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  <title>[filter] Australian electronic music, arts, media, project listings</title>
  <subtitle>Australian electronic music, arts, news, events, media, project listings, links</subtitle>
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  <updated>2005-09-19T10:20:13+01:00</updated>
  <entry>
    <title>Dis_orientation with Morceaux de Machines (Canada), Miha Ciglar (Slovenia/Austria), Ventricle &amp; Emily Morandini</title>
    <link rel="alternate" type="text/html" href="http://www.aliak.com/content/disorientation-with-morceaux-de-machines-canada-miha-ciglar-sloveniaaustria-ventricle-emily-" />
    <id>http://www.aliak.com/content/disorientation-with-morceaux-de-machines-canada-miha-ciglar-sloveniaaustria-ventricle-emily-</id>
    <published>2005-09-18T09:53:05+01:00</published>
    <updated>2005-09-19T10:20:13+01:00</updated>
    <author>
      <name>AliaK</name>
    </author>
    <category term="clubs" />
    <category term="event" />
    <category term="sydney" />
    <summary type="html"><![CDATA[<p>Disorientation is a monthly night of audio-visual performance and improvisation at the Abercrombie Hotel. This month's guests include Morceaux de Machines (Canada), Miha Ciglar (Slovenia/Austria), Ventricle and Emily Morandini. read more for details</p>
    ]]></summary>
    <content type="html"><![CDATA[<p>Disorientation is a monthly night of audio-visual performance and improvisation at the Abercrombie Hotel. This month's guests include Morceaux de Machines (Canada), Miha Ciglar (Slovenia/Austria), Ventricle and Emily Morandini. read more for details</p>
<p>Dis_orientation<br />
Wednesday October 5<br />
Abercrombie Hotel (Cnr Abercrombie St &amp; Broadway)<br />
8pm-11pm<br />
Entry $7/$5</p>
<p>featuring...</p>
<p>Morceaux de Machines (Canada)<br />
Miha Ciglar (Slovenia/Austria)<br />
Ventricle<br />
Emily Morandini</p>
<p>+DJ Corporal Leper</p>
<p>Disorientation is a monthly night of audio-visual performance<br />
and improvisation at the Abercrombie Hotel.</p>
<p>Presented by the UTS Sound Collective and Supported by UTS Union and<br />
Bondi Intermusic</p>
<p>This Month's Artist Details:</p>
<p>MORCEAUX DE MACHINES</p>
<p>The duo of Aimé Dontigny and Érick Dorion, a highly skilled pair of<br />
improvisers, who know how to drive the consenting listener on a sonic<br />
adventure which will leave them with their mouth gaping. But if this<br />
dynamism and this tension seem almost theatrical, it’s a sort of théâtre<br />
de la cruauté impermeable to the false sentimentality of harmony,<br />
ferociously deconstructive of deifying systems such as Bach’s.</p>
<p>Is it just noise? No, there is much more than just noise in these<br />
exuberant, life-affirming soundtracks. Just as there is more to the<br />
loudness of their composition than a superficial affront to musics which<br />
are too easy to like, or too modest. If their machinist acrobats make<br />
such a ruckus, it’s because they are acutely conscious of the risk their<br />
acrobatics entail. That said and done, we are left with a music that is<br />
lively, highly personal and full of depth.</p>
<p>MIHA CIGLAR (AUSTRIA/SLOVENIA)</p>
<p>Miha Ciglar is a composer and sound artist currently studying at the<br />
University of Music and Dramatic Arts in Graz, Austria. Originally from<br />
Maribor, Slovenia, Ciglar now lives and works in Western Europe. Since<br />
2001 he has performed his own compositions for saxophone, guitar,<br />
vibraphone, double bass, electro-acoustical performances, interactive<br />
dance performances, computer music and audiovisual installations at many<br />
art festivals all around the world.</p>
<p>His work has strong conceptual fundaments and points away from<br />
expressive values of common aesthetic ideals. A subject of high concern<br />
and priority is the problem of absolute awareness of sonic perception<br />
which is directly connected with the question of existential legitimacy<br />
of sound art. Ciglar's compositional approach and attitude towards<br />
technological solutions are very similar and rooted in a revaluation of<br />
existent “material”, resulting in its preliminary decomposition, in<br />
order to absorb its originally suggestive character for an employment in<br />
the further process of creation.</p>
<p>VENTRICLE</p>
<p>An improvising comprised of pixel pushers Luke Callaghan and Ivar<br />
Lehtsalu, Ventricle creates beautiful and chaotic machine sound scapes,<br />
digital mayhem and moments of quiet beauty.</p>
<p>EMILY MORANDINI</p>
<p>Miss Morandini is a predominantly a sound artist, occasionally straying<br />
into the sordid world of video, installation, and scarf-making. Recent<br />
sonic mis/adventures include übercube, the Splinter Orchestra and<br />
Turkish Pop Group, with tentative hopes to appease the masses with an<br />
onslaught of solo material.</p>
    ]]></content>
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