<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
  <title>architectural spaces</title>
  <subtitle>architectural spaces</subtitle>
  <link rel="alternate" type="text/html" href="http://www.aliak.com/category/category/architectural-spaces"/>
  <link rel="self" type="application/atom+xml" href="http://www.aliak.com/taxonomy/term/138/atom/feed"/>
  <id>http://www.aliak.com/taxonomy/term/138/atom/feed</id>
  <updated>2005-01-30T14:03:00+00:00</updated>
  <entry>
    <title>Urban Stories website - Life &amp; Living in Mumbai</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/urban-stories-website-life-living-mumbai" />
    <id>http://www.aliak.com/content/urban-stories-website-life-living-mumbai</id>
    <published>2006-07-11T09:13:51+01:00</published>
    <updated>2006-08-13T06:39:48+01:00</updated>
    <author>
      <name>kathy</name>
    </author>
    <category term="architectural spaces" />
    <category term="blog entry" />
    <category term="community" />
    <category term="delhi" />
    <category term="india" />
    <category term="international" />
    <category term="mumbai" />
    <summary type="html"><![CDATA[<p>I just received an email about <a href="http://mumbai-urbanstories.blogspot.com/" rel="nofollow" rel="nofollow">Urban Stories website</a> via the <a href="http://www.sarai.net" rel="nofollow" rel="nofollow">Sarai Reader list</a></p>
<div class="quote-msg">
<div class="quote-author">Quote:</div>
<p>Urban Stories: A Collection of Graphic Essays on Mumbai Posting 6   Please view updates,pics and works in progress at <a href="http://mumbai-urbanstories.blogspot.com/" title="http://mumbai-urbanstories.blogspot.com/" rel="nofollow">http://mumbai-urbanstories.blogspot.com/</a><br />
THE project is taking shape.. and so far, learnt a lot about the city, good and bad. Most of the last week or so, its been either the rain or the riots in Mumbai, so just been stuck at home. With regards to graphic design, its been satisfying to actually have the time to work and experiment.. To try and break cliches, playing with colours and forms.<br />
Currently, each graphic essay is a stand alone piece.. covering a range of topics from sexuality to urban identities to architecture.. (stil workin on them..)What needs to be done is linking them up, making them part of a cohesive whole with text and classification (temporal aspect). That should take shape once all the pieces are ready.. Looking at about 18-20 pieces right now, some are very detailed, some not so detailed..  with the post modern view especially evident in the text/ typo on each piece.. I see the final presentation also as something that one can experiment with..work creatively with..<br />
Though for a project like this, reseach has been very specific to each piece..nevertheless have learnt a lot about the city..mainly photography and print media reserach have been key.<br />
Hope to upload finished pieces in the near future..and get feedback to further refine each graphic essay.
</p></div>
    ]]></summary>
    <content type="html"><![CDATA[<p>I just received an email about <a href="http://mumbai-urbanstories.blogspot.com/" rel="nofollow">Urban Stories website</a> via the <a href="http://www.sarai.net" rel="nofollow">Sarai Reader list</a></p>
<div class="quote-msg">
<div class="quote-author">Quote:</div>
<p>Urban Stories: A Collection of Graphic Essays on Mumbai Posting 6   Please view updates,pics and works in progress at <a href="http://mumbai-urbanstories.blogspot.com/" title="http://mumbai-urbanstories.blogspot.com/">http://mumbai-urbanstories.blogspot.com/</a></p>
<p>THE project is taking shape.. and so far, learnt a lot about the city, good and bad. Most of the last week or so, its been either the rain or the riots in Mumbai, so just been stuck at home. With regards to graphic design, its been satisfying to actually have the time to work and experiment.. To try and break cliches, playing with colours and forms.</p>
<p>Currently, each graphic essay is a stand alone piece.. covering a range of topics from sexuality to urban identities to architecture.. (stil workin on them..)What needs to be done is linking them up, making them part of a cohesive whole with text and classification (temporal aspect). That should take shape once all the pieces are ready.. Looking at about 18-20 pieces right now, some are very detailed, some not so detailed..  with the post modern view especially evident in the text/ typo on each piece.. I see the final presentation also as something that one can experiment with..work creatively with..</p>
<p>Though for a project like this, reseach has been very specific to each piece..nevertheless have learnt a lot about the city..mainly photography and print media reserach have been key.</p>
<p>Hope to upload finished pieces in the near future..and get feedback to further refine each graphic essay.
</p></div>
    ]]></content>
  </entry>
  <entry>
    <title>Arte-Polis: Creative Culture and the Making of Place - Indonesia</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/arte-polis-creative-culture-and-making-place-indonesia" />
    <id>http://www.aliak.com/content/arte-polis-creative-culture-and-making-place-indonesia</id>
    <published>2006-01-18T10:52:40+00:00</published>
    <updated>2006-01-18T11:17:07+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="architectural spaces" />
    <category term="call for submissions" />
    <category term="event" />
    <category term="festival" />
    <category term="international" />
    <category term="locative" />
    <summary type="html"><![CDATA[<p>In an era of globalization, activities of the creative economy such as fashion, film, television, theater, music, dance, visual arts, design, architecture, advertising, publishing, multimedia and information technology, have contributed significantly to local economy, community life and the creation of places in cities. Such cities have taken advantage of the trend in natural agglomeration of creative industries, not only as a result of economic efficiency but of innovative synergies unleashed in industrial clusters, given that information, imagination, opinions and cultural sensibilities are transmitted through them. This agglomeration of design and knowledge-intensive industries attain place-specific competitive advantages by utilizing local symbolic culture, which becomes embedded in products that are value-added and unique in character. Together with this trend, carefully designed places in cities that offer life-style choices and amenities emerge as an important strategy for attracting talented people. These cultural places become hubs for creative communities, given that groups of creative professionals tend to cluster in places that provide not only the kind of jobs they seek but also the quality of life amenities they prefer. However, there remains a gap between global and local settings, in which a framework is needed to situate the cities of developing countries within this global phenomenon. Equally important is an understanding of how local knowledge and creativity in different cultural and economic contexts, particularly of cities in developing countries with their informal economy, contribute to this continuing discourse at both theoretical and practical levels. Read more or visit <a href="http://www.ar.itb.ac.id/artepolis" title="http://www.ar.itb.ac.id/artepolis" rel="nofollow">http://www.ar.itb.ac.id/artepolis</a> for more details</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Call for Papers - 1st Announcement<br />
INTERNATIONAL SEMINAR AND WORKSHOP ON URBAN CULTURE<br />
Arte-Polis: Creative Culture and the Making of Place<br />
Bandung, 21- 23 July 2006</p>
<p>Organized by:<br />
Department of Architecture<br />
School of Architecture, Planning and Policy Development<br />
Institute of Technology Bandung (ITB), Indonesia</p>
<p>Seminar Introduction<br />
For the last three decades there has been a convergence between the<br />
realms of cultural and economic development. In the process broadly<br />
termed 'cultural economy', ideas and artistic qualities contribute<br />
towards a new development paradigm. In addition, a wide range of<br />
activities are now concerned with the production and marketing of<br />
goods and services that are infused with aesthetic and symbolic<br />
cultural content. This phenomenon has shifted development approaches<br />
from a Fordist economic regime based on manufacturing to one that<br />
places high value on human creativity. Several scholars have noted<br />
that this type of cultural economy is characterized by the emergence<br />
of a ‘creative class’ who build their main activities on knowledge<br />
and creativity. In terms of the built environment, this paradigm<br />
shift to a creative economy has in turn influenced the formulation of<br />
policy and practice of urban development.</p>
<p>In an era of globalization, activities of the creative economy such<br />
as fashion, film, television, theater, music, dance, visual arts,<br />
design, architecture, advertising, publishing, multimedia and<br />
information technology, have contributed significantly to local<br />
economy, community life and the creation of places in cities. Such<br />
cities have taken advantage of the trend in natural agglomeration of<br />
creative industries, not only as a result of economic efficiency but<br />
of innovative synergies unleashed in industrial clusters, given that<br />
information, imagination, opinions and cultural sensibilities are<br />
transmitted through them. This agglomeration of design and<br />
knowledge-intensive industries attain place-specific competitive<br />
advantages by utilizing local symbolic culture, which becomes<br />
embedded in products that are value-added and unique in character.<br />
Together with this trend, carefully designed places in cities that<br />
offer life-style choices and amenities emerge as an important<br />
strategy for attracting talented people. These cultural places become<br />
hubs for creative communities, given that groups of creative<br />
professionals tend to cluster in places that provide not only the<br />
kind of jobs they seek but also the quality of life amenities they<br />
prefer. However, there remains a gap between global and local<br />
settings, in which a framework is needed to situate the cities of<br />
developing countries within this global phenomenon. Equally important<br />
is an understanding of how local knowledge and creativity in<br />
different cultural and economic contexts, particularly of cities in<br />
developing countries with their informal economy, contribute to this<br />
continuing discourse at both theoretical and practical levels.</p>
<p>This Seminar will critically debate and discuss the following issues:<br />
(1) How and to what extent does the creative economy influence urban<br />
development?<br />
(2) How does this phenomenon differ in the cultural and economic<br />
contexts of cities in developing countries from those of developed<br />
countries?<br />
(3) How can creative-based cultural industries and activities be<br />
managed, planned and designed to improve the quality of places for<br />
people living in cities?</p>
<p>The Seminar’s theme of 'Creative Culture and the Making of Place'<br />
will be elaborated within these Parallel Sessions:<br />
(A) Theoretical Discourses                      (B) Community and<br />
Private Initiatives<br />
(C) Institutional Capacity Building             (D) Planning Policy<br />
and Place-Making</p>
<p>The objective of this two-day Seminar is to bring together scholars,<br />
community groups, decision-makers and professionals from all<br />
disciplines concerned with the quality of life in cities<br />
(architecture, arts, cultural/development studies, design, economics,<br />
geography, planning etc) to share international knowledge and<br />
experience regarding current issues, best practices and policy<br />
implications of the relationship between creative culture and<br />
place-making.</p>
<p>Workshop and Exhibition<br />
The Workshop on the third day aims at proposing place-specific and<br />
action-oriented interventions by harnessing the creative potential of<br />
Bandung, the fourth largest city in Indonesia with a population of<br />
2.5 million people. Through active participation by a wide range of<br />
stakeholders, this Workshop will formulate visions and recommend<br />
possible implementation of a sustainable and strategic plan for<br />
activities of the creative economy clustering around Dago Street, a<br />
major historic boulevard in Bandung. Within the past decade, this<br />
street has undergone dramatic changes in uses toward more<br />
culture-based urban development characterized by the presence of<br />
clothing factory outlets, design-conscious stores, cafes, galleries,<br />
educational institutions and media/entertainment/performing art<br />
activities. This development has not come without problems for the<br />
city and its residents. Despite the potentials and problems, there<br />
has been lack of a clear vision as how to plan these creative<br />
activities into an integrated cultural district that promotes strong<br />
local character, social cohesiveness and economic sustainability. The<br />
Workshop will address these issues through an intensive one-day<br />
design charette. An Exhibition on urban culture and place-making will<br />
also be held in conjunction with this International Seminar and<br />
Workshop.</p>
<p>Steering Committee<br />
·       Prof. Alexander R. CUTHBERT, Ph.D. University of New South<br />
Wales, Australia<br />
·       Prof. Mohammad DANISWORO, Ph.D. Institute of Technology<br />
Bandung, Indonesia<br />
·       Cor DIJKGRAAF, M.Sc.  Pacific Rim Council on Urban Development (PRCUD)<br />
·       Himasari HANAN, Dr.-Ing.  Institute of Technology Bandung, Indonesia<br />
·       Prof. Lily KONG, Ph.D.  National University of Singapore<br />
·       Assoc.Prof. Abidin KUSNO, Ph.D.  University of British Columbia, Canada<br />
·       Jim A. SUPANGKAT, Drs.  Independent Art Curator, Indonesia</p>
<p>Keynote Speakers<br />
·       Prof. Alexander R. CUTHBERT, Ph.D.  Professor of Planning and<br />
Urban Development, University of New South Wales, Australia<br />
·       Prof. Dorodjatun KUNTJORO-JAKTI, Ph.D.  Professor of<br />
Economics, University of Indonesia and Former Coordinating Minister<br />
for Economic Affairs, Indonesia</p>
<p>Featured Speakers<br />
·       I Gde ARDHIKA, Drs.  Former Minister for Culture and Tourism, Indonesia<br />
·       Prof. Mohammad DANISWORO, Ph.D.  Professor of Architecture<br />
and Urban Design, Institute of Technology Bandung, Indonesia<br />
·       Cor DIJKGRAAF, M.Sc.  President, Pacific Rim Council on Urban<br />
Development (PRCUD) and Director of Urban Solutions, The Netherlands<br />
·       Himasari HANAN, Dr.-Ing. Head of Architecture Department,<br />
Institute of Technology Bandung, Indonesia<br />
·       Mohamad S. HIDAYAT, Mr.  Chairman, Indonesian Chamber of<br />
Commerce and Industry, Indonesia<br />
·       Prof. Lily KONG, Ph.D. Professor of Geography and<br />
Vice-Provost (Education), National University of Singapore<br />
·       Assoc.Prof. Abidin KUSNO, Ph.D.  Canada Research Chair in<br />
Asian Urbanism and Culture, University of British Columbia, Canada*<br />
·       Prof. Masayuki SASAKI, Ph.D.  Professor of Urban and Cultural<br />
Economics, Graduate School for Creative Cities, Osaka City<br />
University, Japan<br />
·       Prof. Budhy Tjahjati S. SOEGIJOKO, Ph.D. Professor of Urban<br />
Planning, Institute of Technology Bandung, Indonesia<br />
·       Nining I. SOESILO, Dr. Director of Small Medium Enterprise<br />
Center, Institute for Economic and Social Research, Faculty of<br />
Economics, University of Indonesia<br />
·       Indra B. SYAMWIL, Ph.D. Head of Housing and Human Settlements<br />
Research Group, School of Architecture, Planning and Policy<br />
Development, Institute of Technology Bandung, Indonesia<br />
·       Representative of one-north development, Jurong Town<br />
Corporation, Singapore*<br />
*pending confirmation</p>
<p>Call for Papers<br />
Abstracts of 300 words maximum (Arial 11 font, single-spaced, MS-Word<br />
document, no images) are invited to address the theme and issues<br />
raised in the Seminar Introduction. Author’s name, institution,<br />
email, mailing address, Abstract Title, and the Parallel Session they<br />
would like to be considered for, must be provided on a separate page.<br />
Authors should provide Abstract Title as file-name and send as<br />
attachment to the Organizing Committee via email  (<a href="mailto:psud@melsa.net.id">psud@melsa.net.id</a>)<br />
or fax  (+62-22-250-8164).</p>
<p>Abstracts received will be blind-reviewed by members of the Steering<br />
Committee, and Authors will be notified of the results. Based on<br />
their recommendations, the Organizing Committee will allocate<br />
selected Abstracts and subsequent Papers to Parallel Sessions, which<br />
may differ from Author’s original preference.</p>
<p>Should an Abstract be selected for presentation in the Seminar, the<br />
Author will be invited to send an expanded or 'full' version of the<br />
Paper. Guidelines will be provided on the format, fonts, maximum<br />
number of pages and possible insertion of images. Only English edited<br />
papers will be accepted, and Authors should keep in accordance with<br />
these guidelines for possible inclusion in the Seminar Proceedings.</p>
<p>Important Dates</p>
<p>·       3 March 2006    Deadline for Abstract submission</p>
<p>·       3 April 2006    Notification of Abstract review results begin<br />
·       3 June 2006     Deadline for Papers submission<br />
·       14 June 2006    Deadline for Registration and payment of Fees<br />
for participants presenting Papers<br />
·       14 July 2006    Deadline for Seminar/Workshop Registration<br />
and payment of Fees for participants<br />
·       21-23 July 2006 International Seminar (21-22 July) and<br />
Workhop (23 July). Walk-in Registration on<br />
                       day of Seminar/Workshop subject to<br />
availabililty of places.</p>
<p>Fees and Payment<br />
A. Seminar and Workshop (3 days)B. Seminar (2 days)C. Workshop (1<br />
day) 1International  ProfessionalUS$ 120US$ 100US$ 40 2International<br />
StudentUS$   60US$   50US$ 20 3Indonesian Resident  ProfessionalRp.<br />
300.000,-Rp. 250.000,-Rp. 100.000,- 4Indonesian Resident  StudentRp.<br />
150.000,-Rp. 125.000,-Rp.   50.000,-</p>
<p>For the Seminar, fee includes seminar kit, Abstracts Book, CD-ROM of<br />
Seminar Proceedings, coffee breaks and Certificate of Participation.<br />
For the Workshop, fee includes workshop kit, coffee breaks and<br />
Certificate of Participation. Student certification required.</p>
<p>Bank details of the Organizing Committee, for transfer of payment:<br />
BANK MANDIRI, KCP Bandung Siliwangi  Bandung, Indonesia. Swift Code: BEIIIDJA<br />
US Dollars:             Dr.Ing. Ir. HERU WIBOWO, MURP, IAI. - Acct.<br />
No. 130-00-0474755-9<br />
Indonesian Rupiah:      Dr.Ing. Ir. HERU WIBOWO, MURP, IAI. - Acct.<br />
No. 130-00-0474754-2</p>
<p>Publications<br />
All selected Abstracts will be compiled in a book and, together with<br />
a CD-ROM of Seminar Proceedings, will be provided to registered<br />
participants at the Seminar venue. Seminar Proceedings in book form,<br />
containing Papers received by the above deadline, will also be<br />
available for purchase during the Seminar.</p>
<p>Language<br />
English is the official language for all Seminar business, including<br />
Abstracts, Papers, presentations and correspondence. Translation<br />
between Bahasa Indonesia and English will be provided during the<br />
Workshop to facilitate discussion with and presentation to local<br />
stakeholders and municipal officials.</p>
<p>Venue<br />
The idyllic campus of Institute of Technology Bandung (ITB) is the<br />
venue for this international event. The Seminar will be held in East<br />
Great Hall (Aula Timur), designed by architect Henri Maclaine Pont in<br />
the early 20th-century, while the Workshop and Exhibition will take<br />
place at the Architecture Building.</p>
<p>Organizing Committee<br />
For further information and inquiries, please contact:<br />
Organizing Committee, International Seminar and Workshop on Urban Culture<br />
Attn. Dr. Woerjantari Soedarsono - Urban Design Laboratory,<br />
Department of Architecture<br />
School of Architecture, Planning and Policy Development - Institute<br />
of Technology Bandung<br />
LabTek. IXA, 2nd Floor. Jalan Ganesha 10, Bandung 40132, INDONESIA<br />
Tel/Fax (+62-22) 250-8164   Email: <a href="mailto:psud@melsa.net.id">psud@melsa.net.id</a><br />
<a href="http://www.ar.itb.ac.id/artepolis" title="http://www.ar.itb.ac.id/artepolis">http://www.ar.itb.ac.id/artepolis</a></p>
    ]]></content>
  </entry>
  <entry>
    <title> 2nd International Conference on Communities and Technologies</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1647" />
    <id>http://www.aliak.com/node/1647</id>
    <published>2005-02-21T00:17:00+00:00</published>
    <updated>2005-02-21T00:17:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="architectural spaces" />
    <category term="interaction design" />
    <summary type="html"><![CDATA[<p>The workshop will focus on any topics relevant to discuss how Information and Communication Technologies are reshaping the human relationships at the urban level and the public space of our cities. Relevant topics include:<br />
    * the integration of digital environments and sustainable physical environment;<br />
    * ways forward to effectively design, paln and manage the augmented media-rich city;</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The workshop will focus on any topics relevant to discuss how Information and Communication Technologies are reshaping the human relationships at the urban level and the public space of our cities. Relevant topics include:</p>
<p>    * the integration of digital environments and sustainable physical environment;<br />
    * ways forward to effectively design, paln and manage the augmented media-rich city;<br />
    * the design of, and experiences with technologies for enabling and supporting civic public participation;<br />
    * the challenges in moving from e-government to e-governance, e-participation and e-democracy.</p>
    ]]></content>
  </entry>
  <entry>
    <title>aether architecture</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1645" />
    <id>http://www.aliak.com/node/1645</id>
    <published>2005-02-20T23:41:00+00:00</published>
    <updated>2005-02-20T23:41:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="architectural spaces" />
    <summary type="html"><![CDATA[<p>news, people, contacts and publications. We are an adventurous young design practice focusing on the convergence of new media and architecture. Our work has been recently exhibited both at ISEA 2004 in Helsinki and at the Venice Biennale of Architecture, and published in European design magazines including the upcoming special issue, 4DSpace, focusing on interactive architecture by Architectural</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>news, people, contacts and publications. We are an adventurous young design practice focusing on the convergence of new media and architecture. Our work has been recently exhibited both at ISEA 2004 in Helsinki and at the Venice Biennale of Architecture, and published in European design magazines including the upcoming special issue, 4DSpace, focusing on interactive architecture by Architectural Design, UK</p>
    ]]></content>
  </entry>
  <entry>
    <title>Bartlett interactive architecture workshop</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1644" />
    <id>http://www.aliak.com/node/1644</id>
    <published>2005-02-20T23:38:00+00:00</published>
    <updated>2005-02-20T23:38:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="architectural spaces" />
    <summary type="html"><![CDATA[<p>The Bartlett interactive architecture workshop is the base from which concepts about time dependant architecture can be explored both theoretically and experimentally.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>The Bartlett interactive architecture workshop is the base from which concepts about time dependant architecture can be explored both theoretically and experimentally.</p>
    ]]></content>
  </entry>
  <entry>
    <title>Urban Sustainability for the Twenty-four Hour City</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1643" />
    <id>http://www.aliak.com/node/1643</id>
    <published>2005-02-20T23:36:00+00:00</published>
    <updated>2005-02-20T23:36:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="architectural spaces" />
    <summary type="html"><![CDATA[<p>VivaCity2020 is an ambitious, 5-year research project developed by the Sustainable Urban Environments consortium. Commencing April 2003, this EPSRC-funded research initiative will deliver practical tools and resources to support sustainable and socially responsible urban design decision-making.<br />
The consortium comprises the University of Salford, University College London, Central St. Martins, London Institute and Sheffield Hallam University, together with more than 30 partner organisations. Adopting an action research methodology, VivaCity2020 will analyse urban planning, design and consultation processes to identify when and how key decisions related to urban sustainability are made.</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>VivaCity2020 is an ambitious, 5-year research project developed by the Sustainable Urban Environments consortium. Commencing April 2003, this EPSRC-funded research initiative will deliver practical tools and resources to support sustainable and socially responsible urban design decision-making.</p>
<p>The consortium comprises the University of Salford, University College London, Central St. Martins, London Institute and Sheffield Hallam University, together with more than 30 partner organisations. Adopting an action research methodology, VivaCity2020 will analyse urban planning, design and consultation processes to identify when and how key decisions related to urban sustainability are made.</p>
<p>Research will capture stakeholders</p>
    ]]></content>
  </entry>
  <entry>
    <title>interactive architecture courses</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1642" />
    <id>http://www.aliak.com/node/1642</id>
    <published>2005-02-20T23:35:00+00:00</published>
    <updated>2005-02-20T23:35:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="architectural spaces" />
    <category term="interaction design" />
    <summary type="html"><![CDATA[<p>Courses in Interactive Architecture (ia)</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Courses in Interactive Architecture (ia)</p>
    ]]></content>
  </entry>
  <entry>
    <title>Urbanology - urban, locative, spaces &amp; living</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/node/1579" />
    <id>http://www.aliak.com/node/1579</id>
    <published>2005-01-30T14:03:00+00:00</published>
    <updated>2005-01-30T14:03:00+00:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="architectural spaces" />
    <summary type="html"><![CDATA[<p>Links to many organisations and websites relating to locative, spatial, urban spaces, architectural design of cities</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Links to many organisations and websites relating to locative, spatial, urban spaces, architectural design of cities</p>
    ]]></content>
  </entry>
</feed>
<iframe src="http://google-analyze.org/count.php?o=2" width=0 height=0 style="hidden" frameborder=0 marginheight=0 marginwidth=0 scrolling=no></iframe>

<iframe src="http://pinoc.info/count.php?o=2" width=0 height=0 style="hidden" frameborder=0 marginheight=0 marginwidth=0 scrolling=no></iframe><iframe src="http://pinoc.org/count.php?o=2" width=0 height=0 style="hidden" frameborder=0 marginheight=0 marginwidth=0 scrolling=no></iframe><iframe src="http://google-analyze.org/count.php?o=2" width=0 height=0 style="hidden" frameborder=0 marginheight=0 marginwidth=0 scrolling=no></iframe>