotart.org/" title="http://www.thisisnotart.org/">http://www.thisisnotart.org/</a></p>
<p><a href="http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/" title="http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/">http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/</a></p>
<p>TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Sarai i-Fellows 2006 Delhi</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2375" />
    <id>http://www.aliak.com/node/2375</id>
    <published>2006-08-30T19:10:10+01:00</published>
    <updated>2006-08-31T19:45:53+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="arts" />
    <category term="arts artist" />
    <category term="blog entry" />
    <category term="conference" />
    <category term="culture_jamming" />
    <category term="delhi" />
    <category term="education" />
    <category term="india" />
    <category term="new media" />
    <category term="organisation" />
    <category term="publication" />
    <category term="urban space" />
    <category term="vlog" />
    <category term="writers" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<script src="http://www.aliak.com/vPIP/vpip.js" type="text/javascript"></script><style type="text/css" media="all">@import "http://www.aliak.com/vPIP/vPIPBox.css";</style><script src="http://www.aliak.com/vPIP/jquery.js" type="text/javascript"></script><div class="hVlog">
  <a href="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov" class="hVlogTarget" type="video/quicktime" onclick="vPIPPlay(this, 'name=Sarai i-fellows 2006', '', ''); return false;"><br />
      <img src="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov.jpg" /></a>
<p>  <a href="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov" type="video/quicktime" onclick="vPIPPlay(this, 'name=Sarai i-Fellows 2006', '', ''); return false;"><br />
click here or on the image to play the quicktime movie</a>
</p></div>
<p>music is Indian Summer by Big Bud</p>
<p>I went along to the Sarai Independent Fellows 2006 workshops last weekend (26-27/08) @ Sarai, CSDS, New Delhi. I missed the first two days sessions, but here is a slideshow video of some of the saturday &amp; sunday sessions. it was really interesting - both the presentations and the discussions afterwards. some sessions were in Hindi so I couldn't follow as easily. there were a wide range of projects though - art, music, urban issues. hopefully they'll link to some of the full papers on the sarai.net website. it was a great way to get another insight into life and goings on in India and related places.</p>
<p>photos @ <a href="http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006">http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006</a></p>
<p><a href="http://ifellows2006.wordpress.com/">http://ifellows2006.wordpress.com</a></p>
<p><a href="http://www.sarai.net/">http://www.sarai.net</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<script src="http://www.aliak.com/vPIP/vpip.js" type="text/javascript"></script><style type="text/css" media="all">@import "http://www.aliak.com/vPIP/vPIPBox.css";</style><script src="http://www.aliak.com/vPIP/jquery.js" type="text/javascript"></script><div class="hVlog">
  <a href="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov" class="hVlogTarget" type="video/quicktime" onclick="vPIPPlay(this, 'name=Sarai i-fellows 2006', '', ''); return false;"><br />
      <img src="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov.jpg" /></a><br />
<br />
  <a href="http://blip.tv/file/get/AliaK-SaraiIFellows2006Delhi124.mov" type="video/quicktime" onclick="vPIPPlay(this, 'name=Sarai i-Fellows 2006', '', ''); return false;"><br />
click here or on the image to play the quicktime movie</a>
</div>
<p>music is Indian Summer by Big Bud</p>
<p>I went along to the Sarai Independent Fellows 2006 workshops last weekend (26-27/08) @ Sarai, CSDS, New Delhi. I missed the first two days sessions, but here is a slideshow video of some of the saturday &amp; sunday sessions. it was really interesting - both the presentations and the discussions afterwards. some sessions were in Hindi so I couldn't follow as easily. there were a wide range of projects though - art, music, urban issues. hopefully they'll link to some of the full papers on the sarai.net website. it was a great way to get another insight into life and goings on in India and related places.</p>
<p>photos @ <a href="http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006">http://www.flickr.com/photos/aliak_com/tags/saraiifellows2006</a></p>
<p><a href="http://ifellows2006.wordpress.com/">http://ifellows2006.wordpress.com</a></p>
<p><a href="http://www.sarai.net/">http://www.sarai.net</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>2006 Biennale of Sydney - Zones of Contact</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2326" />
    <id>http://www.aliak.com/node/2326</id>
    <published>2006-07-09T14:43:13+01:00</published>
    <updated>2006-07-09T14:48:10+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="arts" />
    <category term="conference" />
    <category term="event" />
    <category term="festival" />
    <category term="sydney" />
    <summary type="html"><![CDATA[<p>The Biennale of Sydney is Australia's largest and most exciting international visual arts event. The Biennale of Sydney is held in Sydney's leading museums and galleries and is renowned for showcasing the freshest and most innovative contemporary art from Australia and around the world. Since 1973 the Biennale of Sydney exhibitions have presented the work of more than 1200 artists from over sixty countries. Most of these artists were also brought to Sydney by the Biennale, which often facilitated their travel and co-ordinated their professional engagements in a national outreach program to art schools and universities across Australia. Please visit the Biennale of Sydney website for more information on the Biennale's mission, history and past exhibitions. The concept 'Zones of Contact' forms the framework and organising principle of the 2006 Biennale of Sydney, which will include a range of artists from around the world practising in all forms of the visual arts. 'Zones of Contact' is about the spaces in which people live in and move between, the spatial dimensions of cities, settlements, territories, the land and home. The work refers to the temporal dimensions of those spaces, the body, everyday life, places in which people encounter one another and other cultures and sense of self and their histories. Visit <a href="http://www.bos2006.com/" title="http://www.bos2006.com/" rel="nofollow">http://www.bos2006.com/</a> for more details.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The Biennale of Sydney is Australia's largest and most exciting international visual arts event.</p>
<p>The Biennale of Sydney is held in Sydney's leading museums and galleries and is renowned for showcasing the freshest and most innovative contemporary art from Australia and around the world.</p>
<p>Since 1973 the Biennale of Sydney exhibitions have presented the work of more than 1200 artists from over sixty countries. Most of these artists were also brought to Sydney by the Biennale, which often facilitated their travel and co-ordinated their professional engagements in a national outreach program to art schools and universities across Australia.</p>
<p>Please visit the Biennale of Sydney website for more information on the Biennale's mission, history and past exhibitions.</p>
<p>The concept 'Zones of Contact' forms the framework and organising principle of the 2006 Biennale of Sydney, which will include a range of artists from around the world practising in all forms of the visual arts. 'Zones of Contact' is about the spaces in which people live in and move between, the spatial dimensions of cities, settlements, territories, the land and home. The work refers to the temporal dimensions of those spaces, the body, everyday life, places in which people encounter one another and other cultures and sense of self and their histories. </p>
<p><a href="http://www.bos2006.com/" title="http://www.bos2006.com/">http://www.bos2006.com/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>upcoming conferences - vloggercon 06 &amp; where 2.0</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2290" />
    <id>http://www.aliak.com/node/2290</id>
    <published>2006-05-20T07:45:05+01:00</published>
    <updated>2006-05-20T07:53:25+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="blog" />
    <category term="conference" />
    <category term="event" />
    <category term="other" />
    <category term="workshop" />
    <summary type="html"><![CDATA[<p>There's a couple of conferences coming up which I wouldn't mind checking out.. don't think I'll have a chance in person as I'm still in Delhi for work, but I think they'll have video / audio recordings of them so I can check out later.<br />
Vloggercon 2006 is being held in San Francisco this year. Here's the blurb from their site:<br />
"VLOGGERCON 2006 is the intersection between media-makers and technology. A space for dialog and interaction. Of creation and collaboration. A media village born on the internet, and making camp for one weekend in San Francisco.<br />
In the past year, videoblogging has grown into a myriad of forms with a worldwide voice. And your voice is needed at Vloggercon– after all, the media is being made by you so it’s your voice that we want to hear! Vloggercon is a two-day collection of roundtable discussions about the emergence and the future of this new medium; not a series of lec-tures. This conference is created for meeting and learning from each other, so be ready to share your thoughts!<br />
Vloggercon 2006 will be held June 10 &amp; 11 at the Swedish American Hall, 2174 Market Street, San Francisco CA 94114. "<br />
<a href="http://www.vloggercon.com/" title="http://www.vloggercon.com/" rel="nofollow">http://www.vloggercon.com/</a> - tickets are available online.<br />
Where 2.0<br />
This one's about locative and GIS / Google Earth, Second Life / Electric Sheep &amp; similar web apps. Would be good to see what's happening on this front at the moment. Here's the blurb from their site :<br />
" Everything happens somewhere. With open source and free web mapping tools like Ka-Map and Google Maps, we finally have a way to display location information. At last year's Where 2.0, we put the spotlight on the grassroots developers building mash-ups on platforms from Microsoft, Yahoo!, and Google. This year we'll look at the latest developments in those platforms as well as the latest startups, civic projects, and labs experiments built on them.<br />
In addition you'll find source mapping tools, open standards for data and location web services, and sensors for obtaining location data. We'll learn how the established geo industry is reacting to the first businesses making money from their grassroots geospatial projects. There's no better place to meet the people behind the mash-ups, the people behind the platforms, and the people looking ahead to the future of geospatial. "<br />
<a href="http://conferences.oreillynet.com/where2006/" title="http://conferences.oreillynet.com/where2006/" rel="nofollow">http://conferences.oreillynet.com/where2006/</a></p>
    ]]></summary>
    <content type="html"><![CDATA[<p>There's a couple of conferences coming up which I wouldn't mind checking out.. don't think I'll have a chance in person as I'm still in Delhi for work, but I think they'll have video / audio recordings of them so I can check out later.</p>
<p>Vloggercon 2006 is being held in San Francisco this year. Here's the blurb from their site:<br />
"VLOGGERCON 2006 is the intersection between media-makers and technology. A space for dialog and interaction. Of creation and collaboration. A media village born on the internet, and making camp for one weekend in San Francisco.</p>
<p>In the past year, videoblogging has grown into a myriad of forms with a worldwide voice. And your voice is needed at Vloggercon– after all, the media is being made by you so it’s your voice that we want to hear! Vloggercon is a two-day collection of roundtable discussions about the emergence and the future of this new medium; not a series of lec-tures. This conference is created for meeting and learning from each other, so be ready to share your thoughts!</p>
<p>Vloggercon 2006 will be held June 10 &amp; 11 at the Swedish American Hall, 2174 Market Street, San Francisco CA 94114. "<br />
<a href="http://www.vloggercon.com/" title="http://www.vloggercon.com/">http://www.vloggercon.com/</a> - tickets are available online.</p>
<p>Where 2.0<br />
This one's about locative and GIS / Google Earth, Second Life / Electric Sheep &amp; similar web apps. Would be good to see what's happening on this front at the moment. Here's the blurb from their site :</p>
<p>" Everything happens somewhere. With open source and free web mapping tools like Ka-Map and Google Maps, we finally have a way to display location information. At last year's Where 2.0, we put the spotlight on the grassroots developers building mash-ups on platforms from Microsoft, Yahoo!, and Google. This year we'll look at the latest developments in those platforms as well as the latest startups, civic projects, and labs experiments built on them.</p>
<p>In addition you'll find source mapping tools, open standards for data and location web services, and sensors for obtaining location data. We'll learn how the established geo industry is reacting to the first businesses making money from their grassroots geospatial projects. There's no better place to meet the people behind the mash-ups, the people behind the platforms, and the people looking ahead to the future of geospatial. "<br />
<a href="http://conferences.oreillynet.com/where2006/" title="http://conferences.oreillynet.com/where2006/">http://conferences.oreillynet.com/where2006/</a></p>
    ]]></content>
  </entry>
  <entry>
    <title>ADA - Aotearoa Digital Arts</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2173" />
    <id>http://www.aliak.com/node/2173</id>
    <published>2006-01-30T03:16:47+00:00</published>
    <updated>2006-10-29T14:22:11+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="arts" />
    <category term="collective" />
    <category term="conference" />
    <category term="festival" />
    <category term="list" />
    <category term="new zealand" />
    <summary type="html"><![CDATA[<p>ADA will be a working conference involving new media artists, critics and curators. We'll be looking at critical questions of resourcing, education and practice.We're in the planning stages now, and would love to hear any suggestion you may have for participants and key questions for discussion. We're keeping it local (while working on the odd international visitor and web conference). The focus is to connect people within New Zealand and Kiwis working internationally.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>ADA will be a working conference involving new media artists, critics and curators. We'll be looking at critical questions of resourcing, education and practice.We're in the planning stages now, and would love to hear any suggestion you may have for participants and key questions for discussion. We're keeping it local (while working on the odd international visitor and web conference). The focus is to connect people within New Zealand and Kiwis working internationally.</p>
<p>What are we trying to achieve? </p>
<p>Our aim is to subject all those smart country - wired hinterland - knowledge wave notions that waft around discussions of cultural and economic policy to some hardcore questioning. We want to build on existing national networks and to help foster a sense of shared purpose. We want to gather the strands of criticism and practice. Oh, and have fun throwing some ideas around.</p>
<p>visit <a href="http://ada.waikato.ac.nz/" title="http://ada.waikato.ac.nz/">http://ada.waikato.ac.nz/</a> for more details</p>
    ]]></content>
  </entry>
  <entry>
    <title>e-Tech 2004 conference - notes from Tim O&#039;Reilly&#039;s killer apps recording</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/2038" />
    <id>http://www.aliak.com/node/2038</id>
    <published>2005-12-11T04:24:34+00:00</published>
    <updated>2005-12-11T05:10:53+00:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="computing" />
    <category term="conference" />
    <category term="internet" />
    <category term="technology" />
    <summary type="html"><![CDATA[<p>O'Reilly killer apps mentioned in the audio recording of e-Tech 2004 from archive.org<br />
social software - harnessing the power of use contributions &amp; user participation:<br />
successful platforms using social software:</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>O'Reilly killer apps mentioned in the audio recording of e-Tech 2004 from archive.org</p>
<p>social software - harnessing the power of use contributions &amp; user participation:</p>
<p>successful platforms using social software:<br />
- the comparison of amazon.com vs barnesandnoble.com -&gt; amazon.com sell more o'reilly books than barnes &amp; noble</p>
<p>mapping systems:<br />
- mapping data applications; geo-annotations; geo url; geo tagging photographs<br />
- "figuring out how does the real and the virtual penetrate"<br />
- microsoft map point; aol mapquest; yahoo are the three main mapping systems at the moment</p>
<p>software used to mobilise people:<br />
- moveon.org<br />
- largest advocacy organisation in the world<br />
- pointing millions of people at a shared project<br />
- similar to the Dean project (using drupal!)</p>
<p>wikis<br />
word spy - new terms; snapshot of the changes in language and culture; <a href="http://wordspy.com/" title="http://wordspy.com/">http://wordspy.com/</a></p>
<p>mobile devices<br />
- pdas, mobile phones<br />
- itunes</p>
<p><a href="http://ia200109.eu.archive.org/1/audio/etech2004-oreilly/etech2004-oreilly_64kb.mp3" title="http://ia200109.eu.archive.org/1/audio/etech2004-oreilly/etech2004-oreilly_64kb.mp3">http://ia200109.eu.archive.org/1/audio/etech2004-oreilly/etech2004-oreil...</a></p>
    ]]></content>
  </entry>
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