Sophie, the Institute's first piece of software, is designed for reading and writing next-generation electronic books. Sophie will facilitate the easy construction of documents that are designed to live on the network and to use multimedia and time in ways that are currently difficult, if not impossible.
The Croquet Project is an international effort to promote the continued development of Croquet, a new open source software platform for creating deeply collaborative multi-user online applications. It features a network architecture that supports communication, collaboration, resource sharing, and synchronous computation among multiple users. Using the downloadable Croquet SDK, software developers can benefit from a flexible enough framework that virtually any user interface concept could quickly and easily be prototyped and deployed to create powerful and highly collaborative multi-user 2D and 3D applications and simulations.
Journal of Interdisciplinary Music Studies is a biannually published, refereed journal. The journal covers the studies of music sciences, together with the studies of music and sound in the disciplines of humanities, social sciences, cognitive sciences, medical and engineering sciences. Our aim is to establish a wide range of interdisciplinary platform for the scholars studying on music and sound.
Radical Musicology is a peer-reviewed online journal produced in the International Centre for Music Studies at Newcastle University (UK). It was established to provide a forum for progressive thinking across the whole field of musical studies, and encourages work that draws on any and all relevant discipinary and interdisciplinary prespectives.
Create Digital Motion is a webzine and community site for VJs and other producers of moving images. Their audience can read the latest news, tips, reviews, and features on digital video production and performance.
PixelPress' intent is to encourage documentary photographers, writers, filmmakers, artists, human rights workers and students to explore the world in ways that take advantage of the new possibilities provided by digital media. They seek a new paradigm of journalism, one that encourages an active dialogue between the author and reader and, also, the subject.